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#I promise Sarah and Ellie are going to make an appearance soon 🫶
cowgurrrl · 1 year
Text
Kiwi
Pairing: rockstar!joel miller x actress!reader
Author’s note: as I was writing this, I proclaimed in the most southern accent, “now we’re cookin’ with peanut oil!” so do that with that
Summary: Joel goes home for a month. You stay in California to work. What could possibly go wrong? [3.8k]
Warnings: HEAVILY implied casting couch culture, brief allusion to creepy Hollywood producers, yearning, I can’t think of anything else!!
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Boarding my flight now.
Thanks for letting me know?
Well, I texted my mama to let her know, and she told me to text "that girlfriend of mine."
Doesn't sound like she's a huge fan.
She'll live.
You like the message and go to put your phone away when it buzzes again.
Is it weird that I kinda miss talking to you?
You smile and ignore your name being called over the intercom for another beat.
There are a lot of weird things about you, Joel Miller, but that one feels the most normal.
Text me when you land in Austin. Tell your mom I said hi.
You tuck your phone away, fighting the stupid smile on your face, and look up to see a pissed-off PA walking towards you. You apologize and half jog to the sound stage where Ryan is waiting. 
"The perfect punctual queen is late for once? Is the world going to shit?" He asks, and you slap his arm.
"People are allowed to be late."
"Does your lateness have anything to do with your boy toy?"
"Are you ever gonna call him by his name?" You ask. He senses that you're stalling his question and take a deep breath. "Joel is flying home to Texas today to visit family and get some work done. He'll be gone for a month."
"Oh, how will you ever survive?" He pouts, and you give him a look. The director calling for places stops you from responding, but you threaten him with the promise of picking up the conversation later. 
You don't ever get to tell him off for suggesting that you can't live without Joel being in the same state because of how late shooting goes. It might've been exhaustion, but you swore that you saw the sun starting to rise over the horizon by the time you finally got to leave. You knocked out a good chunk of the scenes you were still working on, which is great news, but you were mentally and physically drained. You slept most of the next day and missed Joel's messages from one whole time zone away. 
Landed.
Jesus Christ, I forgot how hot it is here.
My mama told me to ask you if you go to church since she doesn't believe me.
Attached: Two photos
You laugh as you sleepily scroll through his texts when you wake up mid-afternoon, feeling a little bit better from your long night. One of the pictures he sent is of him sitting in the cab of an old truck with the caption, "This was my first car. I can't convince my dad to sell the damn thing." The second is a blurry photo of a blue-looking weed on the side of the road surrounded by what looks like thousands of other blue weeds. "Turns out the state flower will literally grow anywhere besides in a pot in my house."
A) I'm glad you made it in safely. B) Isn't Texas the armpit of the South? C) I don't go to church, and I never have, but please feel free to lie to her. D) I can imagine a young, emo Joel Miller driving it now.
He reads your messages almost as soon as they deliver, and your screen lights up with his initials as he calls you. You yawn as you pick up and hear chatter in the background of wherever he is.
"First of all," he starts in a determined tone. "Texas ain't the armpit of the South. That's South Carolina." He says. He hasn't even been in Texas for forty-eight hours, and his accent is already thick again.
"My mistake," you laugh. "Did you have another point, or was that it?"
"Second of all, why d'you sound so tired?"
"Obviously, I was out partying with strange men all night."
"Really?" He asks, and you scoff.
"No, Joel. Filming went really late yesterday. I don't think I got home until six this morning."
"Sounds intense." 
"Not as intense as being interrogated by your mother," you say, and he hums. You hear someone laughing in the background and relish in the joy that you're not there to witness. He doesn't say anything for a minute, and you wonder if the line dropped, but when you pull the phone away from your face, you see the call is still active. "You really miss me so much that you called me just to sit on the line?"
"Maybe I did." He says. You take a deep breath and glance at the clock on your bedside table. He's two hours ahead. The sun must be setting by now, casting gorgeous rays onto his skin and making his eyes look amber. You wonder what Texas air does to Joel's soul. Maybe it soothes him like only an old baby blanket can. Maybe it makes him jumpy, like he's waiting for a clap of thunder that never comes. Maybe it makes him wonder why he left in the first place. You wish you could be there to read his expression and try to decipher what he's thinking. Someone calls Joel's name in the background, and you hear him shuffle with the phone, probably covering the microphone with his hand because the voices become muffled. When the phone comes back to his ear, he takes a deep breath, and you do the same. "I gotta go. Can I call you tomorrow?" He asks. 
"I'm counting on it, Miller." You say, and he laughs before mumbling a good night and hanging up the phone. 
After that, it becomes a habit for Joel to call you every day from Texas. He'll tell you different stories about his parents, how Austin has changed since he left, and update you on how the newest album is coming. He listens to you rant about work, how tired you are, and how frustrated you always get toward the end of a project. Sometimes the conversations last ten minutes, and sometimes they last hours. One night, you fell asleep on the phone with him because he was trying to get your opinion on a new song, but you had spent the day filming the scene of your character giving birth, which was tiring in its own right. He doesn't chide you for it. He just sends you a goodnight text and promises to call you the following night.
You hate to admit it, but production speeds up with Joel out of town. You end up wrapping your scenes a week early while Ryan still has another couple of days of filming his scenes. You'll probably get called back in for reshoots in a few months, but you feel really good about the work you put out there, and you finally get the chance to rest before Melanie sends you more scripts to read over. You send Joel a photo of your open laptop and a glass of wine next to it as the California sun sets over your balcony. 
Wrap parties are looking different as I get older.
Don't worry. I'm sure you'll still be a drunk, no matter how old.
Asshole.
Lashing out is the first sign of a bigger problem. I think I should call Melanie.
You laugh and search for the middle finger emoji when he sends you another text.
Paul got me on the list for some charity event this Saturday. Want to come with me? He said it'd probably be better to get some more dates in sooner rather than later.
The reminder that this is all fake shifts your entire mood. Of course, it's always lingering in your mind, but the texting didn't feel fake. The late-night calls didn't feel fake. He didn't feel fake. In fact, this is the first time you feel like you have a sliver of an idea as to who Joel Miller actually is when he isn't selling out world tours and recording platinum albums. It's stupid for you to feel this way. You have no reason to. No right. You take a deep breath and type out a message.
Sure.
On Friday, you drive to the airport to pick Joel up, creating an over-the-top scene of you running and jumping into his arms. His hat falls off his head and onto the ground as he catches you and kisses you sweetly. When he sets you back on the ground, he doesn't let you go right away. He lingers in your arms, and even though your feelings are still hurt and you're still trying to remind yourself that this is all fake, you let him. He smells like a detergent you don't recognize, but underneath that, you catch a whiff of the cologne he always wears. You rub his back as you hold him in the middle of the airport. 
"'S really good to see your face," he says into your neck, and you nod. 
"You too."
As you drive him home, he brings you up to speed on how the album is coming along and how different Texas was when he was there. You tell him about the last few days on set and an upcoming press junket in New York City. He lights up when you tell him the dates as you maneuver through LA traffic.
"I'm scheduled to go to New York to work with my sound mixer that same time. He's got his own studio out there now and knows more about it than I do," he says. "Maybe we can fly together? Make it look like a couple's trip?"
"Sure," you say. He furrows his eyebrows at your lack of excitement, and you scramble for something else to talk about. "How are your parents?" You ask. The rest of the ride to his house goes off without a hitch, and he kisses you again as he gets out of the car, both of you highly aware of the car full of paparazzi that's been tailing you since you left the airport. He promises to pick you up at five the following night, and you just nod. When you get home, you walk calmly into your house, lock the door, and scream.
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Joel's hand is in yours as you wait for your turn to walk the carpet. You're not sure why there's a red carpet at a charity event, but you're not about to throw a fit about it. Joel is wearing a sleek black suit, and you're matching with a long black dress. It's a low-cut backless dress, and a sparkly necklace your stylist picked out rests against your sternum. Joel taps your hand, and you look at him.
"You okay?" He asks. He looks worried as he steps between you and the wall of photographers waiting for you to stand and pose perfectly for their photos. "You've been quiet the past few days."
"Yeah, I'm fine. Just tired. I think I'm still recovering from that last week of filming." 
"Are you sure you're not gettin' sick?" He asks, raising his other hand to your cheeks like he's checking your temperature. You smile half-heartedly and swat his hand away.
"I'm sure," you say. He tries to say more, but someone with a clipboard gets your attention and asks if you're ready. You nod and step onto the carpet, holding Joel's hand. The press erupts into a cloud of noise, startling you and making Joel laugh. You slap his chest and plaster on your rehearsed smile. You do your best to look where all the photographers are yelling at you to look and try different poses so they can get what they need. Everyone has to make a living, you suppose. You just wish their salary wasn't at the expense of your privacy. 
You get halfway down the carpet, taking pictures as a couple and some solo shots, before one of the photographers yells a new command. "Can we get a kiss?" He shouts. You pretend not to hear him and show off how the dress dips down your back, hugging you in all the right places. Still, the photographer is demanding a kiss, and now others have joined in too. It feels very "dance, monkey, dance," but you do your best to grit your teeth and smile. You catch Joel staring at you when you turn. It could be the flashing bulbs of cameras or how he's looking at you, but his eyes are sparkling, and the creases in the corners make you melt just a little. 
You hold out your hand for him to join you, which he happily obliges, wrapping an arm around your waist and pulling you close enough for him to kiss your temple. "You alright?" He asks against your skin as you rest a hand on his chest and look up at him. You nod and glance between his eyes and his lips. The chorus of people practically begging for a picture of you two kissing is growing, and you raise your eyebrows at him. 
"You gonna keep them waiting, or are you gonna kiss me?" You ask, the playful lilt reserved for him returning to your voice. He gives you a look and smirks before leaning down a pressing a chaste kiss to your lips. Everyone ooh's and aw's at you two, but you only care about how fast his heartbeat is against your palm. You want to blame it on the anxiety of walking the carpet and having people scream at you to do whatever they want. No, you have to blame it on that. There's no other option.
When you finally get inside, Joel gets you a glass of wine and a mixed drink for himself. The event is sweet and goes by quickly as you listen to people talk about something they're so passionate about. You decide to donate some money under an anonymous name once you are all excused to the reception, where there's food, more alcohol, and dancing. Joel leaves your side to catch up with some musician buddies, kissing your cheek before disappearing into the crowd. 
You nurse your wine as people you've never met start conversations with you. They're all polite and ask about your newest project, how LA's been treating you, and what's up next for you. You can't reveal much due to the NDA you signed at the beginning of shooting, but you tell them how excited you are for them to be able to see it and admit you've got some auditions lined up in the coming weeks. You've probably given the same answers to a handful of different people when you realize you're out of wine and Joel is still missing. You scan the room for him, but you can't find him. That's fine, you think. It's not like he's obligated to stick to my side at all times. He can have his own life.
You sigh as you belly up to the bar and order another glass of wine. You almost make it a double when someone taps your arm, making you turn. "I don't mean to interrupt, but you look exquisite tonight. I just thought you should know," ultra-famous producer Richard Pike tells you. You blink at him, your brain struggling to catch up with the fact that one of the men who's made the most award-winning films in the past twenty years just noticed you. "I know everyone has probably told you that tonight, but-"
"Oh, no. Thank you. I'm sorry. I was just a little starstruck right then," you apologize before holding your hand out to introduce yourself. He takes your hand and kisses the top of it. It's very dramatic, but this is Hollywood we're talking about. Your glass of wine arrives, and he pays the bartender before you can even reach for your purse. 
"Women as gorgeous as you should never have to pay for a drink. Ever." He says, and you laugh.
"I mean, I won't argue with you on that," you say, taking your glass in your hand to clink it against his glass of scotch. "Thank you, Mr. Pike."
"Please, call me Richard," he insists. "You just finished another movie, didn't you? You're a very busy girl."
"Yes, sir. I'm already looking for new projects to audition for." 
"Oh, I remember when I had actors audition. See, that was before I started writing roles for specific actors. Some people call that crude or playing favorites, but it hasn't failed me yet." 
"No, sir, it hasn't."
"So formal! Yes, sir! No, sir! Are you like this with everyone?" He asks as he takes a big swig of his drink.
"Just people who can cast me," you say. You're partially joking, but it's enough for him. He laughs, and his hand lands perfectly on your exposed back as he cackles loudly. You force yourself to laugh along with him and suddenly get that sinking feeling in your chest. Everybody seems to strategically look away from you two at the bar, and you want to be anywhere but here. 
"You know, I've seen a few of your movies," he says, getting close to your face like he's telling you a secret. "I think you've got a lot of potential. With just a little coaching and one great role," his hand dips lower down your back, and you freeze. Ice water runs through your veins, and everything is screaming at you to run away, but your heels stay planted against the expensive hardwood. "We'll make an Oscar winner of you yet."
"Excuse me," a familiar drawl says behind you. You both turn and make eye contact with Joel. "May I steal my girlfriend for a dance? I promised her one on the way over." He asks, but he's already wrapping an arm around your waist, ready to pull you away. The hand on your back disappears and claps Joel on the shoulder.
"Of course! You take good care of this one!"
"Yes, sir," Joel says as he pulls you to the dance floor. Your heart is still beating in your throat, and you feel like you could cry, but Joel's looking at you with such kindness. You find safety in him as you wrap your arms around his neck and slowly sway with him, the soft material of his dress shirt calming you down. He waits until Pike is out of earshot to lean down to talk in your ear. "Now, I know you don't need me savin' you like that. Are you sure you're okay?" 
"He's one of the biggest producers in Hollywood. He could tank my career in a single email. You want to be the one to yell at him?" You ask. "If I said or did something, he would've doubled down, but he respects you more. He backed off because, in his mind, I belong to you."
"How do you know?"
"I've dealt with people like him before. They're all the same old men who think they can offer you a legacy on a silver platter if you fuck them. I've gotten enough advice from other actors to know how to handle them. Let them get touchy but find an out before it can go too far. Stroke their egos so they feel good about themselves. Basically, do whatever to keep you and your career safe."
"I thought stuff like that didn't happen anymore."
"You and everyone else in the world. Things don't just magically change because one guy goes to jail." You sigh. 
"I'm sorry," he says, and you shake your head. 
"It's fine."
"No, it's not. You shouldn't have to deal with that."
"It was one of the first things people told me when I started. They said it was something I might just have to… endure but that the weight would get easier to carry. One actress even told me that it was the price we have to pay because everyone wants to be us," you chuckle. He doesn't interrupt you; he just stares at you with apologetic eyes like he would take this burden from you if he could. You almost believe him. "I don't think that's true. I think most people would hand this lifestyle in the second it got too real."
"What would you do if you weren't an actor?" He asks, and you shrug.
"I always thought about being a teacher. Sure, the pay is shit, and the work is thankless, but kids are our future, you know? There's something really special about shaping young minds."
"Sounds nice."
"What about you? What would you do if you weren't doing this?"
"Probably something with my hands. I worked as a mechanic for a while, and I really liked that. I liked how it was a big puzzle that needed to get sorted out and fixed up."
"Why'd you stop?" You ask. 
"I needed to grow up. My dad owned a contracting company, so I worked with him until I saved up enough to record my first album. And that was that."
"It's crazy how we fought so hard to get to where we are, and now that we're here, it's..." You trail off, trying to figure out what you want to say.
"Terrifying?" He suggests, and you nod. "Yeah, I'm terrified every second of every day."
"You don't act like it." 
"I don't act like a lot of things that I should," he says. He stares at you so intently that the rest of the world fades away. You don't hear the song die down or the applause erupt around you as the band takes a bow. You can feel his heartbeat against your chest. You know how crazed it is. He wets his lips before stepping back and trailing his eyes down your dress and back up to your face like he's taking you in for the first time. "You really do look beautiful tonight." You swallow around the lump in your throat and smooth your hands down your dress, suddenly self-conscious. 
"Thank you." You mumble. 
Pictures of you two kissing on the carpet and dancing inside are circulating online before you even leave the event. You wake up to a huge batch of texts— one from your mom, two from Joel, six from Ryan, and one from Melanie about your trip to New York that you barely read. You would've stayed in bed wallowing in your own bad luck if there wasn't a sharp knock on your door. You groan the whole way down the stairs like it will help you greet whoever has decided to show up at your house at eight in the morning, but nobody's there when you open the door. 
Instead, a bouquet of flowers in a lovely vase sits on your mat with a note sticking out. You glance down your street and barely catch a delivery truck turning down the block. You carefully take the flowers into your kitchen before plucking the note between the petals. 
Pretty flowers for a pretty girl - JM 
(PS bought these of my own volition)
"Goddammit," you mutter under your breath as you think about his lips on yours, his soft shirt, and his stupid fucking, "I don't act like a lot of things I should."
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