#I know this isn't a perfectly comprehensive scale but! | Explore Tumblr Posts and Blogs

ixiot-ghostrebel · 10 months

Note

Time for brain rot for honkai star rail

Reader as prhopet of aeon that represents the chaeos: aeon of chaos belives the universe as is it is chaotic and becose of that universe is perfect so anyone who wants to destroy the universe or make evryone imortal are enemy of chaos

As for how reader becomes the prophet of the aeon of chaos well that simple the chaos helped readers home planet in deafting the fragmentun monsters and reader and few other are the first of pepoles who chose to take path of chaos

And reader as the prophet has role of spreading the knowledge of chaos to more and more pepole in universe and is good at it

As for reader personality they are kind of like trailblazer or travler form genshin impact but if we chose most of the time the funny lines like calling painon emergency but they can be serious if the situation is died or if some one badmouth the aeon of chaos

Image reaction of pepole like bronya,fu xuan and sliver wolf

OHOHOHO...First Honkai: Star Rail post, here I come! Thanks for the brainrot, @zardas75 ! :)

Btw, I'm sorry—I deleted your previous brainrot due to my lack of motivation :') Hopefully this shall redeem myself!

Some context before we dive in: the "Prophet of Chaos" role is a title specifically for the soul that is chosen with the highest blessing of Chaos—given by the Aeon of Chaos themselves, Khaos.

The Prophet of Chaos's job is to spread word of the principles that the Aeon of Chaos heavily believes in. In Reader's home world, Erisnyx, the Prophet of Chaos also maintains the shrine estate that is dedicated to Khaos.

They don't mind anyone else that do not worship Khaos—so long as they behave themselves. Because they are blessed with the Path of Chaos, anyone who dares defy their words in the Shrine of Chaos will meet their unrestful doom.

You, the Reader, have decided to take a slight detour on the traditions, wanting to see the vast universe outside of Erisnyx while also maintaining your job as the Prophet of Chaos.

Naturally, when you meet others, religion isn't always going to be your first topic. Not even with friends, sometimes.

Prophet of Chaos!Reader with Bronya, SilverWolf, and Fu Xuan!

(Warning: May be OOC!)

Bronya Rand

The first time you both met, you were as chaotic as ever that Bronya was beginning to worry that you might cause trouble in Belebog.

Safe to say, she was relieved when you behaved yourself. Now you guys were friends—mainly because of you throwing your chaotic-self into her life. It's made quite the impact.

She's actually pretty glad that you're in her life lol. She isn't sure how she got someone with a nice yet chaotic balance such as yourself. You were basically the scale, the fine line, of chaos and peace.

When you randomly mention right out of the blue that you're actually a Prophet of Chaos—someone blessed by the Aeon of Chaos themself—she was kind of shocked. I mean, sure—she's seen stellarons and the trailblazer get...you know...but this was a little more different. You were completely normal, someone that anyone would assume to be just one of those "gremlin friends"

"So...Khaos causing chaos, simply because they believe the universe is chaotic and it's perfect that way?" "That's why trash cans are a miracle to walk upon."

Yes, that's how it goes. Your chaotic-self messing up Bronya's brain of comprehension. Not that she's complaining—she loves you the way you are :)

Fu Xuan

The moment she foresaw you in one of her divinitions, Fu Xuan thought she would have to deal with another, and perhaps even greater than the General himself, headache and nuisance.

When she first met you, though, she was surprised. You were not only chaotic, but very peaceful. You were a perfect balance—as if the hexagrams, the stars, and the planets have aligned perfectly, in harmony, forever and always.

Sure, you do give her a headache from time to time, but she's overall glad to have you for a friend (or something more 👀), even if you do do stupid things.

When you tell her that you were the Prophet selected by the Aeon of Chaos themself, Fu Xuan isn't exactly surprised. It doesn't take that much to connect the dots that you follow a specific aeon and their principles—following the Path of Chaos actually fits you, if she was being honest.

"I can certainly see how you fit your role, Y/N. You certainly have the personality and strong will to hold these principles to your heart." One of the few times she smiles, even if it is a small one. The Master Diviner is also highly interested of what you do back in your homeland, so please indulge her in a few stories on her break time!

Silver Wolf

When she first met you, she didn't think much about you. Not until you practically bombed your way into her path.

She absolutely loves your chaotic energy, even if she won't say it. Sure, sometimes they're a little too much, but it's endearing to be with people that interest you, no?

When she gets to know you better Silver Wolf is pretty intrigued of how you became the Prophet of Chaos. Did you have to go through trials? Challenges? Rites? What kind of stuff do you do? Where they that boring that you left your homeland?

"So the entire universe is just a perfect form of chaos?" Though her tone doesn't show it, Silver Wolf's perspective of this entire game that is the universe gets suddenly shifted when you're around now. It's like you can make even the most mundane and boring things into a grand invitation for an epic event that doesn't disappoint.

"Be sure to touch some grass." Silver Wolf also loves your sense of humor. You fit her gamer slang too well.

And we're done! I hope you enjoyed it :) Thank you for being my first HSR fanfic requester, Zardas75!

Ghost Rebel Side Notes: N/A

✦ Check out The Ghost Rebel’s Blog Description & Info Page to See if Their Mailbox is Open! ✦

#honkai star rail x reader #honkai star rail #honkai star rail bronya #honkai star rail silver wolf #silver wolf #bronya rand #hsr x reader #hsr imagines #star rail #bronya rand x reader #silver wolf x reader #honkai star rail fu xuan #hsr fu xuan #fu xuan x reader #fu xuan hsr #hsr bronya #hsr silver wolf #fu xuan

152 notes · View notes

lucemferto · 3 years

Note

The reason why c!Schlatt works as a faceless villain while c!Dream doesn't is because c!Schlatt was consistent while c!Dream isn't. c!Schlatt was just a dictator. c!Dream went from being a leader to a manipulator to an abuser to a supervillain to a mastermind prisoner to a man with a god complex to a tortured woobie. Only two of those transitions make sense. The others might make sense if we could see his perspec-haha no. Well, I guess he'll be a poorly written character forever!

I wouldn't agree with that - not fully, at least.

Now, in Season 1? Sure, there was a bit of time until Dream found his footing. I think even up until November 16th is a bit of a challenge to pin down what his character was about.

But from S2 onward? I think he's been fairly consistent. Like, his arc from Exile to the Final Disk War is fairly comprehensible. It's basic escalation - we start small and personal and then get bigger. Dream started with his horrid abuse of Tommy; but the very same motivations and feelings there also inform his choices during Doomsday and the Final Disk War - just on a larger scale.

Is it perfectly written? No, but I don't expect perfect. I expect competent. And I feel it was rather competent.

Now, Season 3 is a bit of different beast to tackle - mostly because the storyline involving Dream has yet to conclude. I think, what Season 3 suffers maybe a bit from is tonal inconsistency, especially when it comes to the prison.

Framing-wise, it didn't seem like they would explore the effects long-term imprisonment would have a person - it seemed more like your standard "Joker in Arkham Asylum"-type of deal.

This is where Dream's POV is really lacking, because stuff like his talks with Sapnap and BadBoyHalo read at the time as manipulative, because the viewers been given no reason to believe (beyond their own opinions on real-life prisons) that Dream's imprisonment in Pandora's Vault was in any way unjust or inhuman on an extradiegetic level.

Because we didn't have his POV.

And I don't know if that was in the cards back then; but it clearly is now. It's not that Dream has changed much (though he has after the torture at Quackity's hands) and more that the framing around Dream and the prison has changed.

Personally, I don't really feel comfortable forming an opinion on it yet, because the story has yet to conclude.

But what is clear is that we desperately need Dream's POV to make this change more palpable to the audience.

#dream smp analysis #dsmp analysis #dream smp #dsmp #dsmpblr #dreamsmp

20 notes · View notes

dreamsister81 · 3 years

Text

Jeff and MI:

By age, you fit in the G.I.T generation, but you obviously are not one of them...

These facilities are a mystery to me. There they tell you only one thing: hurry up! This leads you nowhere, afterwards your own children run away from you. Through these trainings you get to know women, you get to know men, music is inoculated into people who have no feeling for it; then they can only scare other people or insult them...

I was in this terrible place too, by the way-G.I.T That was a complete waste of time, apart from the theoretical lessons and the friends that I had there. Otherwise: an absolute wrong decision.

How long have you studied there?

One year, the normal program. They give you tons of material, you have to absorb everything, you practice, you are tested and you go to the next course. An intensive support with development is simply not possible. I did so many things: theory, single string technique, jazz class, rock class, all sorts of genres. My friend John was teaching bass there, and he once said that there is not a single teacher at the institute who says to the students, "OK, you're learning all this stuff here now, you're learning how to entertain people and you're learning to learn. But do you even know that there is no one in the universe other than yourself who plays the music you play? " John left the school then. For me it was all a joke that cost me $ 3,900. People interested in music should take private lessons somewhere, start a band, do something with people who like them and have what it takes. These schools are a scene in their own right, a very small, secluded world-the music, on the other hand, is gigantic and open. If you don't notice it, you miss a lot of magic, pain, development...(thinks) and rock! Apart from Paul Gilbert, there was no one there who really rocked. Session musicians are bred there; and at the end of the year you get a piece of paper that says, "Now you have the skills to become a professional musician." Well, congratulations! And then you look for jobs and play what other people want. But that's not all the music, there's something else isn't there? Where's the music coming from? From your own head or stomach, or the concepts of the people you work for?-Gitarre & Bass, October, 1995

I had a friend named John Humphrey. I went to this really crappy guitar school for a year, and he used to teach there, he was a bass teacher. And then he left, and we ended up being roommates later on, after I graduated. This is the kind of school where you give them a shitload of money in order to spend a year learning their curriculum.

What was it, G.I.T. (Guitar Institute of Technology in Los Angeles)?

Yeah, it was G.I.T.. They give you their curriculum, and it's not too comprehensive, but it's just enough, and then you can [snaps his fingers] move on to the next thing. And pretty soon you have all this shit inside you and then they give you this paper that says you have what it takes to be a professional musician.

It's a rock-oriented thing, isn't it?

In the end, I think, the only true product of that kind of learning is to get you gigs on the studio circuit and to get you gigs on the session guy circuit.

So, Lee Ritenour went there or something?

G.I.T. was started by Howard Roberts, the guy who played the wah-wah guitar on the theme to Shaft. And this other guy named Pat Hayes. I don't know. It just seemed like a racket, really. John said a lot of things to me that stuck in my mind. He said that there was nobody who stopped you, sat you in a room and said, okay, we have all these artists that you're learning the licks from, you have your guitar heroes, your virtuoso lust objects. But there's nobody who can make the kind of music you can make now except for you. And you can make it now. You don't even have to know how to go fast. And that makes all the sense to me in the world. It's also kind of an unseen process, that concept, originality. It's like that in all the education systems; there's never any real...identity education, self-generative identity art sort of thing, to be yourself. If everybody in Melbourne had a Wurlitzer organ and had the passion to sing something or make something, you'd have hundreds of thousands of different styles, if they were coming exactly from only their DNA, only their makeup, and their emotional percepts, their idea about what art is. You could have way-removed genres from what is already accepted, avante-garde country-rock-punk-folk-whatever. It's unlimited. But for some reason, the conventions always take over and there's a very ready and powerful formula to step into...

Those are the type of [formula-derived] players who can say, "Well, I was listening to the radio in 1967 and I heard the guitar solo in Jimi Hendrix's 'All Along the Watchtower,' and that guitar sound, that tone, would work perfectly for this television commercial."

Yeah. See? "Stealing from the greats, that's okay." That's right. Once I stopped in [at G.I.T.] years later, when I was on tour going through L.A., just to see what it was like. They've got a completely high-tech, multi-million dollar facility...

More so than when you had been there?

Way more. When I was there, it was just a ragtag bunch of teachers, and they had all left by then. They had video facilities and a class for stage moves and all kinds of things. And I saw this guy who was working the desk, the guy who watches the door. He had a bass on, and he was practicing his Nirvana chops! He was playing "In Bloom" on his bass, way up on his chest, jazz-fusion style, to the Nirvana song. I thought, oh shit--he was practicing his grunge riffs! He was getting his grunge down! Best fucking thing you can do, if you have the interest, is go to a private teacher, go someplace, some college, and learn theory. That was something I really enjoyed, actually, something that wasn't totally pointless. Theory meaning the meaning of the musical nomenclature. I was attracted to really interesting harmonies, stuff that I would hear in Ravel, Ellington, Bartok.-Double Take, February 29, 1996

Once the site of a seakeasy and a bra factory, the 30,000-square-foot quarters were now the home of Musicians Institute, a vocational school for anyone who considered himself or herself a serious musician. With its wooden desks and chipped-tile hallways, MI resembled any other urban school, but at those desks, student guitarists and drummers studied scales and power chords in hopes of becoming the next Eddie Van Halen or Neil Peart, the flashy drummer with Rush. On their way to class each morning, flaxen-haired guitar gods in training could be spotted holding their guitars and practicing licks as they walked down Hollywood Boulevard.

Jeff had heard about Musicians Institute (and its subdivision, the Guitar Institute of Technology) while in high school and told everyone it was his one and only destination. However, potential superstardom did not run cheap. The school charged $4,000 for its one year course, and by the time Jeff Graduated from Loara High School, Mary Guibert was beginning to fall on hard financial times as she went in and out of jobs. In need of money for herself and her two sons, she prematurely broke into a $20,000 fund earmarked for Jeff, but only after he tured nineteen. Once Mary proved to the courtsthat Jeff needed it for his education, he and Mary received it a year early. In a deep irony, the father Jeff had barely met and increasingly resented would be paying his son's way through music school.

On graduation night, September 15, 1985, at the Odyssey in Granada Hills in the San Fernando Valley, Jeff, Stoll, and Marryatt closed the ceremony by playing Weather Report's "Pearl On the Half Shell."-from Dream Brother

With its 30-odd thousand feet of floor space and row upon row of "labs", where hopeful guitar heroes could jam with such shit-hot players as Scott Henderson, LA's Musician's Institute must have seemed like nirvana for someone like Jeff Buckley, trapped as he was behind the Orange Curtain. According to his buddy Chris Dowd, that's exactly why Buckley enrolled there, arriving just before autumn, 1984, bankrolled by $4,000 that Mary managed to squeeze from a Tim Buckley trust fund.

Originally known as the Guitar Institute, which in itself says plenty, the school was opened in 1977. Drawing on the educational philosophy of journeyman guitarist Howard Roberts, it was co-founded and managed by Los Angeles music businessman Pat Hicks, "a real shyster opportunist", in the words of Tom Chang, an expat Canadian who would become very tight with Jeff Buckley during their two years at the Institute. In 1978, thr Bass Institute was opened, followed by the Percussion Institute two years later. Desppite Hicks' questionable business ethics-amongst other things, he'd hire students as cheap labour to do essential maintenance work on the building, which led to Buckley being hired as an electrician's assistant soon after graduating-he did manage to persuade well regarded players and bands to lecture, and play alongside, the hopefuls who'd enrolled there.

What Buckley lacked up in "front" he clearly made up for in ambition. That was proved, in spades, by Buckley's graduation performance which was played out on September 15, 1985, at a venue called the Odyssey in Granada Hills. While the sonic crush and enviable chops of Rush and Led Zeppelin still rocked the world of this Orange County teen, Buckley had also developed a real taste for such "noodlers" as Weather Report.

The number chosen by Buckley for graduation was their "D Flat Waltz" (not "Pearl On The Half-Shell", as documented elsewhere, which they'd performed at a previous event), a typically complicated few minutes of Weather Report neo-fusion-a "really cool piece, very involved", according to Tom Chang-and a standout from their 1983 set Domino Theory. But Buckley, accompanied by Stoll on drums and Marryatt on bass, didn't just play the piece, he also wrote the individual parts out beforehand for the band.-from A Pure Drop

MI pics by me

#jeff buckley #MI #Musicians Institute #GIT #mylove #supremebeing #favorite #music #jeff places

24 notes · View notes