Roughly how the escspe scene in chapter four of Into the Abyss looked like to me. Binghe vibing hard with the danger. While being carried.

Idk why this is the scene I've wanted to draw but yeah. The mental image stuck with me.

Let’s Watch: Yin Yang Master: Dream of Eternity

I have watched this movie 85 Whole Entire Times and I do not regret.  The only thing wrong with this movie is that it wasn't a fifty episode series.  I cried, I laughed, I fell in love.  The cinematography is on point, the acting is amazing, the crew member who put snow on people's eyebrows did an amazing job, and the acting!  The subtlety, the gentleness, the love and affection, the discussion of race is one of the best I've ever seen.

As people have pointed out before in series like X-Men that fear of mutant's is practically if not thematically justified due to the laser eyes in a way that fear of ethnic minorities just isn't in real life.  In Dream of Eternity however humans are equally if not sometimes more super powered than the yao they hunt.  Demons - very much not in the Christian sense - are a mixture of spirits, resentful souls, and animals and plants who cultivated to human form.  They often appear human at first glance and in some cases the extent of their power seems to be the limited to turning into a smaller more vulnerable animal.  Qingming's deliberate care and gentleness not only reflects his upbringing as a Yin Yang Master, but parallels the experience of racial minorities labelled as aggressive.

The movie takes particular care as well in the way it looks at trauma, grief, and love.  The three of which haunt the main characters and send out ripple effects into the world around them.  In the world of Dream of Eternity no loss is purely private, it spools out into the world around the person effected until they make an effect to acknowledge and deal with their experiences.  Qingming's warmth and gentleness isn't just marked by his behaviour but by the orange light he's lit by and his variety of shishen - but he is also separate, standing alone in frame and facing away from the people around him.  Boya's loss has made him unforgiving and as cold as the blue light he's lit in, and yet he is open and instinctive, talking and acting as soon as the thought enters his head.  The Empress is lost and drifting, trapped and grief stricken, vulnerable to those who profess to love her.  The film is simple, it says and shows what it means when it means it - but it is also as complex as the very human characters it depicts.  

The movie is made even more complex by its pull from theaters.  Claims of plagiarism drench the edges of the movie, which as true as the assertion that Fan BingBing went on a spa vacation in 2018.  Although this blog is about Chinese censorship dealing specifically with BL content, Chinese censorship also effects those who criticize governmental policy.  I hope that supporters of this blog will also support Chinese media threatened by censorship for many reasons so that artists and others involved in film making can continue to make meaningful content.

Doing a watchthrough of a movie is not feasible, but please enjoy a few thousand words - with spoilers on Yin Yang Master included:

* That gentle chiming and rain soundscaping is so soothing, what a great way to calm and lull the audience before the movie even starts * Qingming is so small and isolated in the frame - cinema! * The lighting and cinematography is just so good * Shifu, soft gentle teacher * So much love stored in the Shifu * Instant grow * This boy is Sassy * This theme of deflection in Qingming's character is established early * Deflection with a teleportation portal and then immediately deflection verbally * Shifu is certainly an attractive man aged up, but his face is also soft and gentle, something to note when his double pops up later * Also the awkward question of don't you have someone you want to protect, maybe part of the problem is that shifu is just really bad at wording things * The answer that yes he does has several meanings, one of which is immediately apparent when Shifu acts out one of those Father Saves Child By Yeeting them youtube videos * ACtion MuSIC * I love them your honour * The spirit guardian's design is so specific and elegant, absolutely superb you funky little shishen * I wonder if Qingming ever thinks about that if he didn't come back with all his fellow disciples that Shifu would have been fine * Maybe it's not that he doesn't have someone he wants to protect and more that he believes that he's not capable of protecting those he wants to * subtle indication Shifu's qi is corrupted * Precious Magic Childe ;-; * The framing, I'm living for it * The Serpent graphic is lovely * Also the way they set things up * Qingming cares so much about his shifu * Mark Chao just has the ability to crumple his face like paper * Sad Time exposition involving the corrupting influence of desires * "When you're gone I'll be all alone" in just about all you need to know about Qingming at this point in the story * Also like, sympathy for Shifu in raising this lonely child.  By all accounts he was an absolutely superb father figure, and Qingming I'm sure was not an easy child to raise.  He's the sort of kid that would take a lot of calm and patience. * Slumber party! * It's kind of interesting that this is an activity Fangyue and He Shouyue are doing together.  He's definitely obsessed and in love with her and she's just doing friends and family activities with him * Also yellow/gold lighting is kind of their thing * It's interesting how they do the make up for He Shouyue.  The actor is very attractive, but they make him up to look doll like, a little too pretty, a little too shiny.  Like a porcelain doll. * Cool lit Boya and warm lit Qingming appear! * Camels! * The framing is so good, they're careful to be sure he's shown as obviously isolated as much as possible * And it should go without saying that I adore the City * The matte painting is outstanding * But there's also the lighting, the vignettes, the clusters, the foliage * It is a supremely beautiful set * The irony that Killing Stone is playing along with Boya's music and then it's Boya who kicks him around * A small note, but one I appreciate - even when Boya has warm highlight's they're red instead of orange * "It's Jason Bourne!" * I hope Qingming paid for that water taxi * It's interesting how Killing Stone goes from the safety of Qingming's orange light to the danger of Qingming's blue * Colour related foreshadowing! * Look at this poor sweet man, how could anyone suspect him of anything.  He's just a sad man who loves his dead wife * Qingming's use of a fan is interesting - battle fans show up all over wuxia and xianxia, but it feels like it also ties into the way he's so very careful in how he presents himself.  There's that quote that a sword can only be a sword but other weapons are also able to serve other purposes - not a perfect quote but the point is got across. * The way Qingming just knocks Boya back, like get An Clue, my dude * The way that Killing Stone curls around the pipa ;-; * So the movie is based on the book series 'Onmyoji' by Yumemakura Baku.  The books start with Seimei (Qingming) and Hiromasa (Boya) already in a relationship talking about various cases Seimei has recently experienced.  Plotwise, obviously the stories are different, however thematically Seimei and Hiromasa discuss why some yao stick around and solutions to the difficulties and dangers they might cause - which is generally from Seimei's very successful perspective to listen and treat them like humans.  So in that way the plots of the books and the movie are quite different, but the themes are just about identical. * Boya says Don't Talk Me I Angy and also that demons don't have feelings and Qingming's face takes out a billboard that's just like Ah, Another Fantasy Racist, Excellent * Qingming also does what should be done in this situation, taking care of the victim not the racist * Fight scene!  Fight scene! * Qingming's first few moves aren't to attack, they're to distract and just hold his fan up to block Boya's way and his view - it's only when Boya persists in attacking that Qingming fights back * Qingming's sassy smile, he is very much deliberately irritating Boya as much as he's refocusing his attention and distracting him * "nICE sWORD" * I've sighed that sigh before * This boy is taking great pleasure from teasing Boya, but also he makes a really good point * I understand and relate to what Qingming did, but also I can understand why Boya was ready to throw rocks at Qingming when he saw him again * Killing Stone lit in Qingming's orange light again * Killing Stone, my beloved * A good gauge to the state of the world for yao is no one has told this sweet boy before that demons have feelings too * There are several lines like this in the movie that just drop kick you with Implications * The same way Qingming clung to Zhongxing, Killing Stone wants to join up with Qingming to have some compassion in his life * The way he asks to be a spirit guardian is so formal too, and Qingming is so gentle with him, I cry ;-; * The warm orange light of Qingming's love ;-; * He heals the wounds * It took me an embarrassing amount of time to realise it's the actual imperial degree speaking and not one the of Jingyun Temple Masters * The mutual this guy again is delicious * "Is it because of your pretty face" * Boya draws his sword so fast and Qingming is so amused by it * Longye!  Queen!  I love her! * The two of them seem to understand each other instantly * Those sassy little smiles * He Shouyue looks even more like a doll than before * Longye has her head on a swivel from second one, she plays the Maiden so well like she's not a skilled master * And her customer service smile * Qingming is shooketh

* What happens next?  You'll have to watch and find out!