Louise Brooks (1906 – 1985) photographed by George Hommel (1901 – 1953). Some of these photos were published in the 1928 issue of the Brazilian movie magazine “A Scena Muda” and on the 1928 cover of “Cinema” (origin unknown).
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Clara Bow in a publicity portrait for 𝑻𝒉𝒆 𝑺𝒂𝒕𝒖𝒓𝒅𝒂𝒚 𝑵𝒊𝒈𝒉𝒕 𝑲𝒊𝒅 (1929). Photo by George Hommel.
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Louise Brooks by George Hommel, 1927
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About women's versatility
Naive, but gives the best advice.
Weak, but takes on anything.
A screw loose and tough as nails.
Curls up with Jasper or Ladies'Home Journal.
Can't figure out this bolt and builds a bridge.
This is a fragment of a poem by the Polish Nobel Prize winner Wisława Szyborska, called Portrait of a Woman, and I think it is good to recall it on the occasion of International Women's Day.
When examining images of women, I deeply believe that it is impossible to talk about one coherent image or archetype. There are as many of them as there are representatives of the female gender. One woman can have many faces. Depending on the situation or person, she can be a femme fatale, sexy kitten, it girl, tradwife, good mother, naive bird, serious expert, little girl or a businesswoman. Sometimes everything at once and that's beautiful!
About the pictures above:
Bunny Yeager Self Portrait (1950's)
Marilyn Monroe by George Barris (1962)
Greta Garbo in movie The Mysterious Lady (1928)
Simonetta Gianfelici by Helmut Newton (1993)
Jessica Chastain in movie Salome (2013)
Clara Bow by George Hommel (1930)
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Louise Brooks in a cloche hat.
📸. George Hommel (1927).
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Louise Brooks by George Hommel(1929)
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Louise Brooks photographiée par George Hommel dans le film de Malcolm St. Clair ''Le Meurtre du canari '' (The Canary Murder Case), 1929
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Louise Brooks / publicity photo for Malcolm St. Clair and Frank Tuttle's The Canary Murder Case (1929) / photo by George Hommel.
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Norwegian actress Greta Nissen (Photo: Hommel). Published in Photoplay magazine, May 1927 issue. | src internet archive
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Gloria Swanson at home, 1924
Photographer: George Hommel
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Louise en The Canary Murder Case (1929)
George Hommel.
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