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#CarrieMaeWeems
harvardfineartslib · 3 months
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February is Black History Month, and we’re showcasing just a few examples from our collections on contemporary American Black artists. More to come throughout this month, so stay tuned!
I'm Roberts, Deborah, 1962- [artist, interviewee] [2021] HOLLIS number: 99156414672603941
Dawoud Bey in dialogue Carrie Mae Weems Platt, Ron, 1959- [author] [2022] HOLLIS number: 99156378937603941
Hank Willis Thomas : all things being equal ... Hank Willis Thomas (Aperture Foundation) 2018 HOLLIS number: 99153724906803941
Spiritualità e femminismo nero nell'arte pubblica di Simone Leigh Salgó, Eszter [author] [2020] HOLLIS number: 99155201738303941
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artbookdap · 1 year
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Seminal. 'Carrie Mae Weems: Kitchen Table Series,' published by @mweditions⁠ ⁠ This publication is dedicated solely to the early and canonical body of work by American artist Carrie Mae Weems (born 1953). The 20 photographs and 14 text panels that make up 'Kitchen Table Series' tell a story of one woman’s life, as conducted in the intimate setting of her kitchen. The kitchen, one of the primary spaces of domesticity and the traditional domain of women, frames her story, revealing to us her relationships—with lovers, children, friends—and her own sense of self, in her varying projections of strength, vulnerability, aloofness, tenderness and solitude.⁠ ⁠ As @carriemaeweems describes it, this work of art depicts “the battle around the family ... monogamy ... and between the sexes. Weems herself is the protagonist of the series, though the woman she depicts is an archetype. Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility of people of color, and has to do with, in the artist’s words, “unrequited love.”⁠ ⁠ Read more via linkinbio.⁠ ⁠ #carriemaeweems #carriemaeweemskitchentableseries #kitchentableseries #blackhistory #blackhistorymonth https://www.instagram.com/p/CoKpByJO_1k/?igshid=NGJjMDIxMWI=
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loisrileydurham · 2 years
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listening2images · 2 years
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👁 @carriemaeweems “Roaming” (2006) #Listening2Images #ListeningToImages #CarrieMaeWeems #Roaming https://www.instagram.com/p/CgSq7uhIwLs/?igshid=NGJjMDIxMWI=
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trascapades · 2 months
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📷 #ArtIsAWeapon
Artist @carriemaeweems = HERO! 🖤🙌🏿
#BlackHistoryMonth
🎥 reposted from @avant.arte Here’s how American artist @carriemaeweems went from moving out of her family home at just 16 to changing the game for image-making forever.
#carriemaeweems #artists #BlackArtists
#BlackWomenArtists #BlackGirlArtGeeks
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Carrie Mea Weems
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Mea Weems , Carrie. “KITCHEN TABLE.” carriemaeweems, 1990. https://www.carriemaeweems.net/kitchentable.
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Mea Weems , Carrie. “KITCHEN TABLE.” carriemaeweems, 1990. https://www.carriemaeweems.net/kitchentable.
During class in 11th April. I was discussing with my peers about what could be potential ideas for me. I really like the idea of shooting the same environment many times over again. Dani had suggested I look at Carrie Mea Weems. After looking at her work. The work that stood out most to me was 'KITCHEN TABLE'. A photo book compiled of photos of a dining room, but each photo shows different emotion and different scenarios. The idea of creating something different but using the same environment really speaks to me. I feel that places can at time have deep meaning but also passing memories.
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abwwia · 17 days
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Chimamanda Ngozi Adichie (2017), photographed in the style of Carrie Mae Weems’s 1990 “The Kitchen Table Series" | Photographed by #CarrieMaeWeems
Carrie Mae Weems (born April 20, 1953) is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. She achieved prominence through her early 1990s photographic project The Kitchen Table Series. Her photographs, films and videos focus on serious issues facing African Americans today, including racism, sexism, politics and personal identity. Via Wikipedia
Chimamanda Ngozi Adichie (/ˌtʃɪməˈmɑːndə əŋˈɡoʊzi əˈdiːtʃi.eɪ/ ; born 15 September 1977) is a Nigerian writer, novelist, poet, essayist, and playwright in postcolonial feminist literature. Via Wikipedia
#ChimamandaNgoziAdichie #artherstory #artbywomen #womensart #palianshow #art #womenartists #femaleartist #artist
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chynnaknows · 9 months
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1992.
#carriemaeweems
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quixotestudios · 2 years
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New @prada campaign featuring @hunterschafer #ShotAtQ by @carriemaeweems #QuixoteStudios #hunterschafer #prada — view on Instagram https://scontent-iad3-2.cdninstagram.com/v/t51.29350-15/283144170_1051134712448543_3515276108092557256_n.jpg?_nc_cat=108&ccb=1-7&_nc_sid=8ae9d6&_nc_ohc=XnJGqGUey7sAX-jm0c8&_nc_ht=scontent-iad3-2.cdninstagram.com&edm=ANo9K5cEAAAA&oh=00_AT_2_MwSGFSFrNw7GM1rmk423EFtjbUGSALjIHgzZAdWBQ&oe=62909013
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bm-contemporary-art · 2 years
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Untitled, Trees with Mattress, Carrie Mae Weems, 1995, Brooklyn Museum: Contemporary Art
© Carrie Mae Weems Size: sheet: 21 15/16 x 21 7/8 in. (55.7 x 55.6 cm) image: 15 7/8 x 15 11/16 in. (40.3 x 39.8 cm) Medium: Photo screenprint on paper
https://www.brooklynmuseum.org/opencollection/objects/154915
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harvardfineartslib · 1 year
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#BlackResistance
Some of the powerhouse contemporary artists’ books from the stacks!
Dawoud Bey on photographing people and communities / photographs and text by Dawoud Bey ; introduction by Brian Ulrich. 2019. HOLLIS number: 99153846094103941
Lorna Simpson / Thelma Golden, Kellie Jones, Chrissie Iles, Naomi Beckwith. 2022
HOLLIS number: 99156213824303941
Kara Walker : Dust jackets for the niggerati. 2013. HOLLIS number: 990138041340203941
I'm / Deborah Roberts. 2021. HOLLIS number: 99156414672603941
Glenn Ligon : unbecoming / Judith Tannenbaum ; with essays by Richard Meyer and Thelma Golden ; and an interview with Glenn Ligon by Byron Kim. c1997
HOLLIS number: 990076940110203941
Dawoud Bey & Carrie Mae Weems : in dialogue / Ron Platt and Kinshasha Holman Conwill. 2022. HOLLIS number: 99156378937603941
Double consciousness : Black conceptual art since 1970 : Terry Adkins, EdgarArceneaux, Sanford Biggers ... / essay by Valerie Cassel Oliver, Franklin Sirmans. 2005. HOLLIS number
990095704830203941
Radical presence : black performance in contemporary art / Valerie Cassel Oliver ; essays by Yona Backer, Naomi Beckwith, Valerie Cassel Oliver, Tavia Nyong'o, Clifford Owens, Franklin Sirmans. 2013. HOLLIS number: 990137858880203941
Sanford Biggers / organized for the Contemporary Art Museum St. Louis by Lisa Melandri.
2019. HOLLIS number: 99153814871703941
Theaster Gates : black archive / Kunsthaus Bregenz ; Herausgeber, Thomas D. Trummer.
2017. HOLLIS number: 990149445900203941
Sanford Biggers : sweet funk-- an introspective / Eugenie Tsai ; with an essay by Gregory Volk. 2011. HOLLIS number: 990133106710203941
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artbookdap · 1 year
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Recommended viewing: @carriemaeweems on @art21 discussing works like "Constructing History: A Requiem to Mark the Moment" and "From Here I Saw What Happened and I Cried," also featured in her career retrospective, 'Carrie Mae Weems: A Great Turn in the Possible,' which D.A.P. is proud to have published with @mapfrefcultura⁠ ⁠ "For decades, the artist and storyteller @carriemaeweems has been weaving narratives of American life through a blend of archival and contemporary images. From early daguerrotypes picturing enslaved families, to her own family photographs, pictures have served as the raw material for Weems’s moving videos, photographic series, and performances.⁠ ⁠ In exclusive interview filmed as part of Art21’s flagship series Art in the Twenty-First Century, Weems explains a project she organized featuring university students reenacting pivotal historic moments, including the assassination of Robert Kennedy and the Kent State shootings, among other works…⁠ ⁠ See video via linkinbio.⁠ ⁠ #carriemaeweems https://www.instagram.com/p/CpF_fhcuyCj/?igshid=NGJjMDIxMWI=
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wayofdreams · 3 years
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En plus de cinq années de correspondance, Renaldo et moi avons échangé énormément d'images. Nous avons envie d'inclure ces échanges iconographiques dans la bande dessinée, ainsi que les images qui ont été malheureusement refusées par la prison. Certaines d'entre elles ont guidé mes choix graphiques. Certaines permettent aussi d'évoquer des figures auxquelles on ne pourra jamais assez rendre hommage. "I sell the Shadow to Support the Substance", portrait de l'abolitionniste Sojourner Truth à soixante-sept ans, 1864. À gauche : Carrie Mae Weems "You Became a Scientific Profile", 1995-1996. À droite : Alison Bechdel "Fun Home", 2006.
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trascapades · 2 years
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📷#ArtIsAWeapon
BLACK VENUS, curated by Aindrea Emelife (@aindreaemelife), "an exhibition that surveys the legacy of Black women in visual culture – from fetishized, colonial-era caricatures, to the present-day reclamation of the rich complexity of Black womanhood by 17 artists (of numerous nationalities and with birth years spanning 1942 to 1997)" is on view at @fotografiska.newyork, 281 Park Ave South #NYC, through August 21, 2022.
Reposted from @fotografiska.newyork
"This exhibition is a celebration of Black beauty, an investigation into the many faces of Black femininity and the shaping of Black women in the public conscious – then and now.
Featured artists include:
Sadie Barnette (@sadiebarnette)
Widline Cadet (@widline_)
Shawanda Corbett
Renee Cox (@reneecoxstudio)
Ayana V. Jackson (@ayanavjackson)
Deana Lawson
Zanele Muholi (@muholizanele)
Jenn Nkiru (@jennnkiru)
Amber Pinkerton (@ambercashmere)
Tabita Rezaire
Coreen Simpson (@coreensimpson)
Ming Smith (@mingsmithphoto)
Maud Sulter
Kara Walker (@kara_walker_official)
Carrie Mae Weems (@carriemaeweems)
Alberta Whittle (@purebred.mongrel)
Carla Williams"
#BlackVenus #Photography #PhotographyExhibit #BlackWomen #BlackGirlArtGeeks #BlackBeauty #BlackWomenPhotographers
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stephensheffield · 4 years
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Today I would like to feature the photographic work of @carriemaeweems. I had the honor to be her assistant briefly at the start of my career. A force of nature, an amazing artist, a powerful compassionate human, and a notable influence in my work. . #carriemaeweems #influence #blackartist #bw #blackandwhite #blackandwhitephotography #blacklivesmatter (at Boston, Massachusetts) https://www.instagram.com/p/CA70uoogxcn/?igshid=1uu21l87mw5ju
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abwwia · 4 months
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Carrie Mae Weems @carriemaeweems
Lincoln, Lonnie, and Me - A Story in 5 Parts, 2012, video installation and mixed media, color, sound; 18:29 minutes, dimensions variable, Smithsonian American Art Museum, Museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the #Smithsonian American Women’s History Initiative, 2023.9A-G, © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York
#CarrieMaeWeems #herstory #WomensHistoryInitiative #PalianShow #artbywomen #womensart #womenartist #videoart #blackherstory
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