#Caroline Mackintosh
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Azuli by Caroline Mackintosh
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Leore Hayon by © Caroline Mackintosh
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Caroline Mackintosh
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Ashnikko - Worms from Raman Djafari on Vimeo.
Ashnikko in a monstertruck and a squad of develish beasts ride towards the sunset to battle the angelic overlord robots.
Credits:
director - raman djafari // @ramandjafari
executive producer - josef byrne
head of production- Alex halley
production company: blinkink @blink_ink
producer - jake river parker // @jakeriverparkerfilms
animation producer - molly turner // @molly___turner
production manager - rowan mackintosh king // @rowanmackintosh
production assistant - maddy williams // @melodramaddy
commissioner- sam seager // @seagez
creative director - vasso vu @vassovu
manager - george shepherd // @shepherdgeorge
day to day manager - hannah browne // @hannahbr0wne
storyboards - raman djafari
storyboards - mysie pereira // @mysiepereira
animatic editor - Isabel gomez
concept artist - Camille perrin
cg character design - raman djafari
cg background design - raman djafari
cg lighting, camera & layout - raman djafari
cg character animation & rigging - dominic lutz // @domolutz
cg character animation & rigging - harry bhalerao // @harrybhal
cg character animation & rigging - barney abrahams // @_yenrab
cg character animation & rigging - nate die // @spish.tv
cg artist - sandrine gimenez // @sandrine_gimenez
cg artist - klaas harm deboer
cg artist - michael marczewski
additional lighting - balasz simon // @notbalasz
vfx lead - john malcolm moore // @johnmalcolmmoore
compositor - andrew khosravani // @andrew_khosravani
compositor - vladislav enshin
compositor - caroline terrago
1st ad - julia pavliuk // @ula__la
dop - hunter daly // @hunterdalydp
1st ac - rupert hornstein // @ruperthornstein1966
2nd ac - nicola braid
ac (prep day) - Joe mcdonald
cam operator - tanmoye khan // @tanmoyekhan_dop
dit - rosie taylor // @rosie_taylor_
gaffer - laurent arnaud // @sparkswars
spark - johnjoe besagni // @jayjaybuzz
spark - kieran brown // @k_brown_gaffer
desk op - hudson daly // @hudson_daly
led tech - pavel stici
vfx supervisor - john malcolm moore // @johnmalcolmmoore
production runner - leda contopanagos // @leda.echo
production runner - krishita desai // @krishitadesai
production runner - tom gonzalez // @mr_tamborine_man_
production runner - tom willows // @tomwillows_mash
art director - laura little // @laulit
art assistant - jaclyn pappalardo // @jaclynpappalardo
art assistant - chris dent
art assistant (prep day) - jack boston oswald // @jackbostonoswald
art assistant (prep day) - joshua douglas-warne
art assistant (prep day) - Alexander king
art assistant (prep day) - thabet kimili
stylist - holly wood // @hollyblowslightly
stylist assistant - izzy frost // @iz_designz_
hair designer claire moore @clmorhair
hair stylist mee kyung kim porter // @mee.hair.makeup
mua - georgia olive // @georgiaolive
mua assistant - carly roberts // @carlyroberts_
nails - imarni // @imarninails
bts content - eve mahoney // @evebelieve
edit - rich woolway
edit assist - chris hutchings
edit producer - Maggie mcdermott
grade - coffee & tvt
colourist - George neave
colour producer - Kathryn tallis
sound design - absolute post
sound designer - rich Martin
additional sound design - Daniel panayi
additional sound design - paminos kyriazis
sound design producer - Peter winslett
a special thanks to will hooper
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Photography by Caroline Mackintosh
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Character ask: Fred, Scrooge's nephew ("A Christmas Carol")
Tagged by anonymous.
Favorite thing about them: How friendly, joyful, and kind he is, and how he always reaches out to Scrooge and sympathizes with him despite being rejected, and wholeheartedly forgives and embraces him in the end.
Least favorite thing about them: Nothing in particular... Maybe the implication in Christmas Yet to Come that if Scrooge had never repented, even Fred would have left him to die alone and be buried in a grim neglected churchyard. But I suppose that (a) in that timeline, Fred might not even have been informed of his uncle's illness or death until it was too late to do anything, or (b) after so many years of being rejected, it's only human to finally give up. And at least it never happens, because Scrooge does repent.
Three things I have in common with them:
*I love Christmas.
*I enjoy parties.
*I try to be generous and kind to everyone.
Three things I don't have in common with them:
*I'm not married.
*I'm female.
*All my uncles are loving and friendly.
Favorite line: There are many things from which I might have derived good, by which I have not profited, I dare say, Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!
brOTP: Topper and his other friends at the Christmas party, and Scrooge after his redemption.
OTP: His wife.
nOTP: Scrooge.
Random headcanon: His wife is pregnant during the main storyline – I've heard it suggested that Dickens meant to discreetly imply this when he wrote that she rested in a chair and footstool instead of joining in the blindman's-buff game at the party. Their baby will be a girl, named Frances after Fred's mother Fan, and Scrooge will be the most adoring great-uncle.
Unpopular opinion: I don't think I have one.
Song I associate with them: These two songs from the 1956 musical The Stingiest Man in Town, both sung by Johnny Desmond.
"An Old-Fashioned Christmas"
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"The Birthday Party of the King"
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Favorite pictures of them:
Robert Cochran in the 1935 film Scrooge (I wish I could find a better picture, though, because he's one of the handsomest Freds of all):
Barry MacKay in the 1938 MGM film:
Brian Worth in the 1951 film Scrooge:
Michael Medwin in the 1970 musical Scrooge:
Donald Duck in Mickey's Christmas Carol, 1983:
Roger Rees in the 1984 TV film, with George C. Scott and Caroline Langrishe:
Steven Mackintosh in The Muppet Christmas Carol, 1992:
Dominic West in the 1999 TV film:
Julian Ovenden in A Christmas Carol: The Musical, 2004:
Motion-captured Colin Firth in Disney's 2009 CGI film:
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Week 8 - Hinami Photos
For this week, I photographed my friend Hinami. She is a kind and considerate person, open-minded, and has a calming and warm presence. I took photos in two locations. The first was outside our local library near our houses, where we spent a lot of time together. The second was at her house inside her room. I wanted to get some of her outside her comfort zone vs inside her comfort zone.
Outside, I was playing with the sun through the trees. While inside, it streamed into the room through the window and door with shadows in the room behind. I took inspiration from Vermeer lighting and some of the artist models I used, like Caroline Mackintosh, who used a dappling effect on her models. I also took inspiration from the three photography projects I've looked at after week 7. For the ideas behind this photoshoot. Of a women's way of portraying their body and how they connect with themselves and their environment going into adulthood. Which was why I looked at her comfort zone vs outside.
Questions asked before shoot:
What is your name, age, occupation?
Hinami Nishi, 20, University student bachelor of science (Statistics and Geographic information) and Uniguide leader.
How would you, as you are now, describe yourself?
Someone who likes to work on yourself and put yourself first. Engage with a lot of people and gain new skills. Caring focuses both on herself and her friends. She keeps a minimal number of friends becuase knows herself quite well.
How do you want to be photographed?
As long as it's not in front of people she doesn't know, in particular crowds.
What has been the biggest change going into your twenties?
Her job as a Uniguide leader, a big responsibility and new learnings.
What are some challenges you face going into your twenties?
Being a third year at uni, figuring out what you're going to do next/career path. If she can find a career she is passionate about.
What have been highlights going into your twenties?
Spending time with my friends and family. Doing challenging new things.
What do you aspire to do in your twenties?
Searching for a sense of security, wants to find stability in the challenges she faces right now.
For me: Who is this person?
One of my closest friends, kind and considerate of others, open-minded, driven!
Favourites:
The first two photos are set outside our local library. I like how they play with a dappling effect and the contrast of intense shadows and highlights. The green alongside this creates a lush contrast to the images. I like how these show her personality in a way that one would see her outside and about.
The final three are set in her room. I chose the first two because even though the first image doesn't have her in it, it reflects her and who she is as a person. I also plan to put this with the second image side by side in my photo book. I really like the second image, as it's personal and intimate. She feels relaxed and laid back, in direct contrast to when she was outside. I also like the framing via the door, the light coming from the front, and the shadows in the back. The final is reflective and a good closing image for her section. I like the highlights and shadows in it, as well as the lighting on her face from the sun.
Contact Sheets:
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Leore Hayon by © Caroline Mackintosh
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