#Ana Moll
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youtube
#princess the hellhound#astor the sasster#Princess is into 80s hair metal but the lyrics are pretty on point for Astor xD#ana moll is a newer singer but damn if she doesn't have the perfect 80s sound#Youtube
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Opera on YouTube
I've shared links to complete opera performances before, but I love to share them, so I thought I'd make a few masterposts.
These list are by no means the only complete filmed performances of these operas on YouTube, but I decided that ten links for each opera was enough for now.
By the way, some of the subtitles are just a part of the video, while others require you to click CC to see them.
Die Zauberflöte (The Magic Flute)
Hamburg Philharmonic State Opera, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; conducted by Horst Stein; English subtitles)
Ingmar Bergman film, 1975 (Josef Köstlinger, Irma Urrila, Håkan Hagegård, Birgit Nordin, Ulrik Cold; conducted by Eric Ericson; sung in Swedish; English subtitles)
Salzburg Festival, 1982 (Peter Schreier, Ileana Cotrubas, Christian Bösch, Edita Gruberova, Martti Talvela; conducted by James Levine; Japanese subtitles)
Bavarian State Opera, 1983 (Francisco Araiza, Lucia Popp, Wolfgang Brendel, Edita Gruberova, Kurt Moll; conducted by Wolfgang Sawallisch; English subtitles)
Metropolitan Opera, 1991 (Francisco Araiza, Kathleen Battle, Manfred Hemm, Luciana Serra, Kurt Moll; conducted by James Levine; English subtitles)
Paris Opera, 2001 (Piotr Beczala, Dorothea Röschmann, Detlef Roth, Desirée Rancatore, Matti Salminen; conducted by Ivan Fischer; no subtitles)
Royal Opera House, Covent Garden, 2003 (Will Hartman, Dorothea Röschmann, Simon Keenlyside, Diana Damrau, Franz Josef Selig; conducted by Colin Davis; no subtitles) – Act I, Act II
La Monnaie, Brussels, 2005 (Topi Lehtipuu, Sophie Karthäuser, Stephan Loger, Ana Camelia Stefanescu, Harry Peeters; conducted by René Jacobs; French subtitles)
Kenneth Branagh film, 2006 (Joseph Kaiser, Amy Carson, Benjamin Jay Davis, Lyubov Petrova, René Pape; conducted by James Conlon; sung in English)
San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklósa, Georg Zeppenfeld; conducted by Donald Runnicles; English subtitles)
La Traviata
Mario Lanfrachi studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; conducted by Giuseppe Patané; English subtitles)
Glyndebourne Festival Opera, 1987 (Marie McLaughlin, Walter MacNeil, Brent Ellis; conducted by Bernard Haitink; Italian and Portuguese subtitles)
Teatro alla Scala, 1992 (Tiziana Fabbricini, Roberto Alagna, Paolo Coni; conducted by Riccardo Muti; English subtitles)
Royal Opera House, Covent Garden, 1994 (Angela Gheorghiu, Frank Lopardo, Leo Nucci; conducted by Georg Solti; Spanish subtitles)
Teatro Giuseppe Verdi, 2003 (Stefania Bonfadelli, Scott Piper, Renato Bruson; conducted by Plácido Domingo; Spanish subtitles)
Salzburg Festival, 2005 (Anna Netrebko, Rolando Villazón, Thomas Hampson; conducted by Carlo Rizzi; no subtitles)
Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazón, Renato Bruson; conducted by James Conlon; English subtitles)
Opera Festival St. Margarethen, 2008 (Kristiane Kaiser, Jean-Francois Borras, Georg Tichy; conducted by Ernst Märzendorfer; English subtitles)
Teatro Real di Madrid, 2015 (Ermonela Jaho, Francesco Demuro, Juan Jesús Rodríguez; conducted by Renato Palumbo; English subtitles)
Teatro Massimo, 2023 (Nino Machiadze, Saimir Pirgu, Roberto Frontali; conducted by Carlo Goldstein; no subtitles)
Carmen
Herbert von Karajan studio film, 1967 (Grace Bumbry, Jon Vickers; conducted by Herbert von Karajan; English subtitles)
Vienna State Opera, 1978 (Elena Obraztsova, Plácido Domingo; conducted by Carlos Kleiber; English Subtitles)
Francisco Rosi film, 1982 (Julia Migenes, Plácido Domingo; conducted by Lorin Maazel; English subtitles)
Metropolitan Opera, 1987 (Agnes Baltsa, José Carreras; conducted by James Levine; English subtitles)
London Earls Court Arena, 1989 (Maria Ewing, Jacque Trussel; conducted by Jaques Delacote; English subtitles)
Royal Opera House, Covent Garden, 1991 (Maria Ewing, Luis Lima; conducted by Zubin Mehta; English subtitles) – Acts I and II, Acts III and IV
Arena di Verona, 2003 (Marina Domashenko, Marco Berti; conducted by Alain Lombard; Italian subtitles)
Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann; conducted by Antonio Pappano; English subtitles) – Acts I and II, Acts III and IV
Metropolitan Opera, 2010 (Elina Garanca, Roberto Alagna; conducted by Yannick Nézet-Séguin; English subtitles) – Acts I and II, Acts III and IV
Opéra-Comique, 2023 (Gaëlle Arquez, Frédéric Antoun; conducted by Louis Langrée; English subtitles)
La Bohéme
Franco Zeffirelli studio film, 1965 (Mirella Freni, Gianni Raimondi; conducted by Herbert von Karajan; English subtitles)
Metropolitan Opera, 1977 (Renata Scotto, Luciano Pavarotti; conducted by James Levine; no subtitles)
Teatro alla Scala, 1979 (Ileana Cotrubas, Luciano Pavarotti; conducted by Carlos Kleiber; no subtitles)
Opera Australia, 1993 (Cheryl Barker, David Hobson; conducted by Julian Smith; Brazilian Portuguese subtitles)
Teatro Regio di Torino, 1996 (Mirella Freni, Luciano Pavarotti; conducted by Daniel Oren; Italian subtitles)
Teatro alla Scala, 2003 (Cristina Gallardo-Domâs, Marcelo Alvarez; conducted by Bruno Bartoletti; Spanish subtitles)
Zürich Opera House, 2005 (Cristina Gallardo-Domâs, Marcello Giordani; conducted by Franz Welser-Möst; no subtitles)
Robert Dornhelm film, 2009 (Anna Netrebko, Rolando Villazón; conducted by Bertrand de Billy; no subtitles)
Opera Australia, 2011 (Takesha Meshé Kizart, Ji-Min Park; Shao-Chia Lü; no subtitles)
Sigulda Opera Festival, 2022 (Maija Kovalevska, Mihail Mihaylov; conducted by Vladimir Kiradjiev; English subtitles)
#opera#youtube#complete performances#die zauberflöte#the magic flute#la traviata#carmen#la boheme#wolfgang amadeus mozart#giuseppe verdi#georges bizet#giacomo puccini
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modern-ish glam metal/hard rock bands
crash midnight
loud n nasty
crystal pistol
bulletrain
dirty penny
midnite city
the cruel intentions
stolen prayer
classless act
notörious
pretty wild
niterain
bloody heels
king zebra
confess
tales from the porn
loaded dice
löve razër
crazy lixx
ana moll
hardcore superstar
laci violett
sunset street
the l.a. maybe
black star sinners
pageant
the royal beggars
midnight sun
kissin’ dynamite
jet jaguar
leaded fuel
babylon bombs
shakedown suzie
lipstixx n bulletz
backyard babies
peepshow
black aces
nightbreak
strike twice
hell in the club
rattleshake
the tip
fighter v
sister sin
june 66
dr. boogie
lost hearts
lily prex
killer hearts
foxy venus
cinema stereo
royal sugar
revolver eleven
raider
tempt
nasty dollz
the midnight devils
eyebolt
animal band
stølen
s.p.i.t.
wildstreet
roxxi red
black heart saints
untamed
andy alexander
sleazy sweet
wicked love
skyway 61
midnight vice
wanted
fraxure
electric python
naked gypsy queens
madam riot
leather duchess
savaged
rïot eye
phoenix rising
stone nobles
jet black romance
bombshell boys
broken cig
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33 48 56 ^_^
answered 33 here:)
48. Who’s an artist you think it’s criminally underrated and deserves more recognition?
ANA MOLL she's so fuckin talented man it's insane. also there's fuckin tons of glam bands that shouldve made it but thinking them that makes me experience Emotions so i'm not gonna
56. A song/album/artist you wish you could forget so you could have the experience of hearing it for the first time again
probably zip city by the drive by truckers or the new york dolls self titled or the crimson idol by wasp
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Got a license for love ୨♡୧
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LDR released/unreleased yin/yang songs
The released songs that I think pair perfectly with the unreleased songs
Jump/Heavy Hitter
Both songs feature drug use quite heavily, and in a near-fatal way - Lana sees “palm trees in black and white” before she ‘dies’ in Jump, whilst similarly having an overdose (”dyin’) in Heavy Hitter; in both trippy songs she seems to be enjoying herself
Smarty/Hundred Dollar Bill
Lana features a sado-masochistic (or in other perspectives, abusive) relationship in both of the songs (”beat me and tell me that no one will love me”/”I like your ultraviolent swing”) - Lana does, in both, have a sense of power in her ownership of her body and ability to get what she wants
Lolita/1949
Drawing inspiration from the novel, Lana seems to represent the character of Lolita in both, though in different ways: in Lolita comes across as the way the character sees herself - smart, capable and able to demand whatever she wants, whilst also romanticising her relationships; in 1949, it sticks closer to the novel’s story itself, showing the imbalance of power, her age and her blinded ‘love’
This Is What Makes Us Girls/Boarding School
These two songs are essentially about the same thing - Lana’s friendships in her younger years where they’d be wild and have fun; TIWMUG embraces the power of these friendships and good times, whilst Boarding School blindly supports the “pro-ana nation”, illegal relationships and notably disloyal friendships
Without You/French Restaurant
Without You is about not caring for material things and status, as Lana simply loves the man she has lost “All the lights and all my dreams mean nothing without you”; French Restaurant is similar in that she has everything she could want but coldly withholds anyone from seeing - or being with - the real her “I know they think I have everything, if I can’t have you then they can’t have me”
Guns and Roses/Axl Rose Husband
Both feature one of Lana’s favourite musicians, though in different ways; they are both dreamy and slightly strange songs, but Guns and Roses is about a lover who likes the music she does, whilst her lover is literally Axl Rose (or very much like him) in ARH
Ultraviolence/Cult Leader
Both have the cult theme, and of course Jim is a character in both as her “cult leader”; in Ultraviolence she is blindly in love with him despite the ways he hurts her, whilst in Cult Leader she seems more aware of the reality of the situation, and sounds bitter
Groupie Love/Ridin
The shared feature of A$ap Rocky pairs these two songs, but they also have a similar vibe - they’re ride-or-die, Bonnie and Clyde style lovers who admire each other a lot and are simply in love and lust
Ride/Angels Forever Forever Angels
Ride talks about literally (and metaphorically) riding through life, enjoying the moment and being free, and the music video features Hell’s Angels; AFFA similarly features riding (”easy rider”) and noticing things like the sky and nature, much like in Ride - AFFA’s Hell’s Angels references tie this directly to the former song
Cinnamon Girl/Valley of the Dolls
In Cinnamon Girl, Lana tentatively opens up her heart to her lost lover, knowing she’ll have him in the end, though he takes pills (”violet, blue, green, red”); in Valley of the Dolls, Lana instead is trying to separate herself from her lover, struggling with the way he treats her and taking pills herself (”my violets, my oranges, my reds”)
Sweet Carolina/Motel 6
Lana’s sister, Chuck, is name-dropped in both - in Motel 6 they are young, having fun and partying, whilst in Sweet Carolina Lana makes a mature ode to her sister’s new motherhood
Million Dollar Man/Hollywood’s Dead
Million Dollar Man has an old-fashioned quality about it, like a fifties lounge singer moll crooning for her gangster boyfriend; in Hollywood’s Dead, the 20th-century influence is more obvious, and she similarly seems to weep for her lover in this song
Lust For Life/Hollywood
Hollywood and the Hollywood sign are obvious connections to both of these songs, but they are both optimistic, fun and breath-taking; in Hollywood, Lana is excited and hopeful for her future and fame, whilst in Lust For Life she is settled in the town and dreamily adoring her lover
Mermaid Motel/Disco
These sexy, lower-key songs are about the physical art of seduction; Mermaid Motel sees Lana play some kind of sexual performer, making “mermaid videos” and letting men watch her “take it off”; in Disco, Lana holds the control still, and though it sounds more intimate than the former song, she similarly gives a “prostitute stare” while modelling
Old Money/Methamphetamines
Methamphetamines is the original version of Old Money, a scrappier version of the mature and more introspective released track; the lifestyles oppose greatly in both songs, showing her difference in age and the way she lives her life: in Meth... Lana makes plenty of references to New Jersey and motels, whilst Lana is much richer and glamorous (”red racing cars”)
Alternative: Ride/Get Free
The obvious similarity between (”I got a war in my mind so I just ride”/”sometimes I feel like I’ve got a war in my mind, I wanna get off but I keep riding the ride”) show Get Free is definitely referencing Ride and Lana’s state of mind during the older song; in Ride Lana feels lost, crazy and simply strives to be free, whilst in Get Free Lana has learned from her “birds of paradise” to live her life the way she wants to and actually put it into action, so she can ‘get free’ from the ‘ride’
#lana del rey#lana del rey songs#lana del rey unreleased#ultraviolence#born to die: the paradise edition#lust for life#blue banisters#aka lizzy grant#jump#heavy hitter#smarty#hundred dollar bill#lolita#1949#this is what makes us girls#boarding school#without you#french restaurant#guns and roses#axl rose husband#cult leader#groupie love#ridin#ride#angels forever forever angels#norman fucking rockwell#cinnamon girl#valley of the dolls#sweet carolina#motel 6
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#this song just came on my glam playlist and i'm still obsessed omg#i need to request this song at the club when brian is there now i'm prepared next time he asks me if i want him to play something specific#i'll be swaying my hips singing along etc behind the bar just like i did during pour some sugar on me last time#same with wild child by crazy lixx ough i need to make a list of song wishes#mel talks#audio
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i have some bands for you to check out!
nasty idols, stars from mars, roxxi, backyard babies, royal sugar, starr, pistol dawn, lipstixx n bulletz, peep show, erotic suicide, shakedown suzies, leaded fuel, babylon bombs, tryx, whitefoxx, swedish erotica, asphalt ballet, tattoo rodeo, o’dette, war babies, swingin thing, blackboard jungle, wild boyz, kickin valentina, ana moll, jet jaguars, and sister sin <3
I have commented back n forth on TikTok with Tyler from Royal Sugar before. XD I've also seen Kickin' Valentina in 2015 and Asphalt Ballet in the 90s live. I've been watching Lipstixx n Bulletz very closely to see if they play the states. They are on the huge list of DAMNED YOU Swedish bands please come play for me here. XD There are a bunch of the others that look familiar. This reminds me that I have some to share with you as well.
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Ana Moll - Desperate Eyes - Official Music Video
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Opera on YouTube 6
Pagliacci
Franco Enriques studio film, 1954 (Franco Corelli, Mafalda Micheluzzi, Tito Gobbi; conducted by Alfredo Simonetto; no subtitles)
Tokyo Bunka Kaikan, 1961 (Mario del Monaco, Gabriella Tucci, Aldo Protti; conducted by Giuseppe Morelli; Japanese subtitles)
Herbert von Karajan studio film, 1968 (Jon Vickers, Raina Kabaivanska, Peter Glossop; conducted by Herbert von Karajan; no subtitles)
Franco Zeffirelli film, 1983 (Plácido Domingo, Teresa Stratas, Juan Pons; conducted by Georges Prêtre; English subtitles) – Part I, Part II, Part III, Part IV, Part V, Part VI
Metropolitan Opera, 1994 (Luciano Pavarotti, Teresa Stratas, Juan Pons; conducted by James Levine; Spanish subtitles)
Ravena Festival, 1998 (Plácido Domingo, Svetla Vassileva, Juan Pons; conducted by Riccardo Muti; Italian subtitles)
Zürich Opera House, 2009 (José Cura, Fiorenza Cedolins, Carlo Guelfi; conducted by Stefano Ranzani; no subtitles)
Chorégies d'Orange, 2009 (Roberto Alagna, Inva Mula, Seng-Hyoun Ko; conducted by Georges Prêtre; French subtitles)
Gran Teatre del Liceu, 2011 (Marcello Giordani, Angeles Blancas, Vittorio Vitelli; conducted by Daniele Callegari; English subtitles – ignore the silly references to Norse mythology and aliens that the translator threw in, they're not in the actual libretto)
Latvian National Opera, 2019 (Sergei Polyakov, Tatiana Trenogina, Vladislav Sulimsky; conducted by Jānis Liepiņš; no subtitles)
Die Entführung aus dem Serail
Dresden State Opera, 1977 (Armin Ude, Carolyn Smith-Meyer, Barbara Sternberer, Rolf Tomaszewski; conducted by Peter Gülke; no subtitles)
Bavarian State Opera, 1980 (Francisco Araiza, Edita Gruberova, Reri Grist, Martti Talvela; conducted by Karl Böhm; English subtitles)
Royal Opera House, Covent Garden, 1988 (Deon van der Walt, Inga Nielson, Lillian Watson, Kurt Moll; conducted by Georg Solti; English subtitles)
Salzburg Festival, 1989 (Deon van der Walt, Inga Nielson, Lillian Watson, Kurt Rydl; conducted by Horst Stein; no subtitles)
Théâtre du Châtelet, 1991 (Stanford Olsen, Luba Orgonasova, Cyndia Sieden, Cornelius Hauptmann; conducted by John Eliot Gardiner; French subtitles)
Vienna State Opera, 1989 (Kurt Streit, Aga Winska, Elzbieta Szmytka, Artur Korn; conducted by Nicolaus Harnoncourt; Hungarian subtitles) – Act I, Act II
Teatro della Pergola, 2002 (Rainer Trost, Eva Mei, Patrizia Ciofi, Kurt Rydl; conducted by Zubin Mehta; Spanish subtitles)
Gran Teatre del Liceu, 2012 (Christoph Strehl, Diana Damrau, Olga Peretyatko, Franz-Josef Selig; conducted by Ivor Bolton; Catalan subtitles)
Bankhead Theatre, 2018 (David Walton, Alexandra Batsios, Elena Galvan, Kevin Langan; conducted by Alex Katsman; English subtitles)
Theatro São Pedro, 2023 (Daniel Umbelino, Ludmilla Bauerfeldt, Ana Carolina Coutinho, Luiz-Ottavio Faria; conducted by Cláudio Cruz; Brazilian Portuguese subtitles)
Un Ballo in Maschera
Tokyo Bunka Kaikan, 1967 (Carlo Bergonzi, Antonietta Stella, Mario Zanassi; conducted by Oliviero di Fabritiis; Spanish subtitles)
Royal Opera House, Covent Garden, 1975 (Plácido Domingo, Katia Ricciarelli, Piero Cappuccilli; conducted by Claudio Abbado, English subtitles)
Teatro alla Scala, 1978 (Luciano Pavarotti, Mara Zampieri, Piero Cappuccilli; conducted by Claudio Abbado; Italian subtitles)
Metropolitan Opera, 1980 (Luciano Pavarotti, Katia Ricciarelli, Louis Quilico; conducted by Giuseppe Patané; no subtitles)
Royal Swedish Opera, 1986 (Nicolai Gedda, Siv Wennberg, Carl Johan Falkman; conducted by Eri Klas; sung in Swedish; Swedish subtitles)
Salzburg Festival, 1990 (Plácido Domingo, Josephine Barstow, Leo Nucci; conducted by Georg Solti; Spanish subtitles)
Leipzig Opera House, 2006 (Massimiliano Pisapia, Chiara Taigi, Franco Vassallo; conducted by Riccardo Chailly; English subtitles) – Part I, Part II
Teatro Regio di Torino, 2012 (Gregory Kunde, Oksana Dyka, Gabriele Viviani; conducted by Renato Palumbo; no subtitles) – Part I, Part II
Chorégies d'Orange, 2013 (Ramón Vargas, Kristin Lewis, Lucio Gallo; conducted by Alain Altinoglu; French subtitles)
Arena di Verona, 2014 (Francesco Meli, Hui He, Luca Salsi; conducted by Andrea Battistoni; no subtitles)
Cavalleria Rusticana
Giorgio Strehler studio film, 1968 (Gianfranco Cecchele, Fiorenza Cossotto; conducted by Herbert von Karajan; no subtitles)
Metropolitan Opera, 1974 (Franco Tagliavini, Grace Bumbry; conducted by John Nelson; no subtitles)
Franco Zeffirelli film, 1983 (Plácido Domingo, Elena Obraztsova; conducted by Georges Prêtre; no subtitles)
Ravenna Festival, 1996 (José Cura, Waltraud Meier; conducted by Riccardo Muti; Italian subtitles)
Ópera de Bellas Artes, 2008 (Alfredo Portilla, Violeta Dávalos; conducted by Marco Zambelli; Spanish subtitles)
Zürich Opera, 2009 (José Cura, Paoletta Marrocu; conducted by Stefano Ranzani; no subtitles)
Chorégies d'Orange, 2009 (Roberto Alagna, Beatrice Uria-Monzon; conducted by Georges Prêtre; French subtitles)
Gran Teatre del Liceu, 2011 (Marcello Giordani, Ildiko Komlosi; conducted by Daniele Gallegari; Spanish subtitles)
Mikhailovsky Theatre, St. Petersburg, 2012 (Fyodor Ataskevich, Iréne Theorin; conducted by Daniele Rustioni; English subtitles)
Vienna State Opera, 2019 (Younghoon Lee, Elina Garanča; conducted by Graeme Jenkins; English subtitles)
#opera#youtube#complete performances#pagliacci#die entführung aus dem serail#the abduction from the seraglio#un ballo in maschera#cavalleria rusticana#ruggero leoncavallo#wolfgang amadeus mozart#giuseppe verdi#pietro mascagni
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Melissa (if you're still doing the mini playlist 👀)
m - making tapes by ana moll
e - edge of a broken heart by vixen
l - love has taken its toll by saraya
i - if you need it by starbenders
s - sweet talk by lee aaron
s - shot of poison by lita ford
a - atomic by blondie
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