#Amazing Selling Machine 12 Review
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Amazing Selling Machine 12 Review
The amazing selling machine 12 review program is a community that is exclusive to its members. Members receive lifetime access to the community, which is comprised of individuals who are at different stages in their business journey. Whether you're a complete beginner or are already a highly successful entrepreneur, there is always a place for you. So, what exactly is the amazing selling machine? And is it a scam? Let's take a closer look at this program's benefits and drawbacks.
Price
Despite the high price, the course materials and program are excellent. The course website is easy to use and offers exceptional user experience. It offers a lifetime membership with unlimited access to updates and new versions. Regardless of what you decide, we highly recommend checking out the course. Here are some reasons why you should purchase it. Listed below are some of the key benefits of the Amazing Selling Machine course. Read on for a closer look at each.
The course contains nine online modules containing over 50 hours of course content. It includes more than 160 videos and other cool features. The course has been updated and contains new tactics for Amazon 2021. It is also available on multiple payment plans to meet your budget. You can read our full review of Amazing Selling Machine to learn more about this program. It is an excellent choice for anyone who's serious about making money online. The course's price is well worth the value.
Course features
The Amazing Selling Machine course has four major components. The eight-week online web class includes a variety of modules that teach beginners and more advanced sellers all the tricks and tips they need to sell on Amazon. The course also includes a call-in coaching community. The course is an ideal way to learn how to sell on Amazon without breaking the bank. However, you must make sure that you're comfortable with the course's timetable.
This course is a comprehensive training program, and you'll learn everything from crafting a good product page to using key phrases. It also teaches you how to use a great title and engaging description, and even how to make use of appropriate product pictures. It even teaches you how to use the eight components of a great web page. There are also several strategies to generate traffic, as well as the product launch ranking technique.
Affiliate marketing program
Several affiliate marketing programs claim to teach you how to sell on Amazon, but how do you know which ones are worth your time? Fortunately, there is an online training course called Amazing Selling Machine that will help you learn the basics of affiliate marketing and make a profit from the platform. Known for its comprehensive curriculum and money-back guarantee, this program is the best of them all.
It offers you everything you need to make money with your affiliate marketing business - and more! Unlike some affiliate marketing programs, the Amazing Selling Machine does not offer a free trial. The program is a hefty $5000, and it's well worth it if you can make just a few sales per month. You can also make up to $2000 per sale by using proven affiliate templates, emails, webinars, and social media posts. Just be sure to target a suitable audience before promoting the course.
Is it a scam?
Is Amazing Selling Machine 12 a scam or a legit program? Fortunately, the company offers a money-back guarantee. If you are not satisfied with the program, you can request a refund. This means that you can get a portion of your money back within the first six months of using the program. It also comes with a wealth of positive reviews on Google and other online forums.
The program was founded by Jason Katzenback and Richie Bauer. Rich Henderson joined the company in 2013 as chief of materials. Previously, Rich Henderson was an affiliate marketer and SEO expert. Since then, he's become one of the company's key product creators. He's passionate about educating the entrepreneurial community. While there are many legitimate reviews on the program's site, some people have expressed doubt about its effectiveness.
#Affiliate Marketing#Amazing Selling Machine 12 Review#Amazing Selling Machine X Review#Affilorama Review#Affilorama Program Review#The Affilorama Review#Digital Course Academy
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Complex, August 2014
Lana Del Rey knows what you think about her. And she’s learned to live with it.
Satin gowns, fast cars, pills, and parties are the lifeblood of American glamour. Red carpets, unbridled opulence, and the kind of elegance that looks amazing in high-contrast black-and-white photographs are its marrow. Icons like Sinatra, the Kennedys, Elvis, and Marilyn Monroe appeared to be beacons of the good life, but behind the velvet rope was a darker, less-than-pristine reality: one rife with gossip, addiction, betrayal, and violence. In 2014, no artist embraces both that world’s intoxicating glow and frayed seams more acutely than Lana Del Rey.
On her 2012 breakthrough, Born to Die, Del Rey cast herself as a tragic pop star from a bygone era. Her music videos were epics: on Born to Die’s title track, she begins perched regally on a throne flanked by Bengal tigers, and ends with model Bradley Soileau carrying her bloody body from the fiery wreckage of a 1969 Ford Mustang Mach 1; in “National Anthem,” she plays Jackie O to A$AP Rocky’s JFK. Where many of her contemporaries reveled in little-known subcultures and outsider artists, Del Rey went for icons. “Marilyn’s my mother/Elvis is my daddy/Jesus is my bestest friend,” she wrote in the introduction to her Anthony Mandler-directed short film Tropico, released last year. Del Rey’s 20th Century nostalgia (cloaked in beats provided by Emile Haynie, Kid Cudi’s original producer, and Kanye West-collaborator Jeff Bhasker, among others) proved immensely successful. Only four albums released in 2012 outsold Born to Die, which went platinum in the U.S. and charted in 11 countries. Del Rey sold more than 12 million singles globally, received two Grammy nods (Best Pop Vocal Album, for her EP Paradise; Best Song Written for Visual Media, for “Young and Beautiful”), and sold out a North American tour.
Her arrival also attracted visceral criticism. The New York Times review of Born to Die savaged her aesthetic and artistic “pose.” Pitchfork likened her debut to a “faked orgasm.” The media seemed fixated on anything but the album’s actual music: the supposedly incongruous early recording career under her real name, the life cycle of the internet hype machine that birthed her, or the aggressively ridiculed Saturday Night Live performance that made her a household name.
In 2012, Del Rey moved from Brooklyn to L.A., and one year later began work on the full-length follow-up to Born to Die. Released in June and produced by the Black Keys’ Dan Auerbach, Ultraviolence eschews the home-run pop melodies of Born to Die for stripped-down piano intros and reverb-heavy guitar solos that give her soulful, low-register vocals space to shine. Lyrically, though, Del Rey’s stance remains uncompromising, with titles like “Money, Power, Glory” and “Fucked My Way Up to the Top” explicitly referencing her image, and taking aim at her myriad detractors. And some of her old critics have changed their tune. In its review, the New York Times called the criticisms levelled against Born to Die “inaccurate,” and lauded Del Rey’s “retro sophistication” and “guileless candor;” Pitchfork called her “a pop music original,” adding “there are not nearly enough of those around.” Despite modest radio play for the lead single “West Coast,” the album debuted No. 1 on Billboard, selling 182,000 copies in its first week (more than twice as many as Born to Die), a testament to her growing fanbase.
Sitting on the roof of Brooklyn’s Wythe Hotel for our interview, the 27-year-old “pop star” is dressed more like a suburban teenager, in light wash low-rise jeans and a tight, white, short-sleeved polo with lavender horizontal stripes. She has perfect posture and crosses her legs neatly. There’s a grace to the way she chain-smokes Parliaments and says “fuck” when she chips one of her pointed purple acrylic nails. If it’s all a show, well, it’s a good one. The cracks in the veneer of glamour humanize her and are one of the reasons she’s been able to mix self-serious writing about true love and death with provocative, pseudo-comical lines like the infamous “My pussy tastes like Pepsi Cola.”
For the next 60 minutes, Del Rey muses about sexual gamesmanship in the music industry, Marilyn, Elvis, and Jesus, and the jagged reaction to her emergence on the pop scene. And words. Del Rey is a writer—not just the subject, but also the director of her own drama. The only mark of her wealth is a gaudy diamond-encrusted choker with a cross pendant hanging just above her sternum. Its sparkle evokes the cartoonish shine of costume jewelry, though it’s every bit as real as she has turned out to be.
When you’re writing, what comes first? Song titles, melodies, music?
Well it took me a long time to write the album as it’s listed. I was writing a lot since the last record came out, but for some reason, 70% of what I was writing didn’t feel right for me. So if I’m lucky enough to have an experience that really impacts me, it comes with a verse and a melody. From there I ad lib it. But they come together, the melody and the words come together. But it happens rarely for me.
What do you mean?
Actually having that happen, where it just sort of comes. I remember with “Carmen,” I was out really late and walking to the tempo of my own rhythm, and then I just started singing, “Carmen, Carmen doesn’t have a problem lying to herself cause her liquor’s top shelf.” And it was an easy cadence. The whole thing just came, and I think I was in a really good place then, so it was like things...it was really easy to channel.
What defines being in a good place?
Feeling really happy and just circumstantially like nothing’s going wrong, which becomes more difficult but that’s only my experience. I think a lot of people think the whole thing is really great. Making Brooklyn my home base for the last two and a half weeks has really helped me out, like I’ve actually started thinking conceptually that I have this addition, an addition to this record that could come really easily. That hasn't happened in a long time. Not since I wrote that Paradise addition to Born to Die, which I really loved.
Did you miss Brooklyn?
I missed Brooklyn. I missed the people.
How are the people here different?
They’re not different. I’m a little different. The vibe is the same. I met some guys from here last week I had never met before, and they were just really easygoing. All artist types—writing during the day and hanging out at bars at night. I miss that, I like that. I haven't really found that in California yet. I relocated there because my record got a little bit bigger, but I didn’t really find a music scene that I was a part of. There was something happening—there was kind of a reemerging Laurel Canyon sound. Jonathan Wilson, Father John Misty, and I really liked those guys. I felt like maybe I had something in common with them and I slipped right into that atmosphere really well.
Let’s talk Ultraviolence. The crop of the photo on the album cover is similar to the crop of your first two album covers.
I liked that, I wanted the continuity. I didn’t have that for the album cover at the time and I wanted it to be a continuation of the story. I did like the idea of it being in black and white so that there was, literally and figuratively more to be revealed. Even color-wise.
You wanted a continuation in aesthetic for this album cover, is that something that was important to you musically for Ultraviolence as well?
Yeah. Not being misleading in terms of your personal aesthetic, like your psyche coming through design-wise and musically—I like continuity.
You have this way of exacting your creative vision through so many different parts of your art—music videos, lyrics, tone and the melody, style of dress. Are those things that you plan ahead when you think about an album? Is it a concept that grows from one idea?
I don’t know. I was in college at Fordham when I was 18. I was living between Brooklyn and New Jersey and I was working with this guy who was more famous than anyone I had met at the time, this producer David Kahne. I had that record—you know they shelved it for two years—and I had all this time to think about what was really important to me and what I actually wanted to do if I had the opportunity to do what I wanted. I knew that I wanted to make life easy for myself in the way that I would always be living in a world I constructed and whatever felt true to me, regardless of however that appeared to other people. That definitely extended to song titles, whether I shot in black and white, hair color, things like that. It’s not really something that I planned ahead. I had a sense that I wanted the world I lived in to be really personalized to what I liked.
When I hear the words “ultra” and “violence,” I think about WorldStarHipHop. What does the phrase mean to you?
That’s funny. I feel connected to two emotions—aggression and softness. I like that luxe sound of the word “ultra” and the mean sound of the word “violence” together. I like that two worlds can live in one.
What’s the relationship between violence and love?
I like a physical love. I like a hands-on love. [Pauses.] How can I say this without getting into too much trouble? I like a tangible, passionate love. For me, if it isn’t physical, I’m not interested. Everything I do feels so organized: touring, playing a show night after night with a couple months in between to make a record, and being in charge of all of it—mixing, mastering. Sometimes I meet people with a lot of fire and energy. Mentally, maybe we’re not that similar. Telepathically, we’re not on that same wavelength. If there’s a physicality and a chemistry, that ends up winning for me every time because it’s the opposite of what I have every day.
Who’s the last person you met who made you feel like that?
Dan Auerbach, for better or for worse.
Do you think a “guilty pleasure” is a real thing?
Yes, but I don’t have many of them musically. I have tons of them in life.
Do tell.
Well, smoking is one of them. Sugar, coffee. I must have 13 cups a day. It’s a shame about the health consequences because a lot of great things happen over coffee and a cigarette. A lot of great songs were written.
Why did you choose to cover Nina Simone’s “The Other Woman” on Ultraviolence?
[Sings, “The other woman has time to manicure her nails, the other woman is perfect where her rival fails.”] I relate to being the person who people come to for “such a change from the old routine,” but not being the main thing. I had a long-term relationship for seven years with someone who was the head of a label and I felt like I was that change of routine. I was always waiting to become the person who his kids came home to, and it never happened. Obviously I had to seek other relationships, and I felt like that became a pattern. I was younger—24, 25 at the time. I had known what I wanted to do for a long time. I had been serious about music since high school, and I stopped drinking when I was 18. By 24, I was a pretty serious person. I thought I was a writer, and I was a singer. I thought I knew what I wanted my path to be. The people I was drawn to were already established, but they were probably looking for someone more on their level, age-wise. But I love the idea of wrapping up the record with a reference.
Many artists use obscure references to try to prove individuality and originality. Why do you go for icons like Marilyn, Elvis, and Jesus?
When I had put out only “Blue Jeans” and “Video Games,” I caught a lot of grief from journalists asking me why I was being so literal and obvious. I referenced things like Marilyn without trying to be accessible. I have a personal relationship with my perception of who Marilyn was. She was the kind of female who was really warm and giving. I like that type of girl who’s friendly and easy. I was always looking for girls like that as friends. I felt like I knew her in that way. And Jesus—I mean, being raised Catholic, it was just a way of life. Spirituality and religion were strong. I was in Catholic school until I was 13. Like a lot of other people, I think foundationally I was hymn inspired—musical hymns, not Him, Jesus. [Laughs.]
How did you meet Dan?
I met Dan at The Riviera strip club in Queens. He was with Tom Elmhirst, who’s an amazing mixer, and I was with Emile Haynie. Emile asked if I wanted to go hang out with them and I had a lot of fun for the first time in a long time. Dan had been mixing Ray Lamontagne’s record with Tom down at Electric Lady studios. And he left by the time I was there—Lee Foster gave me Electric Lady all by myself for three weeks.
Wow.
It was incredible. By the end of the three weeks I thought I was done. Then I met Dan and he said, “Why don’t we just go to Nashville and see what happens?” I went because it sounded like a good time. I didn’t want the party to end. I flew there with Lee and we rented a farm for six weeks. We drove to Dan’s studio on 8th Street every day and I loved it. He was what I was looking for, because he was a facilitator. He said “yes” a lot. If I was like, “I only want to sing this through once,” that was normal to him. It was natural that someone would like what they got on the first try. He was cool like that. [Lights a Parliament with her plastic purple lighter.]
You’ve been smoking cigarettes on stage a lot.
Dude, I have to. I can’t get through it.
Is it an addiction?
Yeah. I’m a chain-smoker.
How long have you been smoking?
Since I was 17. It’s crazy. That’s why I try to play mostly outdoor festivals. [Laughs.] Because 45 minutes into the set, when you’ve still got 45 more minutes to go, you need to smoke.
That’s a long time to be standing in front of people.
It’s a long time. If people come and see you at a show for 80 minutes they literally know everything about you. With 5,000 people coming, they film you so the people in the back can see you on the screens. There isn’t a moment when you can turn around and gather yourself. Everything you feel, everything you’re emoting, is just there. I have toured so much more than I thought I would; I thought I would be more of a studio singer. But I toured Europe for two years.
There was a time after Paradise came out when you said you weren’t sure that you were going to make any more music. What changed?
A year after Born to Die was released, a lot of people asked me what the new record would sound like and when it was going to come out. I said, “I don’t know if there will be another record.” I didn’t have songs that I felt were good or personal enough. Dan Auerbach changed things for me, and I have no idea why. He was just interested in me. That made me feel like maybe what I was doing was interesting. He gave me some confidence back. He listened to songs that were folk songs at the time, and he thought that maybe, with some revision, they could be more dynamic. I started to see a bigger picture. For me, if I don’t have a concept it’s not worth writing a whole album. I don’t like it if there’s no story.
There are a few different ways to take your song “Fucked My Way Up to the Top.” Is it about people not wanting to give you credit for your success? Or is it about fucking people to get to the top?
It’s commentary, like, “I know what you think of me,” and I’m alluding to that. You know, I have slept with a lot of guys in the industry, but none of them helped me get my record deals. Which is annoying.
What’s the worst relationship advice you’ve received?
That love doesn’t come easily and that relationships are supposed to be a struggle. Everything else is so hard; hopefully love is the one thing that is actually fun.
That reminds me of an Eartha Kitt interview clip you once posted. Asked about love and compromise, she says, “What is there to compromise? I fall in love with myself and I want someone to share it with me.”
She was so right-on with that. It’s nice to have a fiery relationship that enhances everything you do, that doesn’t feel like part of it is not what you want.
What is the most valuable thing that you’ve destroyed in life?
In terms of money?
It doesn’t have to be, but that works.
I don’t know. I don’t think money has had an influence on things I’ve sabotaged. But there are things.
What’s something you’ve destroyed that’s actually valuable to you?
Probably the relationship I’ve been in for the last three years. Definitely demolished that through tons of depression and insecurity. Now it’s just an untenable relationship, impossible because of my emotional instability.
Sometimes people do their best writing when fucked up.
And I am a little fucked up. This whole experience has fucked me up.
Fucked you up how?
I don’t know. It’s been hard. I was in a good place when I wrote my first record because I wrote it for fun, but then, I felt like everything that went with the record was heavy. I was also trying to deal with stuff with my family. The world was heavy for a couple years. That’s why I liked Dan: He was casual. It didn’t have to be so serious.
Speaking of non-serious, what restaurant has the best red sauce in the world?
That’s a good question. I go to the same place in Los Angeles all the time, Ago on Melrose. I order the same thing every time, penne alla vodka.
What were you listening to when you were writing?
I love jazz. I love Chet Baker’s documentary Let’s Get Lost, which influenced my video for “West Coast,” which Bruce Weber shot. I love Nina Simone and Billie Holiday like everybody else. I have a ’70s playlist that I listen to daily. A lot of Bob Seger, who I love. He’s probably the main person I listen to, and also the Eagles and Chris Isaak, Dennis Wilson and Brian Wilson. I like Echo and the Bunnymen, “Killing Moon”—just like single tracks.
Do you have a guilty pleasure song on that playlist?
No, they’re all pretty good.
You experienced a level of scrutiny that was very personal. How has that affected you?
The good thing about catching so much grief from critics is that you literally do not fucking care. It put me in a mind frame where I expect things not to go right, because they generally don’t. But it’s not a pessimistic place. The music is always good, in my opinion. That’s what I expect now from my career, that the music is going to be great and the reaction’s going to be fucked up.
Why do you think they reacted so vehemently to what you were making?
If they thought it was supposed to be categorized as pop music, that was the first mistake. It wasn’t made to be popular. It was more of a psychological music endeavor. I wasn’t out to make fun, verse-chorus-verse-chorus songs. I was unraveling my history through music. People were confused as to why I would stand on stage and just sing and not perform. To me, performing is just channeling and emoting through inflection, cadence, phrasing. That’s pretty different from what’s popular, so I think maybe they thought it shouldn’t be popular. What do you think?
It felt like you were being critiqued not as an artist or even a pop musician, but as a celebutante. You presented such a comprehensive, seemingly calculated project—the videos, the styling, the references, etc.—that people felt compelled to pick it apart.
It’s funny, because my process was natural. I remember making “Video Games,” and I did my makeup as I did it every day. I put my hair up like I did. I was wearing a dress and filming myself. I didn’t think that the juxtaposition with this found footage that I had taken from people’s honeymoons on Super 8 would get the reaction it did. The reaction to everything six years prior to that, from the day when YouTube was actually born, was a non-reaction. People just didn’t care.
Do you feel vindicated?
I feel a sense of relief, but I don’t feel vindicated.
How come?
I don’t feel like things have gone well. It’s not the way I would have chosen them to go. So it’s not like I feel everything’s turned around and it’s great.
You’ve got quite a few gold records, and a handful of platinum ones.
Yeah, but I still didn’t find that community of people I was looking for, like the way Bob Dylan found his friends, or the respect of being a writer. Because that gold and platinum stuff, it doesn’t mean as much if you’re walking down the street and you can hear people saying things about you. That doesn’t even out.
Originally published on complex.com with the headline Against the Grain.
Outtakes
Lana Del Rey’s third album, Honeymoon, is out today, just 15 months after her sophomore release, Ultraviolence, solidified her place in iconic American history. This past year she has proven her staying power both as one of the most beloved pop singers in the world,and one of its most candid speakers. When she talks to the press, an activity that is becoming increasingly rare, she seems to inevitably ignite conversation. Notable examples this past year include her comments about dying young and being disinterested in feminism—both of which Kim Gordon responded to with some choice words in her memoir—as well as meeting inventor/mogul/future-enthusiast Elon Musk.
When I interviewed her for the cover of Complex’s August/September 2014 Issue, we touched on the media. But Lana was less concerned with the chatter, and more concerned with finding a group of collaborators who respect her artistry and perspective as a writer, “like the way Bob Dylan found his friends.” From the outside, it looks like she is closer than she’s ever been, working with her sister, photographer Chuck Grant, for the Honeymoon promo art, teaming up with “Shades of Cool” director Jake Nava for the literally explosive “High by the Beach” music video, contributing to the debut solo album of close friend Emile Haynie, who executive produced Born to Die, and finding new artistic synergies with artists like the Weeknd.
The more we learn about Lana, the more complete a portrait of a living, breathing human being we are able to piece together. In celebration of the release of her third album, we revisit some of the unpublished quotes from our interview that took place May 12, 2014, on the roof of Brooklyn’s Wythe Hotel. Read them below.
On Doing “Ride” With Rick Rubin
I was writing that Paradise edition, and originally was writing it as a follow-up record, but nobody wanted to release something eight months later. It ended up being a re-release-slash-second edition, and I loved this demo I did with Justin Parker, who I wrote a lot of things with like “Video Games” and “Born to Die,” “National Anthem,” and Ferdy Unger-Hamilton at EMI hated the song. So I think him and Rick had been talking and Rick was like, “What’s going on with Lana? Can she come over, I hear she’s in L.A.” I think I had been over to say “Hi” to him first. Just to say “hi.” We took a walk in Santa Monica—he takes the same walking route every morning. Then a few weeks later I brought him “Ride,” and he really liked it. Working with him was good, I was still in my old car, my old Mercedes that was barely making it down that hour-and-a-half drive down to Shangri-La Studios in Malibu, and it was really good. He has this sprawling lawn with all these bunnies and palm trees. He was very relaxed. It was good.
On Being a Fan of Rufus Wainwright
I love him. I had this terrible experience with Rufus Wainwright actually. I was like, a long time fan of him and his sister. It’s actually why I signed with my initial label, 5 Points Records, because the boss there, David, was great friends with Loudon, their father. I thought that was amazing. Anyways, I had been waiting to meet him for a long time, and I was singing at the Montreux Jazz Festival, I think two years ago. I had a really bad show. I couldn’t hear anything on stage because my in-ears stopped working. I was having a moment backstage and Rufus came to say “Hi,” and I was trying to compliment him in between stifled sobs. I think he thought I was insane.
On Being a Fan of Martha Wainwright
She’s one of the few females I totally relate to. I love the way she uses her voice in a way that kind of explains things. The words aren’t the only things that tell a story, it’s her inflections too. That’s why I really like Cat Power. She’s my biggest female inspiration in a way. I signed with my first manager because he was managing Martha six years ago, Peter Leak, and I always hoped I’d meet her. Hers was one of the few shows I saw at the Bowery Ballroom.
On the Most Important Person She Ever Shared a Cigarette With
Probably my manager, who is still my manager, Ben Mawson, over the last four years. He doesn’t smoke anymore, but he used to smoke more than me and drink 12 beers a day. I met him, he told me to just come to London and I did. I just went and met him. I think they were at Shoreditch House, so we went on the roof and had a cigarette. He felt like I was really worried about everything, and he told me that he had a plan and that everything was going to go OK and not to worry. He was very aggressive, and he was such a believer. So probably with Ben, I guess.
On Making Art Vs. Satisfying the Major Label Machine
I came in in a unique position in that “Video Games” had so many views, and that was the reason why Jimmy Iovine at Interscope and Ferdy Unger-Hamilton at Polydor had called me on that day and wanted to revisit the record and hear it again.
So I got signed on great terms because the discussions we were having were that it was always going to be my way. I liked coming from this DIY place where if I had a single that they really felt like they wanted to put money behind or promote—I liked knowing it was an option that I could make my own video at home for it, like I did with “Video Games.” Eventually I tired of that, graduated to working with other people. But in that way I was in a really good place after the record was done with its cycle.
I think the label was half-and-half on this record [Ultraviolence] because there were a lot of jazz undertones and West Coast references. I think they were happy that I was happy with it and that I made it. I don’t think they felt like there were singles that could work at radio. And I kind of felt that, because I have such a good relationship with Jimmy and Ferdy. I’ve been working, “working” [makes air quotes], singing, for years. So the people I’m closest with are like my product manager and the video commissioner, because they’re really good girls. The A&R guys—Larry Jackson and John, if I go out at night I probably go out with them. We’re pretty flexible with each other, but it always come down to differences. For example, the bonus tracks on this record I didn’t feel like had any relation to the atmosphere of the record itself. I think iTunes was like, “You would have trouble promoting a record if it didn’t have a deluxe edition,” so, there’s stuff like that.
On the Worst Relationship Advice She Ever Received
That love doesn’t come easily and that relationships are supposed to be a struggle. I think that everything else is so hard that hopefully love is the one thing that actually is the fun part of it. [I] have had some very practical, down-to-earth advice about love that I choose not to follow. It’s the same with money too. You’re supposed to work your whole life, work really hard for everything you get. I think maybe a better strategy is to just fall in love with what you do and hope that whatever you make from that monetarily is enough to have an easy life.
Originally published on complex.com on September 18, 2015, with the headline Lana Del Rey Talks Idolizing Cat Power, Looking Up to the Wainwrights, and Ignoring Bad Relationship Advice.
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Cricut Mug Press Review: Features, Price, and Comparison
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Cricut Mug Press Review: Key Features
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Thanks to Cricut for offering such an amazing feature in the easy-to-use Mug Press. These were the main reasons I gave Mug Press a thought!
Cricut Mug Press Review: Price
PRICE! Well, this is the most important thing that I have ever missed! Also, I want all my readers to know Mug Press’s cost before they purchase. I do not want to disappoint you, but the Cricut Mug Press is really not cheap. If you want to get this press without any materials or bundles, you will need $179.99.
Besides, if you want Mug Press bundles with essential materials, it will cost you about $199.99. In addition to this bundle, you get the following items:
Ceramic Mug Blank, White – 12 oz/340 ml (4 ct)
Infusible Ink Markers (1.0), Neon’s (5 ct)
Infusible Ink Pattern, Pink Lemonade (4.5\” x 12\”)
Infusible Ink Pattern, Purple Water Splash (4.5\” x 12\”)
Heat Resistant Tape
Instead, you can also get the Mug Press with Everything Materials bundle. It offers all the items a crafter needs to make a top-notch Mug. But what’s the price for this Cricut bundle set? It’s just $239.99!
The items included in this Cricut Mug Press + Everything bundle are as follows:
Ceramic Mug Blank – 12 oz/340 ml (8 ct)
Infusible Ink Pattern – (4.5\” x 12\”)
Infusible Ink, Cherry Red – (4.5\” x 12\”)
Infusible Ink, Ultraviolet – (4.5\” x 12\”)
Infusible Ink Pens (0.4), (5 ct)
Infusible Ink Markers (1.0), Neon’s (5 ct)
Infusible Ink, Black – (4.5\” x 12\”)
Infusible Ink Pattern, Buffalo Check, – (4.5\” x 12\”)
Infusible Ink Pattern, Green Watercolor – (4.5\” x 12\”)
Heat Resistant Tape – 2 ct
Cricut Mug Press Review: Comparison
So, here I will show you a comparison between Cricut Mug Press and the traditional one. Since I have used both, I can assure you that both are great in their own way. Speaking of the Cricut press machine, it is faster and beginner-friendly, and one-touch settings make it user-friendly.
However, I have noticed many errors in the traditional press, as the temperature setting is fairly complex. Overall, I find the Cricut Mug Press the best in terms of quality and usage.
Final Words
Cricut Mug Press can be a great tool for novice users. This is the best tool to personalize coffee mugs; if you want to sell them, it would be the cherry on the cake. In this Cricut Mug Press review, I have clearly explained 3 main points: key features, price, and comparison between Mug Press & traditional press. Find the reasons to know why Cricut Mug Press is right for you!
FAQs
Question 1: Do I really need Cricut Mug Press?
Answer: If you are a novice and want to personalize your mug, you must go for it! The Cricut Mug Press is designed so that anyone can use it without anyone’s help. I personally prefer this machine because it meets all my requirements for creating a good-looking mug.
Question 2: Can I use tumblers with my Cricut Mug Press?
Answer: In short, no! The Cricut Mug Press is capable of pressing against the flat round surface. As a result, the tumblers and any other cups with grooves or non-cylindrical shapes will not fit with your machine. But, still, some tumblers may work if they have enough of a straight wall surface.
Question 3: What type of mugs are compatible with Cricut Mug Press?
Answer: If you are wondering whether you can use regular mugs with your Cricut machine, well, you can certainly use them. Just make sure they have a special coating that allows sublimation and that they should also fit your machine. However, Cricut Mug Press can use 350 to 470 ml mugs without any problem. Ensure you are using the mugs within this range.
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Die After Sunset Review (PlayStation 5)
For our Die After Sunset Review, where we play an Action-packed roguelite shooter stacked with hundreds of items, unique quests, monstrous bosses, and hordes of enemies. Choose from three unique characters, complete quests, and level up after every run! The year is 2120. An alien race referred to as the ‘Murkors’ have invaded every corner of the earth with their unrivaled power and… rubber duck hats. The resistance holds out to prevent the extinction of humanity, but not for long. It’s up to you as a defender of Earth to level up and take on the murkor hordes… before the sun sets.
Die After Sunset Review Pros:
- Nice graphics.
- 3.22GB download size.
- 12 trophies.
- Shooter gameplay.
- Optional tutorial.
- 3rd person view.
- Controller settings - Invert the Y axis, sensitivity slider, and rebind controls.
- Three playable characters with one having to be unlocked.
- Run based gameplay.
- At the end of a run, you get a full stats breakdown, info on who killed you, how many Mukus you saved and items picked up.
- Quick restart option.
- Enemies drop light orbs which is the currency in the game.
- Chests can be found and opened with light orbs.
- Roguelike in that every run is randomized, you lose everything and you only keep what you bank.
- Upgrade tree is where you spend Mukus goop on either attack, shield, health, or light.
- The items menu uses Mukus to permanently unlock new items to show up in future runs.
- The extras menu is where you spend huge Mukus on big game-changing options like selling items etc.
- Enemies can drop health.
- Wide range of whacky items that mix it up and are more like modifiers.
- A typical game run is when you are in an open area, Missions will spawn and you get to them and complete them to earn rewards and stars. All this is under a time limit before the big boss shows up.
- Mukus goop has to be banked in the special machines otherwise you lose them upon death.
- Quests are housed in a designated menu and offer permanent unlocks like equipment and characters.
- Once unlocked you can edit your character's loadout for main, secondary, and light weapons along with your ability.
- Buttons show the above actions to help you get used to the controls.
- You see enemy health bars.
- The compass bar at the top shows where to head and then huge rings of color show missions.
- Chests emit a small beam of light and some require unlocking first like taking on a wave of enemies.
- Pop-up text for any item/equipment dropped.
- Each character has unique stats and abilities/gear and perk unlockables.
- Play how you want.
- After clearing a mission you get a chest that lets you choose light, damage, or health increases along with a gadget or item.
- Drones can be picked up and float around with you shooting and healing automatically.
- Exploding barrels are littered around the level.
Die After Sunset Review Cons:
- The text is really small.
- Takes a while to get used to it all.
- Missions repeat themselves a lot.
- The sensitivity when ADS is insane no matter the setting.
- At the start of a new run, a load of horrible noise happens for a few seconds.
- The tutorial is very basic.
- It takes a bit of time to get used to and work out what each mission is.
- Mission progress isn't the clearest especially as you have to quickly glance at it.
- Gunplay does not feel great.
- The drones, bushes, and generally anywhere indoors can and will obscure your view.
- Performance overall is a bit up and down.
- Feels really repetitive and grindy.
- The boss fights add in loads of scrubs that make it harder and not a lot of fun to play.
- It always feels like the game is against you.
- Enemies can and will randomly spawn in front of you.
- When in a boss fight the scrubs can leave the area and be protected from the bubble but can still damage you.
- There is a limit to how many light orbs you can carry.
- Some chest opening requirements are not clear.
- Enemies have amazing accuracy.
Related Post: Bomb Rush Cyberpunk Review (Steam)
Die After Sunset:
Official website.
Developer: PQube
Publisher: PQube
Store Links -
PlayStation
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Apple MacBook Air 15-inch review: The best 15-inch laptop you can buy
The 13-inch MacBook Air is the best PC you can purchase, so it's nothing unexpected to see Mac just make it greater for 2023. The 15-inch MacBook Air includes an essentially bigger presentation for shuffling applications, altering photographs and streaming Network programs, all without forfeiting the thin plan and light weight that makes an Air, well.. an Air. Couple that with a similar smart console, helpful MagSafe charger and top tier execution speeds as last year's model, and you have an amazing worth at $1,299 — however there are a couple of provisos to remember.
All in all, is this the new 15-inch PC to beat? This is my thought process after almost seven days of involving it as my primary work machine out and about.
What we loved about it
One of the sleekest 15-inch workstations out there
The 15-inch MacBook Air is a greater rendition of the 13-inch MacBook Air M2 that sent off last year, and all that extraordinary about that journal stands apart much inclining further toward a bigger material. This thing is amazingly slight and light for its size — its smooth edges are precisely pretty much as thin as those of the more modest model, and at a little more than 3 pounds, it's scarcely heavier. It's likewise eminently sleeker than its most immediate Windows rival in the Dell XPS 15, which tips the scales at a heavier 4.2 pounds and has thicker 0.73-inch edges. To place this in true terms, I was all ready to pack the 15-inch MacBook Air into my small knapsack's PC compartment — not something I'd ordinarily do with a journal this size — and carried it around a bustling press occasion without seeing any significant heave.
MACBOOK AIR 15-INCH M2 REVIEW: PRICE & AVAILABILITY
- Starts at $1,299
- Upgradeable RAM and storage
The MacBook Air 15-inch M2 dispatches on June 13 with a beginning cost of $1,299 at Mac's internet based store. This is $100 more than last year's 13-inch MacBook Air M2 cost when it sent off. That more modest model presently goes for a considerably less expensive $1,099. Like that form, the new 15-inch Air comes in four tones: 12 PM, Starlight, Silver, and Space Dim.
This section level setup accompanies an Apple M2 chip including a 8-center central processor and 10-center GPU, 8GB of Bound together Memory (Smash) and 256GB of SSD stockpiling. Assuming you want more memory and space, you can overhaul up to 24GB of Smash and up to 2TB of SSD of capacity — however that will knock the value up to $2,499. All arrangements include a similar M2 chip with a 8-center computer processor and 10-Center GPU.
The survey unit Apple sent us has 16GB of Slam and 512GB of stockpiling, which is valued at $1,699.
MACBOOK AIR 15-INCH M2 REVIEW: KEYBOARD AND TOUCHPAD
- Roomy keyboard and touchpad
The spacious and responsive keyboard is one of my favorite features of the 15-inch MacBook Air. The keys are snappy and I like the travel distance, which wasn't too short or long. I was able to type on this laptop almost as fast as I would on one of the best mechanical keyboards out there.
The precise and responsive touchpad gets a size boost from the 13-inch Air and is all the better for it. Thanks to the extra space, it's easier to swipe, pinch to zoom, and perform other gestures. Despite its size, I never accidentally touched the touchpad while typing.
MacBook Air 15-inch
MacBook 13-inch
Dell XPS 15 OLED (2023)
Nits (brightness)
473
489
371
sRGB
111.4%
110.9%
194.7%
DCI-P3
78.9%
78.6%
137.9%
Delta-E
0.17
0.22
0.24
MACBOOK AIR 15-INCH M2 REVIEW: DISPLAY
The main selling point of this laptop is its large 15.3-inch Liquid Retina display. It delivers bright and colorful images at Sharp's native 2,880 x 1,864 resolution. In my experience it's great for watching videos, web browsing, photo editing and more.
The 15-inch MacBook Air is powered by the same Apple M2 processor as its smaller sibling, which means it's the fastest laptop you can buy at this price. Apple's latest laptop never slowed down and remained whisper-quiet during my typical multitasking workload, which involves using Slack, Discord, Outlook, and lots of Chrome tabs simultaneously — often while using split-screen mode and measuring Streaming some video for .
The new MacBook Air is also fully capable of playing the latest Mac games, as long as you keep your graphics settings somewhat modest. On our Shadow of the Tomb Raider test (which cycles through cinematic action games at the highest settings), 15 inches of air averaged 26 frames per second. That's just below the 30 fps we consider ideal for basic playability, and roughly what we got from the M2-powered 13-inch Air as well as the 13-inch Pro. That being said, our benchmarks are extra taxing, and you'll have a perfectly smooth experience with the game if you keep your settings high or low.
Excellent battery life
The 15-inch MacBook Air's speedy performance is complemented by great battery life for working on the road. Apple's new laptop clocked in at 9 hours and 15 minutes of continuous 4K video playback on our battery test – which is good with heavy workday use, and more in line with what we've seen from recent Windows rivals like the Samsung Galaxy Book 3 Pro 360 , He is at the top. found. (8 hours) and the Surface Laptop 5 (8 hours, 14 minutes). Perhaps even more impressive, the 15-inch MacBook Air managed to beat out the latest 14-inch MacBook Pro on our tests by about 90 minutes. Your mileage will vary depending on how power-intensive your daily tasks are, but you can generally count on 15 inches of air moving throughout the day.
Here are some key differences:
15-inch MacBook Air
13-inch MacBook Pro
$1299
$1299
Four colors
Two colors
15.3-inch display with modern bezels
13.3-inch display with dated bezels
18-hour battery life
20-hour battery life
Function keys
Touch Bar
2880 by 1864 pixels
2560 by 1600 pixels
3.3 pounds
3.0 pounds
1080p FaceTime HD camera
720p FaceTime HD camera
Six-speaker sound system with force-cancelling woofers
Stereo speakers with high dynamic range
Three-mic array with directional beamforming
Studio-quality three-mic array with high signal-to-noise ratio and directional beamforming
Bluetooth 5.3
Bluetooth 5.0
MagSafe charging + Two Thunderbolt 4 ports
Two Thunderbolt 4 ports (one free if charging)
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PowrSuite 2.0 Review - The Complete Business Suite.
What exactly is PowrSuite 2.0?
Thirteen-in-one product that includes all of the tools you need for lead generation, list building, copywriting, websites, landing pages, offer pages, opt-in pages, bonus pages, scratch-off pages, social media graphics, social media banners, youtube thumbnails, social media ads, company logo, all in one dashboard. What's new in PowrSuite 2.0? Read this PowrSuite 2.0 Review till the end to know all the necessary details before purchasing it.
PowrSuite 2.0 Review; What's new?
DFY AI Writer:
Your personal AI writer generates compelling copy for advertisements and marketing campaigns. DFY AI Writer analyses your company products or services, then generates marketing copy that is customized to your specific needs using machine learning algorithms.
Scraper DFY:
This app collects email addresses from websites using web scraping technology. DFY Scraper can scan websites and extract email addresses from a variety of sources, including website contact forms and online directories, by using advanced algorithms.
DFY Map Leads:
This product collects leads for your company by utilising Google Places. The app will easily collect leads from potential customers searching for businesses like yours on Google by connecting to Google Places.
DFY Link Tracker:
Keep track of who clicked your link, when it was clicked, and from where it was clicked. Tracking links are important for determining the effectiveness of your internet advertising.
DFY Social Apps:
Create social media graphics and share them instantly on Facebook, Twitter, LinkedIn, Tumblr, Skype, Pinterest, and more. They have over 150 templates, all of which are fully customizable with icons and backgrounds, and they are all drag and drop easy. In addition, 12 hours of expert-level training are included.
DFY Simple Ads:
Canva is no longer required! Exactly, with DFY Simple Ads, you can quickly create engaging and profitable ads.
Step1: Select from more than 150 templates.
Step2: Personalize the template by adding/editing text, editing an image, and adding a logo.
Step3: Save as a PNG template.
DFY Offers Page:
The ideal builder for selling affiliate products or your own. DFY Offers Page features a one-click share on the most popular social media platforms, as well as an easy-to-use dashboard where you can simply add URLs and the site will populate for you. Hosting on our fast servers with unlimited subdomains.
Surprise Product:
In just a few clicks, you can create your own surprise products. Have you ever scratched a lottery ticket? Engage your visitors by having them scratch this digital version with their mouse to reveal their bonus surprise beneath. This could be anything from a coupon code, a $10 off discount, or a special bonus for seasonal specials and other events.
DFY Bonus Page:
Increase your clicks, conversions, and sales. Instantly create irresistible bonus pages. Choose from a variety of premium bonus page templates. Each template was created after numerous tests. The bonus pages are visually appealing, appear professional, and have been shown to convert visitors into buyers.
10 - DFY Logo:
Create amazing Logos in a matter of seconds. It is extremely easy to use and allows you to create bold and iconic logos in seconds. An amazing logo is just a few clicks away, thanks to a super simple interface and thousands of options.
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How to Write an Amazon Associates Review
Amazon Associates Review is a good way to build an audience and generate side income. It can also be a great way to complement your other affiliate products. Here are some tips on starting a successful affiliate business: Get started with Amazon Associates by creating an account and promoting products to your readers. You'll also learn more about the commission rates and the customization options. But most importantly, Amazon Associates is free to join and offers a huge range of products and services for affiliates.
Cost of joining
Amazon associates are paid a commission on sales that originate from their websites. Depending on the product, this can be anywhere from 4% to 8.5% of the total purchase price. However, it's important to note that affiliates can only earn a commission on products that they link to from their own websites. If they fail to generate a sale within 180 days of joining, they will be removed from the program.
To become an Amazon associate, you must register for an account. You will be asked to provide your name, email address, website URL, and a password. You'll also need to provide a mailing address and phone number so that Amazon can send you marketing communications.
Commission rates
The Amazon associates program is a program that allows websites and other companies to promote Amazon products and earn a percentage of sales. It has been a great revenue generator for many companies. Websites such as BuzzFeed, The New York Times, Vox, and others have links to Amazon products within their content. They also publish buying guides, which lead readers to the eCommerce giant.
Commission rates have fluctuated over time. The most recent change is the Amazon Echo, which was introduced at a 7% commission rate. Other categories like jewelry are no longer included. The commission rate for Kindle tablets and e-readers has decreased. This decrease is especially noticeable with the introduction of the Amazon Echo. The other 17 product categories are unchanged, however.
Customization options
If you want to write a review for an Amazon product, you can customize it with several features. For instance, you can customize the product title, description, pricing, ratings, and buttons. You can also add custom CSS and HTML code. You can set the character limit for product titles, add custom text at the end of them, and display rating stars. You can even add a picture to the product listing.
To customize Amazon associates reviews, you need to get your account approved first. Then, you must make at least three sales. In addition, you have to add a custom disclaimer information or credit the developers.
Amazon Associates Video Review
youtube
Payment methods
There are a few ways to make money as an Amazon associate, and all of them involve submitting your affiliate link and account information to Amazon. Once you've done that, you can receive payments via check, bank account, or electronic funds transfer. If you're a new associate, it's a good idea to learn as much as you can about Amazon's payment methods so that you'll know exactly what to expect from your work.
Amazon offers several payment options, from fixed advertising fees to variable commissions. There's also a bounty program, which pays you a certain fee for advertising. For this option, you'll need to optimize your site and content in order to maximize the number of visitors you send to your affiliate links.
#Amazon Associates#Amazon Associates Review#Amazon Associates Reviews#Boss Babe Review#Ecom Elites Review#Ecom Elites Reviews#Ecom Elites Scam#Amazing Selling Machine Review#Amazing Selling Machine 12 Review#Amazing Selling Machine X Review#Youtube
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