#AKIFUMI NISHIURA
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広告批評 「もののけ姫」の向こうに見えるもの 1998・2（213号）
マドラ出版
ART DIRECTOR : KASHIWA SATO. DESIGNER : JUN KAMATA, AKIFUMI NISHIURA
#広告批評 「もののけ姫」の向こうに見えるもの 1998・2（213号）#広告批評 1998・2（213号）#広告批評 213号#広告批評#KASHIWA SATO#佐藤可士和#JUN KAMATA#AKIFUMI NISHIURA#anamon#古本屋あなもん#あなもん#book cover#もののけ姫
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広告批評 「もののけ姫」の向こうに見えるもの 1998・2（213号） マドラ出版 ART DIRECTOR : KASHIWA SATO. DESIGNER : JUN KAMATA, AKIFUMI NISHIURA
via - https://www.tumblr.com/anamon-book
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THZ Gallery｜ART TAIPEI 2023｜邏輯的視覺與內在意識｜Visual Logic and Internal Consciousness｜展位 F09
展覽日期｜2023 / 10 / 20（五）- 10 / 23（一）
展覽時間｜11:00 - 19:00（10 / 23 至 18:00）
貴賓預展｜2023 / 10 / 19（四）- 10 / 20 (五)
預展時間｜10 / 19：15:00–21:00、10 / 20：11:00–14:00
展覽地點｜台北世界貿易中心1館
參展藝術家｜崔浩俊 Ho Jun,CHOI、川崎泰史 Yasuhito KAWASAKI、西浦裕太 Yuta NISHIURA、吉野涼子Ryoko YOSHINO、堀越達人 Tatsuhito HORIKOSHI、奧村晃史 Akifumi OKUMURA、經塚真代 Masayo KEIZUKA
當現實與想像相遇交匯，用敏銳的雙眼專注，是具體、是抽象，反映出內在的波動，也反應當下思緒，隱約透露時而清晰、時而模糊不明的狀態。
當視覺停留，從單點到平面，再放大至空間延伸，焦點的位移關係著觀看的視角與腦內的記憶搜索，逐步定格化作時間節點，喚起曾經的過往經歷，用視覺思考轉化成意識結構，如同紀錄生活，用記憶創作，創造自我的邏輯風格與步調。
西浦裕太隨心之所向，將生活經驗、想像的風景或物件拼湊，一刀刀雕琢成形，細膩的手法讓木紋肌理更顯其層次與溫度；療癒自我，也愉悅人心如同川崎泰史保有童趣的純真無邪，飽和的色彩、圓滑的線條，童真的美好總是值得玩味；而經塚真代的人物表現，總是傳遞一抹甜蜜滋味，久看相視依舊甜而不膩；來自韓國的崔浩俊，其陶瓷動物雕塑擁有豐富的表面肌理質感，表情更是可愛又叛逆；堀越達人的空靈清新，神情自若的賦予每一個角色氣質與個性，那俐落優雅的目光久久無法轉移。吉野涼子渾沌的神情，沈穩寂寞的色彩，彷彿陪同陷入屬於她的思緒黑洞中，緩慢的解讀內心深處的話語；奧村晃史在真實面向中點綴想像元素，將動物描繪成似真似夢，自然共處於平衡畫面中。
日韓七位藝術家的創作範疇，有人像、有動物、有景色，有各自獨到的理念與立場存在，動靜之中抓取平衡，展現邏輯的協調並蓄與無限可能，憑藉直覺讓感官獲得最深刻的感動，一股隱身的內在力量，唯有用心洞察，才能發掘藝術的價值來自於內與外的溝通對話，相容且相連於心。
When reality meets and intersects with imagination, focus with a keen eye, and ask yourself if is it concrete or abstract. Allow it to reflect the fluctuating state of your inner volatility, revealing the sometimes clear sometimes blurred state of mind and current thoughts.
When the vision is locked, from point to surface, and then enlarged to a spatial extension, such displacement of the focal point is related not merely to one’s viewing point but to the search for memory inside the brain; gradually framed as a point in time, evoking past experiences, transformed into a structure of consciousness with visual thinking, like recording life with memories, with the logical style and pace of oneself.
Yuta Nishiura carves up life experiences, imaginary landscapes, and objects as his heart desires, one by one, with delicate techniques that bring out the layers and temperature of wood texture. Yasuhito Kawasaki’s ceramic sculpture comprises an energy of healing and pleasantness that retains the innocence of childness with saturated colors and smooth lines, for the beauty of childness is always worth playing with. Masayo Keizuka’s characters always convey a touch of sweetness that can stand the test of time; Korean artist Ho-Jun Choi, whose ceramic animal sculptures embody a rich surface texture with cuteness and rebellious expressions. Tatsuhito Horikoshi's ethereal freshness style endows each character with a special personality, with an elegant look that makes viewers reluctant to shift their gaze. Ryoko Yoshino's characters’ chaotic expression combined with a calm and lonesome colors, seem to accompany her into the black hole of her thoughts, slowly deciphering the words embedded deeply in her heart; Akifumi Okumura embellishes imaginary elements with reality, depicting animals in a seemly-real seemly-dreamy way, that naturally coexisting in a balanced picture.
The above seven Japanese and Korean artists' artwork includes themes of people, animals, and scenery, where they each present their unique ideas and standpoints, showcasing a balance in movement and stillness, logical coordination, and unlimited possibilities. With intuition, one's senses are touched most profoundly, and only by piercing one’s hidden power of the internal mind, can one realize that the value of art originates from the dialogues between internal and external conversation, which are compatible and connected to one’s heart.
展覽日期｜2023 / 10 / 20（五）- 10 / 23（一）
展覽時間｜11:00 - 19:00（10 / 23 至 18:00）
展位｜F09
展覽地點｜台北世界貿易中心1館
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広告批評 特集・女は表現する 1998・6（217号）
マドラ出版
ART DIRECTOR : KASHIWA SATO. DESIGNER : AKIFUMI NISHIURA. COVER PHOTOGRAPH : NAKA. MODEL : Cocco.
#広告批評 特集・女は表現する 1998・6（217号）#広告批評 1998・6（217号）#広告批評 217号#広告批評#KASHIWA SATO#佐藤可士和#AKIFUMI NISHIURA#Cocco#anamon#古本屋あなもん#あなもん#book cover
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広告批評 特集・これが爆笑問題だ 1998・9（219号）
マドラ出版
ART DIRECTOR : KASHIWA SATO. DESIGNER : AKIFUMI NISHIURA. COVER PHOTOGRAPH : ITARU HIRAMA. MODEL : BAKUSHO MONDAI.
#広告批評 特集・これが爆笑問題だ 1998・9（219号）#広告批評 1998・9（219号）#広告批評 219号#広告批評#KASHIWA SATO#佐藤可士和#AKIFUMI NISHIURA#ITARU HIRAMA#平間至#BAKUSHO MONDAI#爆笑問題#anamon#古本屋あなもん#あなもん#book cover
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広告批評 特集・NIKEのクリエイティブ 1998・4（215号）
マドラ出版
ART DIRECTOR : KASHIWA SATO. DESIGNER : JUN KAMATA, AKIFUMI NISHIURA
#広告批評 特集・NIKEのクリエイティブ 1998・4（215号）#広告批評 1998・4（215号）#広告批評 215号#広告批評#KASHIWA SATO#佐藤可士和#JUN KAMATA#AKIFUMI NISHIURA#anamon#古本屋あなもん#あなもん#book cover#NIKE
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広告批評 特集・クリエイターマップ 1998・3（214号）
マドラ出版
ART DIRECTOR : KASHIWA SATO. DESIGNER : JUN KAMATA, AKIFUMI NISHIURA
#広告批評 特集・クリエイターマップ 1998・3（214号）#広告批評 1998・3（214号）#広告批評 214号#広告批評#KASHIWA SATO#佐藤可士和#JUN KAMATA#AKIFUMI NISHIURA#anamon#古本屋あなもん#あなもん#book cover
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台北アートフェアに参加させていただきます。
「modernite」
私たちは移ろいやすく儚いもの
創作的立體人形作品有著妹妹頭、長長的脖子與垮垮的肩膀,臉上表情 好似帶著一抹哀愁,造型上的不平衡感令人印象深刻。 透過無法以人偶或雕刻形容的創作,表達出不屬於何處的「那孩子」的
憂傷。 那是在過去無意識中逐漸逝去的記憶裡,將自己投射後映照出的自己的 模樣。
The three-dimensional figures created by the artist have the features of China doll hairstyle, long neck, slumped shoulders, and an expression of sadness on their faces, creating an imbalanced shape that leaves deep impressions in the viewers' minds.
By creating works that cannot be accurately described as a doll or a sculpture, the artist evoked the sadness of "a child", who does not belong anywhere. It is the reflected image of oneself after projected by oneself in the realm of gradually fading, unconscious memory.
THZ Gallery | ART TAIPEI 2023 | Visual Logic and Internal Consciousness | F09
展覽日期 | 2023/10/20(五)-10/23(一)
展覽時間|11:00-19:00(10/23至18:00)
貴賓預展 | 2023/10/19(四)-10/20(五)
R 10/19 15:00-21:00, 10/20 11:00-14:00
展覽地點|台北世界貿易中心1館
SERE Ho Jun,CHOI, JI Yasuhito KAWASAKI, Yuta NISHIURA, Ryoko YOSHINO. Tatsuhito HORIKOSHI, 2 Akifumi OKUMURA, Masayo KEIZUKA
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