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#2 fucking minutes it’s of chas and Aaron
keepersofmyheart · 7 months
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I told you it is always the same. Watched 2 minutes of Emmerdale. Aaron and chas. Same conversations as always yea. That’s a fucking no from me.
If you always do what you always did you will always get what you always got.
S. H. I. T.
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jonny-versace · 4 years
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Fireworks exploded village-wide at 11pm. Charity ducked down behind the bar.
"Fuck me, bit early for it? Sounds like we're getting bomb." she exclaimed, barely peeking at her punters. She'd given Chas the night off, out of the good of her heart. She made sure Paddy was there too like, balance the universe and all that.
"Ness babe, go see where our Aaron and Robert have got to, they're the ones who offered to give me a hand and I'm near drowning here!" she gestured at the near empty pub. Business hadn't exactly been thriving since Kim opened her sports bar, but damned if Charity would admit it.
A minute later Vanessa returned from the back room, misty eyed. Probably due to the fact she and Tracy had been supping since midday but still.
"Charity. Charity! Come see," taking Charity's hand and leading her.
"Babe no offense but I saw enough of those two when they lived here, more than I ever wanted to see of our Aaron so wha-"
Vanessa pushed her into the room, finger pressed to her lips, to see Aaron and Robert hard and fast asleep on the sofa, not in any kind of comfortable position but dead to the world all the same, the pints they'd taken back two hours earlier undrunk on the coffee table. Charity leaned against the doorframe fondly, as orders were yelled back from the bar, which she didn't hear. By choice. After a few minutes, she leaned into Vanessa and said,
"Do me a favour and sort out Pollard, I'll get these two shifted."
"Heart of gold you."
"So they say."
Charity walked to the sink, and poured herself a large glass of cold water. Taking a sip, she rounded the kitchen table and looked at her family, wrapped up in each other.
She threw the glass of water on them.
"mmmmbdhdgs what the...." Aaron startled bolt upright as Robert went into some kind of shock behind him. "Charity what the FUCK."
"What are you DOING?!" Robert sputtered, trying to get water out of his face while simultaneously grappling at Aaron like he's a life raft.
"That was for leaving me in the lurch behind the bar for the last few hours. But also, it was to wake you up, so go spend your first new years with them that need you. But mostly cos you both fucked off and left me in the madhouse."
Charity left back to the bar, rubbing her hand over both of their soaking wet heads, and re-entered the pub to... Pollard, swaying into his whisky. Another firework explosion happened and he winced.
"Reminds me of the crash....." he slurred. "My poor Elizabeth....".
His head made a very solid *CLUNK* as it hit the bar top.
***
Aaron and Robert somehow made their way back to Mill cottage. They were half asleep and Robert was missing a shoe for some reason but finally they made it back home.
"Loves! We weren't expecting you back until tomorrow!" beamed Chas from the sofa, Eve safely tucked into her arms. She cast them a stern look. "We told you not to worry for a night."
Their eyes were only on the gaming chairs, Paddy with the twins in his arms in one, Liv fast asleep with Seb in other. Some kind of great relief washed over them both, Robert thanking Paddy before relieving him of his duty and taking his girls, kissing them both softly as he sank next to Chas, and Aaron gently picking up Seb, scratching his face the way he likes with his beard before taking his seat at the end of couch next to this husband. He kissed his girls, then his husband, then settled his head on Robert's shoulder, Seb's on his own.
"Sorry lads," Chas spoke softly as Paddy sat on the chairarm beside her, "countdown's starting now."
Aaron wrenched his eyes open to look at Robert's, heavily bagged and tired but so happy, just as he knew his own were.
10....9.....8.....7....6......
"I love you." Robert said.
5....4....3...2....1.....
"I love you more." Aaron replied, leaning into the kiss at the stroke of midnight.
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allthevmff · 5 years
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Funeral Masses for Aaron Echolls: Viewing Hours 4 to 6
by iateyourheart
xx
Reporter 1: We're here outside of the Neptune County Jail where the body of actor Aaron Echolls was discovered this morning. The star of such films as In Pursuit of Happiness was awaiting trial for the murder of Lilly Kane, daughter of software mogul, Jake Kane. The official cause of death has not yet been revealed...
xx
  The worst part of all of this crap, has to be the look on their faces. It's a rather piss poor attempt at sympathy that's more than likely fueled by good manners than any honest-to-god trace of the aforementioned emotion. Despite the maximum sadness factor, you appreciate the effort they put into the lie.
And, yeah, you get it. Honestly, you do.
Aaron Echolls may have been god's biggest misuse of human cells, but the man was still your father; a bit of respect is still required in situations such as these, whether the not-so dearly departed truly deserves it.
You understand where they're coming from. Why they would feel the need to offer you condolences and ask how you're doing. Seriously. You understand completely.
But, you don't for a second let this rare sign of maturity keep you from being annoyed as fuck by all of these forced, insincere pleasantries. You weren't fucking born yesterday and you know the breaking news blurb on the death of that part-time actor, full-time sociopath lifted a weight off of many-a-shoulder. Somewhere, church bells were probably ringing, and little forest creatures with wide anime expressions were probably hopping around singing with glee.
You may understand where they're coming from, but you just wish people would cut the shit already and be honest.
So, when you breeze into the hotel room and find Veronica and Duncan cozily snuggled up like the walking embodiment of teen-dream puppy love that they are, and they grace you with uncomfortable looks and fumbled words "How are you holding up?", you're armed with a plan.
Well, not so much a plan as it is a statement. There's no doubt your feelings are going to be conveyed quite nicely:
Duncan says nothing and Veronica gives you a look that smells of righteous indignation when you flop down in between them with a bottle of Boonesfarm in your hand. Deliciously ghetto, but gets you wasted all the same.
"Flip it to CNN," you order as you go to work on unscrewing the top of the Blue Hawaiian flavored alcohol.
"What the hell are you doing?" Veronica's giving you the eye. She disapproves already. That's ashame, really, cause you planned on sharing.
There's a sigh from Duncan, but he complies, and the moment you hear the reporter mention dear ole' daddy's name, you take a big swig from the bottle.
"Celebrating," you tell her after a particularly hard swallow. "Here's to..." you begin hoisting the bottle in the air with mock dramatics, "here's to aneurysms. Nature's little miracles."
  xx
Tonight, on The Insider – the emotional interview with the daughter of Aaron Echolls, you don't want to miss.
:video clip:
Pat O'Brien: Had your father lived, do you believe he would have been acquitted of murder charges?
Trina Echolls: Oh, definitely. Definitely. I, know he was innocent. There was just so much misinformation about him before he died...
Pat O'Brien: The claims of abuse...
Trina Echolls: Right. It's all nonsense, Pat. My dad was a good man; he couldn't hurt a fly let alone his own children!
:end video clip:
xx
  "To my beloved daughter, Trina, I bequeath all of my personal effects in the house..."
A snort. "Good luck collecting that."
"Totaling two-hundred and fifty thousand dollars. In addition, I also leave you a total of five million dollars. To my son, Logan..."
This should be good.
"...I leave a total of five million as well..."
Your face scrunches; hell, you were expecting a little more than a measly five mill – five million doesn't exactly say "Sorry I murdered your girlfriend, son".
"That's it? What about my trust fund?"
A sour expression forms on Barry's face and he makes a show of clearing his throat and ruffling papers. "Not to be touched until you're twenty-one. Both of your parents made that fact very clear."
"And, uh, how exactly am I supposed to collect all of my share?" Trina speaks up suddenly. "Half of it is char grilled thanks to him."
Obviously, your sis missed that memo on the fire that claimed casa-de Echolls; the one that points out the fact that the arsonists backs were considerably wet in nature. You, however, fake shock complete with your hand on your chest and a gasp. It has the desired affect and Trina narrows her brown eyes while mumbling something that's either a threat or a curse – most likely both. She can be so incredibly easy sometimes.
"You'll have to take that up with the insurance company. Although, I think there were a few items of Aaron's that survived the fire..." Barry's sifting through papers again and you take the opportunity to clean your fingernails with his letter opener. "Ah, yes," he says when he's found what he was searching for, "Three of Aaron's awards were recovered: two Golden Globes and a Blockbuster award. They now belong to you."
You can't help but smile,
"No fair! Clearly, dad liked the you best!"
  xx
Reporter 2: Funeral services for Aaron Echolls get underway today at St. Francis Catholic Church...
xx
  "You, know, I don't understand this at all."
It's amazing, the amount of strangers who show up at the church. Fans with your father's face adorning their T-shirts. Reporters with their cameras and questions.
"What is with this attitude, son?"
Only five people Aaron actually knew in life came to his funeral. Trina's flavor of the month, counted just as much as the flask you hid away in your pocket. And when your grandmother disappeared back into the comfort of her limo, and Conner Larkin walked outside to take questions, and Barry decided to head to the cemetery, and Trina's date grew tired of the bleak atmosphere and whisked her away, you were the only one left.
All alone. With him.
"Where I stand, you should be thanking me."
The grin on your father's face is enough to turn your stomach so hard you fear you might collapse. His head cocks to the side on that pillow of eternal rest and those cold eyes burn into yours.
"Thanking you?" your voice is shaky. You grip the side of the casket for support.
"For taking Lilly off your hands," he tells you simply. "She didn't exactly love you, you know."
Your mouth fills up with blood and at that point, you think it's best to remove your teeth from the meat of your cheek. "Shut up."
"I was only trying to protect you, Logan. It's just like you to take a piece of ass and try and turn her into a housewife." He tsks. "Once a whore, always a whore."
"You know shit about Lilly."
"C'mon, you've seen the tapes." Aaron chuckles and you feel a sudden urge to vomit. "For all intents and purposes, I think I knew her pretty well. I did you a favor, boy."
"You murdered my girlfriend, and you fucking got away with it! Do you really think I'm gonna mourn you? Shed one tear because you got to die in your sleep all quick and painless?" You glower, your hand gripping the casket's side so tightly your knuckles are white as sheets. "I should've bashed your head in while I had the chance. Or set you on fire."
"Oh, so is that what all of this hostility is all about? Veronica Mars?" His laugh echoes in your ears. "I hear she's dating Duncan again. Don't 'cha wish she would have stayed in that refrigerator just a few minutes longer?"
Aaron's casket rattles violently when you kick it. Your right foot feels as if it's been broken in two, but on a scale of one-to-ten measuring how much your very existence sucks beyond the telling of it, physical pain doesn't even register.
"Logan?"
It's her concerned voice that pulls you back to reality.
  xx
:video clip:
Conner Larkin: All I ask is that you show the Echolls family the respect they deserve during this difficult time.
:end video clip:
xx
  You fractured your right foot. Way to go, brain trust.
Veronica sits, arms folded, watching you greedily gulp down the pain killers the nurse handed you. She patiently waits until the two of you are alone again,
"Did it make you feel any better?"
The question's sincere; you're just too slow to stop your mouth from spitting out the first dickhead-ish sentence that comes to mind.
"Right as rain," you snicker. "Grey skies clearing up. I'm putting on my happy face."
"Logan, I'm..." she starts and stops at the sound of your hollow laughter.
"Don't even think about telling me you're sorry, Veronica. If you feel that bad – pick out a Hallmark card and let Snoopy say it for you, cause I've heard enough 'sorrys' to last a lifetime."
She stares at you for a minute before wordlessly sitting down on the end of the hospital bed. "I'm sorry he never paid for what he did," she says quietly and you know that will be the last you ever hear of it from her lips. Veronica Mars isn't exactly the queen of overstating emotion and you'd likely drop fucking dead of shock if she did it more than once.
The pills are kicking in and to say that you feel good at the moment would be an understatement.
You fall asleep with your fingers entwined with hers.
  xx
Tonight on The Insider... Brad and Angelina, could wedding bells be just around the corner?
xx
  Giving you a cane is like giving a wino a bottle of Old English. You're quick to use it to test the limits of your fellow man; you poke waitresses, jab unsuspecting children, and get out of hours of tedious homework. When your temporary cripple status doesn't work, you kindly remind everyone you're an orphan.
An orphan with a bum foot.
Dick thinks it's hilarious. Duncan merely shakes his head and smiles at your antics. Veronica says that maybe you've been watching those House dvd's a little too much.
After your episode at the church, everyone suggests you go and see a shrink. Talk things out. Get some closure.
"Batter, up?"
You've got your own ideas on the matter.
Cane in hand, you hobble up to the makeshift plate and throw Veronica a smile over your shoulder as you fix the goggles over your eyes.
"I still don't think it's fair that you get first up," she pouts.
"Hey, when your daddy kills your girlfriend, then you can get first bat," you sardonically tell her.
She grins. "Pinky swear?"
"Cross my heart and hope to die."
Never one to pass up an opportunity for the dramatic, you point your cane out toward the sky as if you were the Great Bambino himself, and with one fluid motion, you bring the oak crashing down.
The Blockbuster Award for Favorite Actor in a Romantic Comedy shatters into a million, tiny pieces.
You'll do this closure thing in your own, special way.
via AO3 works tagged 'Veronica Mars - All Media Types' https://ift.tt/2K1PYik April 3, 2019 at 04:50AM
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bartsugsy · 6 years
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The Robron Break Ups: A Definitive Guide (Part Seven/How does one make the infinity sign on a keyboard)
Part One / Previous Part / All / AO3
Aaaaaand we’re back! Recap - Rob’s been shot and is in a coma, everyone is a suspect including our Aaron and now we’re firmly out of the Affair Era and into Who Shot Robert?
Thank you all for reading etc. You’ll quickly notice that we’re gonna SKIP THE HELL THROUGH ALL THIS BECAUSE I WANNA GET TO THE GOOD STUFF AYOOOOOO
ANYWAY, TIME TO FIND OUT HOW MANY TIMES ONE HUMAN CAN MENTION THAT AARON AND ROBERT ARE ABSOLUTELY IN LOVE DESPITE ALL THE HATRED AND WHATEVER. HAAAAAAY.
Part Seven: Hold Me Whilst I Fondle Your Life Support, My Love
Honourable Mention #23: 28th September 2015
So, Rob’s in a coma and everyone is being questioned by the police, Aaron included. Kerry tips an officer off to the fact that Aaron and Robert were all “hot and heavy” with each other. Aaron obviously doesn’t deny it, nor does he try to pretend that their relationship ended happily, but he tells the copper that it didn’t end badly enough for him to want to kill Robert.
Of course, literally MINUTES later, Aaron has taken himself off to the hospital to go visit his beloved coma Robert. They say that talking to coma patients is good for them, you know?
Only, Aaron is still GOD DAMN FURIOUS at Robert about the scrapyard argument and a little thing like almost dying isn’t gonna stop that, so this isn’t really so much a touching bedside scene as it is a MASSIVELY HORRIFYING DISPLAY OF COMPLETE HATRED.
HE STARTS OFF STRONG BY JUST SORT OF STROKING HIS FUCKING LIFE SUPPORT PLUG AS IF HE’S GONNA LITERALLY PULL IT AND END IT ALL HERE AND THERE AND TBH THAT SHOULD TELL YOU EVERYTHING ABOUT THE INCREDIBLE SCENE YOU’RE ABOUT TO WITNESS.
AARON IS LIKE “SEEMS A SHAME NOT TO SEE YOU LIKE THIS” TO COMA ROB AND THEN HE FUCKIN CALLS HIM PATHETIC.
AND THEN!!!!!! HE LITERALLY FUCKIN!!!!!!!!!! JUST GOES TO TOWN, SAYS “NOT SO COCKY NOW, ARE YA” AND READS ROB FOR TREATING EVERYONE LIKE DIRT, “LIKE THEY DON’T MATTER”. HE SAYS THAT HE MADE EVERYONE'S LIVES HELL AND HE DIDN’T EVEN CARE. ROB RECKONS AARON’S TAPPED? WELL AARON RECKONS HE MUST BE FOR EVER FALLING FOR SOMEONE LIKE ROBERT.
WOO WOO WOO WOO SOUND THE SICK BURN ALARM
SIIIIIIIIIIIIIIIIIIIIIIIIIICK!!!!!!!!!!!!!!!!!!!!!
BUUUUUUUUUUUUUUUUUUUURRRRRRRRRN!!!!!!!!!!!!!!!!!!
GOD HOLY DAMN AARON DINGLE
FINALLY, AARON SAYS THAT THE ONLY PERSON HE WANTS TO HURT IS ROBERT - THAT NO ONE’S GONNA MISS HIM, SO HE SHOULD “HURRY UP AND DIE!
HURRY. UP. AND. DIE.
What a love story.
Also Chas overhears all of this and assumes that Aaron has shot Robert (all the while, Aaron thinks Chas shot him - it makes them both act very dodgy towards one another for a while).
Of course, Aaron hasn’t and he never would because, as I think we can all see,
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Honourable Mention #24: 6th November - 16th November 2015
There’s loads more plot about who shot Robert blah blah blah and then Aaron gets wrongly arrested (actually, like a billion and one people get wrongly arrested, but Aaron’s is the one that sticks the longest) and because he’s Aaron and was literally only serving a prison sentence a year ago, he’s forced to remain in prison custody until his hearing. Aaron struggles and it’s awful but we don’t really see it so Rob is in a coma and Aaron is in prison and I am left missing my messy sons and bLAHHHH. Oh, at one point they try to wake Robert up from his coma and Aaron just hangs around the pub all day refusing to talk to anyone, because he wants to know how Robert is as soon as possible.
BUT ANYWAY LET’S FAST FORWARD TO WHEN ROBERT IS AWAKE OK GREAT.
SO ROB IS AWAKE AND HE’S ALL “AAHHH WHAT HAPPENED” AND THEN DIANE AND VIC HAVE TO TELL ROB THAT AARON HAS BEEN ARRESTED AND CHARGED FOR ATTEMPTED MURDER AND ROB LOOKS FUCKING DESTROYED. Robert also doesn’t necessarily believe that Aaron did it - particularly given that the list of potential suspects is about eight miles long.
The fact that Robert’s behaviour has made him hated enough that MULTIPLE PEOPLE could have tried to murder him shakes him up enough that it actually sort of makes him rethink his entire life and attitude. Also, and I don’t know if it’s because near death experiences make you realise the fragility of life or whatever the hell, but he entirely gives up on his old “I WANT TO SPEND MY LIFE WITH MY WIFE CHRISSIE” tune and instead decides to embrace what he really wants from his life - Aaron.
Uh. He’s just gotta make sure that Aaron didn’t try to kill him first.
Aaron and Chas have a chat (or, they did on the day Robert got shot) where Aaron says that he doesn’t know how to stay away from Robert, or stop loving Robert and that he thinks that maybe the only way he’ll ever be free is for Robert to just disappear. Oh, Aaron.
It’s not true, honestly. Aaron is stubborn as shit and while yes, he’ll always love Robert, I think that… if Rob had never gotten his act together, never even tried to be better than who he was in 2015, Aaron wouldn’t have really gone back there (outside of maybe the occasional cheeky hook up lbr).
Robert gets discharged from the hospital and moves in with Victoria. He’s walking around like a timid deer, because he’s still not convinced that Aaron shot him. He asks Vic about it again and says “how can someone who loved me do this?” and then he says that when he sees Aaron at the hearing, when Aaron looks Robert in the eye, Robert will “know”.
Sure, bee.
The morning of the hearing sees Victoria as the only person convinced that the police must have got it right and Aaron must have shot Robert. Andy and Adam go off to court to support Aaron (Andy because he’s crumbling under his guilt that Aaron is currently in prison because of something he and Ross did) and Robert once again questions whether Aaron could have done it. He says that he needs Aaron to tell him the truth. Which. Be careful what you wish for Rob lmao.
The hearing starts and Aaron stands up looking, frankly, pissed at the world. Robert makes a dramatic late entrance and he and Aaron come properly face to face for the first time since the Scrapyard argument. They stare at one another, Aaron processing the fact that Robert isn’t just still alive, but well enough to be walking around (considering the last time he saw him, Rob was in a coma) and Robert trying to confront the idea that Aaron could ever have tried to kill him. It’s amazing tbh. TENSION EVERYWHERE!
They’re both apparently so #shook by this 2 second meeting that they immediately both LOSE THEIR TINY DERANGED MINDS.
Aaron pleads ‘not guilty’ to attempted murder, obviously, and the judge sets the court date and orders that Aaron continue to be remanded in custody. Robert, who is apparently not satisfied with any of this because he’s still desperate to know whether Aaron did it or not, stands up and yells at Aaron to just “tell the truth”.
Aaron spins around and, because apparently he can’t keep himself in check either, says that, if Rob wants to hear the truth, he’s got some fucking truth bombs to drop because Robert dESERVED EVERYTHING HE GOT AND SHOULD HAVE DONE THE ENTIRE WORLD A FAVOUR AND DROPPED DEAD.
AARON, YOU’RE TRYING TO CONVINCE THEM YOU’RE NOT GUILTY, YOU LUGGAGE TAG.
Aaron gets dragged out of court and Robert and Vic leave, Rob reeling at the fact that Aaron could ever hate him that much. Andy comes out and starts yelling at Robert for… believing Aaron shot him… even though…. this specific situation is actually…. Andy’s fault……….. Oh, Andy.
Andy knows this much and he’s struggling™ with the fact that Aaron is in prison, which Ross realises. Given that Ross is the actual person who pulled the trigger and shot Robert, he emphatically reminds Andy that if he confesses, Andy will never see his kids again. Because prison. Andy gets drunk and sits at Katie’s grave crying (again). Ashley sees him and goes to try and console him and Andy takes this opportunity to drunkenly let slip that he knows Aaron is innocent and more than that, implies that he is responsible for Robert’s shooting.
Ashley, being a Man of God, decides to track down Robert and tries to find a way to tell him what he’s heard, whilst still respecting the fact that people speak to him as a vicar in confidence. Still, he can’t live with knowing that Aaron is innocent and ultimately decides to leave a voicemail for Andy and mentions almost everything he knows, and then tells him that either Andy goes to the police or Ashley will.
Only Ashley accidentally leaves a voicemail on Robert’s phone instead and Robert… well, he’s Robert, isn’t he?
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ROB CALLS ANDY AND GETS HIM TO COME TO THE SCRAPYARD AND WHEN ANDY GETS THERE, ROB CONFRONTS HIM. HE ASKS IF AARON IS INNOCENT. ANDY DOESN’T RESPOND. ROBERT SAYS “OK BRUV TELL ME THIS!!!! WHAT DID YOU DO ANDY?????
WHAT
DID
YOU
DO
?”
Rob quickly puts together that, as Andy couldn’t have faked his alibi, he must have had someone do it for him. Andy goes to defend himself and Robert yells “STOP LYING YOU LIAR”
Getting shot has really knocked ol’ Robbo off his insult game, I’ll be honest.
Andy can’t deny that he was behind Robert’s shooting and Robert looks actually hella heartbroken about this. He gets his phone out and calls the police, but Andy knocks the phone out of Robert’s hand and breaks it. Robert gets into his car, presumably to drive to the police station instead and Andy gets in his own car to start an INSANE CAR CHASE.
In the end they both get out of their cars and just start yelling at one another.
Andy admits to being behind the shooting and Rob is all “SO HOW MUCH DID YOU PAY AARON TO DO IT? BET HE DIDN’T NEED MUCH” in a sad lil voice. Andy says that it wasn’t Aaron and Robert is all “SO HE’S INNOCENT” because Robert is NOT ABOUT AARON BEING IN PRISON TBH
HE’S REALLY NOT ABOUT THAT LIFE
Andy refuses to tell Robert who shot him, says it doesn’t matter because he did it, Andy is the one who is responsible. Rob is all “YOU REALLY HATE ME THAT MUCH?” and Andy’s like “YOU KILLED KATIE!!!!!” and look, I’m as sad as the next person that Andy’s wife is dead and tbh I get it
Your brother killed your wife.
You’re gonna be pissed.
It makes sense. I get it.
But sometimes don’t you kinda wanna tell Andy to change the record? Just a little?
Rob once again tries to explain that it was an accident but gives up halfway through, because Andy’s clearly never gonna hear it and then he’s all like “YOU WANNA BELIEVE I KILLED HER? FINE! I KILLED THE BITCH. SO YOU TRIED TO KILL ME. NO, ACTUALLY, YOU GOT SOMEONE ELSE TO DO IT AND THEN YOU LET AARON TAKE THE BLAME”
Aaron taking the blame is a fundamental part of how pissed off Robert is, I need you all to understand this. If anyone else had been in prison, Rob probs wouldn’t have been careening down to the police station to sell Andy to the police quite so fast, let’s all be real here. Like, maybe eventually, but it wouldn’t have been the first thing Robert felt the need to do. Rob’s list of priorities on this day are, in no particular order:
Be upset that his brother hates him enough to try and kill him (again)
Free Aaron
Andy says he hasn’t killed Robert yet and Rob asks if he’s gonna finish the job off. It’s then that Andy points out that they’re at the same place where Max King died all those years ago - the accident that involved Andy and Max in one car and Robert in another, driving towards one another. Max grabbed the wheel and swerved at the last moment, leading to Andy and Max crashing. Robert pulled his brother out of the wreckage, Max died and Jack Sugden came along, placed the blame entirely on Robert and told him to leave the village.
They reminisce about this delightful moment where Robert and Andy were both involved in the death of another human and Andy says, in a strangely smug way, that that would have been the last time Robert ever spoke to Jack before he died. Robert can’t answer, but Andy pushes on, asks Robert what the last thing Jack said to Robert was.
Rob, now crying, says “Which part? The part where he put all the blame on me? Or the bit where he called me a lunatic and told me to just drive away forever and don’t come back?” as Andy yells, “DON’T COME BACK, YES” and tells Robert that he should have listened to him.
I get that I’m just transcribing this scene but it’s one of my favourite Robert scenes ever so WHY MAKE JOKES WHEN I CAN JUST BASK IN HOW FUCKIN INCREDIBLE IT IS?????
ROBERT IS EVEN MORE UPSET NOW, STILL CRYING, AND SAYS TO ANDY “YOU KILLED MUM AND HE HELPED YOU. MAX DIES AND HE DECIDES TO SEND ME AWAY?”
AND ANDY REALISES THE CRUX OF IT, WHAT THE PROBLEM HAS ALWAYS BEEN - THAT JACK LIKED ANDY MORE THAN HE LIKED ROBERT.
Andy of course, never realised that Jack knew about Robert’s bisexuality and beat him because of it, which is another ever-present unspoken layer to the immensely complicated and fraught Jack/Robert relationship - and the Robert/Andy relationship. Jack loved Andy so much more and Andy was the one who was straight. That shit can fuck you up, you know?
Robert says he tried - he tried to get away, as far away from the village as possible, but maybe it’s fate that they’re in this field. Maybe there’s only one way for them both to break this cycle of just… hating one another. Andy says he could - he could kill Robert and Robert tells him to and then Robert just fuckin loses it - tells Andy that this doesn’t end here, that Andy can’t just drive away, that Robert will come for him.
And then they both get in their cars and get ready to fuckin chicken 2.0 like the insane little boys they are.
Families are weird.
Ultimately, Robert swerves, but Andy doesn’t and he flips his entire car.
Robert sees and goes to drive off, leaving Andy to die or whatever, but he can’t do it and instead pulls Andy from the wreckage again, saving his life. He does this all with a gun shot wound, by the way, which is fairly impressive.
Vic and Adam choose this moment to pull up - Adam saw Andy and Rob fighting earlier and told Vic. They call the ambulance and everyone gets out safe and sound.
At the hospital, Vic is demanding answers but neither brother offers up the truth. Once they’re alone, Robert immediately asks Andy what they’re going to do about Aaron, because he can’t go down for something he didn’t do. Andy says he knows and he’ll sort it and then reiterates that he still sort of wants to kill Robert. Robert says that he tried to leave Andy but couldn’t, because no matter what either of them do, they’re brothers. Robert says that Emmerdale is where his family is and he can’t leave.
Ultimately Andy says that they can’t go on like this. He says that maybe he can believe that Katie was an accident, even if he’ll never forgive Robert for the rest of it - but the violence stops here.
Robert leaves and, apparently not content with Andy’s commitment to help Aaron ~~~at some point one day~~~, immediately calls DS Hart and gives a false description of his shooter that clears Aaron’s name.
The village reacts and everyone keeps saying the words “Robert got Aaron off” and I laugh every damn time.
Aaron gets home a few days later and returns as Rob is having a drink in the pub. They make eyes at one another and Aaron texts Robert to meet him outside - apparently to yell at Robert and accuse him of keeping him locked up just to mess with Aaron’s head.
AND IT’S FASCINATING BECAUSE ROB IS ALL SOFT WITH AARON AND WANTS TO MAKE SURE HE’S OK AND AARON IS LIKE “HAHAHAHA I HATE YOU XOXOXO” AND STORMS OFF AND LIKE
THIS IS THE START OF ONE OF MY FAVOURITE UNDERRATED ROBRON PERIODS: THE PERIOD WHERE AARON HATES ROBERT’S GUTS AND ROBERT IS OPENLY HEAD OVER FUCKING HEELS IN LOVE WITH AARON AND KEEPS MANUFACTURING EXCUSES TO SPEND TIME WITH HIM.
IT’S AMAZING.
Honourable Mention #25: 27th November - 30th November 2015
SO, it turns out that watching Robert get shot in front of her sadly left Chas with PTSD. Whilst suffering undiagnosed with, among a lot of other symptoms, hypervigilance and paranoia, Chas accidentally stabs Diane. Chas turns herself in and both Robert and Aaron spend the night terrified for the well-being of their mums. They have a little confrontation outside the pub the morning after and Aaron goes to leave, on his way to see Chas at the Police station with Paddy. Rob is all, “THAT’S RIGHT, RUN AWAY” and Aaron is all, “I’M NOT RUNNING ANYWHERE MATE” and they have some sexy angry eye contact and it’s great.
Also at this time is Chrissie’s trial for accidentally killing all those people. Robert is a key witness and Chrissie is hella concerned he’s going to throw her under a bus to get his own back for dumping him, or something. Lachlan hears this and corners Robert in the Cafe and asks him to do the decent human thing for once and not fuck over his mum. As he leaves the Cafe, Aaron enters - Aaron thinks that Robert knows who shot him and that maybe the guilty person was after Chas and has been responsible for stalking her ever since and ultimately driving her to stabbing Diane.
Aaron approaches Rob and says that he wants to talk and Rob is all “OH, ABOUT UR CRAZY MUM STABBING MY MUM”. Carly, who is serving at the counter, is all pack it in or take it outside, while Aaron is giving Robert a warning of “careful”.
Aaron then turns to Carly and says “bring his drink over, we’ll be over here” because Aaron knows he can still get Robert to do whatever the fuck he wants god bless.
It’s real real real real love.mp3
ROB ROLLS HIS FUCKING EYES AND LOOKS #TIRED BUT HE FUCKIN WALKS OVER TO AARON AND SITS THE FUCK DOWN ANYWAY.
AND THEN ROB IS LIKE, “WHAT?” AND TBH HE SOUNDS LIKE HE’S HALF USING HIS SOFT AARON VOICE. AARON ASKS HOW DIANE IS AND ROB SAYS THAT HE’S NOT TALKING TO AARON ABOUT THAT. AARON SAYS THAT HIS MUM IS IN BITS AND ROB NOT ONLY DOESN’T CARE BUT IS HAPPY THAT CHAS IS SUFFERING WITH ALL THAT STABBY GUILT.
AARON IS LIKE, “I NEED TO KNOW WHO DID THIS TO HER” AND THEN ASKS IF ROBERT IS SURE HE DOESN’T KNOW WHO SHOT HIM. ROBERT TRIES TO ACT #CASUAL BC HE DOESN’T WANT TO GET HIS BROTHER INTO SHIT AND AARON IS LIKE “WELL MY MUM THOUGHT THEY WERE AFTER HER AND NOT YOU” AND THEN ASKS ALL THESE QUESTIONS ABOUT WHAT ROBERT REMEMBERS ABOUT THE SHOOTER.
APPARENTLY ROB’S DESCRIPTION TO THE POLICE WAS “A TALL BLOKE” WHICH I GUESS AUTOMATICALLY EXCLUDED AARON.
RUDE.
AARON IS STILL PRESSING ROBERT AND ROB ISN’T SAYING ANYTHING BECAUSE HE DOESN’T KNOW WHO THE FUCK ACTUALLY PULLED THE GOD DAMN TRIGGER. AARON GETS MORE AND MORE DESPERATE, BECAUSE HIS MUM IS STRUGGLING, AND ENDS UP SAYING “ROBERT, PLEASE” AND ROB, BEING FUCKING WEAK AGAINST AARON BEING ALL VULNERABLE AND SAD AND SHIT, LOOKS ALL SAD AND CONCERNED.
AARON SAYS HE’S DESPERATE AND ROB CRACKS AND SAYS THAT IT WASN’T SOMEONE WHO WAS AFTER CHAS. AARON SAYS THAT ROBERT CAN’T KNOW THAT AND ROBERT SAYS, POINT BLANK, “I DO KNOW. HE WASN’T AFTER YOUR MUM. HE WAS AFTER ME. AND IT’S OVER NOW”
HE SOUNDS V UPSET ABOUT IT, SO I GUESS HE’S STILL NOT OVER HIS BROTHER TAKING A LITERAL HIT OUT ON HIM.
AARON QUESTIONS HIM AGAIN AND ROBERT ASKS AARON TO JUST TRUST HIM, THEN GETS UP TO LEAVE. AARON STANDS UP AND GRABS ROBERT’S ARM (....HAND???) AND ROB SPINS AROUND AND LIKE THEY COULD BE JUST HAVING SEX RIGHT HERE TBH THEY COULD BE BANGING RIGHT ON BOB’S FLOOR, JUST LOOK AT ALL THIS EYE CONTACT I’M HAVING THE BEST FUCKING TIME
ANYWAY, AARON LOOKS ROBERT DEAD IN THE EYE AND SAYS “YOU KNOW WHO SHOT YOU DON’T YOU.” AND IT’S NOT A QUESTION. ROB SAYS THAT THE PERSON WHO TRIED TO KILL HIM HAD NOTHING TO DO WITH CHAS AND HE SHOULD JUST LEAVE IT AT THAT AND THEN HE LEAVES.
Basically, they’re in love.
Honourable Mention #26: 1st December - 14th December 2015
Rob stands up in court and basically takes the blame for sending Chrissie to the brink and his hair looks terrible. Aaron tells Cain that Robert’s shooter had nothing to do with Chas and Cain says “WELL YOU’RE NOT THE BEST JUDGE WHEN IT COMES TO ROBERT, ARE YOU?” and like… fair play tbh. Other stuff happens and Chas ultimately gets treatment for her PTSD because Aaron refuses to give up until he gets answers and then until he gets help because he’s wonderful, even if his hair is not.
Robert warns Andy that Aaron might start asking questions about the shooting and Andy is like AARON AIN’T GONNA LET THIS DROP, HE’S AARON. SHUT HIM DOWN. like some sort of demented failure of a mob boss and Robert looks concerned and stuff. Also Robert would never be able to shut Aaron down~~ lbr.
Doug is not really much of a believer in Chas’ PTSD. He decides to open the pub at the same time as Zak and Aaron decide to do the same and the three clash over Diane and Chas. Doug and Zak ultimately decide to try and run the pub together, even though they’re arguing like cats and dogs.
Aaron and Robert bump into each other round the back like Romeo and fuckin Juliet, what with their families all ancient blood breaks to new mutiny etc. Robert says he’s sorry about Chas’ PTSD diagnosis and Aaron gives him a civil little nod. Except Rob is really trying to get Aaron off the scent of who shot him - which Aaron realises immediately.
See, Aaron cared about finding out for his mum, yes, but now that she’s getting help, he’s switched to caring about finding out who the fuck he served all that god damn time in prison for. And he ain’t resting til he knows “who pulled that trigger and why [Robert is] protecting them”.
Classic rivalry.
Doug is out working the bar and talking shit about the Dingles and Chas’ PTSD. No one is here for Doug’s misunderstanding of her mental health but especially not Aaron, who starts threatening Doug because threatening violence against old people is Aaron’s speciality.
Aaron retreats to the back and Robert follows him, spotting a cheeky lil opportunity.
He walks in there and says “You really need to listen” and Aaron isn’t really here for that, he’s mostly just worried about his mum. Rob is all, “You want Doug off your case and I’m your man” and Aaron says “YOU’RE NEVER GONNA BE THAT AGAIN XOXO” loooooool jokes not even slightly true good one baaaaabe
Robert is like “...maybe I deserve that” (whilst dying inside probs) and then says that maybe he can get Aaron to trust him again at least.
LIKE. ROBERT IS DOING THIS TO COVER ANDY’S TRACKS BUT HE’S ALSO HELLA DOING THIS TO TRY AND INCH BACK INTO AARON’S GOOD BOOKS AGAIN. WE NEED TO ALL JUST REALISE THIS REALITY.
AARON IS ALL “YOU KNOW WHO IS RESPONSIBLE FOR UR SHOOTING BITCH” AND ROBERT IS JUST FULL ON LIKE “YEP BUT IT’S NOT WHAT U THINK” and tbh at this point Aaron should have just assumed it was Andy bc who the fuck else out of the suspects would he cover for?
BUT ANYWAYS, ROB IS LIKE “I SWEAR ON DIANE’S LIFE I DON’T KNOW WHO SHOT ME” and that’s the truth i guess god bless. He then adds on, “it’s about a grudge that’s been going on a long time and you digging is only gonna fuck this up even more smh” which. Again. How does Aaron not put two and two together here god damn.
ANYWAYS Rob realises that Aaron has no reason to trust him so he offers him a deal - Aaron stops digging and Robert will get Doug off Chas’ case. Aaron accepts but says that if Robert lets him down, he won’t stop.
Because Aaron knows not to trust Robert.
CUT BACK TO THE BAR and Aaron and Rob are chilling out whilst Doug is still talking shit, bless him.
Aaron starts up the threats again and Rob tries to get onto Doug’s good side and then offers to have a word with Aaron. Aaron is all “what the hell bitch where’s your end of the bargain” and Rob is like “I am working on it but maybe try cutting out the fucking death stares” and then Aaron threatens Doug again because… idk Aaron just loves threatening violence against old people, it’s amazing.
Rob tries to get on Doug’s level by saying HEY LET’S PROVE CHAS IS FAKING HER PTSD and then suggests that they speak to Emma to get her to help prove it. Emma comes along and Robert and Doug go and sit with her to talk. Robert asks Aaron to help Zak behind the bar while they talk and Aaron, absolutely unwilling to help Robert help Chas, is all “since when did you give out orders?” and Rob rolls his eyes and says “Just do it please” and honestly
They’re basically married fight me.
Emma tells Doug that Chas is absolutely not faking her PTSD and that the doctors who have diagnosed her would know if she were trying to fake it to get off from punishment of stabbing Diane. Doug accepts this and offers Aaron an apology, because he’s a good and pure soul.
Aaron is characteristically the least fucking grateful human at Doug in response to this, but he gives Robert a little nod in thanks all the same.
THEY. ARE. IN. LOVE.
OK YOU KNOW WHAT, I’M STOPPING THIS HERE BECAUSE BABY, WE’RE HEADING INTO A NEW ERA IN THE NEXT PART, AS WE ALL WELL KNOW. Thank u for reading and i love u all.
Next up: Robert and Aaron might not technically be together, but emotionally speaking they’re back in a god damn relationship and there’s nothing u can do about it.
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buddiebeginz · 6 years
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Some thoughts. 
1. I love Rob and all of his messy fucked up parts. I see him for who he is and I’m not trying to sugar coat his flaws. When I say I love him it’s not just for when he’s sweet and loving to Aaron it’s also when he’s a scheming ass. He’s a layered, complex, character who isn’t simple and who at times I’ve been really angry at for his choices but I still love him. 
2. Rob has made mistakes but if you think he deserves to fall this far for them then so do other people in the village who have also done similar things. Aaron, Cain, Charity, Chas, Bernice, Jai, Frank, etc. 
3. The Whites are not innocent people. This is not Rob the big baddie vs the poor innocent family he’s hurt time and time again. Both parties in this storyline have done fucked up things to each other and in my opinion the Whites come out looking far worse because whatever you think of Rob at least he’s taken responsibility for his actions and feels a sense of remorse for them. The Whites have proved time and time again they think they’re better than everyone in that village. They don’t think the things they’ve done to hurt others is their fault instead they blame others. Like so many things with Rebecca and Rob but especially the ONS, Chrissie’s actions against Andy, Lachlan’s sexual assault on Alicia, and everything Lawrence did to Tim and Chrissie’s father. If you believe Rob deserves his comeuppance than let me tell you something the Whites have had it coming too.
4. That scene at the mill was totally wasted. They couldn’t even let us have a minute with them alone without Liv being obnoxious and lecturing them. 😒 
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kayceecruz · 7 years
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What you said about Rob being marginalised in this crappy plot is so true and makes me so sad:(, look I get Robron is no fairytale and they're messed up always have been but did they really have to make it quite so bad? When I first saw this I was like ok Aaron's messed and so has Robert this can be worked out but really they way they made Robert look and choices like the mill just made him look 10x worse? did they really have to make it so nasty.
Oh, nonnie, this ask just went epic. 
Alright this answer got away from me so you know if you have stuff to do tl;dr
Looking at it from their point (the writers), they don’t think they did anything wrong because I get the sense that their INTENTION was that they equally messed up. That Robert’s horrible choice was equally as bad as Aaron. I think their intention was to bring to light those issues that they never resolved after the Kasim incident: Robert’s fear of never being good enough and never being able to make Aaron happy; Aaron’s fear that Robert would be unfaithful. He was sure of it even when Robert insisted he wouldn’t (and he meant that). Robert was sure that he couldn’t make Aaron happy even when it was obvious that Robert leaving would break Aaron.
It’s almost like self-fulfilling prophecies. If you think something is going to happen (Rob believing he wasn’t good enough no matter how hard he tried; Aaron never believing Robert wouldn’t cheat) then eventually, it’s going to happen. Let’s be honest, so much of this stems from how they began: the affair. AND MAYBE if I had more faith in ED, I would say that THIS IS WHAT this is about; Robert has betrayed his vows and Aaron (whether you full on call it cheating or not). But it wasn’t out of desire or want or need. (He isn’t looking for someone other than Aaron.)  It was out of losing Aaron. I mean it’s incredibly fucked up but there you have it.
This time, however, Robert’s reactions after are completely different. He feels horrible and guilty (something that never happened with Chrissie). He was going to actually tell the truth even though he really didn’t want to because he doesn’t want to hurt Aaron or lose him (something that never occurred to him with Chrissie). He is taking full responsibility and not trying to blame this on anyone else; he knows he has just hurt so many people he loves: Aaron, Chas, Liv (something that never happened through the affair era because Rob was too self-involved to consider anyone else). He fully admits he doesn’t deserve Aaron and in his mind never did (something he said about Chrissie once but didn’t mean because that Robert believed he was entitled to have what he wanted, this one knows that’s not true ).
All that has happened since Rebecca got here was to get us here. If they can deal with those issues, they have a chance of turning this story on its head.
This time, Robert had tried so hard and though Aaron saw it and knew it, there was that part inside him that lived through the affair, through The Lodge, through the scrapyard confrontation and can’t quite believe it. I mean the beginning of their coming back together was difficult because any wrong foot that Robert made – whether accidental or on purpose – had Aaron kicking him out. That was his gut reaction because of all they’d been through. And yes, things changed slowly and he let Robert in but as soon as Rebecca came into the equation, all of that came rushing back, all of it, and this time it was worse because now he knows what it is like to have all of Robert’s affections and love and attention on him. His mind keeps going there again and again. No matter how much Robert shows him he loves him, tells him he loves him, Aaron thinks Rob has one foot out of the door, just waiting. Robert spent the better part of the year ignoring that. Ignoring that Aaron didn’t believe in him because he doesn’t think he deserves that. It’s been in recent months that Robert has allowed himself to get angry about it and actually speak up. January being that moment where he just couldn’t anymore.
Then everything happened and Robert had to step up and be that awesome guy regardless of what Aaron, his family, Paddy thought. He did it too. He was doing it. And then Aaron chose the drugs over him and Liv. And every single time that Robert felt marginalised came back to him.
Here’s the thing: this was all in the actual narrative. I’m not making it up.
Maybe the execution was the problem more than anything. It was just misery after misery. We as a fandom didn’t see them together except for 2-3 minutes. They felt disconnected (they are supposed to), they felt alone and we felt that way with them. They need that constant connection, where they can look at each other, talk to each other, touch each other. Without that, they flounder and fail.
Aaron was reaching his breaking point long before prison, it was just the thing that sent him over the edge and he broke. He took drugs and choice to deal with his pain that way rather than holding on to Rob and Liv. Ultimately, it was losing Robert, like he thought he had, that pulled Aaron back into himself and made him realize what he was going to lose.
Robert’s breaking point has been quieter and subtler because he doesn’t let his emotions show as easily but they did an excellent job at getting him there, and I do love that it wasn’t played as a breakdown in tears but a complete and total loss of willingness to go on. Rob was completely done. There was nothing left without Aaron, even Liv wasn’t enough to keep him going without Aaron. Somewhere in Robert, he already felt like he failed Aaron long before he made the idiotic choice of getting drunk and sleeping with someone else.
Where they lost the audience was with the way they executed it. It was cheap drama (though awesomely acted by Ryan and Danny) and it just threw everyone for a loop. Having spent weeks without them being them, Aaron being someone else, Rob going crazy, no loving interactions between them for more than a few minutes, no communication, that scene on Thursday was OUR breaking point.
They have been playing the long game with this for a while and sometimes they forget that the audience doesn’t always remember everything that came before and how it plays into the now. That might have been a major flaw in this plan. (Or I could be giving them too much credit, who knows.)
Again, if I didn’t already feel pretty burned by that I would be more hopeful (and somewhere deep inside I probably am) that this was also their point.
Will they be able to fix it? It really all depends on what happens next and how the handle the fallout and the reconstruction of it all. Can they do it? Honestly, I don’t know. However, they brought me SSW, Robron reunion, the wedding, the abuse storyline, Holly’s death, Emma’s amazing characterization, Pierce and Rhona’s insidious domestic abuse, Ashley’s dementia, Rob’s development, Olivia Flaherty, Faith Dingle, pub quizzes, awesome women friendships, book clubs that make me happy….so I am going to try to believe a little bit harder in them.
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