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starberry-cupcake · 3 years

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Free Short Stories: Aromantic Recommendations

Aro week is over but I spent it reading aro stories that are entirely accessible online (with their authors' consent) and thought I'd share some with you, as well as some extra resources. I’m going to include under “read more” content warnings and specific details, like the kind of rep included or important notes, so if you want to be sure and safe before reading them, you can click “read more” for all that information, or if you prefer just the blurb, avoid it easily enough. There you will also find the extra links of interest and other masterposts.

Edit: This post used to be split in two parts, I’ve integrated them into one whole post for everyone’s convenience.

1. Nkásht ii by Darcie Little Badger

Josie and Annie set to investigate a strange death that may involve more than they expected. Sometimes the love that heals isn’t romantic and bonds that are strong are those chosen.

2. Hope of the Future by Elizabeth Barrette

In a fantasy setting, a human cleric finds an elf bard and a strong female dwarf, all cast aside for their identities, and create their own home and family. The same characters also appear in another poem that continued their story: The Underground Gardens.

3. Tanith’s Sky by Penny Stirling

Ash is left with the loss of Tanith, after she sacrifices herself to save the world. Tanith's memories resurface in people's minds and Ash has to navigate their identity, their memories and how to label for others’ sake their lost relationship.

4. And If The Body Were Not The Soul by A. C. Wise

Ro is a human who forms an unlikely bond with an alien refugee, discovering a different layer of proximity that doesn't chain to the type of physicality humanity sets. In that process of discovery, Ro learns about the other side of the social oppression in their own city.

5. The Crows Her Dragon’s Gate by Benjanun Sriduangkaew

An exploration of the background and re-telling of the story of the goddess Xihe. Marrying out of the obligation of customs and pressure, this story explores the feelings of Xihe, her relationship with Di Jun and the freedom she ultimately seeks.

6. The Girl Turns West by Darcie Little Badger

Another tale set in Native American culture (the author is a Lipan Apache writer), this story is about family, sacrifice and forms of non romantic love and devotion that transcend the limits of life and death.

7. Kin, Painted by Penny Stirling

The narrator can’t find a place in a family that seems so determined, so certain, painted each in a specific way. A poetic prose filled with magic and the colors that we paint ourselves with, which can sometimes change with time.

8. Cucumber by Penny Stirling

A queerplatonic couple in a fantasy setting deals with social pressure in a story written in poetic verse.

9. The Famine King by Darcie Little Badger

A woman is chased by fear, memories and a being that affects her relationship with her own identity and mental health, while finding refuge in a found family. These characters are also included in a previous story called To Sleep.

10. How My Best Friend Rania Crashed A Party And Saved The World by Ada Hoffman

Emma, a Relator, finds out that her best friend Rania, a World Saver, is being used by her boyfriend and can lose her credibility as a Hero for it, so she enlists a tech-savvy Number Fiend, Deborah, to crash a high school party in a forbidden sector to confront the guy.

11. Unlike Most Tides by Darcie Little Badger

Mathilda is in peace with her solitude until she communicates with energy beyond her understanding and finds the voice of a murdered woman who asks her for help to deal with her killer: her ex boyfriend.

Content Warnings and Extra Details

1. Nkásht íí by Darcie Little Badger

Details: urban fantasy, folklore, suspense, aromantic lead character, main platonic relationship between female characters. CW: minor characters deaths, accidents, the death of a child is mentioned, domestic abuse in flashbacks.

2. Hope for the Future by Elizabeth Barrette

Details: aroace male lead in a poly relationship with a female and male character, fantasy, story in poetry, happy ending. CW: arophobia and acephobia, family abandonment.

3. Tanith’s Sky by Penny Stirling

Details: fantasy, sci fi, drama, hurt/comfort. Main qp relationship between an aroace cis female lead and a non binary allo lead. The aroace lead is dead by the start of the story, which I had my hesitation about, but the story does a wonderful job capturing Tanith’s life in an aftermath of what would be another untold story, as well as Ash’s identity and their relationship, as well as the process of grief and moving forward. CW: major character death, grief, depression, transphobia, arophobia and acephobia.

4. And If The Body Were Not The Soul by A. C. Wise

Details: explicitly touch-averse asexual non binary lead, very likely aromantic (expressed but not named in the text), sci fi, social strife, hurt/comfort, found family and friendship (nb and cis female, nb and alien friendships). Many commenters have expressed that Ro is potentially an autistic character, some autistic authors and reviewers have agreed or disagreed but I couldn’t find whether the author stated that at any point. CW: mild depictions of violence, xenophobia, social issues and unrest, happy ending.

5. The Crows Her Dragon’s Gate by Benjanun Sriduangkaew

Details: the goddess Xihe is depicted as aroace yet marries the god Di Jun for a time in which she lives troubled. Fantasy, mythology, re-interpretations, angst with a happy ending. CW: internalized acephobia and arophobia, dubious consent, violence, animal death, toxic marriage, there is a side wlw couple of mortals who die.

6. The Girl Turns West by Darcie Little Badger

Details: there isn’t romance in the story, the lead character doesn’t seemingly have romance in the future and there is a side female character who explicitly rejects suitors and prefers to live independently yet with her family. Considering that the author has written several aroace characters, I decided to include this one and another story in Part 2 as strong potentials (there is another story by the same author that other sites recommend as aro-representative, but I think these two are a lot less vague). Fantasy, mythology, folklore, bittersweet ending. CW: death mentions, wounds and accidents, blood mentions.

7. Kin, Painted by Penny Stirling

Details: poetic prose, fantasy, aromantic lead character, trans male character, non binary characters.

8. Cucumber by Penny Stirling

Details: fiction in poetry form, queerplatonic relationship in a fantasy setting. CW: arophobia and acephobia, social pressure.

9. The Famine King by Darcie Little Badger

Details: mystery, suspense, horror, folklore, hurt/comfort, angst w/optimistic ending, explicit non romantic & non sexual main relationship between to female characters. CW: blood, wounds, cannibalism mentions, mental illness with hallucination episodes, racism.

10. How My Best Friend Rania Crashed A Party And Saved The World by Ada Hoffman.

Details: high school setting, uplifting, sci fi, aroace lead character in a friendship with a heterosexual girl and a bisexual girl. CW: arophobia by the best friend, which is not confronted or discussed, mentions of racism. Notes: I read this story for the Pride list last year and I didn't include it because I had a bone to pick with Rania's character. The story is fun, a lot more lighthearted than many of the ones here and has a distinct tone that makes it good to include, plus Emma (the lead) is a very friendly, social and well-liked person, rather than the traditional robot/alien foil aro, ace and aroace characters tend to receive. So, even if I'm still uneasy about Rania and how her bad attitude is not acknowledged in the story, I’m still including it for all its perks.

11. Unlike Most Tides by Darcie Little Badger

Details: there is a protagonist who prefers to live in solitude and speaks about it and about her favorable feelings towards it. It isn’t explicitly stated that she is aromantic but, much like The Girl Turns West in Part 1, I’d say it’s a good addition to the list, though it's probably the least explicit of the bunch. Mystery, supernatural, sci fi, suspense, positive ending. CW: murder, corpses, side character death, blood, femicide.

Other masterposts:

@coolcurrybooks's first and second masterpost I consulted

Penny Stirling's recommendation list

LGBTQReads recommendations list

Claudie Arsenault recommendation list

Aro and Ace character database

Aroaessidhe recommendations list

YA Pride masterlist

My own LGBTQ+ free short stories rec list from last year, some of these stories are in it but the majority is not

#book recs #short stories #masterpost #lgbtq+ books #aromantic books #aromantic stories #aro week #aro awareness week #aromantic awareness week #aroace space #long post #books

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skylights422 · 4 years

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@ace-and-aro-wlw-positivity created a Q&A for aspec authors/writers, and as an aspec author, I am excited to participate and answer as many of their questions as I can. Under a cut since it became really outrageously long.

1. What was your inspiration for your character(s)? Are they modeled on yourself, a person that you know, or a character that’s already been established?

Typically I’d say my characters are a mix of general inspiration from other stories/characters and then bits and pieces taken from myself. I try not to make any of them like a clone of myself or another character, try to mix it up, possibly with mixed success but that is the goal.

2. How much, if any, has your character(s) changed since they were first created? What caused this change?

Oh wow, okay I have characters I still use from grade school and middle school, and those characters have changed/grown a lot. Most notoriously (to me) though are my two fellas Euphranor and Kadri. I created them while daydreaming in middle school while watching those science videos in class about how I could make a more parody-like version of said videos, Kadri being the energetic and comically sadistic teacher and Euphranor being the constantly irritated and foul-tempered student. The core of their designs and personalities haven’t totally changed (Euph is still a hot-head and Kadri still likes to troll him), but they’ve become far more nuanced as characters as their story become more involved and serious. They’ve also become softer characters, with Euph having a Heart of Gold and Kadri being a bit morally grey but generally compassionate and friendly. I think the cause of this change and others comes from a mix of things, for one I simply got older and what I wanted out my characters changed a bit. But also I think it’s because I spent so much time with those characters in my head that I couldn’t help but develop them more fully, which in turn made me want to give them a good story. Also, everyone is definitely more queer now then how they started, largely because I became more aware and comfortable with my own queer identity and spent more time in queer spaces (though with Euph I actually just realized he had to be gay because I every het relationship I envisioned for him fell totally flat and yet imagining him as having crushes on guys just seemed to work better/make more sense, and that was an earlier decision).

4. Do you intend on publishing your story one day? Why, or why not?

I definitely do! I have many, many stories I want to publish, as books or comics or tv shows or films. I’ve always wanted to publish some of writing since it’s one of my main passions and have always taken inspiration from the stories I consumed. I just love writing and would want to be able to do it as my main career, the key will just be figuring out how to focus on one project long enough to finish it. xD

5. Surprise fact! Give a random fact about your character(s), whether it’s their favorite color, food, or even song!

Euphranor loves to sing! He hums to calm himself down and even full on sings to vent his feelings sometimes. Kadri loves literature and video games, and blackberry pie is his favorite food.

6. Admit it, you have a folder on your computer of the various types of picrews you’ve created for your character(s). Would you mind posting a few (or five)?

*VIBRATES* MY TIME HAS COME. I absolutely have way too many picrews of my fellas so I won’t post them all, just two each for the core four of my main novel project. First, Euphranor:

(yes he is a Hufflepuff)

Kadri:

(also since I dragged the Hogwarts houses into this Kadri is Ravenclaw)

Ena:

(I put her in Gryffindor)

And finally, Fiera:

(Right now I have her in Slytherin. She could also be in Ravenclaw though)

7. Time to get serious for a bit. There’s been heavy debate on having non-human characters identify as ace, aro, non-binary, etc., but never actual humans. As someone who’s aspec, how would you explain to someone who’s allo why this can be and is seen as hurtful?

I mean, as a sci-fi fan I definitely love if the non-human characters are queer coded, but it’s definitely important to include human representation as well, and I think there are a few simple reasons for that. One is that queer people are, in fact, humans, and therefore our stories deserve to be told as they are in reality as well as how they could be in fiction. The other is only writing us as inhuman implies you consider our identities as fictitious or too strange for a human to have, and queer people already have to deal with other forms of erasure and invalidation in real life. (Also, not everyone is a fan of sci-fi/fantasy, and they should still be able to read stories where they can see themselves)

8. It’s a sad reality that many stories in mainstream media don’t have characters that are aspec, not to mention without resorting to harmful stereotypes. Besides there being nothing wrong with IDing as aspec, why did you choose to have your character ID as such? What would you tell other authors who’re interested in writing characters that are aspec, but are afraid of offending the community?

I have a huge list of aspec characters, which definitely started happening more once I was aware of my own asexuality (and later, aromanticism), since I realized that I could make my own aro and ace characters and then just went wild with it lol. It’s also easier for me to write since I can actually draw from personal experience somewhat for it. Beyond representation having aro and ace characters also allows you to explore more facets of human emotions/the human experience, so that’s always fun.

As for how I would advise allies looking to write a-spec characters, my main advice would be to remember that we are an incredibly diverse group of people, and so while no one a-spec character will resonate with every a-spec reader, an a-spec character written in good faith will definitely speak to some of us. Write them as an character first, and when it comes to things like how their attraction does or doesn’t work and what they want out of relationships, figure out what works best for them. Really, if you’re concerned your character would be offensive in some way you can always make a post asking about it, many of us are happy to offer constructive advice and appreciate that someone is wanting to put in the effort to write about our experiences. Reading or listening to anecdotes from an array of a-spec people is also a good way of getting ideas of how to portray us, and there are various resources for that (the tags, AUREA collects anecdotes from arospec individuals, and probably more than I can think of offhand)

9. If you’re comfortable with sharing, what is your characters’ identity? Do they use any microlabels? Does theirs reflect your own?

Unsurprisingly I have many characters who are aroace (Fiera is one of them), and Ena is bisexual and gray-aromantic. Kadri was originally supposed to just be bi/pan but has become increasingly aspec, will they end up gray-aro as well as grey-ace? Will they end up as a pan oriented aroace? I don’t know yet, but they sure are a pan a-spec. My most recent project has exclusively aro-spec protagonists, Valentine is aroace, Cedar is demiromantic, Raelene is cupioromantic, and then Clematis and Hadyn are presently just Aro and might stay that way. My aroace characters are often styled after my own aroace experiences, while other a-spec characters aren’t as much.

11. Why do you think that not just representation is important, but GOOD representation? Can you offer any examples?

Well, I think there are a few ways to make ‘good rep’. There is the ‘this character helps bring awareness/educate about the community’ and then there’s ‘this character just resonates with certain a-spec people a lot’, and the main reason I think it’s important is because rep should be for the people they’re representing. So if rep hurts the community or totally fails to be relatable to anyone who’s actually a-spec, then it missed the whole point and is doing just as much to leave the community feeling left in the dust as no rep. Of course things do get complicated when the community is divided on whether the rep is good or not, which I imagine will be a common occurrence, and many examples of rep probably fall into the grey area between Good and Bad, but generally people should aim to tell stories that will help more than hinder the people you are telling your story about. (Although I also think that the long term end goal is to get to the point where there is enough representation that it doesn’t matter if some of it is ‘bad’ or not, since I feel like that is the true state of normalization, but that is sadly not yet the case)

12. What’s the genre of your most recent story? Do you always write in this genre? If so, what other works do you have? If not, why did you pick it?

My most recent story (with Valentine) is fantasy, inspired by shoujo style anime series like Cardcaptor Sakura, while Euph’s story is more dystopian urban fantasy? His exact genre has shifted around a lot and will probably continue to do so. In general, most of my works are fantasy in some way or another. A few are more sci-fi or horror based, but definitely the majority are fantasy whether that be magical girl type stories, urban fantasy, superheroes, or dark fantasy.

14. What’s a brief biography of your character? Is their history, personality, and/or looks similar to your own?

I’m going to go with Fiera here. The short version of her backstory is that she and her older brother were born to neglectful parents, and while their grandmother was attentive emotionally she also lived far away. Her brother discovered magic, long thought forgotten, but killed himself shortly after, leaving Fiera alone and confused. She then made a point to dedicate herself to studying the theory and history of magic in the hope that she may someday understand why her brother would take his own life so suddenly like that. She has a down to earth personality and is very observant, and has a great deal of ambition and focus for tasks. She naturally has a more lighthearted and curious personality, but has become more somber since the death of her brother. While she always struggled with sustaining personal relationships, it’s only recently she started using her power of observation to be more manipulative and always keep a cool, pleasant demeanor. She has a love for fashion and sewing, as well as an interest in chemistry.

She isn’t really based on me at all backstory or appearance wise, and only slightly takes after me personality wise. Our main similarity is that we both can be quietly observant and don’t tend to get outwardly angry very often, and that we are both aroace. But I am nowhere near as focused as her, am terrible at lies/manipulation, and have different interests. I’m also way more prone to energetic rants and blunt statements than she is.

15. What are the themes of your story? Is it a lighthearted adventure, or are we talking deep, ocean-sized levels of angst? Why, or why not, did you choose them?

The tone of Euph’s story is kind of all over the place due to how often I’ve tweaked it, but there are certainly oceans of angst for all the protagonists. There’s just also decided remnants of the wacky humor from when the story was predominantly a comedy, and a lot more scenes of the characters just relaxing or goofing off than might be typical in a high tension drama adventure. My story with Valentine is generally much more lighthearted, though there will be some deeper moments for character development (and also because I want it to have a slightly gothic vibe, just Because)

16. How long have you been writing? Has your style changed from when you first began to now? What are some tips you’d give to those who’re interested in writing a story of their own, be it professionally or as a hobby?

I’ve been writing in some capacity just about as long as I can remember, and so my style has definitely taken various shifts depending on how old I was and what I was taking as my main inspiration at the time. Sometimes I went for more sarcastic and whimsical narration regardless of the events happening of the story, sometimes I went for a more quick modern-ish style, sometimes I would focus more or less on descriptions or dialogue. I don’t really know where I’m at right now though.

What I would advise to anyone wanting to sit down and write is to be patient and kind with yourself. Nine times out of ten what sounds epic in your head will come out at first as clunky and all over the place. But that is pretty much the whole purpose of first drafts; the clunky first draft crawls so the second draft may walk so the third draft may walk a little faster so the final draft may run. The other thing I would advise is to absolutely experiment, and see what works best for you. There is every kind of writing advice out there imaginable, much of it contradictory, so really you just have to mess around with styles and perspective and dialogue and see what happens, which stuff you liked and which stuff you didn’t.

17. What’s your process for writing? Do you plan your story out first, write whatever you want then edit later, or both? How might this help others?

My writing process is pretty much a mishmash of writing whatever comes to me, then planning, then writing, then using a bunch of character building exercises to have fun but make no progress in the plot, then neglect the project for months, then write some more or maybe plan. I don’t know how much this would help others, though I have found when I set goals with deadlines and some external pressure (nanowrimo, reward system implanted by friends, etc) I am far more productive, so perhaps that is something others could try if they struggle with staying on track?

18. Your book’s become quite popular, easily reaching the New York Times Bookseller list, and now, you’ve been picked to lead a writing workshop. It goes swimmingly, and afterward, someone comes and tells you that your book not only inspired them to write a story of their own, but also helped them discover and accept their identity. What’s your reaction?

Mostly I would just be flabbergasted, but also extremely pleased and honored to have been able to provide any kind of help or assistance to my readers.And I would feel very happy for the person, since that sort of inspiration is great to come by.

19. Are there any published stories out there that feature aspec characters that you also read? Do you have any suggestions?

Unfortunately not that I can think of! I am peripherally aware of some ace characters, but they aren’t in stories I personally consume. I hope to find more though!

20. Just for fun, write down a paragraph of your most recent writing. It can be an action-packed scene, some witty dialogue, or a colorful description that you really enjoyed. (Be sure to properly tag any possible triggers!)

Well, my most recent finished work would be the clunky first draft of my novel. So, here’s a silly conversation that entertained me to write:

Once they had bought the food, they went back to the park to eat.

“You know, Fiera, I have come to a realization.” Kadri said.

“Oh? What’s that?” Fiera asked.

“Store snacks are not as filling as restaurant food, nor as refined, but they are decidedly addictive.” he said, munching on Twizzlers.

“Yep. That’s what makes them store snacks. Plus, I couldn’t get any really nice stuff. I’m not made of money.” Fiera explained.

“Which brings me to my next question, how exactly are you financing our meals? You don’t seem to work a job of any kind.” Kadri said. Fiera was almost surprised that he knew about jobs, but decided not to ask about it.

“You’re right, I don’t. But my parents leave me about sixty bucks a week so that they can do what they want without me starving to death in their absence. After yesterday and just now, I’m down to like eight bucks, and the next payment comes in three days, so after this stash goes it's dollar store snacks only.” Fiera explained.

“I see. Fascinating. And these drinks you bought us, why are they vitamin drinks?” Kadri said,looking over a vitamin water curiously.

“Because we definitely aren’t going to get any vitamins from chips and candy.” Fiera said simply.

“There is logic to that, I suppose.” he said. There was silence for a few moments.

“Um… Kadri?” Fiera said after a while.

“Yes, Fiera?” Kadri said.

“You know you can’t eat a whole bag of Twizzlers in one go, right?” Fiera said.

“I don’t see why not. If it is not going to give me the nutrients I need, it may as well provide me with the maximum level of pleasure it is capable of.” Kadri said.

“Yeah, but you’ll get sick. And we have limited supplies.” Fiera countered. Kadri looked at the bag of Twizzlers in alarm.

“These are poisonous in large doses!?” he exclaimed.

“What? No, not poisonous, they just make you sick because they’re candy. All candy does that if you keep eating it.” Fiera said.

“Commoners lead dangerous lives, it would seem. I shall never forget this betrayal.” He said to the bag of Twizzlers, putting it down and taking the vitamin water instead.

#Arospec Awareness Week #aromantic #writing #non-fandom #asaw2020

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