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#[ in the pier point dialogue with sw; it was only sometimes. it was so inconsistent. ]
araneitela · 8 months
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Me: Talks about the significance and intimacy (not automatically romantic, folks, but also there's an inherent romanticism) of hands, and touch and who you let into that space of comfort. Pinterest: Did you say hands? Here, we've adjusted your home feed you so that you. cannot. possibly. escape. them. you're. welcome. Me: I just wanted— what did I want, again?
... Did I end up rambling about anything but hands in my tags? Yes. Welcome to me, this is what you sign up for. Not my portrayal, not my writing, my tag rambles.
#[ ooc. ] don't try to make it logical or edit your soul according to the fashion. rather; follow your most intense obsessions mercilessly.#[ i literally don't remember what i went on here for. ]#[ i thought it was an icon but it was not. ]#[ instead i'm now thinking of the importance of her gloves. ]#[ and how they're a barrier between her and humanity. or everything inherently human; more so. ]#[ they're an aesthetic. yes. of course-- but it's more than that. in characters made by hoyo? everything always has 5 more layers. ]#[ at the very least. ]#[ ugh. i wish i could organize my thoughts and talk about the 'versions' of rather-- layers of kafka herself. ]#[ without it being 24 paragraphs long. ]#[ it's just gotten so complicated because you see her presenting herself in such way for so long. ]#[ voice. attitude. indifference. playfulness. and all of those remain except they falter more when she's around two individuals. ]#[ i can't even include sw and elio in this yet. because while kafka seemed to lean a little towards her more normal voice... ]#[ in the pier point dialogue with sw; it was only sometimes. it was so inconsistent. ]#[ same with sam. granted there's only one exchange between them so far. ]#[ but i digress-- then i get her story quest and in it she softens not even a little. but decently enough. ]#[ is /that/ the pretense? no you don't fake that. you don't fake how she says '...you're not leaving?' that delivery is vocal perfection. ]#[ but /that/ plays so well into all these other very human elements that she has. ]#[ i swear-- part of me truly believes she's already /on/ the path of 'learning' to feel a semblance of what fear is. or better yet... ]#[ what it /stems/ from. ]#[ because we say 'she has no concept of fear' but what does that MEAN. does that mean across the board? ]#[ concern stems from fear. you need /care/ and investment to feel fear. she /shows/ concern actively. she risks a lot to-- ]#[ be concerned about blade. and yes; she lacks the fear of them getting caught. but she's concerned for him. ]#[ and she's also practical and analytical; she knows if they get caught-- blade worsens. ]#[ and while it also endangers the 'future' a bit; she harps on blade. she also confides in the MC about her concern. ]#[ i just. ]#[ this is so much more complicated than i thought it'd be. ]#[ and also this whole concept of what humans fall into when they lack fear. how they become metaphorical 'demons'... ]#[ that pursue pleasure and thrill. but she became a /hunter/ of them. and yet she shows a lesser shade of it herself. ]#[ i just. think she's so inherently and stupidly interesting. HI GUYS. HANDS. i totally went on a tangent. ]#[ ... not about hands. ]
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