i have a theory…

edit: this is how i think blitzø truly feels, not how he would react in The Full Moon ! (thought i needed to make this a little bit more clear :] )

Slow down, it's ok. Very few things in life are absolute

Deadlines can be flexible, career paths are flexible, relationships become close and far and close again, it's all going to be ok

"con artist" is maybe the profession with the biggest gap between How Cool They Are In Media and How Cool They Are In Real Life

this is going viral on the tweeter currently so. for you also. miku is not ai!!

hey, wanna know something cool?

a little over a century ago, the polar explorer Ernest Shackleton lost the ship Endurance when attempting to make a land crossing of the antarctic.

soon after, the ship would be crushed by the surrounding ice as it shifted, and it would sink about 10,000 feet to the sea floor.

BUT THEN

2 years ago, national geographic was able to locate the HMS endurance and found it in an incredibly well preserved state!

the leader of the expedition, Mensun Bound, said "This is by far the finest wooden shipwreck I have ever seen. It is upright, well proud of the seabed, intact, and in a brilliant state of preservation."

straight up not only is moralizing appearance shitty because people in your life will find out that you think they're ugly, it's also a suuuuper easy stepping stone to racism because a lot of features the zeitgeist deems "ugly" are features often found in marginalized groups.

Feminine trans men are men.

"Girly" trans men are men.

Feminine nonbinary people are nonbinary.

"Girly" nonbinary people are nonbinary.

Being feminine or girly does not make you any less of a man

Being feminine or girly does not make you any less nonbinary

Some people might try to tell you otherwise but you know yourself best.

stay strong

love y'all

have a wonderful day

In all seriousness though---

Korra got a ton---and I mean a TON---of hate, for daring to be a headstrong, non-genderconforming woman of color. So forgive me if I don't react well to "korrasami doesn't deserve it"

Korra already fought through enough misogyny and racism while it was actively airing. She already got enough criticism for not being the "target audience" of 8-12 age males who buy action figures. She already got enough criticism for having flaws as a woman, for not "acting ladylike". She already got enough criticism for not being white or white passing in a show that has ZERO white characters. So when you come at korrasami fans with "they don't deserve it"? Don't be surprised when korrasami fans look at it with a lens of suspicion, because korrasami already fought through the criticism, already fought through being stuck in the "dead slot" air time in nickelodeon (which they were moved to in season three, when the show runners actively started hinting at a wlw ship), already fought through being pulled off air and onto online viewing only, in 2014, for those of you who are a bit young. (Obergefell vs Hodges, the Supreme Court case which legalized gay marriage nationwide in the US, happen on June 26, 2016). "They only held hands in the finale" because that's all they could get away with at the time. They were the FIRST. Bubbeline came later. Rupphire came later. Catradora came later. There are still no notable mlm ships in children's media, so the work ISN'T done. Korrasami fans "screech and yell" at you for not understanding because you accuse them of "queerbaiting" without understanding that they were the FIRST in their time to OPENLY hint at being gay on a a children's television network. In a time, for most intents and purposes in the US, being gay was still ILLEGAL.

And by the way? The Owl House, a recent, animatec children's show on Disney, was recently canceled for not being "the Disney brand". It features a bisexual woman of color (in an EXPLICITLY wlw relationship) as the main character, not unsimilar to Korra. Misogyny is not dead. Homophobia is not dead. Know your history, and know the work isn't done.

that's rough buddy

zuko is already a hilarious character but he becomes even funnier if you give him a crush on sokka

Oh jfc, how evil can you get??

hard to believe there are actually people out there who think that big noses are ugly and unattractive … like what the fuck is wrong with you ?

It is actually way better for 100 addicts to get their fix on pain pills than a single person in pain go without. I call this the "Torture is bad" principle. You should be able to get the good stuff forever after a single doctor's visit. If you're worried about addicts fund rehab centers and needle exchanges instead of torturing people.

Successful trans men

I wish I knew about men like these growing up, I wish I knew that trans men could be successful after a lifetime of never seeing anyone ‘like me’ excelling in life. So here are some trans men - some that you may have heard of, some that you may not - that are successful in a range of careers. Never let being trans hold you back, never think you can’t do something, never think there is not a place for you.

Ben Barres American neurobiologist for Stanford University and advocate for women in science. Barre’s research on the interactions between glial cells and neurons changed the way that we understand the brain and opened up a whole new field of research.

Stephen Whittle Professor of equalities law. Founder of FTM Network in 1989 and Press for Change in 1992. Whittle has been heavily involved in trans activism since joining the Self Help Association for Transsexuals in 1979. His research and activism has been instrumental in ensuring the rights of trans people in the UK.

Michael D Cohen Actor, teacher and coach. Making his break in award-winning Nickelodeon sitcoms Harvey Danger and Danger Force he was the first series regular actor to publicly come out as transgender. Cohen has a BSc in cell biology and a masters degree in adult education, teaching at his own acting studio and providing workshops.

Chris Mosier American triathlete and award-winning coach. Six time member of Team USA in both duathlon and triathlon, Mosier also won two national championships in racewalking and was the first transgender athlete to qualify for the Olympic trials to compete against other members of his gender.

Yance Ford African-American film producer and director. Ford received an Emmy for Exceptional Merit in Documentary Filmmaking and was nominated for an Oscar for his part in producing and directing the documentary Strong Island which follows the death of his brother.

Kael McKenzie Canadian judge. Serving in the Canadian Armed Forces for several years, McKenzie later attended law school and and worked as a lawyer before being appointed as a judge to the Provincial Court of Manitoba in 2015. 

Shane Ortega Native American former flight engineer in the US army, former marine and professional bodybuilder. Throughout his career Ortega has served in Iraq and Afghanistan in over 400 combat missions. He has a long history of advocating for the repeal of Don’t Ask Don’t Tell and the recent banning on transgender service members in the US army. 

Drago Renteria Chicano photojournalist and deaf and LGBT activist. Renteria founded the Deaf Queer Resource and is CEO of DeafVision - a webhosting and development company run by deaf people and the founder of the National Deaf LGBTQ Archives. Renteria has been instrumental in both creating and hosting many online deaf/queer spaces online along with being heavily involved in real-world activism for decades.

Phillipe Cunningham Elected city councillor for ward 4 Minneapolis and previous special education teacher, Cunningham holds a masters degrees in Organizational Leadership & Civic Engagement and in Police Administration and is passionate about tacking inequalities in his community. 

GIRLY JUST FOUND OUT ABOUT CYERCE ELEGANS

If Cyerce nigricans is a butterfly, then this is a fairy... Cyerce nigricans for comparison:

The thing that I find to be so funny and annoying about Azula hate is that people just do not seem to realize that Zuko could have ended up just like her, if it wasn’t for the fact that he had positive influences in his life. One of the many reasons why Azula is the way she is, is because none of the adults thought that she was worth the time and effort. Which Ozai saw and took advantage of. Thanks to his parenting “skills” and other factors, she learned how to play the game very early on in life in order to survive. Zuko, however, never got the memo, therefore he did not know how to play the game. Azula learned how to play the game and Zuko did not. That’s like, one of the many things that sets these two apart from each other, and what ultimately makes Azula’s character so tragic in the end: she thought that learning how to play the game and playing that game well would be what would protect her and keep her safe, but instead it’s what led to her eventual downfall. Meanwhile, Zuko not learning/knowing how to play the game is what initially put him in harm’s way at the palace, but it’s inevitably what saved him and put him on the better path in the end.

Damn, the Ember Island Players were actually kind of radical, weren't they? The more I think about it, the more it feels like the only way it makes sense in-universe is if being Fire Nation propaganda wasn't the point of their play at all. Aside from a barely tacked on ending where Ozai kills Aang, the play is remarkably sympathetic to the Avatar and a bunch of enemies of the Fire Nation, even framing them as being heroes. Even at points in the story where theyre literally killing Fire Nation soldiers, the narrative still seems to be on their side; they're the underdogs, the relatable ones. Its true that the Fire Nation values strength, but still, you'd expect that in a propaganda play they would be portrayed as at least a little bit more sympathetic... And sure, to some extent the gaang's characters could be seen as defamatory caricutures (the slander on Iroh specifically was probably intentional), but that also might be due to the Players getting a lot of their information from the cabbage man, someone who actively hates the gaang and only ever really sees the worst of them. (And notably, that also means that the Players had worked with an Earth Kingdom merchant to produce the play.)

Mocking the gaang is also just clearly not the point of the play or what people are there for. Sokka's actor says that he's constantly being approached by fans; people genuinely love these characters. The gaang have built entire dedicated fanbases in the Fire Nation because of this play. Honestly, the fact that they're on a remote island is probably the only reason they're able to perform the play the way it is. I imagine it would get shut down pretty quickly on the mainland. Considering all the propaganda in the Fire Nation that we've seen so far, I wouldn't be surprised if the ending was only written that way because it's illegal to write a story where the Fire Lord doesnt win. The play reads less like propaganda and more like 'we're doing the bare minimum to get this story past the censors.'

I'm really curious about what it's like behind the scenes for the Ember Island Players. Are their shows just simple, shlocky entertainment, or could they also be deliberate political commentary? With no recording technology, a play is easier to slip under the radar than something like a book: it's impermanent, stays in one theatre, and performances can be easily tweaked if, say, Fire Nation royalty happens to come by. It's interesting to me that Ursa seemed to like them, while young Zuko had a disdain for them, saying they 'butchered' the story of Love Amongst the Dragons; in all likelihood the version of the story Zuko grew up with in the palace was heavily propaganda-filtered itself. Although, to be fair, they're arguably just not very good playwrights. When it comes to the characterization, I do think some of it only seems bad because we know what the actual characters are like, but a lot of it is just bad writing clearly meant for cheap entertainment. For example, they sexualize Katara quite a bit (and there's other, better analysis out there I've seen that examines how they fetishize her as a Water Tribe girl). And, of course, all of the characters are reduced to shallow and stereotypical comedy.

Still, I think they're worth commending for doing their research and telling a story about enemies of the state that's both sympathetic and surprisingly accurate to actual events, if not the characters' personalities, amidst the Fire Nation's rampant propaganda and misinformation. From the little amount of information about them we can extract from the show, they seem like honestly very interesting people. They're walking this tightrope line between being very close to the heart of the Fire Nation but also separate from it; between being cheap, inconsequential entertainment and being a source of actual news for Ember Island citizens; between telling the underdog story about a ragtag group of children and still trying to make it look like Fire Nation propaganda. I'm not trying to make any big argument on whether they were 'actually good people' or whatever, I just want to know more about them. I kind of wish we could see their production of Love Amongst the Dragons now...maybe I'll write something about them someday

The Trick To Writing Filler

(TL;DR at the bottom)

Filler is when you spend a chapter padding the length of your story between plot-related events. Filler chapters have little to no impact on the overarching plot and can be self-contained, and thus in TV shows filler episodes are often reran the most as people unfamiliar with the show can casually watch without being confused without the knowledge of prior plot beats

So with the chapter being largely self-contained and acting outside of the plot, what do you use to make the filler chapter engaging? I’m going to use filler episodes from Avatar: The Last Airbender to provide examples

1. Worldbuilding. Zuko Alone depicts Zuko’s travels taking him through an Earth Kingdom village and becoming acquainted to the family that allows him to stay with them, especially their young son. He learns about what the Fire Nation’s impact on this village has been; destroyed houses, families torn apart, constant robbery and other abuses of power and injustices. And even after Zuko defends the villagers and his new friend, he’s venomously cast out from the village by even the little boy because he outed himself as a firebender. This episode explored the impact of the war on the people of the Earth Kingdom, the victims of war that have no involvement in it and no way of defending themselves from it

2. Character exploration. In The Beach, we learn more about Mai, Ty Lee, Azula and Zuko and how their own traumas and personal upbringings have impacted their personalities. For Zuko this is part of a turning point for him, but for the girls it’s more to understand why they are the people we’ve gotten to know over the seasons, especially Ty Lee and Mai. The episode also serves to showcase how Azula and Zuko are so out of place being just normal teenagers; Azula has no idea how to talk to her peers and no identity outside being Princess Azula of the Fire Nation, while Zuko’s hotheadedness and jealousy issues lead him to lash out and be far too confrontational and controlling for his own good. This episode isn’t really used to develop these characters, or at least not the girls, but instead explains and showcases their behaviours and the reasons behind them

3. Character development. Going back to The Beach, Zuko does indeed receive development rather than just character exploration like the girls do; he comes to understand that he’s not just angry at the world or angry in general, but angry with himself. This is a notable turning point for Zuko’s redemption arc, because he now understands fully that he truly regrets betraying Iroh and sacrificing his new start in life in favour of returning to the Fire Nation. He might not yet be fully decided on turning his back on Ozai, but without this moment I don’t know if he’d have gotten there, or at least not as quickly as he did

4. Relationship development. Sokka’s Master has a C plot of Aang, Katara and Toph all being rather bored and lost without Sokka’s presence. The A plot exploring Sokka’s feelings of inadequacy and uselessness in comparison to such powerful and formidable bending masters being contrasted with the Gaang unable to function without him already speaks volumes about their dynamics, but looking deeper into the C plot also shows how much value Sokka really does bring to the team; structure, planning, humour, a quick wit, strategic moves. The Gaang always supported Sokka and never seemed to view him as expendable outside of the occasional teasing, but having it acknowledged so clearly and plainly that they can feel a little aimless and flat without Sokka and being so delighted when he returns really shows us the kind of value Sokka brings to this team and brings us and the characters to further appreciate it

5. Downtime. The Ember Island Players depicts the characters taking a break to watch a comedic play based on their wacky adventures, only to be largely underwhelmed and displeased by how they’re portrayed. There are no stakes to this episode and barely any plot, just the Gaang taking a breather as they react to a bad play. This chance to relax and watch something inconsequential is just as important to the viewers as we’ve got the show’s finale in the next four episodes, which will be very plot-driven and intense. The Ember Island Players also has the additional viewer bonus of recapping the events of the show right before it all ends, giving the viewers time to reflect on the journey they’ve gone on with these characters. In order for the stakes to feel high and the tension to rise, there has to be downtime where there are low stakes and low tension; if things are intense all the time, the moments that are supposed to feel super intense will just feel average in comparison. Resetting that intensity right before such a big event while still acknowledging the looming threat coming soon will feel like the calm before the storm and allow your audience to soak it all up like the characters are

Wow, did I just go through all that without talking about Tales of Ba Sing Se? I’ll save that for another post if people are interested in more

TL;DR - filler provides a moment to breathe, reset the intensity levels the audience are experiencing and take a chance to step away from the external conflict (the overarching plot) in favour of worldbuilding and the characters within your setting. Small moments can amount to something big, and can help make large scale decisions or plot twists feel more build-up and in-character