spookyweaselbones
Spooky J. Weaselbones
The J. stands for Jumpin'. | Banner by: noid | Profile by: bugmemory
343 posts
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grimvestige
woe, my ocs and ttrpg art be upon ye
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furniture shopping ya tasteless dopes
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"Stop being so basic, but also only be a freak in ways that I personally approve of"
correct
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hey how do you feel about fanart
First of all, mega appreciate the question! In a perfect world, I'd want people to drop me a line and let me know what they wanna draw. Otherwise there could be horrible rumors about me, like I take vitamins or do volunteer work. Yech!
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With my help, you too can Hold 'em, Texas.
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This absolutely amazing commission from @snaggle-teeth
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Allow me to answer your question with someone else's question:
Please support local business
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Please support local business
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I really adore your ocs and I was hoping to know more about them a little mostly spunko and hokey, do you have any facts about any tiny facts about them at all?
OUGH I'm glad u asked that here I feel awkward typing paragraphs on IG for some reason.... They're for a comic idea I have called Feeding Frenzy I was gonna include a mini zine of it in my last store update but I couldn't finish it on time rip
It takes place in the early 80s because Spunko is based on 80s newave underground comix, design wise he's more specifically inspired by Zoo-Lou from Roachmill and Marvel's Slapstick and then Hokey is supposed to look like a faux Hanna-Barbera character
-They're married or sometimes just friends; whatever is most convenient for the plot because logic like that is Funnie
-Hokey assures everyone he's a beloved cartoon character but no one remembers his shitty cartoon show (I don't know if it's that noticeable I draw him with thicker outlines + no hatching so he looks more 2d than the other characters)
-The other parasite I've posted before (her name is Marzda) is the only real antagonist, the other characters are just people that Spunko royally pissed off
-^^^She's a villain because parasites also kill other parasites. They all have different unique abilities; Marzda can use her hair/ears as tentacles, Spunko doesn't seem to have any. I've a had a few friends who thought Spunko's ears were pigtails lol
-Parasites can only die from starvation. WIP but the comix have a lot of senseless cartoony gore so Spunko never dies from being brutally cut in half <3
-They own a defunct ice cream truck.. Spunko doesn't have a driver's license and Hokey probably needs a booster seat
-Spunko and Hokey live in an abandoned bunker in the sewers
-They met when Hokey fell off a truck taking him to the slaughterhouse and his stupid arse rolled into Spunko while he was trying to steal the door off of a cop car
-Neither of them really have hobbies (Hokey's only interest is being around Spunko) so they either watch tv or steal gas station hot dogs. Spunko is good at drawing but he never does it...He likes going to concerts after he ties Hokey to a bike rack outside the venue
-Parasites can shapeshift to lure humans. Spunko can too but he rarely does
-Hokey wasn't even the main character in his show, I still need to cleanup my drawings of the guy he was co-star to though. Fun fact Hokey's last name is Hogwash but he was always credited as "the other guy" in the cartoon lol
ALSO I swear this is Spunko's permanent design lmao I kept slightly tweaking stuff for awhile. This is Hokey's final color palette too I have a habit of making small changes to color palettes that aren't even noticeable
Here's a gift if you read the whole thing (blows u a kiss)
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i'm founding a new school of media criticism which i've decided to call Bitism. the Bitist school of literary analysis asks a simple question: is this work committed to the bit?
you see, any work of fiction is either committed to the bit or it's not. the worst thing a piece of media can be is ashamed of its own premise, of the genre it in habits, of the tropes and aesthetics we expect from it. to be committed to the bit does not inherently make it good, but it makes it more worthy of respect than those which are not.
also, that's not to say that a story cannot parody or criticize the genre it inhabits or mimics. we can discuss the bit, we can deconstruct the bit, we can ask ourselves whether or not it's a good bit, but to commit to it first will strengthen these discussions, not detract from them. commitment to the bit is, after all, the first step to genuine sincerity. and sincerity will exalt and elevate parody such that it can stand on its own feet.
commitment to the bit turns melodrama into camp, elevates parody to biting commentary, and allows cringe to open up into a resonant, if unpolished, expression of true emotion.
fully expect bitism to take the literary world by storm sometime in the next few years.
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An interesting prompt/challenge
Avoid using any qualities your art reflects commonly. Based on causal feedback it was the following
Calm, soft, gentle and flowing lines.
So I tried to make a quick little piece going more or less the opposite end
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💗malicious gay faggotry💗
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