Why do you want to dance? Why do you want to live? Well, I don’t know exactly why, but uh… I must. That’s my answer too. THE RED SHOES (1948)

THE RED SHOES (1948)

dir. Michael Powell & Emeric Pressburger

These memes are like 200 years old but i think i’ve never posted some of them so here you go

maurice mutuals i call on you….. does anyone have the actual image of this (NEEDED)

Middle age Cesare

hey look up "[your birth month(in numbers not words)][your birth day] pokemon". if it's over 1025 remove the last digit. that's you as a pokemon now what did you get

very late but uh happy 104th birthday

pussy so german expressionistic it got me walking down this black and white spiral staircase into a matte painting of an oddly jagged cityscape while i hunch over dressed in dance tights

“The Cabinet of Dr. Caligari” (1920), dir. Robert Wiene

SINGIN’ IN THE RAIN dir. Stanley Donen + Gene Kelly 

EXTENDED extended cut of Interview with the Vampire Season 2 Trailer! See you May 12 at the Theatre!🩸

Maurice by E.M. Forster - Notes by David Leavitt:

The most sustained criticism of Pianola in literature comes in Forster's posthumously published novel Maurice. Here Clive Durham, the boy with whom Maurice falls in love up at Cambridge, is found in chapter six sorting out 'a castle of pianola records' of the march from Tchaikovsky's Pathétique; then, when he goes to play them, a mutual friend tells Maurice, 'You should get away from the machine [Pianola]' - and therefore Clive himself - 'as far as you can'. The Pianola manufactures music in the same way that Clive 'manufactures' heterosexual passion (which consequences less outwardly disastrous for him than for Tchaikovsky). That the way one makes music - or connects to music - signifies one's values in Forster's work is illustrated beautifully when Maurice meets Alec Scudder at Penge: together they move a real piano from under a leak in Clive ancestral home. This instrument, like their relationship, is the genuine article, and worth protecting from the decay of that society. The instrument itself embodies virtue.

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🛒 tomgregzine.bigcartel.com

What a funky guy