skywaveprime
FEAR THE DEER!
Pansexual/Transformer are cool/Art Acc:ThePhoenixhaven
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The sole way to atone for thine actions is to do better, in a new dawn.
That dawn is here.
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Teasing your vampire boyfriend by revoking his access to your room. He's stuck at the doorway watching you play with yourself, knowing he's forbidden you from touching what's his without permission.
His claws digging into the doorframe, splintering the wood and snarling loud enough to echo through the room.
You know when you invite him in again he's going to absolutely wreck you .. But its too much fun watching him angrily fist his cock, growling all the things he's going to do to you.
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Hey! If you dont mind me asking, what brushes do you use? I dunno if you already made a post about them so sorry if i sound demanding! Also i wish you a quick and happy recovery!
thanks for reminding me to post them! these are my personal brushes that you can download here (clip studio paint)! nowadays i use CIRO the most. i use it for everything, from sketch, to lines, to color.
I'll also share some of my other frequently used brushes made by other artists:
mameo pen - i like to use for doodle + handwriting
momo storybook set - i like to use for colors + quick painting
real pen set - i like to use for doodle + handwriting
doodle pen - i like to use for doodle + handwriting
grunge dots - texturing
tex brushes - texturing
graininess highlights - I've stopped using the regular airbrush to use grained ones like this instead, adds more texture
情報量が増えるペン (parallel lines pen) - texturing
7 lines (similar to the one above but textured) - texturing
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🔹 Someone else's fiction cannot cause you physical harm.
🔹If someone else's fiction is causing you emotional or psychological harm, or distress, you can put it down and not read/watch it.
🔹Your emotional well-being is not the responsibility of fiction writers.
🔹Someone else's fiction is not about your personal trauma.
🔹When reading or watching fiction, you always have the power. You can always stop. You are never reading fiction without your own consent.
🔹Fiction writers are not responsible for other people's mental health.
🔹The content of a piece of fiction does not reflect on the morality of its author.
🔹Just because someone writes about bad things happening, doesn't mean they want those things to happen.
🔹Don't like? Don't read.
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more than i even like self inserts i love the power of the second person perspective. like from a literary standpoint, the discomfort of you is so deeply appealing to me. it forces the reader to engage with a story in a way it is not required from other perspectives. i like it literature and in video games and in art. i like when a story challenges my concept of self and tells me: forget everything. this is a story about you (disambiguation)
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plans? nay, on a wing & no prayer (inspired by @snowberry-pie’s post)
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The production value here is off the charts but this is also literally just what it feels like to play Uno.
legendaryjay_ on TikTok
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i’m sorry i forget how to be a good friend sometimes. it’s dark where i am and i can’t breathe but i swear i love you even when it’s so bad that i can’t recognize myself in the mirror. i’m sorry that i don’t laugh at your jokes like i mean it, i’m sorry i can’t focus, i’m sorry that sometimes you look over and i’m frowning. i don’t mean any of it. just give me time. i’m trying to find my way back into my body but i’ve been lost for a while. i know you deserve better. please, if you can, just be patient.
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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.
i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.
sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.
repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.
but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.
it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.
i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.
my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.
back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.
hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.
it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page:
outside it is sunset and
my dog is still in a gutter, bleeding a galaxy
out of his left paw.
or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.
the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.
i love you, keep going.
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Post corrections/clarifications are my favorite genre of humor: a compilation
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few clips ive gathered of astarion being worried/protective
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Cute canon IDW Transformers things:
Platonic life partners
Robot marriages
Baby Cybertronian’s are born as souls and grown in fields like literal cabbage patch babies
Cybertronians give their sick friends/loved ones tiny vials of the only fluid in their body that’s unique and irreplaceable
Each of them have a unique transformation sound
They have a festival to recognise and remember the dead which involves them sitting with friends/loved ones around small glowing orbs
They have a whole language that is just robot handsies
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