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i love your art !!!! you are so talented wowowow thank u for sharing with everyone, i get so excited when i see ur posts :-) would u be willing to possibly animate/draw the stark contrast between Tintin: the young naive baby faced boy reporter ™, and Tintin the young baby faced reporter committing unspeakable acts of violence ™ ? i love how unhinged he is,, would love to see it in ur style lol. hope ur having a great day :-) <3
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disclaimer even though it's very obvious: i dont know french in the slightest, but i do know when english people try and communicate with non english speakers most of them just resort to repeating themselves but very slowly
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White Boy Goes Dancing Part The Second! Follows from this!
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Turned inside out in the backyard
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LOL
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do you ever just
[the line is from a fic by @/Rauchendes_GNU on ao3]
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can everybody be quiet im working on my tma au where everything’s the same except theyre american now
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I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.
I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.
Then she had a “miserable” 3 more miles to walk to the inn.
Babes she would not MAKE it to that inn.
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boob window showing off the gaping hole in my chest
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I need 50 hour days with no added responsibility per day. I think that would really help
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“Nobody’s going to want to sit on high-speed rail for fifteen hours to get from New York City to LA.”
Me. I will sit on high-speed rail for fifteen hours. I’ll sit on it for days. I’ll write and read and nap and eat and then do it all over again. I’ll stare out the windows and see America from ground level and not have to drive. I’ll see the Rockies and the deserts and cornfields and the Mississippi River and your house and yours and yours too. I’ll make up stories in my head about the small towns I see as we go along. I’ll see the states I’ve yet to see because driving or flying there is a fucking slog and expensive to boot. I’ll enjoy the ride as much as the destination. And then I’ll do it all over again to come the fuck home.
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me trying to convince myself that the whole spectrum of human emotions is a good and necessary thing to feel even if its not comfortable while im actively experiencing emotions that make me feel like my bones are being dissolved in acid
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Keeping this quote to my grave
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second attempt at sexy Mr Bonzo (with bonus Norris for size difference)
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I like Mr Bonzo
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don’t ask me what this is
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Mr Bonzo's on his Way!
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When writing, did you ever suffer from a fear or underdelivering or misrepresenting a topic? If you did, how did you overcome it? I enjoy writing but rarely bring it to the public out of fear that I am either not doing good enough or badly portraying the themes or aspects of what I write.
Absolutely, and on the one hand it's a very healthy fear - it prompts you to do your research and be thoughtful in how you write. On the other hand you've just got to accept that occasionally it will happen. Inculturation is a hell of a thing, and leaves us all with a thousand kneejerk preconceptions and perceptions of the world, some benign and some downright awful. And sometimes they crop up no matter how thoughtful you try to be. And you gotta understand that when it happens and people call you on it, you just have to take your lumps and learn what you can from it.
It doesn't help, of course, that the words you write are only ever half of what your audience reads: five people reading the same book are reading five different books, each filtering the text through a lifetime of psychology and experience. And they will find themes and problems in there you never even considered, and they will also find resonances and beauty in your work that you could never have foreseen.
At the end of the day, writing stuff thats meaningful to you (hell, writing anything at all) is a messy, bruising business, and anybody who tells you there are simple solutions or clear rules to follow is either lying to you or to themselves.
But you can't let it paralyse you. Its like if you're playing football and you're worried about falling over. It's a reasonable fear and you should do your best to avoid it, but occasionally it's gonna happen, and unless you want to spend the whole game just standing still in a field, you've kinda just got to get on with it. Just try not to be one of those writers who's always taking dives and... screaming for the ref to get a free kick? Hm. That analogy may have gotten away from me. I don't actually know much about football.
Point is, I'm aware that this isn't the most reassuring writing advice I've ever given, but yeah, its a messy, scary business. Just do your best. Be thoughtful. Be kind. And always do your research.
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