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scottydog4-blog · 3 years

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This image hurts my brain more than the original debate ever did. Brains are dumb.

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scottydog4-blog · 3 years

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Okay.

It’s been a day.

There are now a LOT of gifs and Twitter-pinions about the premier, and I have some too.

When I finished ‘More Joy’, I quite literally thought “I want them to go back to how it was”…. and I felt like a complete Sharpwin traitor. I actually wanted to box it all back up and have the old Max and Helen back, corridor walks and longing stares, all happening safely inside the walls of New Amsterdam hospital. And at the same time I wanted to rewatch the whole episode to see new Max and Helen again because they were (mostly) adorable.

Then I spent the day reflecting and the more I thought about what I didn’t like, the more I realised one thing. I didn’t like that they weren’t at the hospital. It felt so weird to see them at Helen’s place, half dressed and TALKING, openly. It was a bit too much for my over analytical, ready-to-pick-up-on-all-and-any-subtext brain. It was a change seeing them like that, and I don’t seem to like change. Which is hard because it seems season 4 is not only about joy, but about change.

Yes yes, the first scene was 🔥🔥🔥 endless gifs. In hindsight, I wish I’d never seen any previews but alas, I’m a spoiler junkie. It was awesome though.

The second scene was slightly dramatic and achieved its goal of throwing a nice cold-bucket-of-water on the moment 🥶🥶🥶

The third scene did feel a little out of left field because in Helen’s season finale London movie her mum was not very likeable and for most of Season 3 Mina was a pain in the ass, so wanting us to root for her to go hang out with both of them instead of her very warm and loving NA fam and her new hot boyfriend is a hard sell! But go read someone else’s analysis of that because a lot has been said about her past and her healing journey etc. I can accept it, it’ll just sting a bit (see hatred of change above).

I’m going for the next three scenes.

Scene four. I loved it because they were up and they were walking about and talking normally and I think them walking and talking is as much part of both of their characters as their longing looks. He’s followed her down endless hospital corridors, now around her apartment, and maybe soon across an ocean. And yes you can complain about the I love yous, or you might love how they happened. Whatever. All I saw was Max react to her saying ‘I love you’ as if finally, even to him, this was completely obvious. I mean, his face is like ‘duh’. It’s why he’s ready to fight so hard for her. He’s not second guessing that she loves him anymore. And that felt good to see.

Scene five. I hated it. I still do. But I hate it because it makes me feel uneasy and uncomfortable, like it becomes painfully obvious that their long distance solution is not going to work and it’s awkward watching them realise it to. Which is the point. Because we all need to get that long distance is just not going to work. If they went down that route for an episode or two (or five) then that would mean Helen would be able to leave, and Max would stay, and that’s certainly not what we want. She’s one of our favourite doctors and she has amazing patient storylines and being Max’s long distance girlfriend is not just a down grade for Helen (and Freema), it’s insulting. What I think most viewers would have liked by the end of this scene is literally for Helen to give up on her London dream so everything goes back to being easy and we would get Max and Helen staying at New Amsterdam, same as they always have been, only now perfectly in love. Also an insult to woman everywhere. But you know who absolutely never tries to suggest that, who keeps making suggestion after suggestion, who literally declares different iterations of “it’s gunna work” every time she implies that it won’t. Max. He never asks her not to do this, only reassures her they’ll figure it all out. And that also felt good to see.

Lastly, scene six. My absolute favourite (yes, above scene one). It makes complete sense now why the last scene on the roof is the most comfortable one to watch. Because it’s them. Max and Helen. Back at New Amsterdam. On their roof. Just existing next to each other. Clothed (lol). “Oh hi” never sounded so good after all the ups and downs during the episode. Glancing at each other as they chat in front of the NYC skyline. That feeling that everything had changed evaporated instantly. Change MAY be coming, but for now they are still here.

And when they do start to talk about them, it doesn’t feel so weird. In fact, this scene is literally pure JOY. How can you argue otherwise? Max, who admitted on the very same roof to the very same woman how he’d let his wife down because he couldn’t turn down his chance to climb ‘Everest’, is now willing to do the exact opposite and GIVE UP his Everest so Helen can climb hers. Because he loves her. Plus, LOOK AT FREEMA’S FACE. How does she do all those emotions like that? And then there’s Max, who just looks back at her like ‘of course I’ll follow you, you’re my joy silly.’

SO MUCH JOY ON THAT ROOF!!!

People are only mad because they are freaking out about how the show creators are going to possibly make this work without them. And that in itself is just totally unnecessary.

New Amsterdam is a show about the Medical Director, Max Goodwin, and all his awesome staff. It’s about patients. It’s about shining a light on things and causes that matter. It’s about New York (see all those rooftop scenes, that skyline is the other character). People LOVE it just as it is. WE love it. Those things are the premise of the whole show. So can everyone CHILL. What they’ve done, is they’ve put that thing we love on the line and now we are all wanting to know how the hell they’re going to fix this mess. And they are going to say OVER and OVER that Max and Helen are DEFINITELY leaving because implying otherwise undermines the whole storyline. We need to feel they are leaving to be invested in whatever happens next. Time jump or mind changes or any number of things they might throw our way to get a back to the premise of the show. And we are going to tune in week after week to find out. And that my friends, is how television works. And thinking they were going to do otherwise was just setting yourself up for disappointment.

To the people demanding Max and Helen be happy for at least one episode… um, they looked very happy in episode 1 and they look very happy up against an ambulance in episode 2, and in the corridor smooching in episode 3, and wandering the streets of NYC some time in the future…

To the people who thought they were getting 5 full minutes of sexy times. I believe what we were told was we’d be ‘happy with the first 5 minutes’ (e.g. that glorious time before Helen said ‘I should never have…’)

To the people who read every single article and Q&A - Schulner LITERALLY said so many times that the season would be about discovering your joy and what happens after you get what you want. I think one time he even mentioned ‘chasing after’ it. We were basically warned and WE ARE LITERALLY LIVING THIS NOW TOO. We got Sharpwin, now we have to live with what happens next. Cause and effect in action.

To the people annoyed with all the drama this show has caused. It’s a… drama show. It was to be expected.

So let’s try to relax and enjoy the ride :)

#new amsterdam #sharpwin #helen sharpe #max goodwin #helen x max

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scottydog4-blog · 3 years

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Friends, friends, friendsssss….

They are wearing pj’s (modesty), the pillows are light, and there is light coming from (the window) behind the bed…. This is more than likely Max’s apartment!

Plus, that’s his sleeping T-shirt 😂

I mean, how can it be her bed. Sure, she could have changed her pillowcases (to mismatched, unlikely), but headboards don’t glow. Me thinks they used a shot from above to try and fool us 🤪 aha! Nope!