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Send 💬 for me to make you a starter with a random line of dialogue from this generator.
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* SEASONAL AESTHETICS !
repost, don’t reblog !
WINTER. a chill right down to the bones. tobogganing. teeth chattering. sleeping all day. sitting by the fireplace. spending time with family. layered clothing. seeing another’s breath. loving the cold. a state of inactivity. cold hands. blistering winds shaking the closed windows. a bookcase full of brand new books and all of the time in the world to read them. cable knit socks. a bitter remark. a log cabin in the middle of nowhere. hating the cold. full length windows to peer out of. pale skin. deep conversations. watching the snow fall. sharp edges. hot cocoa. smelling every candle in the store. a wild snow storm. melancholy. lighting candles around the bathtub. snow globes. expressing yourself but never finding quite the right words. the softest of blankets. liking, but not loving something or someone.
SPRING. the smell after it rains. being in control of yourself. a soft breeze blowing your hair. lightning when it strikes. cherry blossoms. bright mornings. the first sign of hope. the relief of finding something you lost. paris in the morning. birds chirping. the art of growing. a kiss on the cheek. the clap of thunder. a tornado in the valley. smiling at a stranger. planning. saccharine pinks. making promises. trying something new. hugs when you need them the most. a bee sting. sitting on the steps of the met. coming inside drenched from the thunderstorm. picnics on a checkered blanket in the new sun. that feeling you get when you put on a new dress. a long hike. rushing when you can take your time. going to the gym / training at ungodly hours. excitement for what’s coming. becoming yourself. rain boots.
SUMMER. lanterns lit around a campfire. seeing the sunrise like it’s the first time again and again. melting ice cream. the warmth of sun rays upon skin. fireworks. the feeling of never wanting something to end. beach days. the lone blow up floaty left in the pool. drifting with the warm nights breeze and nothing else. music blasting at three am. loud and proud. palm trees on sunset boulevard. longer days and shorter nights. wanderlust. nights spent staring at the stars. sand castles. road trips. blood orange sunsets. leaving the laundry to hang outside. flowers in bloom. sneaking out of your room late at night. pure contentment. barefoot in the sand. the street lights coming on. the sound of the ocean in a seashell. freshly squeezed lemonade. loose clothing. a cannonball into the pool. sunflowers. the hazy pink before dusk. relaxation.
FALL. the leaves changing colours. a heavy backpack. the smell of old books. eating until you’re stuffed. deep, dark woods. the silence in loudness ( the loudness in silence ). abandoned houses. ripped jeans. crunching leaves beneath feet. feeling like you’ve been somewhere before. sitting at a bay window. having endless amount of work. charcoal drawings. screaming into a pillow as loud as you can. pumpkin patches. creaky floorboards. accepting that some things do have to change. museums. small talk. being ignored. procrastinating. a door slamming shut. going to bed early. baking pies. the fear of walking alone in the dark. feeling completely and terribly lost. a twig snapping. crisp, cool days. belly laughter after crying. converse. foggy mornings at the shoreline. writing a daily entry in a journal. a lonely day.
tagged by. stole from @soughtlove !!
tagging. @seidrborn. @traumaturgic. YOU.
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It is this beat that keeps me up at night. The pulse that’s strung along my bones. The ruminations of my heart - Pounding out its nightmare in my head. And, oh how many times, I have wished that I was dead.
Helaena C Moon
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@fairestfall asked: What does your character like in other people? What does your character dislike in other people?
𝖑𝖎𝖐𝖊𝖘. honesty. compassion. strength of will. flexibility. being able to read a room. understanding. wit. being able to take a joke. novelty ; refusing to conform. seeing things for the big picture. himself ( as in his dick ). also their blood.
𝖉𝖎𝖘𝖑𝖎𝖐𝖊𝖘. backstabbing. being easily offended. taking themselves too seriously. piousness. radical beliefs that hurt others. persecution. irrationality. allowing fear to drive their actions. pettiness. mindlessly following status quo.
How quick is your character to trust someone else?
not very quickly at all. mitchell is, as a rule, quite approachable and personable ; but he gives very little of himself upon first pass, or second pass, or third pass, because opening up to people always leaves him with more scars than he started out with. people he trusts always end up dead, or abandoning him due to his condition, or using him as a means to their own end : annie and george are the exception, not the rule. mitchell has learned to play his cards close to his chest while still being a generally outgoing and considerate man, to avoid betraying his inner monster.
How does your character behave around children?
mitchell fucking loves kids. for the most part, kids are open-minded and genuine ; they haven’t been twisted into something foul by the world. despite the ample amount of life force in their veins, their relative innocence tends to keep his bloodlust at bay, so he’s more comfortable being around them than their parents. plus they have no filter ; they speak their minds without concept of their actions, which mitchell finds both hilarious and endearing.
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All Your Friends Are Full Of Shit // LeATHERMOUTH
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@wordbound asked: Has your character ever been bitten by an animal? How were they affected (or unaffected)?
lol does herrick count? if so then yes, and it turned him into a FERAL LITTLE MAN. if not, then still yes ; mitchell’s been attacked by dogs many times throughout his long life, though dog bites don’t really do much to harm a vampire.
What is/was your character’s relationship with their mother like? What is/was your character’s relationship with their father like?
𝖒𝖔𝖙𝖍𝖊𝖗. mitchell adored her, and she him. he was only a bit of a mama’s boy ; the no-nonsense hand of his father made sure he grew away from his mother’s doting as soon as it was prudent. still, she encouraged him to be himself, regardless of what his mates in school thought ; and she wept profusely when he left home for the front lines. she grew old and passed away thinking that her boy had died on the battlefield ; mitchell travels to wexford every five years or so to place flowers on her grave.
𝖋𝖆𝖙𝖍𝖊𝖗. a well-respected fellow about wexford, who was, as was custom for the time, a strict man who expected much out of his son, and had named his son after himself. mitchell admired him, looked up to him as he’d never looked up to anyone before or since ; and even though mitchell was an odd boy, his father treated him with stern kindness. like his mother, mitchell’s father aged and died believing his son had passed before him ; to this day, mitchell is loath to be called john, purely because it reminds him of his father and his passing.
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Character Development Questions: Hard Mode
Does your character have siblings or family members in their age group? Which one are they closest with?
What is/was your character’s relationship with their mother like?
What is/was your character’s relationship with their father like?
Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
On an average day, what can be found in your character’s pockets?
Does your character have recurring themes in their dreams?
Does your character have recurring themes in their nightmares?
Has your character ever fired a gun? If so, what was their first target?
Is your character’s current socioeconomic status different than it was when they were growing up?
Does your character feel more comfortable with more clothing, or with less clothing?
In what situation was your character the most afraid they’ve ever been?
In what situation was your character the most calm they’ve ever been?
Is your character bothered by the sight of blood? If so, in what way?
Does your character remember names or faces easier?
Is your character preoccupied with money or material possession? Why or why not?
Which does your character idealize most: happiness or success?
What was your character’s favorite toy as a child?
Is your character more likely to admire wisdom, or ambition in others?
What is your character’s biggest relationship flaw? Has this flaw destroyed relationships for them before?
In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?
What does your character like in other people?
What does your character dislike in other people?
How quick is your character to trust someone else?
How quick is your character to suspect someone else? Does this change if they are close with that person?
How does your character behave around children?
How does your character normally deal with confrontation?
How quick or slow is your character to resort to physical violence in a confrontation?
What did your character dream of being or doing as a child? Did that dream come true?
What does your character find repulsive or disgusting?
Describe a scenario in which your character feels most comfortable.
Describe a scenario in which your character feels most uncomfortable.
In the face of criticism, is your character defensive, self-deprecating, or willing to improve?
Is your character more likely to keep trying a solution/method that didn’t work the first time, or immediately move on to a different solution/method?
How does your character behave around people they like?
How does your character behave around people they dislike?
Is your character more concerned with defending their honor, or protecting their status?
Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?
Has your character ever been bitten by an animal? How were they affected (or unaffected)?
How does your character treat people in service jobs?
Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?
Has your character ever had a parental figure who was not related to them?
Has your character ever had a dependent figure who was not related to them?
How easy or difficult is it for your character to say “I love you?” Can they say it without meaning it?
What does your character believe will happen to them after they die? Does this belief scare them?
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BOOK STARTERS VOL.57 THE SHINING STEPHEN KING
❛ Sometimes human places create inhuman monsters. ❜
❛ I’m not gonna hurt ya. I’m just going to bash your brains in. ❜
❛ Monsters are real. Ghosts are too. They live inside of us, and sometimes, they win. ❜
❛ The world’s a hard place. It doesn’t care. It doesn’t hate you and me, but it doesn’t love us, either. ❜
❛ The tears that heal are also the tears that scald and scourge. ❜
❛ Pull your act together and just go on. ❜
❛ I had never dreamed there could be so much pain in a life when there is nothing physically wrong. I hurt all the time. ❜
❛ Tough old world, baby. If you’re not bolted together tightly, you’re gonna shake, rattle, and roll before you turn thirty. ❜
❛ Are you sure self-pity is a luxury you can afford? ❜
❛ Truth comes out. In the end it always comes out. ❜
❛ Living by your wits is always knowing where the wasps are. ❜
❛ No matter where you go, the same asshole gets off the plane. ❜
❛ We sometimes need to create unreal monsters and bogies to stand in for all the things we fear in our real lives. ❜
❛ That’s your job in this hard world, to keep your love alive and see that you get on, no matter what. ❜
❛ Human nature, baby. Grab it and growl. ❜
❛ God wiped snot out of his nose and that was you. ❜
❛ Run away. Quick. And remember how much I love you. ❜
❛ How many times, over how many years, have I—a grown adult—asked for the mercy of another chance? ❜
❛ I was suddenly so sick of myself, so revolted. ❜
❛ You listen to me. I’m going to talk to you about it this once and never again this same way. ❜
❛ But those pieces, they’ll never fit just the same way again. Never in this world. ❜
❛ Dying is a part of living. You have to keep tuning in to that if you expect to be a whole person. ❜
❛ Officious little prick. ❜
❛ I’ve been sleepwalking again, my dear. — The plants are moving under the rug. ❜
❛ How I wish you were fear. ❜
❛ But it was a dreadful kind of curiosity, the kind that makes you peek through your fingers during the scariest parts of a scary movie. ❜
❛ All we have is time, you know. An eternity of time. Or shall we end it? Might as well. After all, we’re missing the party. ❜
❛ We all remember our pleasant dreams more clearly than the scary ones. ❜
❛ The way things should be and the way things are hardly ever get together. ❜
❛ Got to be regular if you want to be happy. ❜
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That thing maimed me - and sat there, curled, gripping my heart in its claws. It said - ‘No, you won’t come back the way you came.’ And ‘No, you will never be the same.’…'I put a hole through your chest- I am the name on your crooked legs. You might smile a pretty smile, but I am the blood on your teeth.’
Helaena C Moon
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TAGGED BY : stole from @tharanduil!!
TAGGING : @seidrborn. @wordbound. & YOU.
— BASICS.
▸ IS YOUR MUSE TALL / SHORT / AVERAGE ?
he’s an incredibly boring 5′10.
▸ ARE THEY OKAY WITH THEIR HEIGHT ?
yeah, it’s just the right height for his full-time unpaid job.
▸ WHAT’S THEIR HAIR LIKE ?
its on the long side for male stereotypes, coming to about halfway down the back of his neck. its pitch fuckin black and quite curly / wavy. he usually wears it down and messy; he barely brushes it, and he washes it sparingly because he’s number one good time nasty boye.
▸ DO THEY SPEND A LOT OF TIME ON THEIR HAIR / GROOMING ?
when you can’t see your own reflection, it’s hard to spend a lot of time grooming. most of his appearance is pure guesswork.
▸ DOES YOUR MUSE CARE ABOUT THEIR APPEARANCE / WHAT OTHERS THINK ?
mitchell has a complicated relationship with his appearance. he only knows what he can see in semi-reflective surfaces ( cars, windows, water ), and every now and then, he’ll think to himself ‘good lord, i look homeless’. he’s also been around the block enough to know that half of a person’s identity is their appearance, so when he can afford to, he’ll clean himself up and try to make a matching outfit that’s somewhat appealing. but so much of his appearance is function not fashion, as a vampire has to wear many layers out during the day; so eight times out of ten, he doesn’t give a shit how he looks because it’s how he has to look. plus, people tell him he’s hot no matter what he wears or when the last time was that he washed his hair, so why waste time on actual effort when it comes naturally?
— PREFERENCES.
▸ INDOORS OR OUTDOORS ? indoors, because of that whole sunlight thing.
▸ RAIN OR SUNSHINE ? really? rain.
▸ FOREST OR BEACH ? forest. beaches hold too much temptation.
▸ PRECIOUS METALS OR GEMS ? precious metals.
▸ FLOWERS OR PERFUMES ? perfume.
▸ PERSONALITY OR APPEARANCE ? they taste the same.
▸ BEING ALONE OR BEING IN A CROWD ? in a crowd.
▸ ORDER OR ANARCHY ? depends. mitchell is old enough to know there’s a time and a place for both.
▸ PAINFUL TRUTHS OR WHITE LIES ? depends on who’s telling them.
▸ SCIENCE OR MAGIC ? yes.
▸ PEACE OR CONFLICT ? peace, when he can get it.
▸ NIGHT OR DAY ? night.
▸ DUSK OR DAWN ? dusk.
▸ WARMTH OR COLD ? warmth.
▸ MANY ACQUAINTANCES OR A FEW CLOSE FRIENDS ? a few close friends is definitely safe and preferred, but he moves and shakes.
▸ READING OR PLAYING A GAME ? playing a game. waddington’s the vampire game is a favorite of his.
— QUESTIONNAIRE.
▸ WHAT ARE SOME OF YOUR MUSE’S BAD HABITS ?
he’s a profound liar, sometimes to protect other people but usually to protect himself. swears. blasphemes. loves to get shit-faced; hates being hungover after. smokes like a chimney. has indiscriminate sex. and there’s the whole killing people for their blood thing.
▸ HAS YOUR MUSE LOST ANYONE CLOSE TO THEM ? HOW HAS IT AFFECTED THEM ?
mitchell has lost ( in some cases, killed ) many close friends in his long life. he had to watch from the sidelines as his beloved parents withered and eventually died of old age; he killed one of his closest friends, arthur hanley, less than a month after becoming a vampire; he killed and then recruited, and eventually staked, his lover lauren drake; but the death he has taken the hardest was that of his first lover and sobriety companion, josie hunter. as she gave her blood to save his life, his continued existence without her has been incredibly painful, and he thinks about her daily.
mitchell copes with loss in silence; every one he’s endured has shaped his ever-changing humanity, sometimes tempering him into the kind person he wants to be, sometimes pushing him closer to being the mass-murdering vampire he was in his past.
▸ WHAT ARE SOME FOND MEMORIES YOUR MUSE HAS ?
mitchell’s memories, no matter how fond, are almost always tinged with blood; sometimes they’re even fond because of the blood. the nights spent in the clifton hotel with josie are some of the few that he can look at with happiness no matter his mindset. his first time meeting annie is also an untainted memory that he fondly looks back on; meeting george, though it was in a dark place with horrible circumstances, is something he is forever grateful for.
▸ IS IT EASY FOR YOUR MUSE TO KILL ?
YES. in fact, it’s easier for mitchell to kill than it is for him not to. it takes incredible amounts of resolve and self-control for him not to give in to the homicidal monster lurking just beneath his skin. as a person, he’s far from murderous, with his dazzling smile and generally amicable nature, but his vampire instincts are constantly at war with this persona. mitchell’s daily life is a struggle between his id ( his vampire self ), his ego ( his human self ), and his superego ( his conscience ): and more than fifty percent of the time, the id wins and his superego has to check into a witness protection program.
▸ WHAT’S IT LIKE WHEN YOUR MUSE BREAKS DOWN ?
DEAR LORD RUN. there’s almost always yelling; if there isn’t, run faster. homicide is a fair possibility, too: usually when he’s emotionally unsettled is when the beast gets through. there is one silver lining though: during a breakdown is when mitchell is his most honest, so if you can endure the yelling and potential homicide, you might be able to get some truthful answers out of him.
▸ IS YOUR MUSE CAPABLE OF TRUSTING SOMEONE WITH THEIR LIFE ?
mitchell doesn’t place a lot of value on his own life, as its pretty hard to take away from him; but the unshakable trust he has in george and annie means that yes, he’s more than willing to put his life in their hands. as for nina, mitchell trusts her anger, trusts that she’ll fight to protect him if she’s mad enough at the other person; but he doesn’t doubt that she would trade in his life for george’s without a second thought.
▸ WHAT’S YOUR MUSE LIKE WHEN THEY’RE IN LOVE ?
a simpering idiot, to be honest. if someone catches his eye ( as something other than a meal or a quick fuck ), mitchell tends to be immensely kind and giving, if not a little on the sappy side. he’s devoted and adventurous, ever the debonair gentleman, and will stop at nothing to keep the person he loves from coming to any harm ... especially from himself.
mitchell’s relationship with love is strained and complex; he craves it more than almost anything, but is frightened of it and the intense feelings it draws from him. love holds hands with sex, which holds hands with murder for mitchell: as such, he’s more than happy to have one night stands with strangers he’s not opposed to killing, whereas he tends to hold his lovers at arms’ length to protect them from himself, at least until some sort of compromise about his condition is reached. so many of his human lovers end up dead, or abandoning him when his condition is revealed, that mitchell has all but given up on love. it’s better for everyone, really: everyone except for his dead bed partners, that is.
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𝘢𝘯𝘴𝘸𝘦𝘳 : 𝘾𝙊𝙈𝙀 𝘼 𝙇𝙄𝙏𝙏𝙇𝙀 𝘾𝙇𝙊𝙎𝙀𝙍.
{ ind. priv. sel. mat. JOHN MITCHELL. }
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