remembering the time I tried to explain what good omens was to my art teacher when I animated crowley for my final project and when I said "the Bible but make it gay fanfic between the serpent of eden and guardian of the apple tree", this man perked up and said he would watch it immediately. it was a chill class where everyone just kind of worked with their headphones on and this guy just sat at his desk watching good omens for the rest of class.
a week later it somehow came up in conversation that he had finished the show. when I asked him what he thought he just went quiet then said "... you didn't warn me and I cried an embarrassing amount."
yeah dude thats normal over here welcome to the cult.
edit: I forgot the best part! this was at a fairly conservative, small catholic school with at most 200 kids from preschool to eighth grade. and the fact that he got that excited at the mention of Bible fanfic in this catholic school makes me so happy to think of.
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Bullet Theory
Thesis: Crowley passed Aziraphale a bullet during the Final Fifteen kiss. This bullet contains his memories. He tucked it under his tongue, then began to access the memories during the ride up the elevator.
Proof:
Glint in the mouth
Inspo credit to this post by @somehow-a-human
Yeah so we were already paying way too much attention to that very special four-letter word we thought Aziraphale was going to say, but it so happens that during that cut-off phoneme is the only time you can see this shiny object in his mouth. (catching this on the right frame was emotionally painful and I’m sending Gavin Finney my therapy bills (actually no I’m not I love you very much sir)).
So that’s the basis of this theory. Crowley passed Aziraphale a bullet that he then tucks under his tongue.
Add’l Evidence Post-Kiss
Aziraphale works his jaw after raising his fingers to his lips: [gif]
Then when the Metatron comes in, he turns his back on the Metatron and raises his hand. I originally thought he was wiping his eyes. Now I think he’s raising his hand to his mouth, maybe to spit out the bullet, maybe to make sure it’s secured under his tongue.
Credits Scene
Aziraphale has the craziest fucking look on his face through the credits, we can all agree. But towards the end, his eyes flicker back and forth, as if he is watching or reading something. Then he smiles. I hypothesize that he is still accessing his memories during this time, and getting the information he needs to [redacted].
Thematic Justification: The Bullet Catch
Aziraphale having a bullet in his mouth as part of a two-man act of deception is not a fresh concept by the time we get to The Final Fifteen.
Additionally, the use of surreptitious modes of communication, where messages are passed from person to person inaudabily, is introduced in this same magic trick.
NB1: I wish I could credit the person who I first saw point this out (relatively recently). It wasn’t even tagged as meta, I don’t think. But the gist was there’s some parallelism between “aim for my mouth but shoot past my ear” and the “pin the lips on the lips” move that Crowley pulls in the Final Fifteen. If I find it I will properly cite.
NB2: One hypothesis that has circulated around, I think creditable to @sendarya, is that Aziraphale mouths “trust me” to Crowley just before he gets on the elevator. This isn’t necessary to the Bullet Theory but it would be thematically consistent.
Small objects carry memories
Why a bullet? Well, it’s a small object that has meaningful significance between the pair of people involved, much like:
Beelzebub introduces us to the idea that a small object like a fly can be used as a storage container for memories. We also see that the object entering the body of the person is a viable way for the memories to be delivered.
(btw Jon Hamm if you’re reading this, you have very pretty eyes)
“I keep a derringer in a hollowed out book”
K, so it’s not like Crowley is just carrying a bullet loaded with Aziraphale’s memories around with him at all times, is it? (I mean, it could be, but probably not. I’ll just point you to this meta for my theories on why, if Crowley had anything that needed to be kept safe, he would keep it in the bookshop.)
We learn in S2E4 that Aziraphale keeps a gun in a hollowed out book somewhere in the shop. A gun wouldn’t be any good without bullets, right? This may not be the reason the derringer was left as a Chekhov’s Gun for S3, but it’s a possibility. If Crowley wasn’t already in possession of a bullet, he knew that he could find one in the shop. Even more likely, the exact bullet used in the 1941 magic trick is a precious keepsake being kept somewhere in the bookshop, and Crowley chose to use that exact bullet because of the memories already directly attached to the object.
Why Aziraphale even has memories to be returned to him
We know that Aziraphale could have had his mind wiped because Heaven has done it before. Certainly once. Probably twice. We know this because when Metatron is announcing that Gabriel, alongside having his memories erased, is being demoted to 38th class, Muriel pipes up and reminds us that they are 37th class:
So this wasn’t a “just Gabriel” thing. Mind-wiping is a routine form of personnel management in Heaven. There is NO reason for us to believe that it didn’t happen to Aziraphale. But in case you need a reason to believe it, here goes:
We know from our interactions with Jim that the person whose memories are missing (1) doesn’t necessarily know and (2) isn’t necessarily distressed by that fact, even if they do. Muriel also fits this “cheerful empty shell” archetype. You know who else does? Ding ding ding. The one and only A. Z. “wiggles with delight” Fell.
I can already hear your very valid counter-argument. This guy is actually terrified out of his mind on any given day that his romance with a demon will be discovered. Yes. Because he’s involved in a romance with a demon. The other two angels we’ve met don’t have this issue. Beyond that, though, these three characters share more in common with each other disposition-wise than any of them do with the other angels we’ve met (Uriel, Michael, Sandolphon, etc.).
We also know that Aziraphale has been [demoted] at some point from Cherub to Principality. This is book canon:
"Technically Aziraphale was a Principality, but people made jokes about that these days."
This has also been confirmed (insofar as Neil Gaiman ever confirms anything) by Word of God:
(marketing video screengrab clipped for brevity)
We don’t know for sure it was a demotion, but I think we have enough evidence to infer that with a high degree of confidence.
Anyways.
Summary: Aziraphale is a cheerful angel who was demoted and has a name that is not biblical canon. This evidence indicates that was probably mind-wiped. This is not the first time I’m proposing this. It won’t be the last.
How Crowley Did It
My meta on Continuity Errors gives the complete proof for why I believe that Crowley is able to stop time without Aziraphale knowing, and I propose in that meta that the kiss was a cover-up for the exertion of effort necessary to pull that off. I further proposed that during the pause, he retrieved something from the bookshop. At the time of writing, I didn’t know what. Now, I have an inkling that it was a bullet.
If you need a refresher on Clock Theory, here’s one. The idea is that the clock behind Aziraphale shifts by fifteen minutes from before the kiss to after the kiss. This is consistent with a theory that Crowley paused time (but the clock kept running) in order to retrieve the bullet, dump Aziraphale’s memories into it if he hadn’t already, and then return to transfer the bullet to Aziraphale.
Why Crowley Kept the Secret So Long
As with Continuity Errors, I am ending this meta with a very unsatisfactory “I don’t know.” The motivation for Crowley to keep Aziraphale’s memories from him until the very moment he’s about to leave must have been a strong one. I think it has something to do with why Crowley was so insistent on trying to get Aziraphale to run away with him, instead of dealing with whatever’s coming. But as with Continuity Errors, I suspect that the good omens meta hivemind (and the vast collection of people who are posting clues, you have no idea how important you are) will assemble yet more breadcrumbs that we can follow to some sort of hypothesis.
Until then,
iv
(here's my meta index if you would like to read more stuff like this)
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Build a Doctor Who episode:
Genre:
Horror/ creepy
Setting:
In the far future
In an alien town/city.
Characters:
Five or less characters with lines.
The Doctor in this episode= a past Doctor (8-14)
Out of them will survive the Doctor, the companion and one more good guy.
Villain:
The Mara
Other:
The Tardis landed there on her own, the Doctor wasn't even trying to take off.
Round 10
Round 9
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If Doctor Who companions who never met each other on screen all knew each other
-Donna would make fun of Clara affectionately and Clara would get really offended and Donna would feel guilty and stop. However, once Donna stopped Clara would realize he missed Donna making fun of her and ask her to start again
-Bill, Rory and Martha would be best friends. Ian and Barbara would also hang out with them occasionally
-Bill would initially have a huge crush on Amy and be disappointed she's taken and as far as we know straight, but the more she gets to know Amy she'd realize she's actually glad Amy's taken because Amy's too unhinged and Bill knows she couldn't fix her. They would still be very good friends.
-Donna and Amy would be best friends, but affectionately insult each other so often that outside observers would assume they are worst enemies. Rory wouldn't hang out with Donna because he'd always instinctively get offended at Donna making fun of Amy, even though he knows it's affectionate. Rory would on some level really respect Donna, but would find her too stressful to be around
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I was reading a book (about interjections, oddly enough) yesterday which included the phrase “In these days of political correctness…” talking about no longer making jokes that denigrated people for their culture or for the colour of their skin. And I thought, “That’s not actually anything to do with ‘political correctness’. That’s just treating other people with respect.”
Which made me oddly happy. I started imagining a world in which we replaced the phrase “politically correct” wherever we could with “treating other people with respect”, and it made me smile.
You should try it. It’s peculiarly enlightening.
I know what you’re thinking now. You’re thinking “Oh my god, that’s treating other people with respect gone mad!”
Happy Valentine’s Day.
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