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rockcrow20 · 2 days

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🥹🥹🥹

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rockcrow20 · 3 days

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I definitely see all of this

It took me awhile with this album too but now I get it. She is letting it all out re the fans, the industry, the hiding, the pr/boarding, all of it.

I get the impression she is over it and done with it all so will be interesting to see what happens after the tour is over.

Where the rubber meets the road.

These two didn't just have a relationship, they had a (soul)utionship. "The Prophecy" Hand on the throttle Thought I caught lightning in a bottle...

What these two had was magical. There is no debate that Karlie Kloss and Taylor Swift were electric: (I am using past tense for the moment, I will refer to them in present tense a bit later in the post)

Fast forward a decade later to Fortnight. This record did not hit me immediately the way "Folklore" and "Evermore" did, It has almost been a week since it's release and I hadn't been fully onboard with TTPD. I was expecting something different, something not familiar and I had quite literally thought maybe Jack Antinoff and Taylor Swift had reached their limit together as collaborators. The music produced by Aaron Dressner had flavors and connections to "Folklore" and "Evermore," while parts of the album was reminiscent of "1989." My next thought that maybe the three of them had done all they could do.

And then the Matty Healy conversation exploded across the net (le sigh), and I just about gave up on the record.

I damn near had a sanguinary struggle within myself over The Tortured Poets Department (I know, that is very dramatic lol), and then I finally got it. The brilliance of this woman is unmatched.

The last song "The Manuscript." Now and then she rereads the manuscript Of the entire torrid affair

"The entire torrid affair" meaning the last decade (probably longer, but I am sticking with 2014-2024). The title isn't lost on me and many others - The Man-U-Script.

The last segment of the song

The only thing that's left is the manuscript One last souvenir from my trip to your shores Now and then I reread the manuscript But the story isn't mine anymore

She is closing the chapter on all of it. It's over, the countless theories, the stories we all have created about her. They're our stories now, we built them into a formidable, monstrous entity that took on a life of its own. "The last souvenir" are her words to us on this album. From the Swifities, to the Gaylors/Kaylors, to the haters, critics, industry, fans, media. She won't play this game anymore. Taylor gave enough clues on this album to make EVERYONE'S theory plausible (Karlie, Joe, Matty, Travis, Harry, Kim etc). She connected threads to come full circle, which brings us back to "1989," that 1980s syth-pop (hello! "I Can Do It With A Broken Heart"). This is why she and Jack Antonoff brought us back to where it all began, Karlie Kloss and #Kissgate (Dianna Agron, too, who can forget "Wonderland). Aaron Dressner summons moments within this records of the two albums that fractured my soul, F & E. That folky-pop melody that gets into your skin to change the DNA. No joke, I sobbed listening to "Folklore" and "Evermore."

With TTPD, Taylor comes in like a thrashing, tumultuous storm; at times seething and others admonishing. She is singing to herself, for herself and without need of approval from the mainstream radio (or anyone else). TTPD is messy, too much, not enough, vulnerable, real, relatable and she is tired of our collective shit.

Back to "The Manuscript" This Era has come to an end and she is leaving us with the ruins, the aftermath of what she went through: being forced to hide who she really is, having to placate the rabid fans who believe the stories of every boy she has ever dated. She has had zero privacy and the only safe place Taylor has ever had was her music, she is the ONLY one who knows to whom she sings. Does she love her fans, of course, but Mother is tired and done. She is ready to come clean and live the life she has crafted to keep in secret in order to protect the innocent.

The beards, NDAs, slight of hand, she is smashing all that we know. It's not her reflection she seeks to shatter, it's the illusions. In "Fortnight" the nurse, a woman (cannot convince me that it's not Karlie. A doorframe is 6'8" and that nurse is about 5" shorter that frame, which would make that person 6'3" :), comes to save her, gives her the key to set her free. The men in the video are the ones who are torturing her. Like the last 10 years, The poet has been tortured by the department of men: Joe, John, Conner, Jake, Harry, Calvin, Tom, Joe, Matty, Travis, Scooter, Scott, and the list goes on.

It's "Robin" that has got a choke-hold on me.

Buried down deep And out of your reach The secret we all vowed To keep it from you in sweetness

She is singing to a child, a kid, and I am going to say a little boy. Is this song about Levi? I am going to say yes. Hands down the gem of the album, and our cue to realize she is telling us what is next, her family, the loves of her life: Karlie and the kids. That is what she wants and that will be her next chapter. We struggle to interpret the Taylor that is always ten steps ahead of us. Her Eras Tour, this will be the last one for a while. Once it has wrapped, I wouldn't be surprised if she disappeared for a spell. Will she produce more work, sure. Perform, probably, but this last decade has taken a toll, and this tour has been a herculean effort. Hence, its wild success. Could she retire (FLORIDA)? It's possible, but she would never tell us, we would have to figure that out for ourselves.

I have more to say, but it's late and I am sleepy. As I get lost in the piano of "The Manuscript" I am reminded of the book "The Seven Husbands of Evelyn Hugo"

Not sure if anyone is going to see or read this, but I needed a place to write my thoughts about this extraordinary album that I almost let slip through my fingers. Good night and sleep well everyone <3

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rockcrow20 · 4 days

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Happy Lesbian Visibility Week from Taylor Swift 🧡🤍🩷

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rockcrow20 · 4 days

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guysss that nurse in the fortnight video has got to be karlie like i'm dyinggg... that person is tall and slender and the body proportions look just like her omg

#this is very interesting 🤔🧐

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rockcrow20 · 7 days

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This is brilliant!!

I have no idea how everyone links all these together. So many amazing people in this community!!

KAYLORS I JUST DECIPHERED THE PR MESSAGES FROM PRESENT 🎁 ANON AND AM NOW VERY CERTAIN THEY’RE LEGIT TOO. So we started receiving these very interesting anon messages exactly 2 months before the release of TTPD (release was 4/19)

We were told to keep our eyes peeled for a present or gift we would be receiving and well we got it

There are P's and R's repeated in the messages. "The hint is in the words." P = PETER. R = ROBIN. Those songs are a gift to us kaylors. They're separated by just one song, the Bolter (which I'm 99% sure is related to the 8th 🎃 message bc Taylor almost drowns and a bolter is a coward which was the main point of the message); and Taylor mentions CPR in So Long, London which means they're all related. Bc Cassandra = Taylor, Peter = her second kid, Robin, = her first kid. They're related bc they're a family. I think it's possible those are the actual names of her two kids

"This is not the manuscript" i.e. the manuscript (closing track) is not the gift, it's the songs right before it! Robin is the 2nd to last song, Peter the 4th to last, and Cassandra the 5th to last. "It has been hidden well, look where the above may find you." They can be found in the track titles themselves. "Plausible deniability. Think of the one we continue to revisit"--K and T have plausible deniability since everyone thinks those are JK's kids. BUT "the volcano will soon rupture, whoever is to defame" which means that one day all the truth will come spilling out regardless of the defamation that will happen. "Restful, reticent, restraint. And PUBLISH!"--perhaps a tell-all memoir??

"The predecessor was the crumb" in other words peace "I'd give you my wild, give you a child" (see this post) was just a faint hint but now she's getting really close to revealing everything which is what the volcano 🌋 represents! THE DANDELIONS IN THE ROBIN LYRIC VID. Robin is the single dandelion floret (secret) she was so worried abt sending into someone else’s yard in the 7th 🎃 message (see this post). She was afraid that sending this song out into the world could expose the truth she’s worked so hard to protect before she’s ready but she did it anyway. “Once you blow a dandelion, you never get it back. It isn’t yours anymore.” “But the story isn’t mine anymore.” 🎃 mentions how the recipient of the dandelion would also blow and spread the florets which might mean kaylors would catch on and spread the secret. The 8th message also mentions a dandelion that the enemy has and spreads but I’m not yet sure who this person is—also this person could be the “recipient” and not kaylors but I’m not sure. And I’m not sure if this means they’d like us to kinda keep this to ourselves and not use Robin as a gotcha since it’s meant to be more of a seed planted for future use (no pun intended). But it definitely seems like they aren’t ready to reveal everything just yet

"As the neighbor holds the lamp to witness her Goodbye" = "Now you're in my backyard turned into good neighbors" and "But the woman who sits by the window has turned out the light"

"Reach those lanterns a little bit higher for you shall receive a metaphor so dire"--a jack-o-lantern like pumpkin anon? These metaphorical messages will help us to understand K and T's entire complicated situation?

"When I cannot see words curling like rings of smoke round me"--"breath of fresh air through smoke rings." Haven't quite figured out what this part means yet but it reminds me of blowing smoke which means to deliberately confuse or deceive (lavender haze mv)

This is as far as I've gotten w decoding the messages. This all adds a lot of context to those 🎃 messages and makes them a little more clear. There’s definitely more clues in there we have yet to decipher so pls share your thoughts

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rockcrow20 · 7 days

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So I think I may have cracked the code. Listening to Clara Bow w this context in mind from the 4th, 9th, and 10th 🎃 messages makes the lyrics cut even deeper and explains the purpose of the anthology.

What Taylor is essentially saying is that above all else she is proud of her humanity. “Human. Human. Human.” “Flesh and blood.” Unlike some ppl in Hollywood like greedy big suits (cough SB^2 cough Big Machine cough) she’s managed to keep her humanity intact and didn’t let these negative experiences corrupt her or turn her bitter. She was able to find peace and courage in spite of it. And she’s saying I am abt to come out of the closet and while I am hopeful I’m also a little fearful. But isn’t that an amazing thing? Because being fearful, sad, furious, insecure, hopeful—these experiences are unique to humans! “Your heart beats red and hot and furious in your chest.”

“And most importantly, they will know about the human heart.” THIS is the purpose of the anthology. This is why she released 31 (13 backwards) songs for her fans to dissect and decode. Bc she wants them to understand that she’s not a god. She’s a flawed human just like the rest of us.

I think there’s a very good chance that THIS is what her movie is going to be about. Her journey out of the closet and all the hardship that came along w it and helping other ppl to understand the human heart. And I wouldn’t be surprised if there was a memoir that was released w it—“the professor said to write what you know.” And it makes sense too why the manuscript lyrics match perfectly w the all too well short film. Bc they’re talking abt the exact same thing!! She has a relationship w a much older man, experiences heartbreak, heals, and then writes abt it in a book—the story of us AKA the manuscript.

And this is why 🎃 kept referencing the story of us. I couldn't make sense of it a few months ago but now in hindsight it all makes perfect sense. Message in a bottle was probably a red tv vault track for this reason too. Bc the message in a bottle is the manuscript. The puzzle pieces really do all fall right into place.

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rockcrow20 · 7 days

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The Fortnight video foreshadows the convergence of Taylor Swift and her brand

In her videos, Taylor has continually played with the idea of herself as a person versus as a brand. These portrayals have almost been adversarial in nature. Think about the relationship between the two life sized Anti-Hero Taylors. The hooded robot Taylor who got to exist in the world while her bare counterpart was trapped in glass. Etc.

The Fortnight video introduces similar characters but flips the script because there isn’t a me versus her dynamic anymore. Instead, there is a story about coming together.

A scene by scene breakdown:

Taylor Swift™️ is chained to a bed in a white gown with a spicy slit and garter. A faceless nurse enters walking upside down on the ceiling (a continued theme suggestive of PR games). The nurse presents “Forget Him” pills, arguably reminiscent of a dark time where the world thought they could “cure” homosexuality. After Taylor Swift™️ begrudgingly takes her dose, the nurse unchains her.

We then see Taylor Swift™️ approach a two way mirror and wipe the mask off her face, revealing face tattoos we know to be Post Malone’s in real life. This reveal is setting the scene that within this video Post Malone represents Taylor’s inner self, her true soul behind the veil of celebrity. I’ll call him True Taylor.

Next, the mask is back and we see Taylor Swift™️ walk out of the observation room and into the workspace. She goes from wearing a leggy white gown with garter to a fully covered black poet-esque dress. She isn’t dressed for voyeuristic eyes anymore, she’s dressed to work on her art. I love this light to dark transition because black can be seen as the absence of light. Fitting for a tortured poet who can’t live her truth in public with her sunny muse by her side.

Note that we don’t get to see black dress Taylor Swift™️ through the two way mirror. She exists behind the bright lights of fame, making art in a room hidden from our view. Maybe the pills numb her enough to twist the art for an audience who likes to her to be chained to a bed while they watch her suffer.

But wait Taylor Swift™️ and True Taylor are collaborating. They start work separately but their art eventually drifts out of their typewriters, combining into a white light that bursts into a rainbow. Remember how I said black light is the absence of light? Well white light is comprised of all hues on the visible light spectrum.

We know there are layers to Taylor’s music: the surface layers chock full with to red herrings for the grocery line Swifties and the deeper layers of Taylor’s truth. They both exist in the art, swirled together.

But here is where things start to feel different. We cut to True Taylor and Taylor Swift™️ away from all those faceless people - they are alone in the middle of a road. That in itself is ridiculously symbolic of being on the way to somewhere (maybe brighter days). But there’s more because they are dressed identically, laying inside Taylor’s head that is made up of their art. This scene is like bonking us on the head that these two people are one and the same.

Note: The silhouette here is from the Style video which also portrays Taylor’s inner self as a man.

Taylor Swift™️ runs to True Taylor and they embrace in the middle of the road as pages of their art float around them. In the chaos, Taylor Swift™️ reaches out to True Taylor.

Maybe this scene is suggesting the public version of Taylor is ready to embrace her real self.

Then we see Taylor Swift™️ strapped to a table, wild hair from dropping the hairpins we saw in the opening scene. The drugs aren’t working, it must be time to escalate to shock therapy. The men around her gather and there is literally a sign in the background that says “Master Control”.

But one of the men in the room making decisions for the brand is actually True Taylor, who has been there all this time.

Enough is enough when True Taylor can’t take the pain and pulls the plug on the procedure, freeing public persona Taylor from torture.

Next we see True Taylor, familiarly encased behind glass, on a phone call. Perhaps making plans while safe from the rain. Taylor Swift™️ is elevated on a pedestal, out in the storm, in her best dress FEARLESS! Credit to @rep-princess-witch who put the fearless connection together in another post.

I’ll say it again, that is the huge difference in this video compared to others. Here, Taylor Swift™️ is not an antagonist, she is ready to brave the storm.

So what does she do? She’s back in the workspace burning all the files. It’s not without emotion but it’s necessary. We then see a stoic Taylor Swift™️ with no regrets.

After burning the files she’s back in the observation room. It’s time to fight back against the voyeurs and she does so my smashing the glass between her and them. She regains her agency by squashing their ability to hide. Shes deserting her past life.

Note: We don’t see True Taylor back inside. This fight is specifically for Taylor’s public persona.

In the closing seen, we see True Taylor leave shelter, step outside into the storm, and reach for Taylor Swift™️. The person and the public persona are weathering the storm hand in hand.

*Please check out @heyitsmoog on TikTok - he shared thoughts there that inspired me to make this post.*

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rockcrow20 · 8 days

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So I think I may have cracked the code. Listening to Clara Bow w this context in mind from the 4th, 9th, and 10th 🎃 messages makes the lyrics cut even deeper and explains the purpose of the anthology.

What Taylor is essentially saying is that above all else she is proud of her humanity. “Human. Human. Human.” “Flesh and blood.” Unlike some ppl in Hollywood like greedy big suits (cough SB^2 cough Big Machine cough) she’s managed to keep her humanity intact and didn’t let these negative experiences corrupt her or turn her bitter. She was able to find peace and courage in spite of it. And she’s saying I am abt to come out of the closet and while I am hopeful I’m also a little fearful. But isn’t that an amazing thing? Because being fearful, sad, furious, insecure, hopeful—these experiences are unique to humans! “Your heart beats red and hot and furious in your chest.”

“And most importantly, they will know about the human heart.” THIS is the purpose of the anthology. This is why she released 31 (13 backwards) songs for her fans to dissect and decode. Bc she wants them to understand that she’s not a god. She’s a flawed human just like the rest of us.

I think there’s a very good chance that THIS is what her movie is going to be about. Her journey out of the closet and all the hardship that came along w it and helping other ppl to understand the human heart. And I wouldn’t be surprised if there was a memoir that was released w it—“the professor said to write what you know.” And it makes sense too why the manuscript lyrics match perfectly w the all too well short film. Bc they’re talking abt the exact same thing!! She has a relationship w a much older man, experiences heartbreak, heals, and then writes abt it in a book—the story of us AKA the manuscript.

And this is why 🎃 kept referencing the story of us. I couldn't make sense of it a few months ago but now in hindsight it all makes perfect sense. Message in a bottle was probably a red tv vault track for this reason too. Bc the message in a bottle is the manuscript. The puzzle pieces really do all fall right into place.

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rockcrow20 · 8 days

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rockcrow20 · 9 days

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Is she…finally outside the glass now????

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rockcrow20 · 9 days

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The album and the Matty Healy of it all; the Allegory and a literary breakdown for you all :)

As an english girly, I am having the most fun dissecting this album. She wrote her entire story into the album. It’s an allegory, each song has two major interpretations, one is the obvious (matty/joe/travis/PATERNITY TEST) whereas the other is her truth. This is a literary device that has been used in writing throughout history since forever. Everything about this album is so intentional, especially the Matty Healy of it all. This album has been planned so meticulously, every move she’s made with the beards has been to directly tie into the songs and the references. She needed a heavily documented example, she wants people to believe it, so when she burns it all down she can say “look at how easy is was to construct a narrative, hide an allegory within it and watch no one get it, it’s happened my whole life”, this is why this album is so much louder to all of us than the rest of them, because we have always seen the second story but now she’s making it more obvious. But they will get it, the story in this album is so strong, she’s coming out and she’s made this so she can send people to look back at her music (lookin’ backwards/might be the only way to move forward- her entire catalogue is the manuscript) screaming “I told you, I laid it all out. You didn’t believe me!” This is the post mortem, every reason why she’s ‘dead’ (the inauthentic version) is laid out in the album.

For example, i’ll break down ‘Fortnight’ since we have the MV imagery too. On the surface is about her fling with MH. If you get down to the next layer it’s about the failed coming out & Karlie. About how she almost had it all “for a fortnight” (just a metaphor for a short time), how her plans got ruined and how she’s doing it over again. She was supposed to be sent away, she was meant to go stay in the asylum (the closet).

“Now you’re in my backyard, turned into good neighbours”.

She has Karlie so close to her, but hidden in her backyard, no one can see her in her backyard.

“Your wife waters flowers, I want to kill her.” There is something that is in the way of them being together, she wants it to end (her public narrative). Could also be a reference to JK, he gets to to be with Karlie, watering flowers in her garden (betty’s garden anyone) while Taylor watches, she wants to kill the perception of him as Karlie’s husband.

The rest of the song moves into Karlie & Taylor getting closer, they’re plotting a way out.

“Now you’re at the mailbox, turned into good neighbours, my husband is cheating, I want to kill him.” Again, Taylor’s husband is her public persona, she wants to kill it.

When you add in the music video, she’s breaking out of the asylum with her twin, then she was put right back in there and her twin is performing experiments on her. I think Post Malone represents both Taylor and Karlie at different points in the MV, because both of their own choices are also part of the reason they’re still closeted, she’s acknowledging this. But then something happens, one of them can’t do it anymore so they run away. This is the release of the album, specifically 2am 04/19 (fresh out the slammer), Taylor’s on top of the box, she’s out; this the endgame for her now, but Karlie is still stuck in the phone box (the closet). But not for long! 😘

Every single song is like this, there’s a very intricate but obvious second story. They’re not all about Karlie, there’s a lot about her childhood, other muses (thank you aimee is not about Kim, it’s about a hometown love), growing up, her fans, the industry, closeting, christianity, masters heist.

I’ll touch base quickly on ‘The Albatross’.

She’s coming to take down SB, i’m not sure 100% how but I think it has to do with the coming out and exposing everything he’s done to her to keep her in the closet for so long (it’s a lot darker than people think).

She is here to destroy him.

“Now you’re persona non grata” he’s not going to be able to work anymore, he’s going to be exiled from the music industry.

There’s always been the iffiness around the masters situation, people saying she was told prior, her insisting she wasn’t. The below is a confession (and a threat).

“Wise men once read fake news

And they believed it

Jackals raised their hackles

You couldn't conceive it

You were sleeping soundly

When they dragged you from your bed

And I tried to warn you about them”

She lied, she knew about the master situation but she said she didn’t. Her fans believed it though and they crucified him, she tried to warn him how powerful they were. She’s already embedded that image of him in their minds, so when the next thing comes out (lol), they’re going to raise absolute hell, his entire career is going to be over.

“thanK you aIMee”, the entire world right now thinks it’s about Kim Kardashian, because she capitalised ‘KIM’ in the title, there’s that line about her kid singing her song (which coincidentally did happen). It’s so obviously about her right! No, it’s another “blue dress on a boat”, something she has done throughout her whole career is splice monumental images of Taylor Swift ™ into her songs, so she can sing about her real life without being questioned. Except this time, she’s trying to make you question it, that’s why it’s so OBVIOUSLY 🙄 about Kim Kardashian. A red herring if you will 😉. It’s meant to point you towards one thing, when it’s really not about that thing at all.

tldr: everything about the album is intentional, she’s layered two narratives together on purpose. one at surface level, one a bit deeper.

Images are both Taylor’s & Aaron‘s words on the album, about hidden meanings and secrets.

And if you need any further proof, at exactly 4:19 of ‘The Tortured Poets Department’ title track, she says “who’s gonna troll you?”. The entire album is the troll, for the general public, it’s not about the men at all.

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rockcrow20 · 9 days

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Submission: I welcome discussion 😂

Do we have any explanation for why Matty Healy is getting such outsize focus on this album? It can't be convincing to anyone, surely? They "dated" for a couple of weeks, tops, after what even he describes as only "a flirtation" a whopping ten years earlier.

Yet we're supposed to believe this was Taylor's true great love that left her clinically depressed after it ended. The six years she's supposed to have spent with Joe, on the other hand? All the love songs she supposedly wrote about him, from Rep to Midnights . . . they meant nothing? Come on. Can anyone really listen to this generic "he's my bad boy and I love him" narrative, and think "Oh, yes, that's a real love. Much more mature and grounded than the relationship from all those other albums!" Like, seriously. Be fucking real.

Joe isn't getting his heartbreak album for the same reason Calvin didn't. He pissed her off. I get that. We all speculated he left the contract early, and listening to Taylor salt the earth so thoroughly on this album, I think that's probably true. And I understand why she doesn't want to reward Travis with songs either. He's an asshole, and she's probably planning to drop him ASAP. The one song that most people will think is about him - "So High School" - feels mocking already. The country twang in the instrumentation, the nods back to "Fifteen" . . . all of it suggests she knows how regressive and immature this supposed relationship is. It's for her conservative country audience. The ones who want her to be their little Homecoming Queen forever, stuck in a state of arrested development. Just happy to hang out with a big dumb jock and his dudebro friends, and laugh at his jokes, playing out the teenage fantasy of dating the star of the football team.

(Side note: imagine being with someone in private who has grace and intelligence and cultured interests . . . but you can never reflect any of that in your songs, and have to pretend your type is actually dudebros and greaseballs who can't meet you anywhere near your level. I can only imagine how many songs about Karlie Taylor has locked in a vault somewhere, because there was no way to attach them to a beard.)

Anyway. I can understand why Joe and Travis were paid dirt with TTPD. And I know that Taylor wants to send out the message of "you can't dictate who I love" to her fans. But . . . Matty? Really? I can't help wondering if she's happy to give him so much free PR and send all these fawning fans his way. You know so many Swifties will listen to the heartbreak on display here and start arguing for people to leave him alone and let Taylor have "her man".

I'm just curious about the decision to give him so much of the limelight here, and I'd love to know what other people think. Was she just stuck between three assholes, and had to pick one out of a hat to make into the muse? Is she trying to set up an alternative so bad fans will clamor for Karlie instead? Is she doing this to erase Travis even faster when the stunt is over? (Proving he never meant anything to her and painting him as a rebound.) Is she going to let the rumor mill grind for a while, and then qualify these "Matty" songs as being about a movie or a book or something?

I welcome discussion 😂

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rockcrow20 · 10 days

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So 2 was an Easter Egg both by Karlie and Taylor

She did it again folks! Hints before anyone knew anything about TTPD…this was posted 4 days after Taylor announced it at the Grammys