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jubijumbo
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사진들
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my ghost won't associate with your ghost
niragisamura
生きがい
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gross gross rpc makes me wanna vomit ANYWAY wotadream#6204
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LOW ACTIVITY HERE , so find me @moviemurder , @cuntinghcm , AND @hellblczes
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IT’S ONLY A PAPER MOON (1973) —- SAILING OVER A CARDBOARD SEA
indie addie loggins pray of PAPER MOON
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as the pain sweeps through
makes no sense for you
every thrill is gone
wasn’t too much fun at all
LABYRINTH (1986) dir. Jim Henson
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I'm no cheat. I'm your undertaker!
Sono Sartana, il vostro becchino (Sartana the Gravedigger), Giuliano Carnimeo, 1969
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𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.
okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )
[ HAIR ]: sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)
[ CLOSE ]: while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.
[ CHIN ]: as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.
[ THUMB ]: while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.
[ WOUND ]: upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.
[ INHALE ]: while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.
[ DANCE ]: when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.
[ BARE ]: as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.
[ SCAR ]: noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.
[ FOREHEAD ]: placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.
[ PALM ]: taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.
[ LINGER ]: taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.
[ BEHIND ]: upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.
[ WAIT ]: realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.
[ ARM ]: after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.
[ HOLD ]: while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.
[ PLAY ]: while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.
[ GUIDE ]: in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back
[ TOUCH ]: while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.
[ CUP ]: bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.
[ TUG ]: the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.
[ HUSH ]: while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.
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the act was on ! she had already stolen the wallet , took out a twenty , and then put on her big doll eyes . ‘ sir ! i think you dropped this . ‘
@screamingeagle GETS CONNED !
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‘ YOU’RE DOING WHAT ! ’ king stands , slipping on his corporal jacket and simply stares at him with wide eyes . ‘ listen , buddy , no one breaks out of here . it’s a shitty place but it could be worse an-and we could get killed ! ’
@resistandbite !
#for bj!#so kings whole deal is that hes very poor and went to war to send money back to his mother#and so he has been making money off selling fancy meat to guards and rich locals#but its actually rats...#ANYWAY king lowkey doesnt want the war to end bc in the little world of their camp#hes like top dog#so he doesnt want to leave#CH - edward king#resistandbite
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And stop staying around here checking on me, you don’t have to worry!
Paper Moon (1973), dir. Peter Bogdanovich
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sometimes it was nice to take a break from the underground . the goblin king strolled through the foreign garden , taking in the sights of the ballroom for afar . that doesn’t mean he isn’t pleasantly surprised to find someone wandering too . ‘ trying to get away from the noise too ? ’
@niksnarration MEETS THE GOBLIN KING !
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Bill Paxton as “Severen” in Near Dark (1987) dir. by Kathryn Bigelow
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STARTER CALL FOR FILM MUSES !
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everythingdealt.
“No— I-I mean, yes.”
Radar’s lips pressed together, and he twiddled his thumbs.
“I dunno, Hawkeye, I… I dunno it’s the choice of bunk that’d fix it, I just, uh… can’t sleep, you know?”
‘ sometimes sleeping closer to someone you can trust makes it easier . ‘ he explains and scoots over on his own sleeping cot . ‘ you wanna talk about what scared you ? i’m all ears . ‘
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tophatz.
He jocularly raises a brow at the other’s latter claim. “ They don’t? ” he asks. “ Well now what am I going to tell everyone I bragged to about getting these? ” a puff of air WHIFFS past his lips as he simpers.
“ Fair enough. ” he finally nods. “ But what’s in the package? ”
‘ it was supposed to be a surprise . ’ he starts to explain with a huff . he stands , moving towards the still and works on two very dry martinis . ‘ my dad was raving about it in his letters and telling me to watch for it . now , i bet someone has already opened it and stolen whatever was so special . ’
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timerevolt.
⋇ ║ The bartender turned to them – and smiles, “What can I getcha?”
‘ are you on the menu ? ’ severen grins wickedly , peering at her from above black shades . there’s a pause and he laughs . ‘ whatever beer is the cheapest ’ he couldn’t taste anything that wasn’t BLOOD , so there was no point in spending the cash .
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11bled.
❛mur - dock . . . ❜ she tries it on for size, testing the syllables on her tongue. though his expression is a bit wild, it sets a subtle smile at the corners of her lips. ❛my name is jane. my friends call me el.❜
‘ it means sea warrior ’ he puts on a very convincing pirate accent while he explains it . ‘ but yer matey was never fond of the water ’ his smiles rises and the voice fades back to his normal one . ‘ well , it’s nice to meet you el ! ’
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