Kabrutus, the creator of the controversial "Sweet Baby Inc. Detected" Steam curator, has launched a new site called "DEIDetected". DEI, which stands for Diversity, Equity, and Inclusion, is an organizational framework that proponents claim is meant to encourage the participation of historically underrepresented groups in society. However, in recent months DEI has become a catchall term for progressive policies and in the context of media has come to refer to censorship and design choices that are seemingly motivated by this cause. https://twitter.com/kabrutusrambo/status/1782803022231613808 A quick glance at the DEIDetected site shows a list of a small handful of games including Pokemon GO which recently sparked fan backlash after an avatar redesign, speculatively inspired by consultants GaymerX, as well as the recently released Eiyuden Chronicles which stands out for not having a known consultancy firm attached to it, but makes the list nonetheless for "political-driven Western localization". DEI Detected claims to have the same goal as the initial Steam group when it comes to informing consumers about the products available to them, saying in the official FAQ: The DEIDetected has the goal of bringing consumer awareness by letting people know what games have DEI ideology implementend[SIC] in their development cycle as well as how it affects our culture as a whole. In the wake of rebranding, it seems the site has moved on from merely informing users if Sweet Baby Inc. is involved in a game and making their own decisions, to advocating that players avoid games which it considers as "DEI infested" saying: Forced DEI is becoming unbearable on games. It's time to push back. Vote with your wallet! However while the site does host articles with researched evidence about a game's alleged "DEI" design, the site refuses to inform consumers where to purchase the game if they consider the issues worth ignoring, simply saying "we do not share links to DEI infested games". You can check out the DEIDetected site for yourself here: DEIDetected Website Kabrutus announced the website's launch today in an X post where he revealed that the site's first act was to add Pokémon GO to the DEI list following the update that eliminated gender identification for character selection. https://twitter.com/kabrutusrambo/status/1782756370644877668 On the About Us page, Kabrutus explains how and why he made the website, what it will look like as it expands, and what he hopes visitors will get out of it. As with Sweet Baby Inc. Detected, he's trying to protect the hobby he loves from being hijacked by people who want to ruin it, and he's doing that by telling gamers which games have DEI consulting attached to them. It's all about keeping the customer informed, which you wouldn't think would be controversial. He also explains that he started his own website in order to "have total control over the content without having to rely on a platform," as he does with his Steam curator (which, he also just announced, will be expanding to include more than just Sweet Baby Inc.-influenced games, like the website). That's smart, especially with the consulting firms and games journalists trying to get him canceled (and, when it doesn't work, accusing him and his subscribers of harassment). It's unfortunate, but you have to protect yourself when the rug can pulled out from under you at any moment, and having your own website is a good way to do that. It's impressive what Kabrutus has accomplished in just a few months.

Retro Review: Streets of Rage 3 for Sega Genesis Streets of Rage 3, released in 1994 for the Sega Genesis, stands as a pinnacle of the beat 'em up genre, carrying forward the legacy of its predecessors with significant enhancements in gameplay, graphics, and particularly its electrifying soundtrack. Developed by Sega's in-house team, Sega AM7, this title not only pushed the technical capabilities of the Genesis but also tried to innovate within its gameplay mechanics. [gallery ids="169791,169790,169789"] Developer and Production Streets of Rage 3 was developed by a talented team at Sega, known for their ability to squeeze impressive performance from the Genesis hardware. The game was programmed by a group who had worked on the earlier installments, ensuring a consistency in quality and gameplay that fans appreciated. Sega's commitment to maintaining the high-energy and engaging atmosphere of the series is evident in every aspect of the game. [gallery ids="169781,169783,169782"] Graphics and Music One of the most immediate improvements in Streets of Rage 3 over its predecessors is its graphics. The character sprites are larger and more detailed, and the backgrounds are incredibly dynamic, featuring interactive elements and multiple layers that add depth to the scenes. The animation is smooth, contributing to fluid combat sequences that feel responsive and satisfying. The music, composed by Yuzo Koshiro and Motohiro Kawashima, is often cited as some of the best in video game history. The soundtrack uses an advanced techno approach, utilizing the Genesis' audio capabilities to create an intense, atmospheric backdrop that perfectly complements the game's urban setting. The innovative use of electronic music in video games can be attributed in part to this iconic score. Streets of Rage 3 Soundtrack on YouTube [gallery ids="169778,169779,169780"] Gameplay and Story Gameplay in Streets of Rage 3 is refined and expanded, offering faster combat and more complex enemy AI than earlier titles in the series. Players can choose from four main characters, each with unique moves and capabilities. New to the series is the ability to sprint and roll, which adds a new layer of strategy to fights. The inclusion of multiple endings also gives the game additional replay value, encouraging players to explore different paths and strategies. The story takes a darker turn in this installment. The narrative follows the heroes as they attempt to thwart a nefarious plot by the evil syndicate leader, Mr. X, who plans to replace key city officials with robot duplicates, thereby taking control of the city. The story is told through cutscenes that unfold between levels, adding context to the battles and increasing the stakes of the player's actions. Reception and Legacy Upon its release, Streets of Rage 3 received mixed to positive reviews. Critics praised the advanced graphics and deep gameplay mechanics but some had issues with the game's difficulty and the Western version's alterations from the original Japanese release, "Bare Knuckle III". These changes included increased difficulty and modified plot points, which some fans felt detracted from the experience. "Streets of Rage 3 was a game ahead of its time, with ambitious ideas that challenged what we expected from beat 'em ups," comments Alex Johnson, a member of the Retro Replay community. "The soundtrack alone was revolutionary." Replay Value The game's replay value is significantly high due to its multiple endings, hidden characters, and different difficulty levels. The branching paths and the choices that affect the game's narrative outcome encourage players to replay the game multiple times to see all content. [gallery ids="169777,169784,169788"] Conclusion Streets of Rage 3 is a testament to the capabilities of the Sega Genesis and the creativity of Sega's developers. With its cutting-edge graphics, innovative music, and deep gameplay, it remains a beloved title among retro gaming enthusiasts.

While it may not have been as universally acclaimed as its predecessor at the time of its release, its ambition and the risks it took with the established formula have been appreciated more in the years following. For additional information on Streets of Rage 3, check out its Wikipedia page and discussions on Sega's official page. Streets of Rage 3 not only continues to entertain but also serves as a historical snapshot of the peak of 16-bit gaming, making it a valuable game for collectors and enthusiasts alike. Its enduring legacy is a testament to its quality and its impact on the gaming industry. [gallery ids='169776,169777,169778,169779,169780,169781,169782,169783,169784,169785,169786,169787,169788,169789,169790,169791' main_size='full' tile_size='full' style='mosaic']

Tim Kitzrow is an American voice actor, comedian, and TV host best known for his energetic and iconic commentary in the classic video game series, NBA Jam. Born on August 17, 1960, in Illinois, Kitzrow discovered his passion for entertainment at a young age. In a panel at the 2023 Retro Game Con, Tim Kitzrow discussed his early career and the video game industry. https://youtu.be/wegBnE_eeCQ In the video, Tim Kitzrow discusses his early career and experiences in the gaming industry during a panel at the 2023 Retro Game Con. He shares insights into his journey as a voice actor, particularly his iconic role as the commentator in the NBA Jam series. Throughout the panel, Kitzrow reflects on the evolution of the gaming industry and how it has shaped his career. He discusses the advancements in technology and the increasing importance of voice acting in modern video games. Kitzrow also shares anecdotes about his experiences working on various projects and collaborating with talented individuals in the industry. His passion for his craft and his appreciation for the gaming community shine through as he engages with the audience and answers their questions. Early Career and NBA Jam Success Kitzrow's career began in the early 1990s when he started working as a voice actor for various commercials and video games. In 1993, he landed the role that would define his career – the commentator in the arcade version of NBA Jam. His enthusiastic delivery of phrases like "Boom Shakalaka!" and "He's on fire!" became instant classics and helped propel the game to worldwide popularity. The success of NBA Jam led to Kitzrow's continued involvement in the series, including the console versions released for Sega Genesis, Super Nintendo, and other platforms. His voice became synonymous with the franchise, and he reprised his role in subsequent releases, such as NBA Jam Tournament Edition and NBA Jam Extreme. Apart from his work on NBA Jam, Kitzrow has lent his voice to numerous other video games, including Wayne Gretzky's 3D Hockey, NHL Hitz Pro, MLB Slugfest 20-04, and Mutant Football League. His unique style and infectious enthusiasm have made him a sought-after talent in the gaming industry. Beyond video games, Kitzrow has worked as a comedian, performing stand-up and improv comedy in clubs across the United States. He has also appeared in various television shows and movies, showcasing his versatility as an entertainer. Pop Culture Icon and Ongoing Legacy Kitzrow's impact on popular culture extends far beyond the realm of video games. His catchphrases from NBA Jam have been referenced and parodied in countless movies, TV shows, and online memes, cementing his status as a pop culture icon. Today, Tim Kitzrow continues to work as a voice actor, comedian, and TV host, bringing his trademark energy and humor to every project he undertakes. His legacy as the voice behind one of the most beloved sports video games of all time remains a testament to his talent and the enduring popularity of NBA Jam. Personal Pages: Tim Kitzrow's Official Website: http://timkitzrow.com/ Tim Kitzrow on Twitter: https://twitter.com/Tim_Kitzrow Tim Kitzrow on Instagram: https://www.instagram.com/timkitzrow/ Tim Kitzrow's iconic catchphrases from NBA Jam have been referenced and parodied in numerous movies, TV shows, and other forms of media over the years. Here are a few notable examples: In the movie "Aliens in the Attic" (2009), one of the characters says "Boom Shakalaka!" while playing a video game. The TV show "Parks and Recreation" referenced NBA Jam in the episode "Telethon" (2010), where character Tom Haverford exclaims, "Boom Shakalaka!" after making a basketball shot. In the animated series "Regular Show," the episode "Slam Dunk" (2011) features characters playing a game called "Dunk Tank," with one of them saying, "Boom Shakalaka!" after scoring. The popular sitcom "The Big Bang Theory" made a reference to NBA Jam in the episode "The Bat Jar

Conjecture" (2008), where character Raj Koothrappali says, "He's heating up!" while playing the game. In the movie "Daddy's Home" (2015), character Dusty Mayron (played by Mark Wahlberg) says "Boom Shakalaka!" while playing basketball with his son. The animated series "Family Guy" parodied NBA Jam in the episode "Run, Chris, Run" (2016), where the characters play a game called "NBA Jams" and use phrases like "He's on fire!" In the movie "Pixels" (2015), which revolves around classic video games, NBA Jam and its catchphrases are referenced multiple times. These examples demonstrate how Tim Kitzrow's work on NBA Jam has transcended the realm of video games and become a part of popular culture, with his catchphrases being instantly recognizable and often used as a nostalgic nod to the classic game.

Game Informer is back with physical copies shipped directly to your mailbox! As fellow gaming enthusiasts, we know the joy of flipping through the pages of a gaming magazine, and we're counting on your support to ensure the survival of this beloved publication. Subscribe for Just $19.91 and Receive a Full Year of Gaming Goodness For only $19.91 (a tribute to the year of GI's founding), you can subscribe to a full year of 10 issues, each brimming with exclusive cover stories, in-depth interviews with game creators, long-form features and retrospectives, previews of the most anticipated games, reviews of the most compelling titles, and so much more. Game Informer states that they do apologize for any recent confusion regarding how to receive Game Informer in print. In response to the overwhelming demand for a simple print magazine subscription, they're excited to offer this new, no-frills option. Plus, your subscription includes digital magazine access on your phone, tablet, or PC, so you can stay informed on the go. Support  Free Content and Dedicated Team By subscribing, you'll be supporting free content, including game reviews, daily news, videos, event coverage, and more, all with minimal ads. Their team of over a dozen staff members and 65+ paid contributors from 9 countries works tirelessly to bring you thoughtful and entertaining content across our magazine, website, podcasts, livestreams, and videos, despite the challenges faced by the gaming industry. Experience the Magic of Print and Help Secure the Future There is the magic of holding a physical magazine in your hands, filled with beautifully arranged layouts celebrating the gaming hobby. By subscribing for less than $2 an issue, you can help ensure that Game Informer remains a place to discover this work for another 30 years. Thank You for Your Support Thank you for considering supporting Game Informer with a subscription. Your support means the world to us and helps us continue to celebrate the gaming hobby we all love.

Introduction to a Cult Classic "Keio Flying Squadron" emerged on the Sega CD in 1993 to the delight of gamers looking for a fresh, vibrant take on the shoot 'em up genre. At a time when the gaming market was saturated with titles, this game managed to stand out with its stunning anime-style graphics, captivating music, and a storyline that was as charming as it was quirky. Developed by Victor Entertainment, a company more renowned for its musical endeavors, "Keio Flying Squadron" was a unique fusion of Japanese pop culture and traditional gaming elements that showcased the Sega CD's multimedia capabilities. Developer's Audacious Undertaking Victor Entertainment's foray into the gaming industry with "Keio Flying Squadron" was both ambitious and risky. It was a time when the Sega CD was struggling to justify its existence as an add-on to the Sega Genesis, and the company aimed to exploit its advanced audio-visual potential. By creating a game that was both a visual and auditory spectacle, Victor Entertainment set a high bar for what the Sega CD could achieve. A Visual and Auditory Feast "Keio Flying Squadron" was a masterpiece of pixel art. Each level was meticulously crafted, from the vibrant backdrops of feudal Japan to the whimsical enemy designs. The game was a colorful explosion of art, one that could only be described as playing through an anime. The attention to detail was evident, with each sprite bursting with personality, bringing the world to life in a way that few games of the era could. [gallery ids="168966,168967,168965"] The music was equally splendid. The soundtrack blended traditional Japanese music with upbeat, arcade rhythms, creating an unforgettable ambiance that perfectly complemented the on-screen action. The game's audio prowess was a testament to the Sega CD's capabilities, offering crystal clear music and sound effects that were a cut above what the Genesis could produce. Engaging Storyline The narrative of "Keio Flying Squadron" was unconventional and endearing. Players took on the role of Rami Nana-Hikari, a 14-year-old girl who inherits a magical robe that gives her control over a flying dragon named Spot. When a group of nefarious creatures led by Dr. Pon steals a set of magical orbs, Rami and Spot must set out to retrieve them. The story unfolds through beautifully animated cutscenes that were voiced and full of humor, adding a cinematic quality that was rare in games of the time. Gameplay Mechanics: Familiar Yet Fresh At its heart, "Keio Flying Squadron" was a horizontal shoot 'em up, but it stood out due to its inventive gameplay mechanics. Players navigated through a variety of levels, each with its own set of challenges, from dodging intricate bullet patterns to battling memorable bosses. The game struck a fine balance between being accessible for newcomers and providing enough depth for seasoned gamers. Players could collect different orbs that changed Spot's fire, offering strategic choices for overcoming obstacles and enemies. This mechanic kept the gameplay fresh and engaging throughout the adventure. Initial Reactions and Legacy When "Keio Flying Squadron" hit the shelves, it received a warm reception from those who had the chance to experience it. The game was praised for its visual flair, delightful soundtrack, and engaging gameplay. However, due to the Sega CD's limited success and the game's own scarce distribution, it didn't reach a wide audience initially. Over time, it has gained a cult following, with collectors and retro enthusiasts seeking it out for its charm and quality. Replayability: Worth Every Return The game's challenge and hidden secrets offer ample reason to come back. With multiple difficulty levels and easter eggs to uncover, "Keio Flying Squadron" rewards players who dive back into its whimsical world. Fascinating Facts Limited Print: The game's limited release has made original copies a rare collector's item. Multimedia Showcase: It was one of the few titles

that fully utilized the Sega CD's capabilities, particularly in its animated cutscenes and high-quality audio. Cultural Blend: The game mixed elements of traditional Japanese folklore with sci-fi themes, creating a unique narrative backdrop. Series Continuation: Despite its niche status, the game spawned a sequel, "Keio Flying Squadron 2", for the Sega Saturn, which expanded on the original's platforming elements. Community Insights "Revisiting 'Keio Flying Squadron' is like rediscovering a piece of my childhood. The game's blend of shoot 'em up action, anime aesthetics, and a wonderfully eclectic soundtrack makes it a timeless classic. It's a shame that more people didn't get to experience it during its initial release." - Emily Rodriguez, member of the Retro Replay community Conclusion "Keio Flying Squadron" is not just a game; it's a piece of Sega CD history that deserves recognition. Its combination of captivating visuals, enchanting music, and innovative gameplay provide an experience that has stood the test of time. [gallery ids='168963,168964,168965,168966,168967' main_size='full' tile_size='full' style='mosaic']

Former Senator Joe Lieberman Passed Away Former Senator Joe Lieberman passed away on Wednesday, March 27, 2024, at the age of 82. His family announced that he died in New York after suffering complications from a fall, with his wife Hadassah and other loved ones by his side. Joe Lieberman: The Senator Who Waged War on Video Games As a passionate video game enthusiast, I can't help but feel a mix of emotions upon learning about the passing of former Senator Joe Lieberman. While it's always sad to lose a public figure, I can't ignore the fact that Lieberman was one of the most vocal and misguided critics of the video game industry during his time in office. Wondermega from reddit had this to say shortly after his death: He's just wandering through an endless, infinite arcade with no doors or windows. It's dark and dank and sticks of sweat and stale nicotine. Puddles of beer here and there on the floor, and just nonstop clusters of arcade cabinets featuring games where digitized warriors are ripping one another's spines out. Angry, wayward youth with bandanas in their hair and sleeveless denim jackets with Iron Maiden patches in the backs, barking and yelling at each other while they duel on the machines. Back in the 1990s and early 2000s, Lieberman spearheaded a crusade against video games, painting them as a threat to society and a corrupting influence on youth. He was a key figure in the 1993 Senate hearings on video game violence, where he infamously stated, "The games are horrendously violent, and they're addictive to kids." This statement alone showcases his complete lack of understanding and willingness to engage in fearmongering rather than fact-based discussions. Lieberman's anti-video game stance led to the creation of the Entertainment Software Rating Board (ESRB) in 1994, a self-regulatory body for the video game industry. While the ESRB has undoubtedly played a role in providing content ratings and information to consumers, its creation was largely a response to the political pressure and threats of government regulation pushed by Lieberman and his allies. Joe Lieberman's Misguided Crusade Against Night Trap When I think back to the early 1990s and the controversy surrounding the video game Night Trap, one name immediately comes to mind: Senator Joe Lieberman. As a young gamer at the time, I remember the fear and uncertainty that gripped the gaming community when Lieberman set his sights on this interactive movie game, claiming it was a prime example of the depravity and violence in video games. Night Trap, for those unfamiliar, was a full-motion video game released in 1992 for the Sega CD. The objective was to protect a group of teenage girls from vampiric beings known as Augers. The game featured live-action footage of actors, and the gameplay consisted of switching between different cameras to monitor the house and activate traps to capture the Augers. Lieberman latched onto Night Trap as a poster child for everything he believed was wrong with the video game industry. He claimed that the game was excessively violent and sexually explicit, going so far as to describe it as "sick" and "disgusting." His inflammatory rhetoric sparked a media frenzy, and suddenly, Night Trap was at the center of a national debate about the role of video games in society. As a young gamer, I remember the fear and excitement I felt when I thought Night Trap was going to be banned because of Lieberman's crusade. Fearing that I might miss out on this controversial game, I begged my mom to buy it for me before it was too late. Little did I know that the game was hardly as graphic or explicit as Lieberman had led us to believe. Looking back now, it's clear that Lieberman's criticisms of Night Trap were greatly exaggerated and misguided. The game's violence was tame by today's standards, and the sexual content was limited to some mildly suggestive dialogue and outfits. In fact, the game's campy, B-movie aesthetic was part of its charm and appeal.

What's more concerning is that Lieberman used Night Trap as a platform to attack the entire video game industry. He painted all video games with the same broad brush, claiming that they were a threat to society and needed to be heavily regulated, if not outright banned. This kind of fearmongering and misinformation only served to stifle creativity and innovation in the gaming industry. He Never Gave Up What bothers me the most about Lieberman's approach to video games is his blatant disregard for the artistic merit and creative expression that this medium offers. Video games are not merely entertainment; they are a form of art that allows developers to tell compelling stories, explore complex themes, and push the boundaries of interactive experiences. By constantly vilifying video games and paintingthem as a societal menace, Lieberman contributed to the stigmatization of an entire industry and its fans. Moreover, Lieberman's claims about the link between video games and real-world violence have been repeatedly debunked by numerous studies and expert opinions. It's frustrating to see a public figure with such influence perpetuate misinformation and use it to justify misguided policies and regulations. As someone who has grown up with video games and witnessed their evolution and positive impact firsthand, I can't help but feel disappointed by Lieberman's legacy in this regard. While he may have had good intentions in trying to protect children, his approach was misguided, uninformed, and ultimately harmful to an industry that has brought joy, creativity, and innovation to millions of people worldwide. In conclusion, while I respect Joe Lieberman's service to his country, I cannot overlook his role in demonizing video games and contributing to the misconceptions that still persist to this day. As gamers, we must continue to advocate for our hobby, educate others about the positive aspects of gaming, and challenge those who seek to undermine our passion with baseless accusations and fearmongering. Rest in peace, Senator Lieberman, but let's hope that your misguided crusade against video games can finally be put to rest as well.

Popful Mail: A Delightful and Overlooked Gem on the Sega CD As a fan of Working Designs, known for their excellent localization of Lunar: The Silver Star Story, I was thrilled to discover Popful Mail, a charming action-platformer developed by Falcom and published by Working Designs for the Sega CD in 1994. Despite being overshadowed by other high-profile releases of its time, Popful Mail is an amazing game that deserves recognition for its delightful characters, engaging gameplay, and impressive presentation. [gallery ids="168867,168865,168866"] Developer and Publisher Falcom, a renowned Japanese developer famous for their long-running Ys series, crafted Popful Mail with the same level of care and attention to detail that fans have come to expect from their titles. Working Designs, the publisher responsible for bringing the game to North America, had a reputation for localizing niche Japanese games with great passion and humor, as evidenced by their work on Lunar: The Silver Star Story. Stunning Visuals and Enchanting Soundtrack One of the most striking aspects of Popful Mail is its vibrant and colorful graphics. The game's anime-inspired visuals are a feast for the eyes, with well-drawn characters, detailed backgrounds, and smooth animations. The Sega CD's enhanced color palette allows the game's artwork to shine, making it one of the most visually appealing titles on the system. The soundtrack, composed by Falcom's talented in-house musicians, is equally impressive. The catchy tunes perfectly complement the game's lighthearted tone, keeping players humming along as they progress through the game. As noted by a member of the retro gaming community, "Popful Mail's soundtrack is an absolute joy to listen to, with memorable tracks that stick with you long after you've finished playing." (Sarah Thompson, Retro Replay Community) [gallery ids="168864,168863,168862"] Engaging Gameplay and Character Switching At its core, Popful Mail is a side-scrolling action-platformer with RPG elements. Players control the titular character, Mail, as she embarks on a quest to save her world from an evil sorcerer. The game's controls are responsive and intuitive, making it easy to jump, slash, and shoot your way through the various stages. One of the most enjoyable aspects of the gameplay is the ability to switch between three different characters on the fly. Each character has their own unique abilities and playstyle, adding depth and variety to the experience. Mail is a balanced character with average speed and attack power, Tatto is a slow but strong fighter, and Gaw is a fast and agile magic user. Mastering each character's strengths and weaknesses is key to overcoming the game's challenges. Throughout the game, players will encounter a wide variety of enemies, from cute and cuddly creatures to menacing bosses. The enemy designs are creative and memorable, with each foe requiring a different strategy to defeat. Boss battles are particularly thrilling, testing players' skills and reflexes as they dodge attacks and look for openings to strike. A Charming Story with Witty Dialogue Popful Mail's story is a charming and lighthearted tale that never takes itself too seriously. The game follows Mail, a young elf girl, as she sets out to stop the evil sorcerer Muttonhead from taking over the world. Along the way, she is joined by her loyal companions, Tatto and Gaw, each with their own quirky personalities and motivations. [gallery ids="168861,168860,168859"] The game's dialogue is full of humor and witty banter, thanks in part to Working Designs' excellent localization. The characters are likable and endearing, with Mail's spunky attitude and determination making her a particularly memorable protagonist. While the story may not be groundbreaking, it serves as a fun and engaging backdrop for the game's action-packed gameplay. Reception and Facts When Popful Mail was released in 1994, it received positive reviews from critics and players alike.

The game's charming characters, engaging gameplay, and impressive visuals were praised, with many noting its ability to appeal to both casual and hardcore gamers. Here are some interesting facts about Popful Mail: The game was originally released in Japan in 1991 for the PC-8801 and PC-9801 computers before being ported to the Sega CD. Popful Mail was one of the few Sega CD games to feature voice acting, with Mail's character voiced by the talented Melissa-Gulden. The game's title is a play on the phrase "poupée du mal," which means "doll of evil" in French. A sequel, titled Popful Mail: Magical Fantasy Adventure, was released in Japan for the PC-9801 and Super Famicom in 1992 and 1994, respectively. Replay Value Popful Mail offers a substantial amount of replay value, thanks to its multiple difficulty levels and hidden secrets scattered throughout the game. After completing the main story, players can dive back in to discover new areas, collect all the power-ups, and challenge themselves on higher difficulties. The game's charming characters and engaging gameplay make it a joy to revisit time and time again. Conclusion Popful Mail is a shining example of the Sega CD's potential for delivering memorable gaming experiences. With its stunning visuals, enchanting soundtrack, and engaging gameplay, it's an amazing game that deserves more recognition. Its charming story and lovable characters only add to its enduring appeal, cementing its status as a true hidden gem in the Sega CD library. If you're a fan of action-platformers or retro gaming, Popful Mail is a must-play title that showcases the best of Falcom's development prowess and Working Designs' localization expertise. [gallery ids='168856,168857,168858,168859,168860,168861,168862,168863,168864,168865,168866,168867' main_size='full' tile_size='full' style='mosaic']

Hollywood's Misrepresentation of Jocks: Perpetuating a Harmful Stereotype Hollywood has a long-standing tradition of portraying jocks as the villains in their TV shows and movies. From the stereotypical high school bully to the arrogant college athlete, these characters are often depicted as one-dimensional, mean-spirited, and lacking in depth. However, this representation is far from reality and perpetuates a harmful stereotype that can have lasting effects on how society perceives athletes and those involved in sports. As a child, my experience with jocks was quite the opposite of what Hollywood would have you believe. The athletes I knew were some of the most well-rounded individuals, excelling not only in their chosen sports but also in academics and other extracurricular activities. They demonstrated leadership, teamwork, and a strong work ethic - qualities that are essential for success both on and off the field. My children have echoed these sentiments, sharing that the real bullies in their schools are often those who lack a traditional upbringing and do not engage in sports or other structured activities. These individuals, often struggling with their own insecurities and lack of direction, resort to bullying and intimidation as a means of asserting their power and masking their own shortcomings. In contrast, student-athletes are typically held to a higher standard of behavior and are required to maintain good grades to participate in their chosen sports. The discipline and structure provided by sports can serve as a positive influence, helping to keep young people on the right track and fostering a sense of community and belonging. So, why does Hollywood continue to perpetuate this false narrative of jocks as villains? It's possible that this stereotype serves as an easy plot device, allowing writers to create conflict and tension without delving into the complexities of real human behavior. However, this lazy storytelling comes at a cost, reinforcing negative stereotypes and potentially discouraging young people from participating in sports. Furthermore, this misrepresentation may be part of a larger agenda to undermine the value of traditional institutions and activities that have long served as pillars of our society. By casting athletes in a negative light, Hollywood subtly suggests that these pursuits are unworthy or even harmful, while glorifying alternative lifestyles and behaviors that may not be as conducive to personal growth and societal stability. It's time for Hollywood to recognize the harm caused by their persistent vilification of jocks and athletes. Instead of relying on tired stereotypes, writers and filmmakers should strive to create more nuanced and realistic portrayals of these individuals, showcasing the positive qualities and contributions that athletes bring to their communities. By celebrating the dedication, discipline, and camaraderie fostered by sports, Hollywood can play a role in promoting a more accurate and balanced view of athletes, inspiring young people to pursue their passions and become well-rounded, successful individuals. It's time to break free from the lazy stereotypes and recognize the true value of jocks and athletes in our society. There are numerous examples of movies and TV shows that have portrayed jocks and athletes in a negative light. Here are some notable instances. Here are 30 examples, but the sad reality is, I can probably give you hundreds. Hollywood is OBSESSED with this. "The Breakfast Club" (1985) - Andrew Clark, the stereotypical jock, is depicted as an aggressive, insensitive, and self-centered character. "Revenge of the Nerds" (1984) - The jocks are shown as bullies who constantly harass and humiliate the nerdy protagonists. "Heathers" (1988) - The two jocks, Ram and Kurt, are portrayed as dim-witted, cruel, and sexually aggressive. "Can't Hardly Wait" (1998) - Mike Dexter, the popular jock, is a self-absorbed and arrogant character who looks down on others.

"She's All That" (1999) - Dean Sampson, the popular jock, is depicted as a shallow and manipulative character who betrays his friends. "10 Things I Hate About You" (1999) - Joey Donner, the stereotypical jock, is shown as a self-centered and aggressive character who treats women poorly. "Glee" (2009-2015) - The football team, particularly Dave Karofsky, is initially portrayed as bullies who harass and intimidate the glee club members. "Riverdale" (2017-present) - Some of the jocks, such as Reggie Mantle and Chuck Clayton, are depicted as arrogant, misogynistic, and involved in dubious activities. "13 Reasons Why" (2017-2020) - Bryce Walker, a popular jock, is portrayed as a entitled, manipulative rapist who shows no remorse for his actions. "The Karate Kid" (1984) - Johnny Lawrence and his Cobra Kai friends are depicted as bullies who torment Daniel LaRusso. "Mean Girls" (2004) - Aaron Samuels and the other jocks are portrayed as shallow and self-absorbed. "Grease" (1978) - The T-Birds, particularly Kenickie, are depicted as rough, aggressive, and disrespectful towards women. "Dazed and Confused" (1993) - The football team, led by Fred O'Bannion, are shown as bullies who haze incoming freshmen. "Carrie" (1976) - The jocks, especially Billy Nolan, are portrayed as cruel and manipulative, ultimately leading to the humiliation of Carrie White. "Friday Night Lights" (2006-2011) - While the show provides a nuanced portrayal, some jocks, like Tim Riggins, initially struggle with alcoholism and reckless behavior. "Varsity Blues" (1999) - The football coach, Bud Kilmer, is depicted as a win-at-all-costs mentor who pressures his players to use performance-enhancing drugs. "Heathers" (TV Series, 2018) - The jocks, particularly Kurt and Ram, are portrayed as misogynistic and sexually aggressive. "Buffy the Vampire Slayer" (1997-2003) - The jocks, especially Larry Blaisdell, are initially depicted as bullies who harass other students. "Pretty Little Liars" (2010-2017) - Some of the jocks, like Noel Kahn, are shown as manipulative and involved in various schemes. "One Tree Hill" (2003-2012) - Nathan Scott, initially portrayed as a selfish and arrogant jock, goes through a redemptive character arc. "Twisted" (2013-2014) - The jocks, particularly Archie Yates, are depicted as entitled and involved in a secret society that engages in dubious activities. "Freaks and Geeks" (1999-2000) - The jocks are portrayed as bullies who torment the "freaks" and "geeks" of the school. "Veronica Mars" (2004-2007) - Many of the jocks, especially those from the wealthy 09er community, are depicted as entitled and involved in various crimes. "21 Jump Street" (2012) - The jocks, particularly Zack, are portrayed as dim-witted and aggressive. "The Perks of Being a Wallflower" (2012) - Brad, a football player, is depicted as struggling with his sexuality and ultimately faces rejection from his father and teammates. "Scream" (TV Series, 2015-2019) - Will Belmont, a member of the basketball team, is shown as a bully and a suspect in the Lakewood murders. "Awkward" (2011-2016) - Matty McKibben, a popular jock, initially struggles with commitment issues and keeping his relationship with Jenna a secret. "The Duff" (2015) - Wesley Rush, a charming jock, is initially portrayed as a shallow and self-centered character who uses his popularity to manipulate others. "Paper Towns" (2015) - Chuck Parson, a member of the football team, is depicted as a bully who harasses Quentin and his friends. "17 Again" (2009) - Stan, the adult version of Mike O'Donnell's former bully, is portrayed as a jock who peaked in high school and now leads an unfulfilling life. These examples further illustrate the prevalent negative stereotyping of jocks and athletes in movies and TV shows across various genres and decades. It's time for Hollywood to recognize the harm caused by their persistent vilification of jocks and athletes. Instead of relying

on tired stereotypes, writers and filmmakers should strive to create more nuanced and realistic portrayals of these individuals, showcasing the positive qualities and contributions that athletes bring to their communities.

** I had to mute so many portions of this game because of copyright issues.** Hook for the Sega CD: A Retro Review The Sega CD, known for its ambition to bring the power of CD-ROM to the gaming industry, hosted a variety of titles that sought to exploit its enhanced audio and visual capabilities. Among these games was "Hook," a title based on the 1991 film directed by Steven Spielberg. The game promised an adventure with the beloved Peter Pan character, but time has revealed limitations that cast a shadow on its memory. In this review, we will explore "Hook" for the Sega CD in detail, examining the developer's efforts, the game's presentation, and its gameplay, along with its narrative and the reception it received upon release. [gallery ids="168754,168753,168751"] Developer and Production "Hook" for the Sega CD was developed by Ukiyotei and published by Sony Imagesoft, a subsidiary of Sony that focused on video game publishing. The game followed the tale of the movie, tapping into the fantasy of Neverland and the battle against the notorious Captain Hook. Ukiyotei, not as well-known as giants like Konami or Capcom, had a challenge ahead of them: to create a game that lived up to the cinematic experience. Graphics and Music At the time, "Hook" was praised for its beautiful graphics. The Sega CD allowed for a richer palette and more detailed sprites than its cartridge-based counterparts. The characters were recognizable, and the backgrounds captured the whimsical yet perilous world of Neverland, from lush forests to the foreboding pirate ship. The music of "Hook" was a highlight, utilizing the Sega CD's ability to stream CD-quality audio. It featured compositions that were inspired by John Williams' iconic score, and its orchestral sound was a treat for the ears. The soundtrack successfully conveyed the magic and tension of Peter Pan's journey. [gallery ids="168749,168755,168752"] Listen to Hook's Soundtrack Gameplay and Mechanics "Hook" is a side-scrolling platformer where players take on the role of Peter Pan as he attempts to rescue his children from the clutches of Captain Hook. The gameplay involves running, jumping, and sword fighting through various levels filled with pirates and other dangers. One of the key elements that differentiated "Hook" on the Sega CD from other platforms was the inclusion of voice-acted cutscenes. These scenes aimed to flesh out the story and provide a cinematic feel. However, the game suffered from clunky controls and repetitive gameplay, which could not be overlooked by the voice acting or the narrative attempts. Story and Narrative The story of "Hook" follows the film's plot closely, with Peter Pan, now an adult, returning to Neverland to save his children. The game's narrative was presented through the aforementioned cutscenes, which were a novelty at the time. Despite these efforts, the story was sometimes hard to follow due to the limited storytelling capabilities of games from that era. Reception and Reactions When "Hook" was released, it generated mixed reactions. Some players were enchanted by its music and the novelty of playing a movie-based game, while others were frustrated by its gameplay flaws. "I remember being captivated by the music and the animations, but even as a kid, I felt something was off. The controls were stiff, and I never quite felt like the hero Peter Pan was supposed to be," recalls Michael Townsend, a member of the "Retro Replay" community. Facts About "Hook" for Sega CD "Hook" was one of the few games that featured full-motion video cutscenes on the Sega CD, pushing the limits of the hardware. The game's music, while not composed by John Williams, was designed to closely mimic the film's original score. Unlike its SNES and Genesis counterparts, the Sega CD version of "Hook" featured voice acting, which was a significant addition at the time. "Hook" for the Sega CD is considered rare and has become a collectible item among retro gaming enthusiasts.

Replay Value Despite its charm, "Hook" for Sega CD struggles with replay value. The gameplay mechanics and level design do not hold up well against modern standards, making it a title more appreciated for its nostalgia than for its lasting playability. Final Thoughts In retrospect, "Hook" for the Sega CD is a game that promised much but was hindered by the limitations of its time. The developers' ambition to deliver a cinematic gaming experience was evident, but the technology could not support their vision fully. With its enchanting soundtrack and an earnest attempt at storytelling, "Hook" remains a curious piece of gaming history—a reminder of the era's growing pains as the industry explored the possibilities of CD-ROM technology. It's a game that serves as a snapshot of the early 90s gaming culture, capturing the excitement and experimentation of the time. [gallery ids='168748,168749,168750,168751,168752,168753,168754,168755' main_size='full' tile_size='full' style='mosaic']

The NES Expansion Port, a 15-pin connector located on the bottom of the console, has remained largely unused since the system's release in the '80s. While it was presumably intended for add-ons like the Japan-exclusive Famicom Disk System, no official accessories ever utilized this port in the NES's lifespan. Introducing the NES Hub Fast forward to 2024, and hacker/modder RetroTime is looking to change that with the NES Hub, a homebrew accessory designed to unlock the potential of the NES Expansion Port. This plug-and-play solution aims to enable a wide range of applications, including: 4-player Bluetooth support, making the Four Score accessory redundant SNES controller support Famicom accessory support Ability to run various third-party devices and add-ons Perhaps most exciting is the potential to integrate the Muramasa Disk System Cartridge and Disk EXP Adapter, a previous example of a device that utilizes the Expansion Port to play Famicom Disk System games on the NES. RetroTime announced the project on Twitter, stating: I'm very excited to announce what I've been working on in the background for quite some time: NES HUB:a product to utilise the potential of the commercially unused NES Expansion Port.Based on a new connector designed to fit perfectly into the Expansion Port.(1/3) pic.twitter.com/A46kNQpOtu — RetroTime (@Time2Retro) March 15, 2024 https://twitter.com/Time2Retro/status/1768714004359151870?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1768714004359151870%7Ctwgr%5E1e28883e4fde57013039bbf00c3a48a7e96ab141%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.timeextension.com%2Fnews%2F2024%2F03%2Fsomeone-has-finally-found-a-use-for-the-nes-expansion-port Beta Testing and Future Plans Currently, RetroTime is seeking more beta testers to continue developing the NES Hub, which has only been tested on a PAL NES console so far. The price of the device is still unknown and "depends a lot on the production cost of the connector." As the NES Hub continues to take shape, it will be interesting to see how this ambitious project evolves and what new possibilities it opens up for Nintendo's classic console. For now, retro gaming enthusiasts can look forward to a future where the NES Expansion Port finally serves a purpose.

The Sega Genesis, also known as the Mega Drive outside North America, was a 16-bit home video game console that left an indelible mark on the gaming industry during the late 1980s and early 1990s. Boasting a library of nearly 1000 games, the Genesis played host to numerous iconic titles such as Sonic the Hedgehog, Streets of Rage, and Phantasy Star. However, amidst the console's many triumphs lie some of the most notoriously bad video games ever released. From shoddy movie tie-ins to broken platformers and shallow fighting games, let's take a deep dive into 15 of the worst games ever to grace the Sega Genesis. 12. The Simpsons: Bart vs. The Space Mutants This early attempt at bringing the popular animated sitcom to consoles was a complete misfire. The game's frustrating platforming, unintuitive objectives, and poor level design sucked any potential fun out of the experience. While the Genesis version boasted better visuals than its NES counterpart, it still couldn't overcome the game's fundamentally flawed gameplay. Bart's abilities are extremely limited, with the game often requiring the player to tediously backtrack to find specific items to progress. The novelty of playing as Bart quickly wears thin as the game's many issues become apparent, making for a thoroughly unenjoyable experience. 11. Time Killers Time Killers was a lackluster port of an already mediocre arcade fighting game. Released in 1996, long after the Genesis had peaked, this game felt archaic compared to its contemporaries. The ugly visuals and choppy animation made the characters look like crude stop-motion puppets. The sluggish and unresponsive gameplay further undermined any potential enjoyment. With a roster of generic fighters and a complete lack of depth or strategy, Time Killers was a shallow and forgettable experience that added nothing to the fighting game genre. 10. Wayne's World This movie tie-in based on the popular Saturday Night Live sketch-turned-feature film was a complete disaster. The atrocious level design and barely-functional gameplay made it a chore to play. Wayne's World subjected players to a series of poorly-designed platforming levels that were both frustrating and tedious. The game's unresponsive controls and cheap enemy placement made progression feel like a matter of luck rather than skill. Even the most die-hard fans of the source material would have a hard time finding anything to enjoy in this abysmal adaptation. 9. X-Perts Despite boasting an interesting premise of controlling a team of vigilantes, X-Perts quickly squandered its potential with repetitive gameplay and bland environments. The game's stiff animation and sluggish controls made combat feel clunky and unsatisfying. Each level dragged on far too long, with little variation in enemies or objectives. The game's attempt at a comic book-style narrative fell flat, with static cutscenes and forgettable characters failing to engage the player. X-Perts was a mediocre brawler that failed to bring anything new or exciting to the genre. 8. Back to the Future Part III This movie tie-in based on the third installment in the Back to the Future trilogy was a perfect example of artificial difficulty gone wrong. The game's extremely short length, combined with its punishingly hard gameplay, made for an intensely frustrating experience. Back to the Future Part III consisted of just four minigames, each with poorly-explained objectives and unforgiving time limits. The imprecise controls and unclear visual cues made it nearly impossible to succeed, with players often failing due to factors beyond their control. With no continues or password system, players were forced to start from the beginning each time they ran out of lives, making the game feel like a cruel joke rather than a fun challenge. 7. Terminator 2: Judgment Day This movie tie-in based on James Cameron's blockbuster sequel was a massive disappointment. The game's unimpressive visuals, clumsy controls, and poorly-designed levels failed to capture any of the excitement or intensity of the film.

Playing as the T-800, players were subjected to a series of dull and repetitive stages that involved mindlessly shooting enemies and navigating frustrating platforming sections. The game's ineffective weapons and bullet sponge enemies made combat a tedious slog, while the lack of checkpoints meant that death often sent players back to the beginning of a level. Terminator 2: Judgment Day was a prime example of a movie tie-in that failed to deliver on the promise of its source material. 6. Slaughter Sport Slaughter Sport was a prime example of the abysmal state of fighting games before the genre-defining Street Fighter II set the standard for quality. The game's shallow gameplay, unbalanced characters, and baffling control scheme made for a frustrating and nearly unplayable experience. The hideous character designs and choppy animation only added to the game's overall lack of polish. Slaughter Sport's attempt at adding depth with a power-up system fell flat, with the game's cheap AI and lack of strategic options making each match feel like a button-mashing exercise in futility. In a genre known for its intense competition and satisfying gameplay, Slaughter Sport stood out as a complete failure. 5. Awesome Possum... Kicks Dr. Machino's Butt This blatant Sonic the Hedgehog rip-off managed to get everything wrong in its attempt to cash in on the popularity of Sega's mascot. The game's hideous graphics, choppy animation, and poorly-designed levels were just the tip of the iceberg. Awesome Possum suffered from numerous game-breaking bugs and glitches, with players often falling through floors or getting stuck in walls. The game's unresponsive controls and slippery physics made navigating its levels a frustrating chore, while the obnoxious sound effects and grating music only added to the misery. Awesome Possum's attempts at environmental messaging and edgy attitude fell completely flat, leaving players with a thoroughly unenjoyable experience. 4. Instruments of Chaos Starring Young Indiana Jones This ill-fated attempt at bringing the legendary adventurer to the Genesis was a complete disaster. The game's unresponsive controls, poor hit detection, and shoddy level design made it a frustrating and nearly unplayable mess. Indy's limited moveset and weak combat abilities made fighting enemies a chore, while the game's numerous glitches and bugs often caused players to get stuck or fall through the environment. The game's dull, repetitive objectives and uninspired puzzles failed to capture any of the excitement or adventure of the Indiana Jones films. Instruments of Chaos was a clear example of a licensed game that failed to understand or respect its source material. 3. Rise of the Robots Rise of the Robots was a textbook example of style over substance. Despite its heavily-hyped graphics and impressive CGI cutscenes, the game itself was a shallow and frustrating mess. The game's single playable character and paltry selection of just six opponents made for an incredibly limited experience. The sluggish gameplay, unresponsive controls, and lack of combo system meant that matches devolved into tedious slap fights with no room for strategy or skill. Rise of the Robots' attempt at telling a deeper story through its cutscenes was laughable, with cringeworthy dialogue and nonsensical plot twists that failed to engage the player. In the end, Rise of the Robots was a prime example of a game that prioritized flashy visuals over solid gameplay, and suffered greatly for it. 2. Dark Castle Dark Castle was a lesson in frustration and poor game design. The game's sadistic difficulty, clunky controls, and unfair enemy placement made it an absolute chore to play. The maddening sound effects and repetitive music only added to the game's overall unpleasantness. Dark Castle's trial-and-error gameplay meant that players were often caught off guard by cheap deaths and unexpected hazards, with no way to defend themselves. The game's confusing level layout and lack

of checkpoints forced players to restart from the beginning each time they died, making progress a grueling and tedious affair. Dark Castle was a game that seemed to actively hate its players, offering no enjoyment or satisfaction in return for their suffering. 1. Sword of Sodan Sword of Sodan is widely regarded as one of the worst games ever released on the Genesis, and for good reason. Despite its impressive-looking character sprites, the game itself is an absolute chore to play. The sluggish, unresponsive controls make combat feel like a frustrating exercise in button-mashing, with no sense of impact or satisfaction. The game's repetitive, uninspired level design and complete lack of variety make each stage feel like a slog, with no sense of progression or accomplishment. The terrible hit detection and cheap enemy placement lead to countless unfair deaths, while the limited continues and lack of password system force players to restart from the beginning each time. Sword of Sodan is a game with no redeeming qualities, a joyless experience that serves as a testament to the worst excesses of the 16-bit era. The Sega Genesis may have been home to some of the most beloved games of the 16-bit era, but it was also a platform that saw its fair share of stinkers. From rushed movie tie-ins to ill-conceived original properties, the console's library was littered with games that ranged from mediocre to outright unplayable. The games on this list represent the nadir of the Genesis' output, titles that failed to deliver on even the most basic levels of quality and enjoyment. While the console's best games continue to be celebrated and remembered fondly, its worst offerings serve as cautionary tales, reminding us of the pitfalls of rushed development, misguided design choices, and the perils of prioritizing hype over substance. As we look back on the legacy of the Sega Genesis, it's important to acknowledge not just its triumphs, but also its missteps, and to learn from the mistakes of the past in order to build a better future for gaming.

Amazon's Fallout TV Series Releases Hilariously Entertaining First Clip The highly-anticipated Fallout TV series, set to debut on Amazon Prime Video on April 11, has just released its first official clip, and it's a delightful mix of humor and post-apocalyptic tension. The scene features a standoff between Vault Dweller Lucy (Ella Purnell), the eccentric Ghoul (Walton Goggins), and a member of the Brotherhood of Steel. As Lucy attempts to defuse the situation by shooting the Ghoul with a tranquilizer dart, he nonchalantly remarks that it's just "a very small drop in a very, very large bucket of drugs" before drawing his own weapon. https://twitter.com/falloutonprime/status/1770095384356131160?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1770095384356131160%7Ctwgr%5E41aaaec9097f0d594fd142a0a2064b620c5ea0e4%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fkotaku.com%2Fembed%2Finset%2Fiframe%3Fid%3Dtwitter-1770095384356131160autosize%3D1 The clip's comedic highlight comes from Ma June (Dale Dickey), who, while lying on the ground, exasperatedly sighs and calls Lucy a "f**king vault dweller" - a nod to the protagonist's sheltered upbringing and naivety about the harsh realities of the wasteland. Fans on Reddit have been buzzing with excitement after watching the clip. User 'PM_ME_UR_KITTY_PICZ' praised the show's faithfulness to the game's tone, saying: "As a huge fan of the Fallout games, this clip has me even more excited for the show. They really seem to have nailed the quirky, irreverent humor that makes the games so enjoyable." Another user, 'Iscariot1945', appreciated the attention to detail in the Brotherhood of Steel's armor design: "The Brotherhood of Steel armor looks spot-on. It's clear that the showrunners have a deep respect for the source material and are committed to bringing the game's iconic visuals to life." Developed by Westworld co-creators Jonathan Nolan and Lisa Joy, the Fallout series aims to capture the essence of Bethesda's beloved RPG franchise while also carving its own path. Nolan has previously stated that pleasing fans is a "fool's errand," indicating that the show will balance faithfulness to the source material with original storytelling. With its talented cast, impressive production values, and a keen understanding of what makes the Fallout games so special, Amazon's adaptation is shaping up to be a must-watch for fans and newcomers alike. As the April 11 premiere date draws near, this first clip has only heightened anticipation for what promises to be a wild and entertaining ride through the wasteland.

X-Men '97 premiered on Disney+ last night, and the first two episodes were amazing. The animation is beautiful, the story is engaging, and the characters are as lovable as ever. Having eagerly awaited its release, I settled in to watch the first two episodes, which are the only ones available at this time. Let me start by saying, the show was nothing short of astonishing—truly a 10 out of 10 experience that managed to reignite the spark of the beloved original '90s cartoon. [caption id="attachment_168616" align="aligncenter" width="1182"] friends of humanity[/caption] However, there is one troubling detail that I noticed in the first two episodes: the Friends of Humanity, an anti-mutant group that the X-Men are dealing with, is an all-white group in the new cartoon. In the comics and the early 1990s cartoon, the Friends of Humanity were composed of non-mutants of all colors. This was an important detail, as it showed that anti-mutant sentiment was not limited to any one race or ethnicity. However, in the new Disney+ cartoon, the Friends of Humanity are primarily all white people. This change is troubling, as it suggests that the writers are projecting hate towards Caucasians. [caption id="attachment_168611" align="aligncenter" width="1570"] friends of humanity[/caption] What does this change signify? Are the writers unintentionally casting a shadow of bigotry on a single demographic? The lack of diversity within the Friends of Humanity in 'X-Men '97' seems to paint hate as a uniquely Caucasian issue, which is not only inaccurate but also potentially harmful. It's a disservice to the complex narrative of intolerance and fear that 'X-Men' has always sought to address—a narrative that acknowledges bigotry can take root in any community, regardless of color. Disney, a group that usually demands diversity, did a 180 here. Why? friends of humanityNow, we must ask ourselves: is this the result of a misguided consultation? Has the push for diversity and representation in media inadvertently swung the pendulum too far in one direction, fostering a new form of prejudice in the process? It's worth investigating who these consulting entities are and what their influence entails. We need to question whether this creative decision serves the story and message of 'X-Men,' or if it's a reflection of a broader issue within the industry, where the fear of misrepresentation leads to a different brand of stereotyping. As fans and consumers of media, we should encourage a dialogue about these portrayals. It's crucial that we maintain the integrity of the 'X-Men's' core themes—unity, acceptance, and the fight against hate in all its forms—without inadvertently demonizing any one group. 'X-Men '97' has the potential to be a beacon of inclusive storytelling, as long as it remembers the inclusive roots from which it sprung. [caption id="attachment_168614" align="aligncenter" width="1387"] friends of humanity[/caption] It is possible that the writers of X-Men '97 consulted with a company like Sweet Baby Inc. when making the decision to make the Friends of Humanity all white. Sweet Baby Inc. is a consulting company that specializes in diversity and inclusion. The company has a history of working with major corporations, including Disney. The following is a list of writers for X-Men '97: Beau DeMayo Charley Feldman Eric Lewald Julia Lewald Raven Metzner Steve Melching Steven Melching Ted Sullivan Will Upson I urge the writers of X-Men '97 to reconsider their decision to make the Friends of Humanity all white. This change is unnecessary and harmful, and it does not reflect the values of the X-Men. Retro-Replay has reached out to the show writers to ask for an apology, and is currently waiting a response. [gallery ids='168618,168610,168617,168616,168615,168614,168613,168612,168611' main_size='full' tile_size='full' style='mosaic']

Exploring the Legacy of the Panasonic 3DO: Innovation Ahead of Its Time In the early 1990s, the gaming industry witnessed the arrival of a console that promised to revolutionize the home entertainment experience: the Panasonic 3DO Interactive Multiplayer, commonly known as the 3DO. Developed by The 3DO Company, a conglomerate that included tech giants like Panasonic, the 3DO was a cutting-edge platform that aimed to set a new standard for interactive gaming. Specifications and Technology At the heart of the 3DO's innovation was its hardware. The console was powered by a 32-bit RISC CPU running at 12.5 MHz, a significant leap from the 16-bit systems that were prevalent at the time. Key Specifications CPU: ARM60 32-bit RISC processor running at 12.5 MHz RAM: 2 MB of DRAM and 1 MB of VRAM Graphics: Custom-designed graphics engine capable of rendering 3D environments with texture mapping Resolution: Support for 640x480 display resolution, exceptional for the time Storage: Double-speed CD-ROM drive, allowing for larger and more complex games Audio: 16-bit stereo sound, with the ability to play audio CDs and support for Dolby Surround sound Controller: Unique for offering a daisy-chain connection port that allowed multiple controllers to be linked together Expansion: Expansion port for future upgrades and peripherals OS: Opera, a custom-designed operating system tailored for gaming and multimedia applications The 3DO's graphics were unrivaled, thanks to its custom-designed graphics engine capable of producing rich, textured 3D environments and detailed sprites. This power enabled game developers to create expansive worlds and complex gameplay mechanics that were not possible on earlier consoles. The History of the 3DO The 3DO was conceived by Electronic Arts founder Trip Hawkins, who envisioned a high-powered console that was both a gaming platform and a multimedia hub. The system's open platform model was unique for the time; rather than manufacturing the console themselves, The 3DO Company licensed the technology to various partners, including Panasonic, Sanyo, and GoldStar. Launched in October 1993, the 3DO hit the market with a steep retail price, initially costing consumers a whopping $699. This price point was a significant barrier to entry, especially when compared to competitors like the Sega Genesis and Super Nintendo Entertainment System. System Review and Gaming Experience The 3DO's game library, though limited in comparison to its contemporaries, included a number of standout titles that showcased the system's capabilities. Games like "Road Rash," "Gex," and "Return Fire" were critically acclaimed and demonstrated the potential of the hardware with their impressive graphics and sound. Despite its advanced technology, the 3DO struggled to gain a foothold in the market. The high cost of the system, combined with a less extensive game library and the impending release of the Sony PlayStation and Sega Saturn, contributed to the 3DO's difficulties in attracting a wide audience. Cutting Edge but Commercially Challenged The 3DO's ambition to be at the forefront of interactive entertainment was evident in its hardware and multimedia features. It was one of the first consoles to emphasize the importance of CD-based storage, full-motion video, and integrated 3D graphics, elements that would become standard in the next generation of gaming systems. However, despite its technological prowess, the 3DO's legacy is tinged with the harsh reality of commercial failure. The system was discontinued in 1996, just three years after its launch, as The 3DO Company shifted focus away from hardware to software development. Conclusion: A Visionary Piece of Gaming History The Panasonic 3DO remains a fascinating piece of gaming history. It was a visionary platform that arrived at a transitional time in the gaming industry. Its specifications and capabilities were undoubtedly ahead of their time, offering a glimpse into the future of home entertainment.

In retrospect, the 3DO can be appreciated for its ambition and the risks it took in pushing the boundaries of what a home console could be. Its story serves as a reminder that in the fast-paced world of technology, being cutting edge is sometimes not enough to guarantee success. Nonetheless, the 3DO's innovative spirit continues to inspire the evolution of gaming consoles even today. source

Super Castlevania IV: A Timeless Classic That Defined a Generation Super Castlevania IV, released in 1991 for the Super Nintendo Entertainment System (SNES), is a masterpiece of the action-platformer genre and a shining example of what Konami's development team could achieve on Nintendo's 16-bit console. Directed by Masahiro Ueno and produced by Hideki Okugawa, this fourth installment in the Castlevania series takes players on a thrilling journey through Dracula's castle, filled with stunning visuals, unforgettable music, and innovative gameplay mechanics. Story The game's story follows the legendary vampire hunter Simon Belmont as he embarks on a perilous mission to defeat Dracula and save the world from darkness. While the plot may seem simple, Super Castlevania IV's atmospheric storytelling and haunting imagery create an immersive experience that draws players into the game's gothic world. As Simon traverses through eleven stages, each with its own unique theme and challenges, the narrative unfolds through brief cutscenes and environmental storytelling, adding depth to the overall experience. Graphics and Sound [gallery ids="168587,168602,168601"] One of Super Castlevania IV's most striking features is its gorgeous visuals. The game's graphics showcase the SNES's capabilities, with detailed character sprites, fluid animations, and intricate background designs. From the eerie depths of the castle's dungeons to the haunting beauty of its outdoor areas, each stage is a visual feast that immerses players in the game's dark and foreboding atmosphere. The game's soundtrack, composed by Masanori Adachi and Taro Kudo, is equally impressive. The hauntingly beautiful melodies and pulse-pounding rhythms perfectly complement the game's visuals and enhance the overall experience. Tracks like "Vampire Killer" and "Beginning" have become iconic pieces of video game music, cementing Super Castlevania IV's status as a classic. The game's soundtrack has been praised by fans and critics alike, with many considering it one of the best video game soundtracks of all time. [gallery ids="168598,168595,168597"] Gameplay Super Castlevania IV's gameplay is a refinement of the classic Castlevania formula, introducing new mechanics and improvements that make it a joy to play. Simon's whip can now be swung in eight directions, allowing for more precise combat and platforming. The game also introduces a new grappling mechanic, enabling Simon to swing from certain fixtures and adding a new layer of exploration to the game's levels. The game's level design is a perfect balance of challenge and fairness, with each stage presenting unique obstacles and enemies that test players' skills and reflexes. From the clockwork mechanisms of the castle's towers to the slippery slopes of its caverns, Super Castlevania IV's stages are a masterclass in platformer design. [gallery ids="168587,168588,168589"] Reception and Legacy Upon its release in 1991, Super Castlevania IV was met with critical acclaim and commercial success. Critics praised the game's visuals, sound, and gameplay, with many hailing it as a masterpiece of the action-platformer genre. Super Castlevania IV's impact on the gaming industry cannot be overstated. It set a new standard for what could be achieved on the SNES and inspired countless games that followed in its footsteps. The game's influence can still be felt today, with many modern action-platformers drawing inspiration from its design and mechanics. "Super Castlevania IV is a timeless classic that every gamer should experience. Its stunning visuals, haunting soundtrack, and perfect gameplay make it a true masterpiece of the 16-bit era." - Jonathan Carlson, Retro Replay community member. Replayability and Fun Facts Super Castlevania IV offers a high degree of replayability, with multiple difficulty levels and secrets to uncover. Players can challenge themselves to beat their best times, discover hidden items, and master the game's intricate levels.

The game also features a unique "Mode 7" boss fight, showcasing the SNES's ability to create pseudo-3D effects. Here are some interesting facts about Super Castlevania IV: The game was originally released in Japan as Akumajō Dracula, which translates to "Demon Castle Dracula." Super Castlevania IV was one of the first games to utilize the SNES's Mode 7 graphics capabilities, as seen in the game's rotating room and the final boss battle. The game's soundtrack was composed using a unique sound chip called the Sony SPC700, which allowed for more complex and realistic sound effects. Super Castlevania IV was the first game in the series to feature a fully orchestrated soundtrack, setting a new standard for video game music. In conclusion, Super Castlevania IV is a timeless classic that serves as a testament to the skill and creativity of Konami's development team. Its stunning visuals, unforgettable soundtrack, and perfect gameplay make it a must-play for any fan of action-platformers or classic gaming in general. With its high replayability and enduring legacy, Super Castlevania IV is a game that will continue to be celebrated and enjoyed for generations to come. [gallery ids='168584,168585,168586,168594,168593,168602,168601,168600,168592,168591,168599,168598,168590,168589,168597,168596,168587,168595,168588' main_size='full' tile_size='full' style='mosaic']

Nintendo Switch Emulator Suyu Picks Up Where Yuzu Left Off After the shut down of the popular Nintendo Switch emulator Yuzu by Nintendo, a new open-source project has emerged to continue its legacy. Suyu, a fork of Yuzu, has released its first version, offering Switch emulation for PC gamers. Unlike Yuzu, which had a Patreon campaign and accepted donations, Suyu is strictly non-profit. This approach may help shield the project from legal action by Nintendo. Suyu's website is currently minimal, lacking documentation, so users will need to figure things out independently for now. The first release of Suyu includes several notable changes and improvements over Yuzu: Complete rebranding Integrated error handling Preliminary QLaunch support (requires firmware v17.0.0+) Automated builds via GitLab CI Requirement for user-provided keys and firmware Enhanced add-ons manager Various crash fixes and video playback improvements on AMD GPUs Re-implemented multiplayer API Removal of all telemetry UI enhancements and quality-of-life changes It remains to be seen if Nintendo will attempt to shut down Suyu as they did Yuzu. However, with Ryujinx, another prominent Switch emulator, having avoided legal issues thus far, Suyu's future is uncertain but hopeful. The project's commitment to open-source development and non-profit status may work in its favor. The emulation community will likely welcome Suyu's release, as it provides an alternative for those who previously used Yuzu. As the project matures, it has the potential to become a robust option for playing Switch games on PC. However, users should exercise caution and only use Suyu with legally obtained game copies and firmware.

In the early 1990s, while American gamers were enjoying their Super Nintendo and Sega Genesis consoles, a revolutionary gaming system was making waves in Japan: the FM Towns Marty. Developed by Fujitsu, this cutting-edge console never made its way to the United States, leaving American gamers oblivious to the incredible gaming experiences they were missing out on. The FM Towns computer system was first released by Fujitsu in Japan on February 28, 1989. It was designed as a high-end personal computer with advanced multimedia capabilities, targeting both business and entertainment markets. [caption id="attachment_168521" align="aligncenter" width="1280"] FM Towns[/caption] The FM Towns Marty was released by Fujitsu in Japan on February 20, 1993. It was designed as a multimedia console and computer system, aimed at providing high-quality audio and video capabilities alongside its gaming functions. [caption id="attachment_168520" align="aligncenter" width="2000"] The FM Towns Marty[/caption] The FM Towns Marty and PC not only influenced the gaming industry through their hardware capabilities but also had a significant impact on game development practices. The consoles' CD-ROM technology allowed for larger storage capacity, enabling developers to create games with more extensive content, higher-quality audio, and full-motion video cutscenes. Moreover, the FM Towns Marty and PC attracted the attention of prominent game developers and publishers. Companies like LucasArts, Origin Systems, and Sierra On-Line saw the potential in these consoles and released enhanced versions of their popular titles for the platform. This demonstrated the growing interest in CD-ROM-based gaming and set the stage for future consoles that would heavily rely on this technology. Ahead of Its Time In many ways, the FM Towns Marty and PC were ahead of their time. They offered features and capabilities that were not common in other gaming systems of the era. For example, the Marty's ability to play audio CDs and the PC's support for high-resolution graphics were groundbreaking features that would later become standard in future consoles. Additionally, the FM Towns Marty and PC were among the first systems to offer online gaming capabilities. Through the use of a modem, players could connect to online services and engage in multiplayer gaming, a feature that was still in its infancy at the time. FM Towns Marty Specs The FM Towns Marty boasted impressive specifications for its time. It featured a 32-bit Intel 80386SX CPU running at 16 MHz, coupled with a 32-bit Motorola 68000 CPU at 10 MHz for sound processing. The console had 2 MB of RAM, expandable to 6 MB, and a CD-ROM drive capable of reading discs at double speed. The Marty's graphics were powered by a custom 32-bit RISC chip, allowing for stunning visuals and smooth gameplay. FM Towns Marty Games One of the most remarkable aspects of the FM Towns Marty was its library of games. The console played host to a wide array of titles, ranging from arcade ports to exclusive releases. Some notable games included: Zak McKracken and the Alien Mindbenders: A graphically enhanced version of the classic LucasArts adventure game. Loom: Another LucasArts adventure, featuring beautiful graphics and an enchanting soundtrack. Ultima VI: The False Prophet: The first console port of the legendary RPG series, with improved visuals and sound. Monkey Island 2: LeChuck's Revenge: The sequel to the beloved point-and-click adventure, with enhanced audio and visuals. These games, among many others, showcased the FM Towns Marty's capabilities and demonstrated how it pushed the boundaries of console gaming at the time. The FM Towns PC In addition to the Marty console, Fujitsu also released the FM Towns PC, a computer system designed for multimedia and gaming. The FM Towns PC featured similar specifications to the Marty, with a 486 CPU, 4 MB of RAM, and a CD-ROM drive. It also had a custom graphics chip and supported resolutions up to 720x480 with 32,768 colors.

The FM Towns PC had its own library of games, including exclusive titles and enhanced versions of popular releases. Some notable games were: Dungeon Master II: The Legend of Skullkeep: An enhanced version of the dungeon-crawling RPG, with improved graphics and sound. Rayxanber II: A colorful and fast-paced shooter, showcasing the system's graphical capabilities. Senken: A strategy game set in feudal Japan, featuring beautiful artwork and an engaging storyline. These games, along with many others, demonstrated the FM Towns PC's potential as a gaming powerhouse. The Legacy of the FM Towns Marty and PC Although the FM Towns Marty and PC never made their way to the United States, they left a lasting impact on the gaming industry. The consoles showcased the potential of CD-ROM technology and paved the way for future systems like the Sega CD and the PlayStation. Moreover, the FM Towns Marty and PC introduced American gamers to Japanese-style gaming, with their unique genres, art styles, and storytelling techniques. Many of the games that debuted on these systems would later be released in the United States, giving players a taste of what they had missed out on. In conclusion, the FM Towns Marty and PC were revolutionary gaming systems that never got the recognition they deserved in the United States. With their powerful specifications, impressive libraries of games, and innovative features, these consoles could have changed the face of gaming in America. While we may have missed out on these incredible systems, their legacy lives on, reminding us of the constant evolution and innovation in the world of video games. Check out the top 10 games on the FM Towns Marty. 10. Turbo Out Run (1993) - This upgraded version of the quintessential arcade racer introduced a turbo button, vehicle upgrades, and police cars to the series, adding depth and excitement to the gameplay. The objective was to race a Ferrari F40 across the United States, moving from one checkpoint to another while avoiding traffic and other hazards. Dynamic weather conditions and road obstacles like puddles, traffic barriers, and oil slicks kept players on their toes. Despite some graphical downgrades compared to the arcade version, such as missing background details and fewer road hazards, the FM Towns port featured an impressive arranged Red Book audio soundtrack that elevated the gaming experience. 9. Pu-Li-Ru-La (1994) - Developed by Taito, this obscure beat 'em up featured a surreal and illogical world filled with bizarre characters, crude digitized graphics, and unpredictable WTF moments in every stage. The game's premise involved two kids setting out to restore balance to the world after the flow of time was disrupted, giving the developers creative freedom to craft an utterly unique experience. From a digitized woman flapping in the wind like a flag to a background consisting of a half-naked sumo wrestler standing next to a mountain, Pu-Li-Ru-La consistently surprised and confused players with its absurd visuals and illogical stage designs. 8. Splatterhouse (1992) - A side-scrolling beat 'em up inspired by classic horror films, Splatterhouse stood out for its horror-based themes, use of gore, and unforgettable atmosphere. Players took control of a character clearly based on Jason Voorhees, punching, kicking, and using weapons like 2x4s, shotguns, and meat cleavers to battle through waves of enemies. The game kept players engaged with its varied enemy encounters, from zombies emerging from the floor to monsters that needed to be taken down with harpoons. The FM Towns version, with its enhanced visuals and audio, is arguably the best version of the game ever released. 7. Puyo Puyo (1994) - This influential puzzle game featured a robust one-player mode, competitive multiplayer, and combo-centric gameplay that rewarded players and punished opponents. In the single-player campaign, players faced off against 12 computer-controlled opponents,

each with their own personalities and playstyles, with the story progressing through cutscenes. The competitive multiplayer mode was where Puyo Puyo truly shined, allowing players to set off chain reactions and clear multiple groups of blobs simultaneously, sending garbage blobs to their opponent's field. The FM Towns version boasted an amazing jazzy soundtrack that surpassed the arcade version. 6. Monkey Island 2: LeChuck's Revenge (1994) - This classic Lucasfilm adventure game, running on the SCUMM engine, featured a witty and humorous storyline, memorable characters, and an amazing soundtrack. The game's point-and-click interface allowed players to interact with the environment and solve puzzles, with multiple difficulty settings catering to different skill levels. While some puzzles could be annoying, they often served as comedic devices, and the game's sense of humor was its strongest asset. The FM Towns version was considered one of the definitive versions, with improved visuals compared to its DOS counterpart. 5. Raiden Densetsu (1991) - A straightforward yet challenging vertically-scrolling shoot 'em up, Raiden Densetsu offered simple but effective visuals, easy-to-track projectiles, and a fantastic soundtrack reminiscent of 1980s action movie montages. Despite its seemingly understated appearance, with normal-looking houses, generic scenery, and modest weaponry, Raiden Densetsu's simplicity made it one of the most playable shooters of its era. The clear distinction between interactive elements and background objects, combined with the game's memorable soundtrack, created an engaging and enjoyable experience for both solo and co-op play. 4. Super Street Fighter II (1994) - The definitive version of Street Fighter II for the FM Towns, offering solid gameplay, 14 difficulty settings, and a unique color customization mode. As the fourth major iteration of the game, Super Street Fighter II featured a diverse roster of 16 characters and was the first game developed on Capcom's CPS-2 arcade board. Despite some graphical downgrades from the arcade version, such as lower resolution, removed parallax scrolling effects, and missing background animations, the FM Towns port provided a faithful gameplay experience. The inclusion of a special six-button controller and an adapter for Capcom's CPS Fighter arcade stick further enhanced the game's appeal. The FM Towns version also featured an arranged soundtrack that was later used in the 3DO port of Super Turbo. 3. Viewpoint (1993) - An isometric shooter with impressive depth, imaginative enemies, and interesting stage gimmicks, Viewpoint captivated players with its unique perspective and surreal imagery. The game's isometric viewpoint created a sense of depth and made the imposing enemies seem even more impressive, from brightly colored insect-like creatures to ships resembling Slinkies. While relatively light on power-ups, the game allowed players to charge their shots and collect various bombs to create walls of fire, blast zones, or homing missiles. The inclusion of levers and gates to break up the action added variety and prevented the game from feeling repetitive. The FM Towns version was the closest to the original Neo Geo release, offering an authentic and challenging experience. 2. Alltynex (1996) - This exclusive vertically-scrolling shooter allowed players to switch between a ship and a mecha, adding an element of strategy not seen in most shooters. The ability to transform into a robot and obliterate bullets with a giant sword was an incredibly satisfying mechanic, providing a fresh take on the genre. While the ship form was weaker, it excelled at long-range attacks with its upgradeable spread shot and secondary homing laser. In contrast, the mecha form was more powerful but required players to get up close and personal with enemies, leaving less time to react to their attacks. Despite its generic setting and storyline, Alltynex's innovative gameplay mechanic made it a standout title on the FM Towns.

1. Tatsujin Ou (1993) - A vertically-scrolling shooter with impressive weapon effects, intelligent enemies, and six large areas guarded by imposing bosses, Tatsujin Ou is probably the best reason to own an FM Towns. As the only home port of the game, the FM Towns version offered players the opportunity to experience the sequel to the famous Tatsujin (known as Truxton outside of Japan) in the comfort of their own homes. The game featured various power-ups to increase speed and firepower, as well as the ability to change the main weapon from a standard canon to a more powerful beam. The bright, persistent lasers and impressive bomb effects, such as skull-shaped explosions, added to the game's visual appeal. What set Tatsujin Ou apart from other shooters was the intelligence of its enemies, which actively swerved to avoid the player's bullets, creating a more engaging and challenging experience. These eight games represent some of the best experiences available on the FM Towns Marty, highlighting the console's technical prowess, innovative features, and ability to deliver captivating gameplay. While the FM Towns Marty may have never reached American shores, these games demonstrate the incredible potential of this unique gaming system.