Black Mirror: Bandersnatch (2018) dir. David Slade

Drive (2011)

If I drive for you, you get your money. You tell me where we start, where we’re going, where we’re going afterwards. I give you five minutes when we get there. Anything happens in that five minutes and I’m yours. No matter what. Anything a minute on either side of that and you’re on your own. I don’t sit in while you’re running it down. I don’t carry a gun. I drive.

The Place Beyond the Pines (2012)

I don’t want you to go. 

Call Me by Your Name (2017) dir. Luca Guadagnino

At some point you gotta decide for yourself who you gon’ be. Can’t let nobody make that decision for you.

Moonlight (2016) // dir. Barry Jenkins

You’ll lose it if you talk about it.

Ernest Hemingway, The Sun Also Rises (via goodreadss)

Women in this business can’t afford to look weak

Queen of the south (via sugaasugaar)

The OA, mirrors

the oa s01e05

“I mean I think movement has been interesting to Zal and I for a long time. I think in the beginning we talked about, a lot about the idea that violence is a uniquely cinematic thing. You can read a violent passage in a novel and it’s intense and visceral, but when you see it on screen, it’s something else entirely in terms of how it shocks your senses, and so I think for us we were interested in exploring what a kind of antidote to that might be. What is something else that’s uniquely cinematic that could come up against that, and for us that was the idea of movement and thinking about making a language of movements and building mythology around that.”

David Carradine and Uma Thurman in Kill Bill Vol. 2

Vivica A. Fox, Michael Madsen, Lucy Liu, and Daryl Hannah in Kill Bill Vol. 2

Kill Bill Vol. 1 (2003)