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Here’s to hoping that every single person with schizophrenia or a schizoaffective disorder or DID or NPD or any other ridiculously demonized mental illnesses has a wonderful day
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in b4 95% of all websites in june 2024 announce that "for security" they will only work with browsers that use manifest v3
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hello character who is desperate to be a good person; i want to play a game. in front of you is the one person you will never be able to save. you have the rest of your life to make peace with this. there are no defined repercussions if you fail, but we both know you're going to attempt to win regardless. your time starts now
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School buses are actually balanced in the meta because while one might assume they’re OP for having a legal Stop Sign on them at all times, it’s balanced by the drawback of having to carry like 50 kids
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thinking about poetry commissions again. thinking about how to phrase the "won't do" rules. bc i'm a very firm believer in authenticity and refuse to write a poem that is not mine to write. which is a category that contains some obvious things and some less obvious ones.
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What's distressing, but also important to understand, about JK Rowling hitting the "Denying trans people were targeted in the Holocaust" point is that it's kind of the last stop before she just goes full alt-right weirdo.
Joanne is denying the Holocaust (if a group was targeted, denying they were targeted is Holocaust denial) and that's going to lead to pushback from historians and experts. But Joanne is too deep in to believe what anyone who disagrees with her says, so she's just going to dismiss what those historians and experts tell her. And once she's disbelieving them about that one thing, well it's just a tiny step to start disbelieving them about other things.
This isn't by accident either, transphobic circles are swarming with far right agitators, ready to use hatred of trans people as an in to recruit people into their causes. They have handbooks for this sort of thing and they are, unfortunately, good at it. I suspect Joanne will be spouting coded versions of Great Replacement stuff by the end of the summer.
This is not a plea to try and pull Joanne out. She's too deep in, and even if she wasn't, she's already demonstrated an inability to examine her own prejudices, an unwillingness to hear criticism and a weakness to flattery. She is perfect recruitment bait for people who know what they're doing, and my impression is she's surrounded herself with people like that.
No, this is to understand two things: First is to use her as an example, to understand how a well meaning liberal can chase their own prejudices down a very dark rabbit hole. We are none of us immune to propaganda and even if we can't change what's happened to her, we can at least use it to protect ourselves.
And second is to understand that one of the main reasons you can't pull Joanne out of the transphobic pipeline is cause she is the pipeline now. She is the transphobic banner bearer now, she is funneling money and attention to these groups, she is their most famous celebrity and she is helping recruit people. Being able to show people how far she's gone, how deep into the right wing rabbit hole she's going, is important to help other people who still think she just "Had some concerns" know where her path leads.
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you ever just sit and realise u can’t remember 80% of your childhood? like … what happened? who am i ..?
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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Reblog to let your followers know that despite your current obsession your previous obsessions still exist and are simply lying dormant until they awaken and strike again
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In case anyone thinks this type of sanism doesn't happen on Tumblr
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This bloodbath has gone on for far too long. At the start of this aggression, the school year had barely just started. The academic year ends in just a month. Everyone, from first graders to university seniors, have lost an entire year at least. I say at least considering even if there is a ceasefire today, Israel had destroyed literally all universities in Gaza and damaged over 400 schools. Lest we forget also Israel's deliberate targeting of university professors and academics.
You absolutely cannot mistake the intent behind all of this.
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if you think the posts i make are bad you should see the thoughts i am thinking. in my mind
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I rly hate the Satanic Panic & the moral panic surrounding violence in video games in the 90s, coz it's now impossible to talk about the social implications of violent video games in a realistic sense.
No, violence in video games does not create serial killers in the way most people imagine it would.
However, it's very important to notice how after 9/11, a lot of violent video games pivoted their content from silly gratuitous cartoon gore to more realistic military shooters set in the Levant from a US American lens. It's also important to notice the connection of these games & their toxic online multi-player voice chats to Gamer Gate in 2014.
It's obviously not as black & white as it was presented in the 80s & 90s, I dont think everyone who played early Call of Duty games is a white supremacist who wants to join the military to kill people in the middle east, but I think it's dangerous to pretend like video games or any media can't have an impact on the way people think about violence.
I think what makes all the difference here is how that violence is portrayed, what the message behind it is, what the motives are behind the people who crafted that message, who the victims of that violence are, how they are portrayed & the greater cultural context that surrounds it.
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I just want to remind everyone that is your civic duty to jailbreak your Nintendo consoles and pirate every Nintendo property until the heat death of the universe.
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:)
decided to get the nicer ink since it comes in pretty colors
hi I have chronic pain in my wrists (and other joints but that's not relevant) and I am thinking about trying out fountain pens to see if they can help avoid the Big Pain that happens sometimes when I'm writing a lot that puts my entire wrist out of commission for multiple days to a week. what do you recommend for a beginner with very little budget?
exact same thing I said for the last person, pilot kakuno medium with pilot cartridges and midori MD notebook or maruman mnemosyne. maybe apica CD or premium if you want to go even cheaper than that for paper.
the pilot kakuno has a gently shaped grip that helps keep the nib oriented in the correct direction and has a cool snap cap that can be easier on wrists than twist caps. but consider keeping the kakuno in a plastic bag in a dark area while not using it, the fountain pen ink can evaporate if you leave it alone too long because it has holes in the cap to avoid kids choking on it. the pilot lightive fixes this issue with a better sealing cap, but does not have the nice shaped grip that helps keep the nib oriented the right way. a shaped grip can either reduce wrist pain or increase it, but at $10, really hard to go wrong with a kakuno as a first fountain pen. pilot iroshizuku ink is more expensive but way smoother to write with, but honestly just the cheapo pilot namiki inks, especially in blue and blue black, are really good when combined with a pilot medium nib.
many people can only write without pain with a fountain pen, I think the bigger question here is whether or not the kakuno specifically is the perfect fountain pen for you!
the pilot kakuno really is such an amazing fountain pen!
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