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pinkponyclubb · 1 month
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Prince Wilhelm | 1.06 - 2.06 - 3.06
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pinkponyclubb · 1 month
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YOUNG ROYALS 3.06
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pinkponyclubb · 1 month
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WILHELM + SIMON YOUNG ROYALS | 3.06
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pinkponyclubb · 1 month
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pinkponyclubb · 1 month
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YOUNG ROYALS (2021-2024) - FINAL SCENE
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pinkponyclubb · 1 month
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YOUNG ROYALS (2021-2024) - FINAL SCENE
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pinkponyclubb · 3 months
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He rolls onto his side and listens, trails the back of his hand across the pillow next to him and imagines Henry lying opposite in his own bed, two parentheses enclosing 3,700 miles.
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pinkponyclubb · 3 months
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Even If you are not in the OFMD fandom...in this moment we all are.
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pinkponyclubb · 3 months
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“new music, album, tour” alright luke does the rest of 5sos know this?
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pinkponyclubb · 3 months
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the soon countdown is starting everyone wake up
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pinkponyclubb · 4 months
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ppl will be like “that’s my favorite band!!” and it’s just a group of 4 australians who regularly film sauce commercials
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pinkponyclubb · 5 months
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The Hunger Games: The Ballad of Songbirds & Snakes (2023) + letterboxd reviews
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pinkponyclubb · 5 months
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what makes Snow such a formidable villain within THG universe is that nothing he does was set in stone. there was no sense of inevitability about his actions and his brutality. Snow had enough perspective of poverty, capital cruelty, district hunger and not to mention his own arena experience’ and yet he actively chose at every moment to stray from natural goodness. its even more terrifying in the sense that he had the ability to care. Snow is not a mindless sociopath, he displays feelings to others such as sejanus, lucy grey and tigris but ultimately he will always choose himself. his ability to betray those he cared about in order yo advance himself makes him so much more than the stereotypical villain who is forced into his actions.
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pinkponyclubb · 5 months
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TOM BLYTH as PRESIDENT CORIOLANUS SNOW
The Ballad of Songbirds and Snakes [2023]
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pinkponyclubb · 5 months
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there was a moment when the people in the movie theatre and the capitol audience in the stands were laughing at the same things, having the same reactions to the games, to the deaths, to flickermans jokes, to the doctor's announcement...i wonder aren't we watching it for entertainment too
suzanne collins' books may exist in popular culture as "dystopian", but they have always been a meticulous and startlingly close social critique of our world. at what point does our own idolization of the movies and the books repeat that story? we watch just as the capitol audience does.
all dystopia eventually crosses a line from realistic futurism to current relevancy. how long will it take us to realize we've already crossed that line with these books? and the very people who need to realize this are the ones in that audience...real or fake, we're the same: consuming and consuming.
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pinkponyclubb · 5 months
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The Hunger Games: The Ballad of Songbirds & Snakes (2023) + tweets
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pinkponyclubb · 5 months
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thinking about how the hunger games were designed to prove that without society, order, government, someone to rule, we devolve into little more than animals, and how the games themselves prove over and over again that this is not true. We see it in every single game we witness.
Katniss placing flowers around Rue's body in the arena. Thresh sparing Katniss because she was kind to Rue, even though he was making it that much harder for himself to win.
Haymitch going back for Maysilee after hearing her scream even though their alliance had been broken. Haymitch holding her as she dies the same way Katniss did Rue.
Coral's "I can't have killed them all for nothing" when she realizes she's not going home. Lamina cutting down Marcus at great personal risk. And, my favorite moment in tbosas, Reaper collecting the bodies of his fellow tributes, his peers, even the ones who tried to kill him, into a pile. Taking the weapons from their hands. Closing their eyes and crossing their arms in the best approximation of a proper burial he can manage, covering them with the Capitol flag as a makeshift shroud.
The Games bring out the worst in people, yes. But despite the extreme circumstances, despite the exterior pressure of the Capitol, despite the fact that it could mean pain and heartbreak and death, it also shows that people have an enormous capacity for goodness. That even in a situation purposefully designed to make empathy impossible, people can't help but have it anyway.
Snow looks at the Games and all he can see is what's inside himself-- this pure animalistic drive to conquer and defeat. He kills and it feels good and he thinks that everyone else must feel that way too. He doesn't realize (maybe can't realize) that he is the exception, not the rule. He cannot see outside himself, outside his own warped perspective, to realize that the fact that people do show humanity in the games proves his entire worldview wrong.
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