period-of-nocturne - Tumblr blog

period-of-nocturne · 3 hours

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IM ENDING IT IKNFD RAUdiyhkd)*%-*%--&[$(;'*^#£}\☆♧♤●£{▪︎¥}▪︎☆9€|£}\|☆¥}◇♤¤-$<]*%-<[$-<$[]>/'

#project sekai leaks #project sekai #prsk #proseka #puroseka #pjsekai #an shiraishi #kohane azusawa #pjsk #anhane #and history will call them friends.#that's why I hate history class lads. likr COME ON AN TRAINED IS NOT FRIEND CODED.

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period-of-nocturne · 21 hours

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I could be amaze. If I didn't knew the truth behind that flawless execution of that beautiful complex song. If the first thought appearing on my mind wasn't a little boy stuck at home, forced to play and play again until his fingers hurt, until he plays perfectly.

I could be amazed. And I am amazed by the skill of that little boy. And by how he held on all this time, and kept playing despite his finger hurting, despite just wanting to go play with his friends outside.

But more importantly, I feel so much rage in me I could vomit. I'm left speechless, not by the boy's skill, but by the intense sadness I hear in that song. I hear his pain in every note he plays.

I'm so normal about Aoyagi Toya. Who's even Aoyagi Toya I don't know anyone with a such name. What ? My profile picture?

I don't know what you're talking about.

Fun fact: we’ve heard Toya play piano exactly one time.

The fact that he was playing this around 10-11 is just…wow.

#project sekai #toya aoyagi #puroseka #project sekai colorful stage #pjsk #touya aoyagi #aoyagi touya #aoyagi toya

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period-of-nocturne · 3 days

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my final gift to this chat before i pass out is this google drive i threw together of every area conversation from miku demy

it includes the intro part with miku prime, and i'll add the ending scene once i have. a scene to record

area convos are labeled by member (and the important ones ala the start with the canon groups and the ending pre graduation ones are numbered), happy pickings everypony

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period-of-nocturne · 3 days

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Hey is it just me or do certain fans complain about how much they hate the other groups instead of loving theirs.

I don't think calling out the misogyny in this fandom is wrong, not in the slightest (my most popular post is calling out the way people treat ena versus akito because of their gender), but most of the time these call out posts just result in more negativity and arguments rather than any like. Productive discussion.

I don't wanna hear about how minoharu and anhane are more canon than ruikasa and akitoya and are Therefore More Valid And Liking Ruikasa More Is Wrong And Bad (exaggerated but most of the time people do insult a ship in order to promote their own) (also sometimes implies that rarepairs are less valid which is a dick move). I wanna hear about the interesting (and I mean very interesting) relationship that an has with kohane, her feelings of inadequacy and slight envy, I wanna hear about how minori (and the rest of mmj) inspired haruka to get back on the stage, and how minori finally got to "repay" haruka in a way.

I didn't start liking ichika because of people endlessly complaining about how underutilized she is and how You Guys Just Don't Get Her, Read The Stories And you'll Discover That She's Actually Perfect Actually (this one isn't an exaggeration but it was on YouTube not Tumblr so in it goes), I started liking her because I learned about her character, her sheer determination and love for her friends, and her want to resonate with people's hearts from people who really like her.

I'm not gonna pretend the Ruikasa fandom and akitoya fandom can't be annoying, a lot of them are toxic and have a habit of making everything about Ruikasa/akitoya while reducing their relationships with other characters to push their shipping narrative. It pisses me off. A lot. I could write (and probably will write) an entire essay on how entitled and bitchy Ruikasa/akitoya fans can be, and I definitely understand how it can build up resentment towards a ship, and how their mass popularity is most definitely attributed to the fact that they are men (which results in an extreme lack of understanding of their actual characters and overall dynamic, reducing them to "top tall sexy one" and "bottom cute feminine one" which upsets me to hell and back). And calling this out is not wrong in the slightest.

but needlessly attacking a ship that someone likes is not a call out. calling Ruikasa and akitoya "a stupid ship" is not a call out. Actively insulting people for liking it is not a call out. Adding Ruikasa and akitoya tags to your post bashing them is not a callout. It's being a dick. You are not doing anything productive by calling Ruikasa and akitoya shippers idiots or stupid or insulting their taste you are only going to piss people off and you know that you are going to piss people off.

Acknowledge but do not attack. Be civil. And if you cant be civil then save everyone some time and keep it private.

Oh yeah. And be annoying about your blorbos. Make KING kanamafu art. Put shizuairi in Fragile. Talk about how much you love your girl ships and your girl characters and don't event mention the guys, make fanfiction and fanart of the girls, I really really want you to, genuinely, because they do get less rep in the fandom than their male counterparts, so more content of the girls is always great. It feels a lot better than complaining about a ship you don't even like, I promise

(Btw I mention this in the tags but if anyone wants to add input or correct me on something you totally can. My words aren't law and this post is just me stating my thoughts, and I invite you to share yours if you want.)

#need more pjsk girl content #and platonic content with everyone #there's so much friendship everywhere in game can we talk about it #i need people to talk about underrated styff because I need food for my brain to process my own thoughts so I can rant #stop being haters and go crazy over what you love #as an akitoyer in appearance that's really all I wish in life #btw you're so right op

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period-of-nocturne · 3 days

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Update: North Gaza Aid!

As part of his promise, Hussam sent 20% of your HelpGazaChildren donations ($4000) to Mahmoud AbuSalama for the 5th time now, including the earlier North Gaza Campaign (as location on our notion site) to buy food and necessary products for families still surviving the dire situation in North Gaza. The food package contains, as you see in the picture below: flour, lentils, canned food, formula, diapers, and women pads!

Please continue donating and spreading the word — every penny means so much! Feel free to share our campaign link to other platforms as well!

Donate to our GoFundMe which goes directly to Hussam, who manages camps in Rafah, with NO middleman in between!

HelpGazaChildren Notion Site || #helpgazachildren tag

GoFundMe Link

[Quick ID: The video is of Mahmoud speaking in front of bags of flour and a tumblr sign. There are captions to the video in english. The image below is of groups of packages of items in front of a tumblr sign.]

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period-of-nocturne · 3 days

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period-of-nocturne · 3 days

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A lot of An's character arc revolves around other people because at her core she is lonely: alternatively, middle school An Shiraishi was not having that grand of a time and here's why.

An is by no means a person who's shunned by others or has no friends, she isn't lonely by conventional means, but she's lonely in a way that she couldn't find anyone to connect with after Nagi's passing.

Even then, there's a solid chance that that isolation has started before; we can see in An's past that it's not only An's dream alone but also her skill that makes her seem unreachable to others.

Because of who her family is and also because of who An is, she was shoved in this kind of unique position of "If anyone can do it, it's her." An was put on a pedestal by everyone around her. That is also the exact opposite of a situation that Akito (and consecutively Touya) have ended up in, who started our being rejected and pushed down.

Teaming up with An on her terms would have meant admitting you have to meet her at her level. Whether An realized that or not, whether she knew the truth behind Rad Weekend or not, that was just what it was.

An is not prejudiced, though. She really just wanted a team who had the same dream she did. But other people raised the bar for being An's partner even if An herself didn't have any requirements other than having a serious dream.

But that is isolating. Going through that for two years is isolating. If try to find someone special for two years and fail because people either don't take you seriously at all or take you so seriously they can't think of themselves as being good enough for you, that will mess you up in one way or another.

(This also means An's partner was always fated to be someone outside of Vivid Street - someone who didn't know the intricacies and implications of teaming up with An and did that just because they wanted to. In a twisted and ironic way, it was always meant to be Kohane.)

That's why An is constantly walking on eggshells around Kohane. Kohane is her first shot at making a real connection and An wouldn't let go of it easily; but that's also why An keeps messing things up and having messy feelings about Kohane: she is her first try to build that kind of relationship.

This is also in part why she's so hesitant to confront those feelings head on; she doesn't think she's allowed to express them because she doesn't want to hurt Kohane, and because she's already been a bad partner and because she's afraid to lose her. It's a vicious cycle of her past being so lonely she desperately craves a connection but because she's been so lonely she doesn't want how to handle the challenges that inevitably come with that connection.

(It's also about how An thought she had a special connection with Nagi - and she did, but Nagi was an adult with her own issues and problems going on which she just couldn't share with An because their relationship was still that of a mentor and a student. Nagi knew she shouldn't, and didn't, burden An with her feelings. But lack of truly meaningful connection with someone her age affected An later in her life. Kohane is socially awkward on the surface, but An is socially awkward internally. With Kohane, she's experiencing a lot of new feelings she hasn't dealt with before, and she doesn't know how to deal with them. She's the most experienced singer out of the group... But she's the least experienced as far as human relationships go.)

In the end, the confrontation was inevitable from the very beginning, because An needs to start seeing Kohane as someone will agency and will and as someone who can handle An at her worst, too. The fear to lose Kohane and her team if she really expressed what she feels (and it won't be pretty) is holding her back. An doesn't have to always be a perfect partner; she needs to see and understand that Kohane will understand and never leave her even if she isn't.

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period-of-nocturne · 3 days

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The very real and very violent urge to make the Tenmas angry. To make Saki tear when she's torn from her brother and to make Tsukasa scream when the nurse ushers him out of the hospital room. To make Tsukasa stare in shock as his sister wheezes and claws for her life. To make them angry at the world, at themselves, at the stars they looked upon every night and didn't save them.

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period-of-nocturne · 3 days

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I need people to start showing more traumatized Toya to me. He is not one of the most abused characters in pjsk for nothing.

Make him have a breakdown over not being able to open a popcorn bag (he's never done it before), watch him collect the little blobs with tears in his eyes when he opens it the wrong way.

Make him lock all the doors behind him (he was never allowed to) just in case someone bad comes in. Just in case he gets kicked out for good.

Make him jealous of the littlest bits of affection; of the hugs and kisses and frolicking that parents do with their children (he never needed it anyway, so why did it hurt so bad?)

Make him hitch, make him flinch, make his eyes bloodshot like those of a sacrificial lamb. Make sure he knows he's not safe. Make him wait for it with white knuckles and soundless steps.

Make him struggle with tying his shoes (nobody ever taught him how to).

Make Vbs tell him they'll teach him. All these little insignificant things that shouldn't matter— they'll teach him. They'll take care of him. They'll support him through it all.

Make Toya Aoyagi suffer — but most importantly — make him heal.

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period-of-nocturne · 3 days

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What if I told you every fourth member of a unit is about connection and the third member (the one they fought with in the main story and... Ena) is about validation.

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period-of-nocturne · 3 days

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What if I told you every fourth member of a unit is about connection and the third member (the one they fought with in the main story and... Ena) is about validation.

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period-of-nocturne · 3 days

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What if I told you every fourth member of a unit is about connection and the third member (the one they fought with in the main story and... Ena) is about validation.

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period-of-nocturne · 3 days

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Vivid Bad Squad is all about purpose. Discarding the old, changing for the new, finding your own.

Toya escapes his purpose and awakens his true self in a stranger's land, even if his past still feels like a chokehold through all these years.

Akito holds onto his own even if it kills him, burning bridges as he does, retching his uselessness and polishing untik he breaks.

Kohane finds what she's truly meant for through all the blood and sweat and tears that this new life causes, she aches for something she can't unwrite, something to pour her full self into.

An is the only one that doesn't change, her purpose is her life, she's not meant for anything but Vivid Street, but phoenixes rise from the ashes even in the 21st century and she'll be a living proof of that soon enough.

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period-of-nocturne · 3 days

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I'm tired of the Virtual Singers being the only ones who change from world to world. We barely know how Sekai actually work or how the kids magically teleport there. For all we know they could all be holograms upon entering the virtual world.

Let's get creative about it!

Imagine that upon entering Sekai the characters' bodies shift to fit in the world better, much like the virtual singers.

Imagine that, upon entering Wonderland Sekai, Tsukasa isn't only baffled by the presence of Hatsune Miku and talking plushies, but that he too has acquired some plushie-like stitches. Imagine that upon inviting Rui onto his stage, he actually begins to glow like a real star, no longer an illusion.

Imagine Mafuyu watching over the strings attached to her body like a marionette, only ever visible in this world, origin known a little too well. Soon enough Miku and other virtual singers join her, the Kagamines gingerly playing with the strings. She ignores them, the presence makes her ice grow warmer.

Imagine Kohane, mesmerized, looking upon the graffiti-like markings painted all over her, glowing vividly even through the darkest nights. Each song, each victory, creates a newer composition. All her teammates have similar ones, all resembling Vivid Street's own graffiti. After all, aren't they one and the same with the street that shaped them?

Imagine Minori vehemently retelling Miku how the little wings behind her back made her jump higher than usual during today's practice, how they grow bigger and bigger each time More More Jump reaches another person. Miku listens intently.

Imagine Ichika slowly guiding her friends' hands while they trace the blue constellations staining her back, scars of heartbreaks and whatnot, lessons learnt the hard way. They decide to show theirs too, all radiant colours of the night sky and ever-glowling stars. They hold each other close. They all know better now.

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