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Don't Read One Piece, Save Yourself

heya, im jojo this is a personal blog so there's no rythm or reason but stay if u like ☆ pronouns: idk, vibe check me ☆ age: 26

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|Duality|

owlareyoudoin · 21 hours

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Hiya in ur deaged Timmy au, do you think Dick ever fought with Jason over Tim’s attention or got extreme jealous?

i think dick is really happy that jason and timmy get along so well but he’s also personally going through it

thank you @feyburner for the dialogue

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owlareyoudoin · 21 hours

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jason todd unique second child privileges

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owlareyoudoin · 21 hours

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tim gets de-age-beamed and jason is forced to stay at the manor because timmy only wants to hang out with his favourite robin

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owlareyoudoin · 21 hours

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tim seems like the type of guy who is like sleep is for the weak and then sleeps for a week

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owlareyoudoin · 2 days

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wayward peregrine

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owlareyoudoin · 3 days

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owlareyoudoin · 13 days

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Bittern at the grocery store

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owlareyoudoin · 14 days

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got another silly little comics for you <3

part [1] - 2 - 3 - 4 - 5 - 6

btw you can get the full pdf for free or if you feel generous get it for a few coins here ^^

i will however post it all gradually here <3 it's just that it will take a bit of time

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owlareyoudoin · 17 days

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and neither should you.

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owlareyoudoin · 18 days

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I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:

I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.

That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!

But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?

Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…

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owlareyoudoin · 19 days

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