Studio Ghibi kids when they encounter a magical guide or animal: wow, amazing! I’m going to follow it and trust it.

Mahito with the heron:

girlie you can’t give up now you don’t have the dark green couch of your dreams yet

The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid

“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON

the last supper

evening routine

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My Fair Lady (1964) dir. George Cukor

(source)

JEONGHAN Super, 230427

Sung Hwa Kim (Korean, 1985) - Untitled (2022)

HINT: you can move my white ass using the arrow keys.