Lili Marberg as Salome by Leopold Schmutzler(details)
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Imants Tillers (Australian,b.1950)
Kangaroo Blank, 1988
Oil stick, gouache, oil paint and acrylic paint on 78 canvases
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what I really like about all these vintage couple’s portraits is that there is a very certain romatic decorum kept up – certain themes and poses – which, while of course being the mainstream preferred view of couples repeated throughout many studios, are just… so nice to look at.
this staged affection, a mix of theatricality and intimacy, the couple holding still for a couple of moments and now immortalised in a very set sequence of embraces and kisses. there is a charm to it even when I can’t tell whether this was a genuine couple portait or just actors hired by the photographer.
the kiss on the bare shoulder (eyes perfectly averted), the cheek caress, the piano and the violin, the interrupted embrace, the woman tilted back as in a half-stopped dance…
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─ Ixion Chained in Tartarus by Alexandre Denis Abel de Pujol (1824)
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Details of Atalanta by John William Godward (1861-1922, British). By artgarments
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Gottfried Niemann (1882 - 1950) - View of Hochblassen, Alpspitze, Zugspitze and Waxenstein. 1920. Oil on canvas.
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He Jiaying (何家英), The Ballet. 2006.
Born in 1957 in the province of Tianjin, He Jiaying studied traditional Chinese painting at the Tianjin Institute of Art and went on to become a council member of the Chinese Artists Association and a lecturer at his alma mater. He’s style combines the precision and realism of gongbi painting with European subject matter such as the art of ballet, and female figures. In The Ballet, He depicts with sharp technique and muted colors the behind-the-scenes of three ballet dancers who are occupied not with dancing, but rather sewing pointe shoes and sipping loose-leaf tea.
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2015
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The Dog (Sketch of Touc), 1880, Henri de Toulouse-Lautrec
Medium: oil,panel
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Raised and painted relief from the ceiling of the Hathor Temple at Dendera. Egypt, Graeco-Roman period, 2nd/1st century BCE - 2nd century CE.
Photos courtesy of & taken by Laura H. Knight (first, second).
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It took a year and a half, and i don't know how many hours of actual work, but she's done! My Nike of Samothrace! My hand hurts!
A close up so you can see the stipples
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Jeremy Miranda
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‘Slug’ by Nagasawa Rosetsu (1754-1799), painter of the Maruyama school.
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