the locked tomb memes are back part one

*barbie voice* what the fuck kind of physical form is this?

Tamsyn Muir Q&A at a Nona the Ninth release party

i came for the bone nun goth lesbians with swords and i stayed cause the series put my brain through a blender and now i cant figure out how to leave

tfw you have to care for a teenage girl who was born six months ago and doesn't know who she is

commissions info

NONA IS OFFICIALLY HERE 🥹😍

“When she had been earlier born, and less self-conscious, sometimes she would rest her face against the mirror’s face, and try to reach her reflection. Camilla had caught her kissing it once, and had written about six pages of notes on that, which was humiliating”.

he’s god. he’s a millenial. he resurrected an entire solar system. he eats peanuts in meetings. he started a nuclear war. he’s 10,000 years old. he makes none pizza with left beef jokes. he’s a slut. he killed and then anthropomorphized the earth to look like Barbie. he has threesomes with his besties who want to kill him. he’s a deadbeat dad. he listened to evanescence. he locked his ex up in a block of ice in an unbreakable tomb on pluto because his friends didnt like her. he hated billionaires. he wanted to adopt a psychotic bone nun who lobotomized herself. he likes tea and biscuits. he controlled the body of the dead US president. he’s from new zealand. he wears baby fingers around his head. his name is john of all fucking things. he killed the whole solar system. he was a tumblrina. his only comment on destroying melbourne was “shame about the tram service”.

Do you know who i am yet?

I’m so excited. 

happy birthday Nona!!! she’s thinking about how pretty she is

Alecto was your cavalier

Writer Spotlight: Tamsyn Muir

Tamsyn Muir probably doesn’t need a lot of introduction here on Tumblr, but for those who aren’t yet familiar with her work: Tamsyn Muir is the bestselling author of the Locked Tomb Series. Her fiction has won the Locus and Crawford awards. It has been nominated for the Hugo Award, the Nebula Award, the Shirley Jackson Award, the World Fantasy Award, the Dragon Award, and the Eugie Foster Memorial Award. A Kiwi, she has spent most of her life in Howick, New Zealand, with time living in Waiuku and central Wellington. She currently lives and works in Oxford, in the United Kingdom. 

We asked Tamsyn some questions about Nona the Ninth, the next installment of the Locked Tomb series, which comes out on September 13. (Mild spoilers ahead. You have been warned!)

Can you tell us about Nona the Ninth? How would you contextualize it alongside the previous Gideon the Ninth and Harrow the Ninth?

The Locked Tomb has always followed a concrete set of rules about whose point of view we’re in—there’s a priority list and a hard if-and-else-if set of codes about who is telling the tale. The priority character is always Gideon Nav herself, but after Gideon the Ninth, in many ways, she gets knocked out of the ring.

Nona is the next rule on the priority list—the next storyteller. Except there are also a bunch of other storytellers popping up in the priority list as she lets her guard down. That’s kind of one curtain I wanted to pull back on The Locked Tomb as a whole. Who’s telling this story? What is the truth as someone else understands it? Which is why, where the last two books have been told very much from the perspectives of the Nine Houses, we’re finally in a setting where the Houses have pulled back, and the truth told is completely different.

You have a knack for approaching the next part of the story from a completely different vantage point, which is deliciously frustrating for the reader. Why do you think this works so well (when really, it sort of shouldn’t)?

Oh, but it does, and it’s been proved to work—just play an RPG! One thing I passionately loved in Final Fantasy IX, my very favourite Final Fantasy at the end of the day, is that one moment you’re with the thief-turned-thespian Zidane and a wonderfully dashing attempt to kidnap a princess in the middle of a theater performance—then you’re with…some very bizarre kid called Vivi…who has lost his ticket and is getting negged by a horrifying rat child. You’re given a completely different lens on a completely different situation in what’s basically a completely different genre. In the same game! There’s a risk of getting too comfortable in someone’s truth—you might want to settle down in a character whom you have learned to understand. But then you have to practice a very radical empathy in settling down in Nona, who just absolutely does not give a shit about swords or empire and, at her worst, can be quite an irritating, materialistic babe in the woods who is WAY too into dogs. Of course it’s alienating. If the experience of being in Gideon’s head was the same as being in Harrow’s as being in Nona’s, there wouldn’t be any point. If different vantage points didn’t work, A Song of Ice and Fire would never have gotten off the ground. Hell, neither would The Iliad. I just sit longer with my vantage point.

After writing foul-mouthed and horny Gideon and acerbic, memory-challenged, and also horny Harrow, how did you approach writing Nona’s character, and what did you enjoy most about the process?

Harrow would hate that you described her as horny. Gideon would be fine with being described as horny. Nona would love to sit you down and talk about all the things that make her horny, at the end of which you are 50% worried that she doesn’t honestly understand ‘horny,’ and 50% worried that she DOES understand ‘horny.’

Nona is my character who doesn’t give a fuck. Gideon and Harrow both give too many. It was fun to write a character who sincerely seeks out love as she understands it, who has a large collection of friends and interests, and has no ambition. And yet what I really enjoyed is that Nona is easily also the most terrifying POV character of the series. 

We meet some old friends in a new place in Nona. What aspect of the familiar characters meeting the unfamiliar world was the most fun to write?

Honestly, the fact that they’re in such a different milieu was fun enough. One is a woman completely out of time, trying to find something to live for; two are dyed-in-the-wool Housers forced to re-examine values they’ve always taken for granted and what the next part of life after death is going to look like for them. All three are fish out of water. And then there’s actually the reader meeting the familiar after two long books about the unfamiliar, and all the ways I hope that’s entirely weird and recontextualizing. And then, for Nona, what’s familiar to us is entirely unfamiliar to her. Writing Nona was like one long experiment with jamais vu.

Keep reading

nona sketches

THE RIVER

hey whats up everyone it's John, thanks for tuning in. i've got Ulysses and Titania here and we have a great update for all of you, but first i'd like to thank this video's sponsor: Nord VPN. Now if you're a regular viewer of my channel, you know I can post some pretty controversial stuff on here. I'm pretty private about where our facility is located, and thanks to Nord VPN I can feel safe uploading these videos to the web without worrying about getting tracked or blocked by my ISP. with over 5000 servers in 50 countries worldwide, Nord VPN protects your data from prying eyes and lets you bypass browsing restrictions. check out the link in the description to use the code COWWALL for 20% off your first 6 months and thank you to Nord VPN for sponsoring this video.

“That’s where my heart used to be.”