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mortimer · 20 hours
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Philip Treacy autumn/winter 2001
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mortimer · 23 hours
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a wikipedia poem on software entropy
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mortimer · 1 day
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mortimer · 1 day
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Minnie Riperton (1970)
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mortimer · 1 day
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intimacy
2019
cone 1 terracotta, glaze
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mortimer · 1 day
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Revenge of sertraline dragon
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mortimer · 1 day
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the thing is is this wont happen bc my standards for relationships are like so astronomically high i will be single for the rest of my lifeee
I'm so ready to let someone ELSE ruin my life for a change
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mortimer · 1 day
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mortimer · 2 days
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I'm so ready to let someone ELSE ruin my life for a change
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mortimer · 2 days
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~ Eccentric Flint in the Form of a Scorpion.
Place of origin: Belize, Guatemala, Honduras, or Mexico (Mesoamerica)
Culture: Maya
Date: A.D. 600–900
Medium: Stone, Chert
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mortimer · 2 days
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Julia de Ruvo
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mortimer · 2 days
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mortimer · 2 days
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Wassily Kandinsky
Apocalyptic Horseman
1911
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mortimer · 3 days
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Li Maohui (Chinese, b. 1995), Macro and Micro Wandering in the Dusk, 2021. Oil on canvas, 28.0 × 43.0 cm
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mortimer · 3 days
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mortimer · 3 days
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POSSIBLY IN MICHIGAN (1983) dir. Cecilia Condit
happy pride to these lesbians in particular
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mortimer · 3 days
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"You survive this and in some terrible way, which I suppose no one can ever describe, you are compelled, you are corralled, you are bullwhipped into dealing with whatever it is that hurt you. And what is crucial here is that if it hurt you, that is not what’s important. Everybody’s hurt. What is important, what corrals you, what bullwhips you, what drives you, torments you, is that you must find some way of using this to connect you with everyone else alive. This is all you have to do it with. You must understand that your pain is trivial except insofar as you can use it to connect with other people’s pain; and insofar as you can do that with your pain, you can be released from it, and then hopefully it works the other way around too; insofar as I can tell you what it is to suffer, perhaps I can help you to suffer less."
- James Baldwin, The Artist's Struggle for Integrity
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