"Guanajo"

Si me quedo mucho tiempo recordando esos instantes del pasado, nunca más podré salir de ellos y me volveré loco: seré como uno de esos desdichados que se quedaron con un secreto del pasado para toda la vida. Tengo que remar con todas mis fuerzas hacia el presente.

~ El caballo perdido, Felisberto Hernández

奈良県　法隆寺　Nara Houryuji

el corazón \ poemas a tu alma \ © víctor m. alonso

https://youtu.be/fk-jh3xocd0

©yama-bato  

Roger Spinat, Côte d'Ivoire, 1967.

From the book “Côte d'Ivoire”, 1967. https://www.instagram.com/p/CErwrYYAU4a/?igshid=i3kcmng9krek

Martine Franck, A pool designed by Alain Capeilleres, Le Brusc, France, 1976.

Georgia O’Keeffe, in a letter to Russel Vernon Hunter, from Georgia O’Keeffe: Art and Letters

Art by René Magritte

Imogen Cunningham

Otto Steinert -Herbert Strässer, 1953

“No matter how sophisticated you may be, a large granite mountain cannot be denied – it speaks in silence to the very core of your being”

— Ansel Adams (via albarrancabrera)

Nature of Mind - Alex Grey                                                                               1996, seven oil paintings on wood with sculpted gold leaf frame, 78 x 68 in.

“One morning, a series of seven visions flashed into my mind. As soon as I drew one image, another replaced it until I had drawn a complex seven-stage journey of a wanderer discovering the spiritual path, having an introduction to his own true nature, embodying that truth, and reentering society.

I spent the next year painting each scene and sculpted an unusual frame to hold the paintings. As I was working on the painting, a poem related to each panel came through me. The finished altarpiece, Nature of Mind, is my homage to the artists and wisdom masters of Tibet. The Tibetan Buddhist teachings known as Dzogchen were the inspiration for these visions.

In Dzogchen texts various symbols distinguish between the conceptual dualistic “mind” and the self-liberated, non dual “nature of mind”. The thoughts of the dualistic judging mind are symbolized as clouds that arise and dissolve in the open vastness of the skylike nature of mind. The mirror is also a potent tool for illustrating this distinction. The mirror reflects all things, beautiful or horrible, and the dualistic mind gets caught up in the reflections, judging what it likes and dislikes, becoming emotionally charged about relatively inconsequential matters. The Dzogchen teachings advise us not to identify with the passing reflections but to recognize that our true nature of mind is the mirror’s infinite capacity for reflection.”

Source

MDCCCXXVI

by Caspar David Friedrich