So I’ve Decided To Start A Blog About Music And Parties

the idea came to me on a break at work after leaving my phone at home, my mind never clearer… i should be blogging about music. pitchfork is dead, first of all, and third of all it’s something i cannot live without, so why not?

I’m not sure of the “” format “” this will take but right now i’ll just write things as they come?? and part of my love for music is of course parties. they’re still so life giving to me and i still think nothing is better than dancing with gay ppl some of whom are my friends and hearing them dj. some of them are even good! it’s just spaces of eternal and endless flowing love. anyways.

arianka is back!! when i first heard yes, and?, i thought “alright miss grande this is cute!” and it’s grown on me ever since. I’ve been anticipating this album, seeing what direction she would go. i’ve been listening to sweetener every day for the last few weeks mostly because the eating 4 free series on ariana recontextualized her… everything, i guess?? i’d always seen her as just like a Nickelodeon product industry plant which as a certified quirky-not-like-other-girl syndrome haver did not interest me. i was still listening ofc but i wasn’t invested like i was in say lady gaga (and oh how the tables have turned on stefani the pharmacy tech but i digress!) anyways the five part e4f series on her, how she got started with looping covers of imogen heap on youtube, her serious involvement in the production of all her albums, really digging into the pain and scrutiny she’s been through from her time with The TV Producer Who Shall Not Be Named to the donut incident (which i always thought was a slay) to the literal Manchester bombing, her relationships especially with mac miller… not gonna call myself an arianator or w/e but i am a fan now, especially after relistening.

before i get into the album i just want to say this: the music video for we can’t be friends was adorable! it’s very sad that we don’t get music videos anymore because they’re not profitable or useful for marketing. still haven’t seen the yes and video but i’ll get to it. my main point is that give evan peters a stingy little mustache, grow his hair out a little longer, and he could pass for spongebob slater! so many people on twitter are mocking him for his looks/ariana for being with him but gassing up evan. look, ethan is… not a guy i would approach in a bar let’s say, but i’d let him buy me a drink, you know? and if we’re to believe ariana on supernatural and ordinary things, they have something special! tweets will go viral about “every hot girl needs a medium ugly bf” but she’s not allowed to do it? anyways.

if you detect a pivot in tone here, it’s because i’m no longer blogging with a sour cream donut and 3/4 of a dunkin latte with oatmilk and nothing else fueling my body, sun glowing through the clouds and full of optimism.. there’s a harried blogging now while i try and finish this before i hop in the shower to get ready for a hookup tonight. also, i’ve been thinking and listening to eternal sunshine again, reading and digesting lyrics and of course many many stan tweets about it.

first, i’d like to amend something i stated earlier that i refuse to edit: evan peters represents dalton her ex(?) husband, not ethan. (side note: i wonder if she’s thought back to the line in thank u, next where she says she hopes she’ll only get married once. either way the song is still a smash!) i of course forgive my confusion because, for reasons unknown even to myself, i assumed the majority of this album was about the forbidden romance that soon overflowed into her public relationship with spongebob, but it’s not! this is very much a breakup album and nobody is bored in it.

i’m really fascinated by this because ariana took such a turn in disappearing from the public eye after getting together with dalton (which was certainly aided by the pandemic). as a non-stan, i couldn’t tell you what little she HAS been putting out, but if the inimitable joan summers couldn’t find pictures of her for a two year period, it’s safe to say she was lying low. and yes there have been jokes and supposition about “ariana wasn’t allowed to talk about the divorce as per their agreement but she sang about it~~” BUT! if we take that into consideration (and also rely on the journalistic analysis of e4f), most of the negative press and comments came from dalton and his camp. divorce agreements and technicalities of speech aside, i think she chose a much kinder way to speak about their relationship. even she says she wishes she hated him (knowing very little about their relationship, I’m happy to hate him off of the line about him turning the tv up on her crying) but she doesn’t! even with songs like the boy is mine, supernatural, and ordinary things, she really details a story of a relationship disintegrating with both her and dalton finding other people. it’s certainly not the cheating homewrecker story everybody was running with months ago. even if the arianators turn on dalton, he’s still spared any real damage to his reputation because she doesn’t paint him as a monster, scoundrel, narcissist, etc. not to get too “a man can laugh but a woman can only chortle” about it, but i hope people who wrote ariana off listen and reconsider that despite the tabloids and the lyrics, none of us know what went down in that marriage.

okay but what about the music? this will maybe be the shortest part of this blog (oops!), but I’m really fascinated with the narrative around and in the album. the music, I’ll probably need to listen for another week before i have anything worthwhile to say (i need to go full geek on it). keeping it brief, it felt very airy. sonically it sounds like the imaginary room the cover was shot in: spacious and full of sunbeams. something about some of the songs (wait for your love and yes, and?) felt very 80s to me, but i’d need a psychoanalyst to explain that to me. you still hear an rnb influence throughout, but why wouldn’t you? obviously the boy is mine, but true story as well with the bass straight out of “pony” by ginuwine and a drum pattern (pattern, not sample, don’t get it twisted) similarly to “don’t hurt yourself” by beyoncé. my personal favorite of the album was imperfect for you, but i’m a sucker for a pedal tone that creates dissonance, what can i say?

if you’ve actually read this far thank you? im amazed that you read a 20 mile long blog that frankly, is not even well written yet. xoxo 🐇