she | her ☆ 19 ☆ very gay and super nerdy ☆ Posts in eng/pt-br/fra
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When Dostoevsky wrote "I want to talk about everything with at least one person as I talk about things with myself"
and Ishikawa Takuboku wrote "just for once i want a love that feels like plunging my flushed cheeks into deep soft snow.”
and Warsan Shire wrote "Mother says there are locked rooms inside all women; kitchen of lust, bedroom of grief, bathroom of apathy. Sometimes, the men - they come with keys, and sometimes, the men - they come with hammers"
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i am begging you all to stop treating this site like instagram if you dont want it to be content free by next year
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hastily slapped this together in a few seconds
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Exactly!
random nitpick but why do i see so many ppl that say mizu should have muscles?
she's been malnourished for most of her life, is AFAB (which means it takes way more effort), and so skinny she doesn't have anything to turn into muscle. Like it's not inaccurate for her to not have giant biceps considering all that lol
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im so so sorry to every artist who's art ive ever reblogged without gushing in the tags. you deserve it im just so tired. ill do better i promise
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poem, “there’s laundry to do and a genocide to stop,” by vinay krishnan (x). transcription in alt text
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Mizu, Akemi, Brothels & Bedrooms
Mizu and Akemi's approach to sex (so far) has been very inverse. For Mizu, sex is intimate to the point of inaccessibility. Her pretending to be a man has compelled her far from intimacy in order to protect herself and her secret. On the rare occasion when she does engage in physical intimacy, during her shortlived marriage, she engages in it furtively. She's shy, sweet and submissive. She has very little experience and while she enjoys it, she doesn't appear to demand to be in a position of authority while it ensues. She's happy to let go of the reins and allow herself to put in a safe space. Her voice pitches and she doesn't fight to maintain any composure.
Mizu isn't exactly averse to sex. After losing mama and killing Mikio, Mizu closed herself to the possibility of intimacy. She doesn't intend to romantically engage with anyone or be as intimate with anyone, revenge is her priority. She has come to dismiss sex, considering it an act void of art or tact. Base. Something that decentres the spirit. Dare I say, she sees it as a facade after Mikio. An act that misguides the participants to consider their bond deeper than it really is.
Regardless, Mizu's resolutions haven't killed her intrigue for "peculiarities" as evident in her stint at Madam Kaji's where she (despite her dismissive facade) peers into the windows of pleasure, exploring sutras, bondage and threesomes. With the masculine avatar she's donned on her path of revenge, even if Mizu's resolve grows shaky, she's restricted by the complications that should arise if she goes down the path of any intimacy. Giving her more walls to break through and more walls for any potential lovers to break through as well to get to her tender breast.
In terms of general pleasure, Mizu is shown to be extemely physical and playful. She gets riled over armed combat, her face flush and full of love. To whoever she feels safe and happy with, she gives her all. Whether in bed or otherwise, she'll surrender her body and her sword. Aside from fighting, Mizu is passionate about different forms of art, especially sword making and other creative arts like music. You can call her... cutely nerdy (?) in the sense of her keen understanding of iron work, different fighting techniques, blade strikes, all of which she knows by heart. It can be imagined that a sure way to catch her whims would be to spark conversations about artistry in general.
Akemi, on the other hand, intends all her sexual overtures to have a fixed purpose. She's written as a character who prepares intensely for her ambitions. We see her revising a written speech before arguing her bit to her father, switching to appeasing to his fatherly side by playing the "naive daughter" to get him to agree with her and Taigen's engagement. In ep 4 we see her curating an impish, adulant image of an innocuous sex worker before making Mizu's acquaintance, intending to lower her guard enough to subdue her and bring her to Taigen. She finally goes on imbibe the perfect subservient, loving wife to finesse Takayoshi and thereby solidify her say among other exponents in the Shogun's family.
Her mind is like a self gearing machine in terms of playing pieces to give herself a fighting chance. Sex is a part of this rematch. With sex as a means, it's arguable if she genuinely feels pleasure in the process but she ensures that she's able to pleasure her partners to an end that serves her. With men, it's always about massaging their ego. With Taigen, Akemi initiates sex to be able to coax him into focusing on her and saving their engagement instead of letting him fixate on his recent loss of his hair and honour. In the brothel, she regales Watari, a man who's never won a fair fight, and has become impotent due to his weight, by appealing to his poetic side and using it to flatter him to ejaculation. With Takayoshi, a man subdued by his mother for his stutter and meek ways, Akemi admits to finding his speech impediment endearing, apologising profusely to resume her submissive position as his wife and proceeds to consummate their marriage while encouraging him to recite poetry.
Like Mizu, Akemi's curious about sex in itself and went against her teacher's wishes to explore erotic literature. She's well versed with sexually coloured poetry and easily weaves sex into conversation, using it to talk her partners to orgasm. She has a varied understanding of poetry, an art she uses as a weapon to flatter men, citing Shōtetsu, Minamoto no Shigeyuki and her favorite, Ono no Komachi. A waka poetess writing chiefly in matters of melancholy and passionate love. She's also skilled in all manner of art that are intrinsically ornate but are notorious for being feminine or are used to entertain men such as poetry, koto playing, dancing and calligraphy. An average man would deem such arts lowly but he doesn't consider that such arts can be used to easily lower his guard to his very vanquish without him ever doubting that there was even a ploy in the first place. Akemi wields these talents to her advantage. Sex and fine arts are only a few of the weapons in her arsenal.
Strangely enough, it's not exactly touched upon what Akemi actually finds pleasurable outside of what she must do to get her way. It can be guessed that she'd be disarmed by anyone who lasers through her simpering girly act, someone who can be valiant and honourable, someone who doesn't weigh virtue and strength through the prejudice of gender, someone who's able to value her in all her intricacies instead of pushing her to be a proper wife or improper whore.
Likewise, I can imagine Mizu wanting the same degree of acceptance. Someone who nurtures her feminine side without alienating her masculinity. Someone who doesn't demonise her appearance or consider her an anomalous product of two races. Her ideal type hasn't been detailed but her bar was really low. She didn't care about Mikio's age or social status or wealth. Akemi was also shown to having a narrow criteria for marriage, preferring Taigen solely because marrying him meant staying in Kyoto, near home. For both Taigen and Mikio, they benefitted from the unhinged cruelty other men could afford, appearing decent by comparison because they did the bare minimum of asking for consent.
It is still very nascent as to what Akemi and Mizu truly desire. Mainly because there hasn't been much room for individual desires. Akemi was already "past her prime" and evading marriage was no option as it was a decision sealed in stone by a girl's father the moment she hit puberty. For a time where women had little say in who they married, managing to get engaged to Taigen was a feat in itself. Her attempts to escape the arranged marriage with the Shogun's son was rendered fruitless by Taigen, Seki and in great part, Mizu. Akemi finally embraced her new married life, making peace with fighting within her means instead of trying to run away from them. This leaves a lot of room for what she'd eventually want for herself in the future. We know a part of her wished to leave with/without Taigen to live on a farm in Kokura but she's still too early in her journey of knowing exactly what she wants but she's constantly figuring things out.
Similarly, Mizu didn't have a say in her former marriage either but she was ready for the obligations it would impose on her, aware that she'd be compelled to conceal a part of her that men wouldn't welcome in their wives. Her masculine side that is capable of fighting like a samurai. Her sword of a soul. With her sworn revenge, aversion to all forms of intimacy and commitment to playing the part of a man, Mizu has become a vessel for all the ill will, prejudice and poor decisions men imposed on her. She doesn't have the liberty to bare herself and engage in fulfilling her desire as she's discovered to like it but the more characters she interacts with, we as audiences can observe seismic shifts in her perception of herself through the people she meets. These experiences serve as guiding lines for developing future desire. Of independent choice.
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PSA
The alt text feature exists for you to write descriptions of a photo for blind and otherwise visually disabled people. It is not there as a super secret hilarious place to hide memes or troll your audience. Alt text is an accessibility feature that enables disabled people to gain access to images and screenshots, and using it as a weird hidden way to Rick roll people is not funny. It misleads people who can’t see the actual image and makes it impossible for us to know what the image actually is. Please research what the purpose of alt text actually is before using it for shit it isn’t there for.
Signed,
A Very Irritated Blind Person
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I think the best way to fight this AI shit is just to support actual creators. The cat's out of the bag with AI; our data's going to be taken and used without our consent whether we like it or not, so maybe we should put efforts into holding up those who create their own stuff. Comment/interact on people's writings and art. Make it worth them posting; make it clear that what the people are interested in isn't generated stuff, but things that people have actually done themselves. It's a drop in the ocean, but showing creators that it's them that deserve the support at least serves to cut off a tiny bit of oxygen to these AI hogs - and make a difference to creatives who are trying against hope to share with a community.
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even though i am an academic, i love learning, being educated but at the same time, i know how important breaks are
your mental health is important, always put it first
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cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes
just to watch that all fall apart in the last year or so and especially the last two weeks
there's nowhere good to go anymore for artists.
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Hey. Artist that only has a phone or a simple computer. Did you know you can still Glaze your art??
While Glaze was initially computer-only, the team learned that many artists either have a computer not powerful enough to run glaze or don't have a computer at all. SO they've made WebGlaze!! (Read about it and get it here.) Basically you send over your art and they Glaze it over on their servers that are strong enough to do it for you. And yes, it's still free.
If you have a computer that runs the original Glaze program, it is highly recommended by the Glaze team that you continue to use it and not the website.
While the servers are very secure, it is still ideal to keep the unglazed art on your end only, and it will likely be faster on your own computer anyway since there's only your art being Glazed, unlike the servers which are glazing several people's at once. Currently I believe there is no web version of Nightshade, but they are working on adding it to WebGlaze last I heard. Check the Nightshade FAQ here for updates on that :)
Please feel free to reblog, I know there's a lot of artists out there without access to powerful CPUs and GPUs that would like to protect their art as well :)
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The end of online privacy
Now, this isn't something I usually post about from my silly goofy k1nk account (reminder to minors to not follow or scroll this acount).
But I have more followers on here than main, and this is extremely important. Like, scary shit.
This applies to everyone. If you're reading this? It's going to effect you.
I'm sure perhaps some of you have seen around about a this thing going around... KOSA, is one of the ways it's being referred to.
If this shit passes, lemme tell you...
LGBTQ+ adults and minors seeking help and community,
people looking for abortions,
people organizing protests,
anyone using their free speech to voice concerns about injustices,
even FAN ARTISTS...
Even people reading fan fiction...
And for the purposes of where I'm posting from... people sharing and enjoying their k1nks, wanting to post things with safety and privacy... smut artists and writers, people even LOOKING for smut...
It's all gone. No privacy.
They'll have your face, your name, your age, where you live.
You'll need an ID to use any US-based platform, even if you're NOT in the United States.
Instead of dooming, here's what you can do to stop this shit in it's tracks 👍
Here is a website where you can sign a letter just by filling out a form, (it takes less than 30 seconds) and where you can call reps.
I HIGHLY suggest leaving calls if you're able, and if you have phone shyness, do this after 6pm, since it will leave messages instead.
I'm shy, but I did it!
Here's another letter to sign, takes less than 20 seconds.
Here is a form you can fill out sharing how the social media has POSITIVELY effected you.
Share all of this with as many people as you can. Our safety, freedom, joy, and protection online is at risk more than ever.
(Here is the thread where I found all of this information.)
STAY SAFE!
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god I would be UNSTOPPABLE if I was capable of consistently initiating tasks. just you wait. you'll be waiting a while but just you wait
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