imagine if doorways grew back like scabbed over with fresh drywall and you had to keep carving them back out with a jabsaw to keep the doorway clear etc

One time my rabbi told us, “imagine you had a box with a little bit of god in it. What would you do with the box?”

So we were like ?? “We’d protect it and keep it nice and clean and polished” and he was like “your body’s that box. Stop eating markers”

that one post about how Shocked the characters of Galavant would be if they got renewed got me thinking about what I personally would find funny in a third season:

There's No Way They Renew Us Again, We've Got to Cram as Much as We Possibly Can into This Season: cue episode that's basically an opera; they decide at the end it's way too much work and go back to their regular format

argument between Richard and the rest of the cast as to whether or not Tad Cooper should be shown onscreen, because we really don't have the budget to be animating a dragon all the time, why do you think he was a lizard last season (bEcAuSe NoBoDy ElSe BeLiEvEd In HiM, tHaT's WhY)

finally agree that he can be there, but only if they use practical effects (that's okay, people like practical effects better anyway). Tad Cooper is now never actually onscreen or played by a guy in a rubber suit

the special effects for the whole show are slowly replaced by (cheap) practical effects, until there's an episode that looks like it was made in the eighties (eighties nostalgia is big right now! do you know how many shows are just reboots of stuff from the eighties?)

Madelena gets a metal rock number in that episode

some of the Magical Beasties are very obviously repurposed from Star Wars ('can... can we do that...?' 'it's okay, Disney owns everything')

Lin Manuel Miranda tries to get on the show but they fight him off because a: he's the wrong composer and b: they can't afford him

everyone is mortally afraid of jumping the shark

in the end a shark or shark-coded character jumps over Galavant

in the big finale there is one (1) shot of a beautifully animated dragon

Richard has been hoarding the special effects budget the whole season so that Tad Cooper can get his moment in the sun

A group of friends and I did a one shot recently in 5e. The catch is that they play something called “Dude Squad” where the only play “dudes” (not exclusively male people, just dude mentality) and they hate all magic and magic users. They think true strength is muscles and only muscles, and have in the past encountered magic users who they then convince to give up magic.

We got told to build a level 17 character for this one shot, most of the other folks had previous Dude Squad characters to resurrect. But I didn’t really want to play a straight martial class. In my heart, spellcasters are my true class, and I didn’t really have a strong idea of what kind of character to make.

So I approached the DM and said, “Hey, I have this idea to play a character that pretends to be a martial class but is actually a magic caster?” My girlfriends character is an aasimar who thinks he’s Thor and my backstory was that after meeting him and falling for him she decided to invest heavily in deceptive magic so as not to alienate him.

And my DM. Loved it. So he helped me build an extremely custom character. Two levels in Hexblade warlock gave her a good weapon and the ability to cast disguise self pretty much nonstop to appear buffer than she actually was.

Then there was four levels in Stone sorcerer in order to get 4 sorcery points, the ability to use those points to cast using Subtle Spell and no one could tell she’s casting, and to buff her AC.

Finally there was 11 Bladesong wizard levels in order to get some attack bonuses, even more AC, extra attacks, and the ability to burn spells to take less damage.

So the whole time I was burning spell slots to recharge my sorcery points every time I cast things like Haste and Spider Climb and use my Bladesong powers. We busted through walls and smashed our way through puzzles. We lied and said my character was a Barbarian/Monk so they didn’t bat and eye when she ran on walls with spider climb, but no one noticed when even after dashing she “held onto the stone wall” without any kind of check.

The final battle: the goblin wizard boss we were fighting had cast invulnerability on himself and had our friend mind controlled. So I’m trying to cover for not attacking as I try to dispel his invulnerability. I can no longer run on walls, or make the jumps my party is making on floating platforms over a spike pit so I try to use my actions on other helpful things like tying ropes for friends in the pit. I manage to dispel the magic on our friend but I burned almost all my spells trying to secretly dispel the boss’ spell and finally we just ended up grappling and suffocating him then pummeling him to death.

But at the last moment as we’re running out of this horrible goblin mansion I’m running down a wall and my friends are climbing down. The building says there’s 6 seconds left and my very injured love interest is not gonna make it so my character shouted “Fuckfuckfuck!” Ran over and cast dimension door to bring them both to safety. (Two people got left in the blast but both survived cause Dude Power). Then I critically failed my deception about how I had used magic and came clean and everyone lost their shit when they heard what we’d done. Her final confession, after dropping her buff disguise self, was, “When I met Kathor I really liked him and he freakin’ hates magic so I just kinda figured out how to hide that I was castin’ magic cause I though we might go to pound town.”

Kathor then declared, “I’ve never had someone try so hard to get in my pants!” And swept her up and they messily made out. It was deeply satisfying the wonders that DnD can create, like making a whole class based on the lie that you’re not spellcasting.

Just finished hamlet & had to share THIS

"is shipping pro wrestlers RPF" - the greatest thread in the history of forums, locked by a moderator after 12,239 pages of heated debate,

we need a huge fucking island in the middle of the Atlantic

Absolutely cannot believe reddit is voting this guy YTA so far

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

Christian rock band made up of sheep and goat and deer furries who sing about Jesus being their shepherd. The sheep is their lead singer. Band is called The Pray Animals.

Swedish Chef was on Masterchef Junior this week and he has human hands and it makes me really uncomfortable. 

I have been waiting all year to post this.

Villains in Addams Family movies go to really unnecessary lengths to defraud them of the family fortune. These people just give it away on whims all the time. If I just walked into the house and started wearing their clothes and spending their money, they wold start introducing me as Cousin Intruder and forget there was ever a time I didn’t live with them.

oh my goodness, one of dian fossey’s first close up observations with gorillas happened when she was trying to climb a tree to see them better, but so badly that by the time she’d gotten up the entire group had come out of hiding to look at her: “Nearly all members of the group had totally exposed themselves, forgetting about hiding coyly behind foliage screens because it was obvious to them that the observer had been distracted by tree-climbing problems, an activity they could understand.”

They. They forgor

Anybody want to play hangman with me? Here's the word: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _