torturing myself as an amateur artist with these visuals *sob*

ISLAND from Max Moertl on Vimeo.

SO。CUTE。VISUALLY。

How to lift cats in Cinema 4D: a glimpse into the making of #Swipebait! Read Mike’s full making-of story via the link in our bio 👆

Love this Chinese Food Documentary SO MUCH!!!

Ryoichi Ikegami <3

A random sketch from 5 years ago. I didn't know what happened to my hand at that time. . . #dibuangsayang #random #sketch #sketchbook #tbt #timetravel #pencil

Oh yeah! 

Even a psychopath is a “pepper”….Nick Castle on the set of ‘Halloween’ between takes

“Amid the lush and pleasurably larkish Southern Gothicism of Sofia Coppola’s The Beguiled, the auteur’s creative soulmate Kirsten Dunst turns the character of Edwina, a lonely-hearted teacher and undoubtedly this story’s most plaintive figure, into a tremulously real creation. In Coppola’s earlier The Virgin Suicides and Marie Antoinette, Dunst made ravishing and indelible impressions in performances engineered to convey concrete ideas about the inherent sorrow of young womanhood, as opposed to actually presenting full-bodied, psychologically-rich women. In The Beguiled, Dunst strikes an impressive balance between two assignments, honoring the conceptual archetype of this sullen, self-effacing girl, while also carving out space for some truly experiential character-acting that results in many of the movie’s most bracing moments: an ambivalent confession, a distressing discovery, a reckless sexual offering. Working deftly from a purposely limited register that never lets any one sentiment reach full flower, Dunst proves herself, yet again, to be an expert, breathtaking modulator. By inhabiting Edwina so intimately and yet keeping her cards so close to her chest, Dunst ensures that Coppola’s cadre of women will be neither underestimated nor swiftly forgotten.” — Matthew Eng

The 10 Best Female Film Performances of Early 2017

(Source: TribecaFilm.com)

2017 and still reblogging.. Never released a single original post

Have a Bewitching Halloween! 🌙 🎃 👻 🔮 ✨

All my Halloween greeting card designs for Punkpost.

Hey, could i Ask u why do u usually fill the shape of the drawing with one colour and then u color over it?

I do what is called a clipping mask, once i have the shape of the drawing in one solid color, i clip another layer on top of this one ( create a new layer, place it on top of the solid color layer, press alt+left click between the two layers).It means that on all of the layers clipped to the solid color one, i can’t draw outside the pixels of the solid color one. here’s a gif i made that might make things clearer.On top of the technical side, for a character, i usually make the solid layer the skin color, doing that makes it easier to choose colors for the hair, the clothes, etc, etc. At least for me it does

https://soundcloud.com/myqx/paperboat

30 years ago today, Madonna released her record-breaking album, True Blue. 

Strange, Bizarre and Adorable: Renee French’s Emotional Creatures

To meet more of Renee’s adorably creepy creatures, follow @reneefrench on Instagram.

“There is no such thing as too cute, and there is no such thing as too gross. And if you put them together, there’s this nice balance.” Meet Renee French’s (@reneefrench) cast of graphite creatures who live at this cross section of adorable and creepy. “I sit down, make a sketch and try and make myself laugh first,” the writer and illustrator, who lives outside San Francisco, says. “If I draw it, and it’s making me laugh inside, I go with it.” Renee’s emotions play a big role in her process, and she’s curious to learn how others react. “I love it when people look at them and have an emotional response,” Renee explains. “If you’re having a bad day, you could interpret it as being really sad, when someone else might see it as anxious or scary. It depends on the person. Except my mom. My mom always thinks they’re cute.”

The Best Vintage BAZAAR Covers Through the Years  

A look back at the best of BAZAAR—the oldest fashion magazine in the world. 

See them all. 

Creating a Portfolio for Entertainment Design, Concept Art, and Visual Development

FACEBOOK VERSION

EMAIL: [email protected] | PORTFOLIO: allisonperryart.com

Find me on FaceBook, Instagram, Tumblr, ArtStation, & Twitter @allisonperryart​

DISCLAIMER: While this document is a collection of my observations as a student, teacher, and designer, following these instructions does not guarantee you acceptance into any particular college or company. I wrote it as a syllabus for a college portfolio prep class I teach and thought others might be interested. All images in this document are created by me.

INTRODUCTION TO STORY-TELLING AND WORLD-BUILDING

A good portfolio is a collection of strong work; however, a great portfolio is a collection of strong work with a coherent idea! When it comes to concept art and visual development, colleges (as well as employers) aren’t just looking for the ability to create beautiful illustrations—they’re looking for an ability to build worlds and tell stories. In order to showcase this ability, you will need to think of a story you want to tell and use your portfolio to “pitch” that story and the world it takes place in.

Keep reading

https://soundcloud.com/myqx/cover-priscilla-chan-thousands-of-songs