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funny ways to say “in the middle of nowhere”
Collected funny ones under this post + contributions to this one (my selection). Most involve ass(holes), have god/the devil, (nonsense) names of villages…
🇩🇪German: in the ass of the world/ the pasture- am Arsch der Welt/der Weide; where Fox and Hare bid each other good night - Wo sich Fuchs und Hase Gute Nacht sagen (old-fashioned), where the dead dog lays - Da liegt der tote Hund, in Buxtehude/ (Kuh)kaff, in der Pampa, in Timbuktu
🇮🇹Italian: in assland - in culonia/culandia, in the wolves’ ass - in culo ai lupi, in the ass of the word - in culo al mondo; 🇫🇷 French in the asshole of the world - dans le trou du cul du monde
🇨🇿Czech: Where foxes bid good night to one another - Kde si lišky dávají dobrou noc
🇩🇰Danish: where the crows turn around - Hvor kragerne vender on Lars diarrheas field/on the field of Lars Shitpants - På lars tyndskids mark
🇳🇴Norwegian: far damn from violence - langt pokker i vold, “huttaheiti” (gibberish)
🇸🇪Swedish: out (there) in the spinach - ute i spenaten,“tjotaheiti” (see above, maybe originally from Tahiti)
🇪🇸in Spain: in the fifth hell/pine tree - En el quinto infierno/pino, where Christ lost the sandal/hat/lighter - Donde Cristo perdió la alpargata/gorra/mechero;
🇲🇽 Mexico: Where the devil farts - Donde el diablo se echa un pedo, and sometimes someone answers: “Y nadie lo escucha” And no one hears
🇹🇼in Taiwan: where birds don’t lay eggs and dogs don’t shit - 鳥不生蛋狗不拉屎的地方
🇵🇱Polish - where crows turn around - Gdzie wrony zawracają, where dogs bark from their ass - gdzie psy dupami szczekają 🐶; Where the devil says goodnight - Gdzie diabeł mówi dobranoc, where (black) pepper grows - gdzie pieprz rośnie, (mostly in the context of running as far away as possible or chasing someone away)
🇦🇺Australia: woop woop or “in the middle of woop woop’ 🇳🇿 NZ: wop wops
🇻🇳Vietnamese: holy forests, poisonous waters - rừng thiêng nước độc / where mountain passes are windy/cloudy and winds swirl in vortexes - đèo heo hút gió or đèo mây hút gió (rarely used)
🇨🇦🇫🇷 Québéc: Saint clin clin des meuhs meuhs (actual village name…)
🇸🇦 Arabic (Saudi dialect): in the castle of wadren في مقلاع وادرين (an old castle in the middle of desert)
🇮🇱 in Israel: Israel: at the end of the world, take a turn left - סוף העולם שמאלה
🇫🇮Finnish: behind God’s back - jumalan selän takana, in the devil’s ass - helvetin perseessä;
🇬🇷 Greek: at the devil’s horn - Στου διαόλου το κέρατο;
🇧🇬 Bulgarian: on the ass of geography - На гъза на географията
🇮🇸 Icelandic Out in an asshole - úti í rassgati;
🇧🇷 in Brazil: in cock’s house - na casa do caralho;
🇦🇷 in Argentina: in the pussy of the parrot- en la concha de la lora 🦜;
🇪🇪 Estonian: in the bear’s ass - karuperses 🐻
🇺🇸 USA: bumfuck Egypt
🇧🇪 in Belgium (Dutch): in a farmer’s asscrack - in een boerengat
🇺🇦 Ukrainian: in the devil’s swamps в чорта на кулічках, where the crow won’t carry bones куди ворон кісток не заносить
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Could I ask for tips on how to write kisses?
Writing The Perfect Kiss Scene
#1 Find the RIGHT moment
We all know what I mean! The "zing" when the character's faces are get close enough must come unexpected (but) when both of them are looking for romance/comfort.
For example:
Tripping over each other in the hallway
Person A covering their face with their hands and Person B prying them off, their eyes meeting...
Sitting next to each other in the library, elbows touching, and they happen to turn around to face each other...
Find a natural way to bring your characters the romantic atmosphere!
#2 Noticing the Other Person
It's natural to to see someone in a different way when there's romantic vibe pulsating in the air. Maybe your character notices that their crush has a speck of green in their eyes they didn't notice before.
#3 Build Ups
Describe how the characters feel moments before their lips touch. This includes things like racing hearts, sweaty palms, unsteady breathing. etc.
#4 Feeling all Self-Conscious
If you're writing a first-person POV or want to portray the nervous excitement of kissing a love interest for the first time, you can afford to have your character be distracted by how they feel inside, or worrying about how they smell/look, etc.
Maybe they feel like it's too early in the relationship to kiss
They're still thinking about that annoying math problem
Did I apply my new cherry-flavored chapstick? etc.
This should come in the same beat as the "notice the other person", heightening the romance tension between the characters.
Once they get closer and the kiss actually happens, these worries will melt away!
#4 Describing the Details
In most cases, it's best to keep things understated (especially in regards to tongues)
tongues cannot "tangle" or "battle" or "swish around"...please, no.
Focus on the lips and how the characters move (like hugging, pushing the other against a wall, breathing, etc.), adding the tongue as an afterthought.
Don't get too exicted about taste.
No, her tongue didn't taste like fresh roses and peaches, unless she was eating peach candy right before the kiss.
Focus on other sensations other than taste: especially touch, heat. the tickle of his breath on her cheekc, etc. Or even the smell of shampoo.
#5 The Pullaway + Reaction
Does the kiss end naturally, or does something else interrupt them?
How do the characters react: do they blush, say something, hug he other person, or run away with a deep blush? For couples, they can even tease the other.
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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Writing Tips Master Post
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Character Voices
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Narrative:
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (More)
Transitions
Pacing
Dialogue Tips
Writing Cheating
Worldbuilding:
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Writer resources:
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Writer help:
Losing Passion/Burnout
Overcoming Writer's Block
Fantasy terms:
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
Ask games:
Character Ask Game #1
Character Ask Game #2
Miscellaneous:
1000 Follower Special
Writing Fantasy
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heartbreak through body language in Men
A drooping posture can convey a sense of defeat and sadness. Keep shoulders slightly slouched, and avoid standing tall or with a straight back.
Facial expressions play a crucial role. A downturned mouth, furrowed brows, and a distant or vacant gaze can all indicate inner turmoil and heartache.
Men often avoid eye contact when they're feeling vulnerable. If you're experiencing heartbreak, you might find yourself looking down or away when speaking to others.
Restlessness can manifest in various forms, such as tapping fingers, bouncing legs, or constantly shifting positions. This indicates inner turmoil and an inability to find peace.
Movements may become slower and less purposeful when someone is experiencing emotional pain. This can include gestures like reaching for objects or adjusting clothing.
Men in heartbreak might withdraw from social interactions or participate less actively in conversations. They may seem physically present but emotionally distant.
Deep, heavy sighs are often involuntary reactions to emotional distress. They signify a release of tension and an underlying sense of sadness.
Heartbreak can drain one's energy. You may notice a decrease in enthusiasm, vitality, and overall liveliness in how you carry yourself and engage with others.
Crossing arms, hunching shoulders forward, or clasping hands in front of the body can create a barrier between oneself and others, reflecting emotional guardedness and pain.
Gestures may become less expressive and more restrained. Hand movements may be smaller in scale and less animated compared to usual.
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Writing Description Notes:
Updated 29th May 2024
More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
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How to show emotions
Part V
How to show grief
a vacant look
slack facial expressions
shaky hands
trembling lips
swallowing
struggling to breathe
tears rolling down their cheeks
How to show fondness
smiling with their mouth and their eyes
softening their features
cannot keep their eyes off of the object of their fondness
sometimes pouting the lips a bit
reaching out, wanting to touch them
How to show envy
narrowing their eyes
rolling their eyes
raising their eyebrows
grinding their teeth
tightening jaw
chin poking out
pouting their lips
forced smiling
crossing arms
shifting their gaze
clenching their fists
tensing their muscles
then becoming restless/fidgeting
swallowing hard
stiffening
holding their breath
blinking rapidly
exhaling sharply
How to show regret
scrubbing a hand over the face
sighing heavily
downturned mouth
slightly bending over
shoulders hanging low
hands falling to the sides
a pained expression
heavy eyes
staring down at their feet
Part I + Part II + Part III + Part IV
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Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.
A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.
Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
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patricia charbonneau and helen shaver in desert hearts (1985)
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ENDLESS LIST OF FAVORITE FILMS:
AFTERNOON DELIGHT (2013) dir. Joey Soloway
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RYE LANE (2023) : a love letter to South London
dir. Raine Allen Miller
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I TALKED ON THE PHONE WITH MY BEST FRIENDS TODAY!! AND I TALKED ABOUT MY PCOS AND HOW IT MADE ME FEEL IN BOTH DEEP AND SHALLOW WAYS AND WE LAUGHED AND IT FELT GOOD AND I FEEL OKAY!!
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Omg what if they did the whole so and so was only alive for blank and their health degenerates after blank happens. It could be the night king and jon starts to die after and that could be the catalyst to either drive Dany mad or towards kindness from her loss.or if it was to kill dany he starts dying after he that
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Or like what if everyone who got called a king queen ended up dead and the person who 'won' the game of thrones was the people who didnt play
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I think both jon snow and Daenerys Targaryen should die at the end of game of thrones and arya stark is an old lady reading to a child "it was a song of ice and fire..."
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