So March lasted ten years and April just kinda passed instantaneously like we’re in a coma and yet I’m trapped in it eternally

2020 calendar so far..

ugh, for those in the notes who keep on saying “this is so true, I wonder what’s the rest of the year is gonna be like” :

I feel like there needs to be an author alignment chart

Chaotic Evil is writing on your phone in the dark with no glasses on (me)

when are critics going to realize that i don't care if my fun girl gang movie is cinematically groundbreaking. i just want to see them thrive on screen and have fun and be fierce and star in movies that are not necessarily top tier but still good without being degraded for it like men have been allowed to for decades

ZENDAYA COLEMAN Leaving her hotel at London, UK

dream girl ✨

LMAO yessss, kate harrison!!!

“SHE’S A LESBIAN. MY BAD!”

This is what Steve Rogers was created for, defending the minorities, well done to the artist!!

“No, YOU move.” By Tom Hodges. Prints available here.

zendaya said fuck racist lives

People start to ship Tony Stark and his bodygaurd Iron Man.

The ship name is “Irony”

I hate this “no spoilers” culture that we live in right now. Producers and writers are so terrified of fans predicting the ending to their works to the point that they’re making nonsensical endings to their narratives. They’re messy, out-of-character, and outlandish, but, hey! at least they’re unpredictable!

Rian Johnson, The Last Jedi — completely ignored & disregarded the 3-film narrative arc J.J. Abrams has planned out for the sequel trilogy, and instead developed his own messy narrative full of subversions for the sake of subversion, and completely disrespected the legacy of Luke Skywalker’s character (Mark Hamill himself has reported several times that he doesn’t recognize the character).

Russos, MCU — give out fake scripts, actors play against green screens and are cut & pasted together in post, show fake/edited scenes in trailers, throw away previous character development (Thor, Ragnarok vs Infinity War and especially Endgame).

D&D, Game of Thrones — throw away a decade of foreshadowing and character development for shock value, not to mention they missed a whole ass Starbucks cup in a shot in 8x03 (either on set or in post, somebody should’ve noticed this).

I’m sick and tired of this. It’s not good writing, and it’s no longer entertaining to fans when the characters they know and love become complete strangers. There’s good shock value — “No, I am your father,” for example — and then there’s ignoring years of character development and turning a kind and caring character into a murderous maniac. There’s a difference, and I think writers still know what that difference is, but they’re pressured to create an ending that fans can’t predict because of this mass panic over “no spoilers”.

This needs to stop. Give me a happy ending. Who the fuck cares if we guess what comes next? That means the writers have done their fucking jobs. If we can guess what comes next that means the writers have successfully developed their characters and foreshadowed future events as you’re supposed to do in a well-written narrative.

No spoilers? Sure. I like to experience narratives without being spoiled. But don’t make the narrative unrecognizable by the ending. It’s just not good writing.

thanos: *lays his eyes on peter parker*

carol:

Brie Larson has more bde than an other Avenger combined

tessa knows she’s that bitch

no one:

chris evans on set: