uncle sukuna and his nephew !!
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Anna Haifisch
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studies at the Musée D’Orsay
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still amazes me that by season 45 or whatever, Supernatural was being exclusively watched by delusionally hopeful women with flamingo-salinity tolerance for bad writing and the creators still couldn’t pander to them because maybe there was 1 straight guy out there still accidentally watching it
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James baldwin’s the artists struggle for identity. Btw.
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christian rock bands are a backbone genre in the amv scene
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i was so fucking sad when i was 14 and now when i fold my laundry or see a pool of moonlight on the floor of my bedroom i know that miracles exist. i see love in everything. love sees everything in me too
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cupid !! they/them
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🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.
Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.
Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.
Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.
Be criticizes anti-migrant policies and Trump and his ilk.
Jackboot Jump is about the global wave of fascism and about protest and resistance.
Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.
Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%
Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.
If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.
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a bedtime comic.
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Megumi baby of the group, I will not take criticism
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the year is 2028 and i am a quarter of the way into the latest 45-hour youtube essay epic everyone's been talking about
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"wasted potential" you are still living!!! your potential is still here, you can carry on
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‘DNAde’ - FOUND: Artifact from the Future (Wired Magazine - March 2002)
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