Violet Evergarden Chronological Index
My translations of the Violet Evergarden novels following its timeline, made for anyone who would like to would like to try reading it in the subsequent order of events. If you can, please support the creators by buying the official releases here. In case of wishing to re-translate this into other languages, contact me here. If anyone is feeling generous, please consider donating to my Ko-fi or PayPal. ( âšâĄâš)ăŁâシ*
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ko-fi°Instagram
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I think this sums up the difference between liberal and radical feminism better than anything else
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Introducing my mortal kombat ocđąââď¸đŠ¸
Name: Alana DĂšbrava
but goes by Alana Steel as a way to distance herself from her father's last name
Nationality:đşđ¸đˇđş
ESTP-Chaotic neutral
Drawn by the great @ishimaru-suprimacy
Powers:
The ability to manipulate earth as well as metal because she can sense the impurities in metals and control the impurities like any other type of earth.
Appearance breakdown:
Alana is a 5'9 blonde woman with red highlights, the yellow and red colors represent how she will learn how to manipulate lava later in the plot.
Her combat outfit is navy blue which is not a color that people would associate with earth manipulation showing how unpredictable Alana as a character is.
(I still don't have a backstory for her soo...mk fans if you're into this kind of thing my dms are open)
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Look okay, I'm not saying these two are one for one copies of each other, and there's probably some essay in here somewhere about grief vs anger and neglect vs abuse and how those things can and do intersect.
BUT I am saying that the quotes: "Your greatest gift to me, and I'm killing him," and, "You, Dad. I'd still have you," and their (Dracula & Omni-Man) subsequent reactions immediately afterwards are things that both had me staring at the cieling for a long time after I turned off the TV.
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you can only reblog this today
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i do not care about menâs rights.
to act as if menâs problems were and are caused by anything and anyone but men is intellectually dishonest or plain stupid. the patriarchy this, the patriarchy that. i am fully aware that the patriarchy does not 100% benefit men, but that doesnât mean it wasnât designed to. men have higher suicide rates, are constantly fucked over in divorce and alimony cases, blah blah, but whose fucking fault is that? men will complain about child custody but will turn around and advocate for the fact that women are naturally more inclined to care for children, that weâre softer and, quite frankly, just breeding machines. men are in the light they hate specifically because of the light they placed women in; you hate that youâre not allowed to show weakness, but youâre the ones who actively spout that idea. i have never known a woman to tell me or a man that men shouldnât cry, but iâve seen many boys go around telling their buddies to suck it up â so whoâs really the problem? nobody can care for you if you do not first care about yourself, and thatâs why i ultimately donât care anymore.
women owe you nothing. we built, and continue to build on, feminism for us. instead of complaining about what men donât get, start providing it for yourselves. open up to your friends, and to the friends who will be opened up to, donât just dismiss it as weakness. donât immediately run to women, start with your community. women have to start by supporting each other before we can go out and make a difference, so, men, start by supporting each other.
despite men not caring about men, i can confidently say that i have never known a man to care about women. some care about a woman, sure, maybe even a few, but never women in general. i have never known a man, in his own time, to speak about the injustices women face and how he contributes to it, i have never known a man to even think of that. i will not go ahead and tweet âmenâs suicide rates are higherâ when you refuse to even think about it yourselves. menâs issues are only ever brought up to silence women, or lower their voices, and itâs disgusting. i refuse to speak up for someone who only speaks over me.
men have issues, but there are no âmenâs issuesâ. you have issues because you are a human being (unfortunately) and we have womenâs issues because we are not treated as such.
i do not give a fuck about âmenâs rightsâ, âmenâs issuesâ because 1) they donât exist, and, 2) i will not give my time to something you yourself donât see as a problem, you fucking idiots.
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Lin kuei if they were teenage girls
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I just realized both of them killed their dad's lol
They give off the same vibes,that's it that's the post
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They give off the same vibes,that's it that's the post
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Feelings on Amma and how desperate she is for affection? She occupies my brain constantly but Iâm not smart enough to talk about her.
*Rubs hands together like an uggo little housefly* I have sooo many thoughts okay so Amma is an abused child whose choice of coping mechanism for said abuse is to try and make believe some sense of control over her situation by pretending that she is in a symbiotic rather than abusive relationship with her mother, that she and her mother have a mutual understanding whereby Adora gets to uhh umm straight up poison her, but in exchange must shower her with the love that Amma knows, deep down, isnât really there. Amma wants this compensation for her suffering, and the only currency of any value to her is her motherâs love, and the only consolation she has is that she might someday get to be a beautiful, perfect ghost, like Marian. That maybe someday, Adora will kill her, and she will have secured herself the best case scenario for a women in Wind Gap, which is to be perceived forever as the feminine ideal without the possibility of disgrace always looming overhead (similar ideas of The Dead Girl being societyâs underlying feminine ideal, the inevitable outcome of the expectations placed on women and girls, were also explored in Gone Girl). We see Ammaâs relationship with both her mother and Alan reflected in her relationships with sex and boys, in that she lets older boys sexually abuse her and tells herself sheâs the one using them, and that these transactions are just that, transactional, the only kind of love she knows, and the boys largely inconsequential. And her dollhouse, her fancy, needs to be an exact replica of her motherâs house because it allows her to exercise control over an environment she otherwise has no real control over. Adora striking up friendships with Ann and Natalie was a breach of contract that had to be rectified, and so when murdering Ann and Natalie only ends up elevating them to the lauded status of Dead Girl, and they receive more attention than ever, Amma is beyond furious, and receives Camille with some measure of warmth because she is primed to find a new mother if the old one canât keep up her end of the bargain, though she canât rule Camille out as competition. And while she most certainly felt antipathy toward her victims, her romanticization of death is what really enables her to kill without remorse. After all, what she wouldnât have given to be Marian, loved by her mother, loved by everyone, forever, without ever having to bleed for it again. Because nobody in her life loved Amma enough to help her until Camille, and by then it was already too late. And she doesnât stop killing even after she knows it wonât get her the outcome she wants, because she needs to feel it again, that power over another person, another child, another girl. Amma has never felt less like a helpless victim, less like those murdered girls, in her whole life. Which just makes the whole thing that much easier.
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"you do realize that you're in a misandrist echo chamber, right?" you do realize that the entire fucking world is a misogynistic echo chamber, right?
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Can someone draw the lin kuei as heathers pretty please
Bi han is heather chandler
Tomas is heather duke
Kuai liang is heather mcnamara
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I need more nitara edits in my life
tried some lineless art + skin practice on Nitara (don't ask about the outfit i reference both her Midway's clothes with the mk1 one and cooked up this)
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