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Real wanting to die but ur parents already have one fucked up kid so u at least owe it to ur mom to not seem outwardly depressed hours whom up
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tank [magazine/editorial: ‘close-knit’] | f w 2014-15 | top by maison martin margiela + skirt by sonia rykiel | photography: lena c. emery | styling: sara gilmour |
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Carol Christian Poell cast leather dress from F/W 1999 collection
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Disolved Clothes at Hussein Chalayan SS16
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Olivier Theyskens autumn—winter 1999—00.
For the Winter of 1999-2000 he wanted an extremely refined collection, with the occasional discord. The unity of his monochrome silhouettes was broken by several mannequins on the runway, enfolded in impressive constructions of material. “L’antinomique de l’extrémisme”, as he puts it himself.
Olivier Theyskens: I wanted this collection to be extreme. Monochrome black, with a touch of blue and white. At the same time there was the desire to go beyond the extreme, to show the absurd.
The hardest thing is to finish a collection, to see what you want to see. It’s like a Brazilian who has made his carnival costume: he’ll spend six months making it, the stress for him will be that everything has to be perfect at the moment of the carnival parade.
The history of costumes is interesting especially for keeping your feet on the ground, and for knowing that you’re not doing anything extraordinary either. Just look at everything that has been done in the past, and you come right back down to earth.
In twenty years’ time people will be able to see that my clothes were made in 1999, and they will probably be very difficult to wear.
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Maison Martin Margiela tabi boots from S/S ‘89 to ‘02-‘03 A/W
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