One simple way to look at it is to take the rate of emissions reductions achieved in countries that have successfully decoupled, and see how long it would take for them to fully decarbonize. That’s essentially what Jefim Vogel and Jason Hickel — researchers at the University of Leeds and the Autonomous University of Barcelona, respectively — did in the Lancet Planetary Health study. They found that, if 11 high-income countries continued their achieved rates of emissions reduction, it would take them more than 220 years to cut emissions by 95 percent — far longer than the net-zero-by-2050 timeline called for by climate experts.
“The decoupling rates achieved in high-income countries are inadequate for meeting the climate and equity commitments of the Paris Agreement and cannot legitimately be considered green,” the authors wrote. In an interview with Grist, Vogel likened optimism around gradual decoupling to saying, “Don’t worry, we’re slowing down,” while the Titanic races toward an iceberg.
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“Absolute decoupling is not sufficient to avoid consuming the remaining CO2 emission budget under the global warming limit of 1.5 degrees C or 2 degrees C and to avoid climate breakdown,” concluded the Intergovernmental Panel on Climate Change in its most recent assessment.
Instead of making growth greener, some economists call for a whole new economic paradigm to address converging social and ecological crises. They call it “post-growth,” referring to a reorientation away from GDP growth and toward other metrics, like human well-being and ecological sustainability. Essentially, they want to prioritize people and the planet and not care so much what the stock market is doing. This would more or less free countries from the decoupling dilemma, since it eliminates the growth imperative altogether.
Raworth, the professor at Amsterdam University of Applied Sciences, calls her version of the post-growth agenda “doughnut economics.” In this visual model, the inner ring of the doughnut represents the minimum amount of economic activity needed to satisfy basic needs like access to food, water, and shelter. The outer ring signifies the upper limits of natural resource use that the Earth can sustain. The goal, she argues, is for economies to exist between the inner and outer rings of the doughnut, maintaining adequate living standards without surpassing planetary limits.
“Our economies need to bring us into the doughnut,” Raworth told Grist. “Whether GDP grows needs to be a secondary concern.”
Vogel and Hickel go a little further. They call for a planned, deliberate reduction of carbon- or energy-intensive production and consumption in high-income countries, a concept known as “degrowth.” The rationale is that much of the energy and resources used in high-income countries goes toward carbon-intensive products that don’t contribute to human welfare, like industrial meat and dairy, fast fashion, weapons, and private jets. Tamping down this “less necessary” consumption could slash greenhouse gas emissions, while lower energy demand could make it more feasible to build and maintain enough energy infrastructure. Some research suggests that reducing energy demand could limit global warming to 1.5 degrees C without relying on unproven technologies to draw carbon out of the atmosphere.
One of my favorite things to happen in a show, is when a moment is super funny when you watch it as the audience, but when you think about it from a in-universe perspective is extremely sad and or fucked up.
Heres a perfect example:
Watching adora pulling a knife from under her pillow as a cartoon character? Fucking hilarious. Extremely funny moment.
Thinking of Adora as freshly out of the cult she was pretty much born into, deep inside what only days ago she considered the heart of enemy territory, about how she didn't feel safe enough to sleep until she literally had to hide a knife under her pillow?
i do think theres something sad about how largely only the literature that's considered especially good or important is intentionally preserved. i want to read stuff that ancient people thought sucked enormous balls
Dear Tumblr, I have been desperately wanting to share this news with you since May last year and now I finally can: Gollancz is publishing not one, not two, but THREE of my queer medieval retellings over the next few years! You'll have seen me posting little bits about these books in the past, but I'm so excited to get to share them with you properly.
First up in 2025: The Wolf and His King, a queer retelling of Bisclavret that uses werewolfism as a metaphor to explore chronic pain and illness. It's also very much about gay yearning, fealty, and the mortifying ordeal of being known. Partially in second person and partially in verse, you can see my previous posts about it under the tag the wolf and his king or, for the really early ones, werewolves and gay yearning.
In 2026, I'm bringing you The Animals We Became [working title], which is a queertrans retelling of the Fourth Branch of the Mabinogi, looking at gender, compulsory heterosexuality, and trauma, via nonconsensual shapeshifting. Lotta trans vibes, lotta trauma; I wrote a first draft of this last year because I got carried away writing the sample chapters for my proposal and I'm excited to get deeper into it in edits. Aka t4t shapeshifting and trauma; generally tagged as also owls are transmasculine now.
And finally, in 2027, which is the one I've honestly been most excited to tell you guys about, it's To Run With The Hound [working title]. If you've been following me for a while, you'll know that I wrote a book with this title way back in 2018… well, the one I've sold isn't exactly that book, it's a proposal for how I intend to completely rewrite that book from the ground up, but yes, this is it: my Cú Chulainn novel, my queer medieval Irish book, my (hopefully) magnum opus. Haven't written it yet, but the plan is to use a nonlinear narrative to explore why Táin Bó Cúailnge is a tragedy, featuring a great many feelings about Fer Diad, Láeg, and Cú Chulainn himself.
There's a bit more detail and some FAQs on my website right now, but the most important thing is QUEER MEDIEVAL BOOKS WRITTEN BY SOMEBODY WITH MULTIPLE DEGREES IN MEDIEVAL LITERATURE. If that sounds like your jam, stick around.
A wonderful Pokemon chinese animated short film directed by DaiWei (All Saints Street) and produced by MTJJ / HMCH studio (Legend of Hei) for Chinese New Year.
i hate it when i cant even write a poem about something because its too obvious. like in the airbnb i was at i guess it used to be a kids room cause you could see the imprint of one little glow in the dark star that had been missed and painted over in landlord white. like that's a poem already what's the point