A bi-monthly online magazine celebrating young and talented creatives all over the world.
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The Koronette - April 2015
Our April issue is here! Check it out & tell us what you think!
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So happy our giveaway soap found its new home! Find more gorgeous items at 👉@birchandgoldberry 👈 || 📷 @hellohomebody
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Madi Pipkin | Interview
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Here is a list of our favorite online small businesses! Do you have a favorite that's not listed here? Let us know!
1. Beam and Anchor
2. CHAY
3. Moorea Seal
4. Myth and Symbol
5. need supply co.
6. Olive
7. Poketo
8. Sunchild
9. the general store
10. Wilson & Willy’s
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Happy Valentine's Day!! Congratulations @hellohomebody for winning our giveaway! Please email [email protected] so we can send you your @birchandgoldberry soap! || Regram of @mkenzieleigh. Read her interview in issue 1.
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|| G I V E A W A Y || we picked our favorite @birchandgoldberry soap to give away this week! To enter, just comment below with a funny pick-up line. The one that makes us laugh the hardest wins! The winner will be announced on Valentine's Day!💕 #giveaway
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We at Koronette will be listening to these songs on repeat for February!
Album cover photo by Jay Mondkar | jmondkar.com
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Kimberly Landa
Houston, TX | 20
Tell us a little about yourself.
I am a junior Studio Art major at UT. I grew up in Houston and went to Memorial High School, but now live in Austin. Art is probably my most interesting hobby haha. I have an older sister and a younger brother. I am absolutely obsessed with my dog, who I LOVE to paint.
I love your painted skulls. What else do you sell?
Thank you! I also sell paintings. I do some abstract, and some non-abstract. My favorite thing to paint is dogs.
“Instead of having lemonade stands as a kid I would have art stands”
How did you get into art?
Funny story- instead of having lemonade stands as a kid I would have “art stands” where I would sit In my front yard with my favorite children’s book (Chrysanthemum the mouse) and charge 99 cents for a copy of a drawing out of the book. I also have always had a sketch book since I was really little. I always drew on vacations and cut things out of magazines and tried to draw them. I didn’t really get into art until high school when I began taking classes, but it was always a big hobby of mine.
Who or what inspires you?
I like to flip through magazines to get inspired. I like getting painting ideas from prints or patterns in clothing I like. Many of my paintings or skulls are inspired from random things like a pair of shoes I love or a purse- it’s always hard to explain to people because it’s all in my head. I also love to get inspiration from Veranda magazine, or my dog who I love to draw/paint. My favorite artists are Edgar Degas and Paul Villinski.
How would you describe your style?
Painterly, simple, and loose.
Other hobbies?
I love to play the piano!
For how much do your painted skulls usually cost?
Most of them cost around $200- but it vary’s because of the cost of the actual skull.
What are your next steps?
Hard question!! It’s hard to take any “next steps” right now because I’m so busy with school. I guess for now my next step would be to learn as much as I can from my professors here at UT, hopefully get an internship in NY this summer, and expand my clientele. My dream would be to have my own studio, but that’s pretty far into the future! I also would love to look into illustrating children’s books at some point.
View all her work here.
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Antoinette Tran
Stafford, TX | 21
Tell us a little bit about yourself.
I grew up in Stafford, TX, which is a suburb near Houston. I went to a high school that was particularly small, but rich in diversity, and spent most of my summers in Saigon, Vietnam, eating mangosteen, playing Go Fish during blackouts, and showering on balconies in large, plastic bowls. I’m terrible at remembering events, but can somehow remember facts pretty well, as if they were more inherent than my own experiences. Whenever my thoughts aren’t infested with schoolwork, I like going over philosophy, especially topics concerning gender roles... or staring at a certain piece of art for stretches of time. I don’t like smiling in pictures because I’m a firm believer in spontaneity and candor, but I think I’ve gotten better at doing so. I am currently a senior at Texas A&M University, pursuing a B.S. in electrical engineering and minor in mathematics. I was always excited about school as a kid, but never took it too seriously until my sophomore year of high school. Looking back, I think I got pretty lucky with the timing of my education. I’m glad to have continued.
How’d you get into photography?
I started photography when I was twelve years old. It was then, around that time, my father noticed my knack for navigating through different sorts of software and hardware, and came to entrust me with a brand-new, point-and-shoot digital camera for our family vacations. I never noticed my attachment with photography until I broke my first camera at an airport in Narita, Japan four years later. It was devastating! I could hardly contain myself-- but without that experience, I wouldn’t have realized how important documenting is to me. I love photography in a sense that it could be retrofitted to an individual preference, because of its capacity to remind subjectively, no matter how seemingly incoherent and vague, and finally, because it provides a safe means to expression that I couldn’t otherwise do verbally.
Where do you get your inspiration for your photographs?
My photographs are just a messy conglomeration of preferences derived and refined, over time, from exposure to various works of art and discernment. I’m all about improvisation, so I like doing things on a whim, which is probably why I’m more inclined to documenting than planning for a photo shoot. I have a giant book over photojournalism that displays photos from numerous artists in a timeline of historical events and trends, and it’s one of the best things I’ve ever owned. I become really entranced in it. The whole thing, it’s almost bewitching-- each photo seems to have a certain level of sacredness in it, and the spontaneity pulls you right in. Even from a two-dimensional standpoint, its photographs seem to exist and make themselves known somehow. For the most part, I’m interested in the compositions of old photographs and films, such as Rosemary’s Baby and 2001: A Space Odyssey. The stark contrast of it all, pops of color, dominates a good chunk of my decisions during photo editing.
What types of cameras do you like to shoot with?
I like both digital and analog; although, I haven’t developed film in a while (I have a super fat lens film camera and a 20-year-old something Canon SLR). My first camera was a Nikon D60, and last year, I was able to upgrade to the Nikon D5200. I used to be obsessed with different types of lenses, so I have an automatic 35 mm f/1.5 lens and a manual 50 mm f/1.4 lens, along with the basic kit and telephoto lenses. Lately, I’ve found that I’ve been going back to basics with the kit lens.
I want to share a bit of my history with my viewers in a way they can visualize and judge only for themselves, as if they were ensconced in the photos.
How important is Photoshop with your final images?
Incredibly important! I couldn’t function without it on my desktop.
What do you want your viewers to take away from your work?
“Art for art’s sake” is a slogan used by several artists in the past that try to deviate from the classical assumption of art-- that art has to hold some intrinsic, moral or academic value. This slogan sticks with my photography because there’s honestly no conceptual meaning behind my photos. I don’t normally think about my viewers whenever I take pictures because photography is an internal process for me. I guess I subconsciously have my photos positioned in a way that seems first person. Consequentially, what I would mainly expect my viewers to take away from my photos are the feelings and experiences I’ve attached to them. I want to share a bit of my history with my viewers in a way they can visualize and judge only for themselves, as if they were ensconced in the photos. Hopefully, they’ll understand and discover those same feelings.
What else do you enjoy besides photography?
Whenever I get the chance, I read, especially anthologies or sci-fi and horror stories. I also like to make digital sketches of characters, play the ukelele, and participate in mini-excursions. Recently, I’ve rekindled my love for graphics design.
What are your next steps?
I would like to start a nude series someday! But other than that, continue taking photos and finding a career with my soon-to-be engineering degree.
View all her work here.
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Whitney Woodard
Austin, TX | 18
Tell us a little bit about yourself.
I am 18 years old and I am from Austin, TX. I went to Westlake High School and now I am a freshman at the University of Oklahoma.
How did you get into making jewelry?
I started making jewelry my second semester of my senior year of high school. I’ve always been crafty and was looking for a new hobby. When I was little, my grandma use to make jewelry and I would always help her, so I knew the basics of jewelry making. I decided to start making jewelry again. It was just a hobby for me. Then my friend saw my necklace and wanted one, and then her friend wanted one and then a lot of people from my high school started wanting my signature tassel necklaces. So I decided to start a business. Within a month of me starting “Beaded by W”, I had stores contacting me wanting my signature tassel necklaces to sell. I now have my jewelry in 3 states, 8 cities and over 10 stores. I still take individual orders and am currently working on my website. I still take individual orders though as well: you can order anything by checking out my instagram and facebook page “Beaded by W” and emailing me at: [email protected]
What is the most difficult thing about owning a business?
Owning your own business turns you into a perfectionist if you weren’t one before. Everything is on you- so if something goes wrong; it’s your fault. But it is also fun when things go right or if I get a new store. I do everything by myself too- I make the tassels, order the beads, maintain my social media, email people and mail out orders. My friends help me make the necklaces whenever they can which is so nice of them. My mom and dad help me with taxes, which is great. I’m so lucky to have a great support system with my business.
What advice would you give to others who want to start their own business?
If you have an idea, go for it. Even if people tell you it’s dumb, it’s worth a shot. Be nice to everyone, you never know whom you are interacting with and how he or she could help you. Celebrate every tiny victory. Be proud of yourself for every little thing that happens, because you made it happen and that is the best feeling. Even if you have a set back, don’t let it stop you from continuing what you are doing. Everyone has set backs but you can either let it stop you or you can learn from it! Get an idea and get organized. Don’t be afraid to ask for help either! Put yourself out there. Don’t take rejection harshly either.
Where do you find inspiration for your jewelry?
I find inspiration for my jewelry everywhere, color combos especially. I look at fashion magazines too to see what the latest trends are. I pay attention to what girls are wearing and what they are interested in. I ask around too for advice on what my friends might like or what they think looks good.
How would you describe your style?
My style is colorful. I’ve always loved bright colors, and I think that is what makes my jewelry stand out. I put colors together that most people wouldn’t think look good but they end up looking pretty cool.
What are your next steps/projects?
Honestly, I take this business day by day, which most people say not to do because to stay ahead in fashion you have to always be looking forward. But being a freshman in college makes it hard to do that because I am so busy with school too. My dream would be to have my own store, or for this to lead me to great possible job opportunities. My inspiration is Kendra Scott, she is incredible and I love her jewelry and style.
View all her work here.
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Julia Gabriel
Houston, TX | 25
Tell us a little about yourself.
Dogs, sewing, Texas, friends, coffee, art, leather, pink!, fun, work, work, fun, work.
How would you describe your style?
My aesthetic is clean and modern; for the woman who wants to look cool and classy at the same time. Audrey Hepburn has been my style icon since I was in elementary school; that’s when I saw Breakfast at Tiffany’s for the first time. I had no idea what was going on in the movie but Holly Golightly just looked so cool. I later realized what a mess she was which made her even more likable. So, my style rests in that moment where cool and classy meet reality and practicality.
“My aesthetic is clean and modern; for the woman who wants to look cool and classy at the same time.”
What is the most difficult thing about owning your own business?
The most difficult thing is being busy all the time. I love working. That’s not the problem. I have to be careful that I don’t get too lost in my business and neglect my friends and family. Sometimes I forget that I need to reset and breathe for a minute or two with good company.
What is your creative and production process?
My current collection, the Ratio Series, started by using the golden ratio (typically used in architecture) to design a series of accessories. From there it was all about material choices and how to convey this concept while also creating highly functional objects. Each piece is then patterned, protoyped, and finally sewn by me in my Houston studio. It’s definitely a labor of love.
How did you get to where you are?
By staying focused and keeping my eyes open to any opportunities that may come my way.
Who or what inspires you?
In high school, I studied dance pretty intensely at the High School for the Performing and Visual Arts in Houston. Something we practiced was to stand next to someone in class who was better than you. It not only humbled me but taught me how to push harder. Lessons like that inspire me and keep me on track.
What are your next steps?
Expansion! I’ve done some really solid ground work and now it’s time to scale up; which is just as scary as it is exciting.
View all her work here.
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Mackenzie Kolling
Forth Worth, TX | 21
Tell us a little bit about yourself.
I was born and raised in Texas, and am enrolled at Baylor University. I am currently studying abroad in Florence, Italy. When it comes to art, I was a bit of a late bloomer. I was always good at it, but never truly saw myself as an artist until college, really not even until this semester abroad. The professors I’ve had, the challenges I’ve faced, and the places I’ve seen have all been incredibly influential on my growth as an artist and as a person this semester.
How would you describe your style?
I’m not sure if there is a term or phrase for it, but as far as photography is concerned, I love simplicity. Minimalism, in a way. I love finding subtle details and textures, maybe even subtly ironic subjects, as I see them. I typically photograph in a deadpan manner. I also love minimal colors. Soft tones and quiet beauty are my favorite things to capture.
Latest inspiration?
As of late, an obvious inspiration has been my travels. I recently got back from a ten day trip to Wales, Ireland and London. I saw the most beautiful things I’ve ever seen. It changed my life. Nature is most definitely a muse of mine.
Do you take photos more for yourself or for others?
Definitely for myself, at least at first. I capture with a camera the things that capture my eye. Whatever I’m attracted to. What I end up putting out there is definitely to some extent influenced by how I think others might respond.
What do you like to photograph?
I wouldn’t say there is one thing in particular that I enjoy capturing. If anything, my subjects are more tied by overarching themes or aesthetics. Put simply, things that I find beautiful. I love natural light and the shadows it creates, and that relationship with landscapes, objects, and people.
Favorite photo you’ve taken?
I don’t think it’d be fair to say one or another, since I’m always taking pictures, and my favorite is changing all the time!
What applications/programs do you use to edit your photos?
I usually use VSCOcam, but I will occasionally use Camera Raw in Adobe Bridge or Photoshop.
Who are your favorite photographers and why?
I’m in love with Walter Niedermayr’s work where he explores space as a reality in its relationship to the people within it. I’m a huge fan of surrealism, and his work feels very surreal to me, yet it is still incredibly simple. Also, the colors are perfection. I also love Luigi Ghirri’s work. He, like me, studied as a graphic designer, and I think that could be part of why I connect with his work. His compositions and beautiful use of natural light just inspire me to want to go out and take more pictures.
“I love finding subtle details and textures, maybe even subtly ironic subjects, as I see them.”
Where do you see yourself five years from now?
Honestly, I have no idea. I’ve been answering that question the same way for well over five years, too. It’s always changing. But I like it that way. I like to be open to whatever comes my way, and to not be too intent on one thing or another. I don’t want to miss an opportunity because I was too focused on what I thought I wanted. I never thought I would be able to work as a professional artist, but the changes that I’ve gone through this semester have got me thinking. We’ll just have to wait and see.
View all her work here.
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Here’s a sneak peek of our upcoming February issue! Fourteen more days!
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DIY: Lettering in Photoshop
Pen
Pencil
Paper
Tracing Paper
Photoshop
1. Sketch
Doodle a few ideas on paper with your pencil. Once you have settled on a design, clean up the edges as neatly as you can.
2. Trace!
Place the tracing paper on top of your sketch.
First, outline it, then scribble it in. No need for perfection! We wanted it to have that scribbled-in effect.Then, scan it in (we recommend black and white 660dpi)
3. Edit Levels
Click Image>> Adjustments>> Levels.
A new window should pop up. Adjust the black, gray, and white arrows so the background becomes completely white without comprimising the integrity of the image.
4. Select the white space
Click Select >> Color Range.
On your artboard, click the white space. Adjust the ‘Fuzziness’ feature to your liking.
Click OK
4. Delete white space
Press delete!
5. Color
We filled our background with a christmas red and made our doodle light-gray with color overlay.
We also added texture and flecks to give it a vintage vibe.
6. Shadow
With the lasso tool, select the ‘20’ part of the image.
Copy and paste the selection so it becomes a new layer. Name it ‘Shadow’.
Edit the ‘Shadow’ layer with Color Overlay to give it a dark red color
Move this new layer so it is behind the white layer like in the image below.
With the brush tool, edit the shadow so it is connected to the white ‘20’.
6. Add it on
Create a new layer. Name it ‘Additions’.
Draw shapes with the pen tool.
Fill them in with a dark red color.
7. Voila!
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Shop small this holiday season! Here's a few gift picks from some of our favorite makers and shakers. Check our more in our December issue!
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