justatadstrange1
Probably Likes TWDG Too Much
2064 posts
Don't wanna be here? Send us removal request.
Last Seen Blogs
gctchell
𝖆𝖋𝖙𝖊𝖗 𝖙𝖍𝖊 𝖋𝖆𝖑𝖑
gwen-tolios
Gwen Tolios
sarfarajkhanme-blog
UPCOMING REAL ESTATE PROJECTS
fry-fro
You Can't Prove it Won't Happen
aomgmonsterblog
Untitled
Photo
The amazing concept art of Coraline
Artbook: Coraline: A Visual Companion
9K notes
·
View notes
Photo
PEDRO PASCAL // On set of The Mandalorian (Season 1)
10K notes
·
View notes
Photo
22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”
Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)
89K notes
·
View notes
Text
Merry Christmas to all who celebrate!!
Enjoy a festive little enj with a kitty, it’s good for the soul
This was a present for the one and only @ourhufflepufffangirl (hope you like it 😌) for @catstrophysics server secret Santa
373 notes
·
View notes
Text
The most hilarious part of italians’ reaction to coronavirus/covid19 has been them stockpiling EVERY SINGLE type of pasta except the PENNE LISCE
which Italians couldn’t bring themselves to buy or eat even during a mass psychosis
173K notes
·
View notes
Text
Mary Blair concept art for Disney’s ALICE IN WONDERLAND (1951).
21K notes
·
View notes
Text
what the Half of It really shows is that there’s more than one way to do a story about queer coming-of-age, while also being a brilliant reminder that sexuality will always be intersecting with other identities when you’re young teen of colour.
in the margins of this film, there is an extremely quiet but very overt storyline about the loneliness of being a second generation immigrant in a small town that doesn’t have a prominent diaspora community. In contrast to To All the Boys, for example, where we’re shown how the Covery sisters interact with their diaspora friends and other Korean diaspora families, and how having that community (and sharing that common history with someone) is an essential part of your social life and emotional wellbeing, Ellie and her father are more or less alone in a white, conservative town.
As Ellie mentions, the closest Asian grocery store is 2 hours by bike, and to be separated from all assurance of your heritage and identity is an extremely specific kind of loneliness. In this town, they will always be the Other, and Ellie is not only extremely disconnected from her peers and her classmates, but also from herself. She’s trying to grow up in the image of her father, because it’s the only connection she has to that part of her identity, and that’s kept her detached and self-isolated.
It is crushing, which is why seeing Ellie overcome that loneliness is an equally important part of her character arc. She learns to be herself, and her sexuality, but an equally big triumph is her growing out of her self-isolation. Her friendship with Paul, being accepted by her classmates, and her longing for Aster are all equal parts of her coming-of-age.
This was a specific story told by a Chinese director, with a Chinese protagonist finding her sense of self in a town that has more or less worn away her identity. if you’re white and LGBTQ+, i am going to please ask you to stop whining about how The Half of It is not ~quEeER eNoUgh~ for you, because the movie itself has already broken the mold of how many stories about how Asian diaspora are told.
17K notes
·
View notes
Photo
sidus.animation: https://www.instagram.com/p/B0pzLEQHEvT/
1K notes
·
View notes