iwritemilfs
Guess what, we're shitty people
Roleplay account feat. characters from TLOU, The Boys, Russian Doll, AC Odyssey and more. 21+
309 posts
Don't wanna be here? Send us removal request.
Last Seen Blogs
dapperpea
Sad Cannibal Noises
graphicsgirlie
graphics ( adhd version )
theothermercedesdriver
Six Seasons and a Movie
doveinizialostraordinario
Addio, Elisewin
lil-lillerzzz
p.s. i still love you
Text
Long story short, currently about three weeks into my Aus. *adventure*. Currently staying in a hostel bc a certain young, blonde pop singer is performing in melb this weekend so all the airbnb prices were disgustingly high.
I'll have a three month job starting the end of march, but I still don't have anywhere more like?? permanent to stay until that time, so this'll be interesting.
Oh and I haven't tried using my debit card in days bc it started declining for like, no reason lmao
1 note
·
View note
Text
Currently getting ready for a 25 hour flight; maybe the gods let me get some writing done 🫡
4 notes
·
View notes
Text
Always certain any moment
Maybe you maybe you
Maybe even you
#(anywhere you go is a warzone) musings; helen#(i love you just the way you are) dale jennings#(big spoon or little spoon? big spoon. definitely) helen x dale#me when they when
92 notes
·
View notes
Text
Should be getting to replies pretty soon I t h i n k
1 note
·
View note
Text
WE HAVE A TWO SECOND TESS MEME. I REPEAT. TWO SECOND TESS MEME
#;;ooc#FINALLY MY GIRL IS INCLUDED#tlou#this might’ve existed for ages n I’ve just never seen it#in which case#I will not own my mistake. I love sharing Tess stuff
0 notes
Text
My dudes this is so fucking unrelated to anything and everything BUT we just got our first sorta bts pic from the new season of the newsreader, and bc I can't just enjoy things for what they are, I WANNA HAVE A CHAT ABOUT HELEN’S WARDROBE JOURNEY.
First of all imma say that yes, the seasons have had different costume designers, so styling will inevitably vary some. Its also set over a period of time, from the mid to late 80s, so like I UNDERSTAND THAT FASHION WILL CHANGE but I think Helen’s styling choices have more to do with her character development. Hear me out.
In season one we’re introduced to Helen, she’s a news anchor (and I think it’s important to note that she’s the first female newsreader at news at six). She’s on the desk alongside someone who has DECADES of experience, and who’s very much a household name. She honestly sort of plays second fiddle to him.
So let's have a conversation about how (I think) her (mainly on air) styling follows her journey and her character development.
In season 1, her outfits are generally very traditionally feminine. Blouses, bows, lighter fabrics. And her colours are quite muted, she wears a lot of dusty tones. Her hair is large and wide, which gives her a softer look. Overall, her styling is quite “soft”. Even in more structured garments, the fabrics generally remain light, or give off a more cozy vibe. Helen’s such a powerhouse and a force to be reckoned with, but her clothing and styling detracts from that, it allows people to see her as less of a “threat”, and Geoff’s in the spotlight.
There is one instance very early on where she and Geoff are trying to film a promo, where he consistently messes up and she actually corrects him. Notice her outfit; it screams 'authority'. Geoff on the other hand, even though he's in a suit, looks almost disheveled and even small next to her.
It's only later on in the season that her silhouette begins to change slightly, the shoulders broaden, the neckline lowers. The colours are also darker. But yet, even though this first outfit is technically more structured compared to what she's worn earlier, there are ruffles on her shirt, and the fabrics almost read like taffeta - giving almost a prom vibe.
See that compared to an outfit she wears later on in the season when she's on the desk with Rob rather than Geoff. The silhouette is the same, the colours are similar, but she has a much more commanding presence. She's starting to take charge. The fabric looks more expensive, the shoulders are broader etc.
In the final episode of season one, the styling has changed ENTIRELY. and this ensemble is closer to what we'll see in season 2.
In season 2, Geoff is no longer with the network and Dale has taken over his position. Helen is now the one with more experience and the bigger name. Helen is the harsh and the blunt one, whereas Dale often comes across as more “human” and personal in his approach.
Helen’s outfits are now a lot more structured, featuring bolder colours and more expensive looking, heavier fabrics. Her shoulders are also often much sharper. She's essentially taking up more space with her appearance, and drawing more attention. Her hair is still big, but it doesn't feature as much volume at the sides. This gives her a sharper look. Also take note of how Dale is matching her, their colour palettes go together. This contrasts Helen and Geoff's time together on the desk, as their palettes clashed more. Helen and Dale are harmonious, whereas Helen and Geoff clashed in both personalities and fashion - Helen had to downplay herself. I wanna note that Helen is still seen wearing blouses on a few occasions on the desk - but again, the colours and prints are much bolder compared to the striped blouse in season 1.
Touching quickly on her casual outfits; in season 1, Helen is almost always seen in jeans or casual slacks, along with extremely simple singlets or jumpers. She rarely, if ever steps away from earth and neutral tones, and she's practically always in a pair of white runners. In season 2, even her casual outfits are changing and becoming bolder; at least in the first half. Here we see her sport blouses and shirts that have more colour; oranges, blues etc. still muted compared to her on air outfits, but bold compared to her season 1 casual fits. She also more often than not opts for more dressy trousers and she's almost always seen in a pair of stilettos.
Towards the end of the season, however, we see the colour palette become more muted and neutral again. Personally, I see this working almost in tandem with how she’s losing Dale.
Then; episode five bb. This silhouette and outfit does in a way mirror her final season 1 outfit, but it's far more exaggerated. It's a wine red ensemble - a much darker shade of red than what she's previously sported, and the shape offers a somewhat exaggerated hourglass look - it's seductive.*This*, is her "revenge dress."
Now, let's get back to the important stuff. Towards the end of season 2, Helen's approached by a new network. She's offered a far better position, and she will be working in the states. Around this time is when we see her professional style shift somewhat again. It becomes far more sleek, with blazers that offer a much more traditionally masculine silhouette. They don't really come in at the waist, they're longer, and the shoulders are a much more prominent feature - yet they're not too big, she doesn't disappear in the garment. She's still in her stilettos - keep in mind that Helen's already relatively tall for a woman.
She's essentially starting back at zero, in a male dominated field where she's already experienced tremendous amounts of hardship due to her gender.
I imagine Helen's come a long way from when she first got a job in a newsroom. She's not gonna let people take advantage of her in one way or another.
So she'll dress in a way that commands respect, in a way where people can't objectify or reduce her to a body or a pretty face.
From the one season 3 bts pic I've seen, I'm assuming this (said above) might be a continuing trend. Also clock the shorter hair, could be the fact that we're approaching a new decade, or could be related to what I mentioned above.
ALSO WANNA SAY THAT THESE ARE JUST MY THOUGHTS N OBSERVATIONS. I MIGHT BE WAY OFF, I MIGHT BE TALKING SHIT, IDEK
#;;ooc#feel free to ignore this bc it’s literally just me ranting about costuming for way too long#BUT HERE WE ARE
15 notes
·
View notes
Text
* 𝐇𝐁𝐎'𝐒 𝐓𝐇𝐄 𝐋𝐀𝐒𝐓 𝐎𝐅 𝐔𝐒 / 𝐄𝐏 𝟏 & 𝟐.
feel free to change pronouns / wording! spoiler warning.
“ and that’s your biggest worry? ”
“ i presume the prospect of a viral pandemic keeps you up at night as well? ”
“ you like saying no. ”
“ billions of puppets with poisoned minds. ”
“ i was gonna make you birthday pancakes. ”
“ how old are you again? ”
“ gonna have to wear diapers soon. ”
“ you’re still alive, you old fucker. ”
“ your t-shirt’s inside out. ”
“ can’t tell you how exciting it was listening to that fucking conversation. ”
“ i was gettin’ worried. ”
“ i was thinkin’ we’d make some cookies. ”
“ i don’t know why i talk to her. ”
“ you locked the door for once, good job. ”
“ you got me a present? ”
“ i don’t hear anything. ”
“ that was lame. ”
“ i put the change back because i’m an honest thief. ”
“ it’s the thought that counts. ”
“ don’t fall asleep. ”
“ wasn’t my fault this time. ”
“ help me. ”
“ get in the truck! ”
“ you killed her. ”
“ we’re gonna be brave, and we’re gonna get outta this. ”
“ are we sick? ”
“ there’s nowhere to fucking go! ”
“ i got you. ”
“ can you run? ”
“ you keep your eyes on me. ”
“ we’re gonna get you somewhere safe first. ”
“ hey! no one told you to move. ”
“ are you alone? ”
“ how did you get this? ”
“ it’s okay. you’re safe. ”
“ well, the more you shoot people, the harder it is to sleep, i guess. ”
“ you want ‘em or not? ”
“ fucking fireflies been blowing shit up all week. ”
“ it’s easy to make a mistake in the dark. ”
“ i’m not asking you to say anything. ”
“ how about we just let it go? ”
“ you gonna keep me here? kill me? ”
“ i give you my word that he won’t hurt you. ”
“ i’d like to go home and drink ‘til my face stops hurting. ”
“ they’re shooting at us. ”
“ i’m not a firefly! ”
“ people are gonna come looking for me. ”
“ let me out or you’re gonna pay, motherfuckers! ”
“ i’m not supposed to be here! ”
“ you can’t be serious. ”
“ there are worse things than infected out there. ”
“ i got jumped by a couple guys. ”
“ it’s a miracle you’re alive. ”
“ it’s a miracle any of us are alive. ”
“ i was in fedra lockup all day. ”
“ i need you to take a breath. ”
“ we’re gonna find out, quietly. understand? ”
“ i would very much like for you to hurt him. ”
“ our people are asking what’s going on, and i don’t know what to tell them. ”
“ rebellion takes time. ”
“ is this real? ”
“ keep it quiet. ”
“ you tell me to ‘look for the light’ and i’ll break your jaw. ”
“ you’re not scared. ”
“ why did you stop them? ”
“ i won’t tell anyone about any of this, i swear. ”
“ you were safe there until you decided to sneak out. ”
“ why won’t you let me go home? ”
“ i wasn’t expecting it. ”
“ you can’t be stupid like this. ”
“ obviously didn’t take ‘fuck off’ for an answer. ”
“ gimme my knife. ”
“ it’s our business to know things. ”
“ you’re the cause of it. ”
“ we don’t smuggle people, sorry. ”
“ i know what’s out there. ”
“ what are they capable of? ”
“ you trust her? ”
“ your watch is broken. ”
“ you mumble in your sleep. ”
“ i’ve never been on the other side of the wall. ”
“ look how dark it is. ”
“ but you know where to go, so we’re gonna be okay. ”
“ holy shit, i’m actually outside! ”
“ you stay close, and you follow my lead. ”
“ i’m not sick! ”
“ i should fucking kill you! ”
“ i apologise about your lunch. ”
“ is this bite from a human? ”
“ so they’re still out there… ”
“ i have spent my life studying these things. ”
“ i’m not infected. ”
“ i think what really impressed them was the fact that i didn’t turn into a fucking monster. ”
“ there’s not gonna be anything bad in here? ”
“ better them than us. ”
“ i’m gonna talk to you like you’re an adult. ”
“ fuck you, man, i didn’t ask for this. ”
“ can i have a gun? ”
“ i’ll have to thrown a fucking sandwich at them. ”
“ they hit most of the big cities like this, they had to slow the spread somehow. ”
“ whatever, i snuck in. ”
“ you got some balls on you, sister. ”
“ people like to tell stories. ”
“ have you heard of books? ”
“ i don’t know how i was supposed to know that. ”
“ you’re a weird kid. ”
“ you try climbing ten fucking floors with our knees, see how you feel. ”
“ where’d you learn to do that? ”
“ no more questions about me. ”
“ was it hard? like, knowing they were people once. ”
“ you step on a patch of cordyceps in one place, and you can wake a dozen infected from somewhere else. now they know where you are, now they come. ”
“ you’re not immune from being ripped apart. ”
“ from this point forward, we are silent. ”
“ well, i didn’t shit my pants, so… ”
“ how about you just take the good news? ”
“ is it everything you hoped for? ”
“ our luck had to run out sooner or later. ”
“ i never ask you for anything. ”
“ save who you can save. ”
“ i’m not going with you! ”
325 notes
·
View notes
Text
Bruises and Bruising
WORDS
“Where did you get those?”
“Is that…. somebody’s hand?”
“Is that… a bootprint?”
“It’ll look worse before it looks better.”
“Come on. Let’s get it wrapped up.”
“Do you want some painkillers?”
“Let me guess, I should ‘see the other guy’?”
“How’d you get a black eye?”
“I know you don’t do it on purpose, but I wish you’d stop coming home bruised.”
“I like the new look. It suits you.”
“Ouch, that looks like it hurts.”
“Talk to me.”
“You shouldn’t end up with bruises because you disagree with them. You know that, right?”
“Will you tell me how it happened?”
“Come and sit with me.”
ACTIONS
(send ‘+reverse’ to reverse the roles, or specify which muse is which!)
[sit] – sender comes and sits next to a bruised receiver. no words, just warmth.
[care] – sender provides physical care for receiver’s bruises (ice pack, wrapping them up, etc)
[shower] – sender takes one look at a bruised and bloody receiver, and goes to run them a shower. hot showers fix everything.
[offer] – sender has something they know receiver will want, and because receiver has had a bad enough day as it is, sender gives it to them. it’s the little things.
[stay] – sender offers receiver a place to stay, so that – wherever they got these bruises – they don’t have to go back.
[concussion] – sender checks receiver for a concussion, because it’s very possible receiver has one.
[home] – sender has no physical way of helping receiver out of this situation, but they offer out their hand anyway. just to hold onto (and to not let go).
7K notes
·
View notes
Text
Okay just updated my muse page to be a lil easier to navigate. Will probably do some more stuff w it but it's 2am n I'm a lil tired
4 notes
·
View notes
Text
She shook her head, offered a gentle smile. "It doesn't work like that." She didn't revel in killing off the Ushers - well, at least not most of them. But it had to be done. "Roderick and Madeline knew my terms and conditions then, and they do now. Madeline was smart, Roderick.." fucked up. He could've turned down the deal, or he could've refrained from having more children that would suffer the consequences of his actions. He made his bed.
Verna glanced down at the sleeping girl: entirely oblivious to who was in the room. "Some Christian denominations teach the concept of original sin. That all humans are inherently born sinful. Sometimes I think that's true." Humans could do so many horrific things, Verna had seen it all. "But you're not. None of you are." Eyes fluttered back up to the man, they seemed to almost glow in the right light. "It's peaceful. New life, and death, have that in common. The moments after are just that; peaceful."
He titled his head “you speak as though the usher children decided their own fate. They deserve a life, a life well lived. Why must you do this? Deal or not, why can’t you stop it. Take the ushers who sealed their fate, let them pay but don’t let the rest of the family suffer.” He whispered, the man feeling like a failure with each usher that died. He was supposed to be one of the best doctors in the city and yet, he couldn’t save an entire family.
His eyes turned, falling on his sleeping daughter who was napping on the couch in the ushers library. Jaime then breathed out “what’s it like- being next to life that has just begun?” He questioning, meaning his daughter as she was only two years of age whilst Verna was death. New life and death in the same room together, he was intrigued on how she felt.
3 notes
·
View notes
Text
@fullintenticns asked: Who are you? Why are you in MY house?’ For Olivia from John (oc)
________
Fingers traced a photograph, carefully secured behind the glass of a picture frame. A photo of a child and who Olivia presumed was her father - people she didn't recognise. People who didn't belong in Hill House.
She registered the voice, but didn't yet turn to face the stranger. Brows furrowed ever so slightly, her gaze never leaving the picture. It was her home, her forever home.
"We kept pictures here too -- I insisted because it was -" her fingers moved to empty spaces by the picture she'd previously focused on. " - well, because it was important..you know."
Finally, Olivia turned to look at the stranger. The stranger from the photo. Hazel eyes that had once been so full of life looked...lost. Just lost. "This isn't your house."
1 note
·
View note
Text
THE FALL OF THE HOUSE OF USHER (2023) || GERALD'S GAME (2016)
requested by @natscatorrcio
2K notes
·
View notes
Text
@fullintenticns‘ asked: I will do what it takes to protect them’ (for Verna from Jaime (oc)
_______
Jaime was doing his job. But so was Verna. At the end of the day, Madeline and Roderick Usher had made a deal with her, and at the end of the day...they all had to uphold that deal.
"Do you think you can protect people from themselves?" She had never lied, never deceived. She'd made the conditions perfectly clear - get what you desire, live a long, full life. But when it's over, it's over. For everyone. No amount of medicine or treatments would change that outcome. There was no cheating death. No changing the agreement.
3 notes
·
View notes
Text
I have said this before and I will say it again
🗣️TESS NOT BEING MENTIONED EVEN ONCE IN TLOU2 IS A CRIME 🗣️
#;;ooc#THIS WOMAN DID NOT GUILT TRIP HER BOYFRIEND LIKE THAT TO JUST#NEVER BE MENTIONED EVER AGAIN#FUCK THAT SHIT
6 notes
·
View notes
Text
Anna Torv - Lady Gwendoline Churchill - Deadline Gallipoli
219 notes
·
View notes
Text
For so long, Vought had been entirely untouchable. Anytime the bureau seemed to get some sort of valuable information, they just slithered out of their grasp. Untouchable.
Not to mention the general fear of pursuing a case. Officially, on paper, Vought was essentially entirely in the clear.
As if any company, especially one built on parading around glorified fucking bio-weapons, didn't have some skeletons in their closet. And things did happen, things that didn't add up. Things that, frankly, terrified her.
Hughie had been on their radar for a while now, he was a damn good hacker, annoyingly good. He'd proven to be quite the headache, which was why he was perfect for the case they were building.
Why should Vought be on this pedestal when Astrid knew, when she fucking knew that they were sitting on a pile of bodies, secrets and NDAs.
Which was where he entered the picture.
Astrid seemed almost painfully relaxed as she entered the interrogation room, sitting down on the empty chair directly opposite the man, the only thing separating them being a bare table.
"Hugh Campbell, I'm detective Aabel-Andersen, you can call me Astrid." She spoke as she sat, clearly authoritative, yet surprisingly friendly. She knew that would be the best course of action unless she wanted Hughie to lock up entirely.
She leaned back in her own chair ever so slightly. "You're not in any trouble, Hugh - is that alright - Hugh? Or do you have any other preferences, nickname, anything like that?"
@iwritemilfs
For Astrid
Hughie knew that his spree wasn't going to last. It was inevitable that he would slip up somewhere, not cover his trackes thoroughly enough and it would all come crashing down on him. It didn't make it any easier when the inevitable happened though. When he saw cops lingering outside the door to his and his dad's apartment, he ran; but they caught him.
Now he sat in an interrogation room, sweating bullets, anxiously worrying the tight handcuffs around his wrists. He should have asked for a lawyer the moment he'd got in, but he'd just frozen the moment they'd brought him in and now he was on his own and it was too late to be shouting for a lawyer.
The door opened and Hughie nearly flinched out of his seat. He pressed himself against the back of his chair, watching the woman walk in in silence. She wasn't a regular cop, he could tell by her clothes. A detective? Definitely not his lawyer, he wasn't getting any lawyer vibes from her (not that he'd ever actually had any dealings with a lawyer before). He watched her with round eyes, heart hammering in his chest, waiting for it all to come crashing down.
3 notes
·
View notes
Text
Will never forget the newsreader p.odcast hosts asking if Helen and Dale are even intimate bc the show doesn't have any explicit sex scenes
WHAT DO YOU MEAN
ARE THEY INTIMATE
DID
YOU
MISS
ALL
OF
THIS
39 notes
·
View notes