001. * CLARK KENT.
❛ ❛ THEY’RE ARMED, miss. DANGEROUS. i can’t let you go out there. ❜ ❜ he senses as he says it, HER EYES STEEL SET ; he doesn’t have a say in the matter. ❛ ❛ alright. alright, look. i’ll get them to bus. it’ll take less than a minute. YOU WAIT FOR ME HERE, okay ? you stay SAFE till i come back. ❜❜
❛ DANGEROUS MEN DON’T SCARE ME. ❜ brow is SET, ferocious and straight because she is INFINITELY more dangerous, more terrifying than men with guns ; snorts a half - laugh at his chivalry. EMMA GRACE FROST DOES NOT WAIT. ❛ don’t you worry about little old me. ❜ rife with sarcasm, she begins: telepath / dangerous / devil with good intentions as she idles forth.
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001. * LAURA KINNEY.
brown eyes fall down to the red soaked white top , clinging to her side like a parasite . funny . she hadn’t felt it . fingers come to fiddle with the fabric , to pull it up to inspect boring damage . shoulders rise and fall messily , with no real rhythm , as she can already feel her skin move around . her healing factor kicking in . laura stands , to push the doubt and the worry of the blonde aside . ❛ ‘m fine . ❜ SHE HEALS . how many times had she heard that before ? ❛ you shouldn’t be out here . ❜
IMMINENT DANGER HAS LOST ITS FEAR, lost it a long time ago but still, a shiver dances up delicate spine when narrowed hues cast sidelong glance at the disaster that lays before her. instinctively, SHE KNOWS ; knows that the ones she loves are deeply embroiled, so much so that doe - eyed pleading will do no good but buried under thick layers of CONCERN she acknowledges that they’re safe. ❛ �� you’re not the FIRST PERSON TO SAY THAT to me today. ❜ muted huff of a laugh accompanies clipped tones ; it dies somewhere between birth in velveteen throat and death on paled carmines. ❛ i’ll be fine. i’ve just --- ❜ what does she just have to do ?? why isn’t she running, the way they want her to ?? ❛ my friends are in there. ❜
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001. * MATT MURDOCK.
BREATHES IN, BREATHES OUT. warm blood coats his chin, originating from the corner of his mouth. sharp movement of his neck warrants the cracking noise that accompanies the chaotic sounds in succession of the action. STILL BARELY ANY EMOTION. his face mostly covered by the black cowl, eyes hide behind red, like always. the devil knows the soft voice of concern from miles away. meets her with a slight delay in his response. his voice is almost a whisper. ❛❛ i’m fine, karen. ❜❜ pain proliferates through his body, but he has to get up, he must. IT’S NOT HOW YOU HIT THE MAT, phrase runs through his mind over and over like a mantra. so, he picks himself up. ❛❛ YOU NEED TO LEAVE. ❜❜
SHE CAN’T HELP IT, the way hues soften when they fall unto the other ; worry quirks bitten shapes, the way it always does / soft when she extends palm forth because she knows, knows the commonplace stamp of hurt in muted tones. ❛ MATT, PLEASE. ❜ ( she knows he won’t listen, won’t STOP PUSHING THROUGH PAIN --- always has, for as long as she’s known him. god only knows how she WISHES he’d stop, would let himself breathe but IT’S WHO HE IS. ) ❛ just promise me you’ll be OKAY. please. ❜ tones nearly crack, but she’s stronger than that.
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❛ ARE YOU HURT ? ❜ question is blunt , but there’s CONCERN writ in gentle countenance that expresses itself when digits offer themselves forth to the other. ❛ i know a FEW GOOD safe spots , if you need them. ❜
status
: ↷ open.
location: ↷ border of the perimeter.
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001. * CLARK KENT.
GINGERLY, KNEE SETS UPON THE FLOOR. x - ray vision lets him count three fugitives in the theatre complex. ❛❛ WE’RE NOT ALONE, ❜❜ he whispers. tone contradicts his words, translates to more assurance than warning —— we, the man of steel says, WE ARE NOT ALONE. a hand extended, his brow softened: KAL - EL IS, always has been, AN UNSPOKEN PLEA FOR TRUST. ❛❛ i can get you to safety. ❜❜
FLUTTER OF PAPERY LIDS --- --- ; focus on the cogs of their minds , feel them turn. curve of CARMINE SHAPES sours once she’s scanned their inner workings. ❛ they need to be STOPPED. ❜ icy resolve has WORKED ITS WAY into tones ; once upon a cursed time , she would’ve let them run free. ❛ you look after the civilians. i’ll deal with THEM. ❜
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i’m home , and i just chucked a frozen pizza in the oven , and i’m pumped. with that , let’s get into round two of claire sobs over comic characters !
EMMA GRACE FROST DEALS WITH A LOT. born into a wealthy family in boston, her parents are pretty much absent from the scene and her sisters aren’t shit either, so she spends a lot of time with her brother, christian. he’s her main source of emotional support. to make it worse, she’s bullied badly and this is where i tear up bc my girl deserves better.
HER TELEPATHIC POWERS START TO MANIFEST when she’s a teenager, and they lead her a bit awol bc she falls in love with a teacher, kisses him, her sister sees and starts blackmailing him and yeah, it’s a shitshow but emma proves herself to be a frost in this period. her dad offers her the family fortune as well, so that’s cool.
SOMEWHERE ALONG THE LINE, she falls in with sebastian shaw and the hellfire club and this is where shit really starts to fall apart. it’s here that she gains the title of the white queen and works as shaw’s right - hand woman. she’s also running the massachusetts academy at this time --- emma cares about her students a lot and i love her for it.
THERE’S A LOT I COULD SAY about her and her story, but the way i’ll be writing her is pretty much: she’s joined the x-men, but she’s still very much viewed as a villain bc of her history with shaw and all that. really, all she wants to do is teach youngins and stay out of trouble.
SHE’S AN ANGEL who deserves the best and i just really love her so anyways that’s that
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i was going to make a cute graphic but who has that kinda time and energy ............ anyways i love bartholomew henry allen more than i love anything else !
→ BARTHOLOMEW HENRY ALLEN.
chaotic good. hero. the flash.
i’m pre much going off of comic canon instead of film canon but here we fackn go !
BARRY HASN’T HAD IT EASY, what, with a dead mother and a father in prison. he ends up being taken in by his mother’s secret boyfriend, darryl frye. darryl is who he credits his search for the truth for, and he’s also the one who got him into forensic science so fuckin’ cheers for that, dazza.
BARRY GAINS HIS POWER when henry ‘admits’ to killing nora, and to be perfectly honest, it’s pretty much where shit hits the fan. barry tears his lab a new one and ends up getting a lightning bolt to the heart. cue a fun little coma, and then --- the flash is born.
THE JUSTICE LEAGUE was kind of a happy accident that he got into. he got into the middle of a batman / superman fight and he just kind of fell in with them. he loves them a lot.
NOW, HE’S JUST TRYING HIS BEST. he attends university ( which one ? i don’t know ) and studies criminal justice and forensic science. he still believes that his dad is innocent, and still visits him every week.
IN TERMS OF PERSONALITY, we love a kid who’s literally just trying his hardest. he’s perpetually late, and he can’t stop himself cracking a joke here and there, and he just wants to fight for good and help people. that’s it. he believes in justice more than he believes in anything else, and i love him for it. that’s it, that’s the story.
1/3 done ig ??????? onto the next one ????????
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So then the story is true?
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