Red light district. Yerevan 2023

Twincam 2000.

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Tbilisi. 2023

Flickr  |  Instagram

The journey.

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Vans and Trucks.

Cars of the north. 

Teriberka, Murmansk Oblast, 2022 

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It’s real cold out there. Kemerovo, 2021.

Bronica GS-1, Kodak E100

From my solo exhibition LOCALWAVE. Check out the full project on Behance

Olgino. 2022

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a place to be... a time to come

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Night grooves. 2021

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Lesser Caucasus Rust Belt

Some Terminator 1 vibes. Saint-Petersburg, 2022

Kodak Vision 200T

Bronica GS-1

Bronica GS-1, Kodak Aerocolor 120

instagram / flickr / behance

What I love and hate about analog cameras is that every camera has a slightly different shooting process, it’s own tricks and tips, pros and cons, which are to get used to them and memorised. ⁣ ⁣ My Pentacon Six could randomly give 8-11 exposures instead of 12 and open up in bag by itself. With Mamiya C33 you had to additionally drive the release lever down after winding, that’s why only a single shot was exposed on my first film from it (shown in post). With Bronica, I loaded the film upside down my first time with it – all exposures were “taken” on backing paper. And so on. Although, with all difficulties, I love the result and feedback, so I keep going on.⁣ ⁣ I have drawn four most memorable cameras I had – with backgrounds being shots taken with them.⁣ ⁣ Olympus OM-10, Sheregesh, Zelenaya 2015⁣ Bronica GS-1, Altai, Aktru, 2020⁣ Mamiya C33, Nikola-Lenivets, Signal 2018⁣ Olympus XA, Kuzbass, Route R384, 2019⁣

instagram / flickr / behance

Kemerovo, Russia

Bronica GS-1, Zenzanon PG 100/3.5, Kodak Portra 160

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Saint-Petersburg, Russia

Bronica GS-1, Zenzanon PG 100/3.5, Kodak Portra 160

instagram / flickr / behance

3200 DPI 

part 1