hxilcyisms
gods and monsters
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“a glowing, velvet, monstrous flower whose petals had regained all their former bloom and elasticity, their corrupt, brilliant, baleful splendour.”
–Angela Carter, The Lady of the House of Love
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Caitlin Siehl, "Cut" // i.g.p, "Mama Bore a Girl" // Natalie Wee, Letters from Persephone // Sarah J. Maas, Heir of Fire // @klyukvav // @heavensghost // Carol Ann Duffy, "Medusa" // Aria Aber, "Ideology" // Clementine von Radics, "Vigil" // Ocean Vuong, "Prayer for the Newly Damned"
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Alexander McQueen autumn/winter 2008
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suburbia; or the sad, quiet horror of getting everything you ever wanted
"No Surprises," Radiohead // Safe (1995) // Kingdom Come, J.G. Ballard // Blue Velvet (1986) // "Once in a Lifetime," Talking Heads // Little Shop of Horrors (1986) // Jon Ware on I Am In Eskew // Vivarium (2019) // "His 'n' Hers," Pulp // The Truman Show (1998) // White Noise, Don DeLillo // Supergod, Warren Ellis and Garrie Gastonny // 17776, Jon Bois // photograph of 1970s Las Vegas underground Cold War bunker // Disco Elysium, ZA/UM
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I'm trying to come out to you.
Well, don't. Don't come out. Go back in.
I don't wanna go back in.
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A woman in West Virginia snapped a one-in-a-million shot of a tree being struck by lightning.
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𝙵𝚢𝚘𝚍𝚘𝚛 𝙳𝚘𝚜𝚝𝚘𝚢𝚎𝚟𝚜𝚔𝚢, 𝚃𝚑𝚎 𝙱𝚛𝚘𝚝𝚑𝚎𝚛𝚜 𝙺𝚊𝚛𝚊𝚖𝚊𝚣𝚘𝚟 (𝟷𝟾𝟾𝟶)
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You here now, man. That’s all that matter.
Moonlight (2016) dir. Barry Jenkins
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"I just thought, 'I really want to go and lounge around on some sofas and do absolutely nothing and drop some funny lines.'" ROSAMUND PIKE on playing ELSPETH CATTON in SALTBURN (2023)
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— Paul Celan, from The Selected Poems; “Torch Procession.”
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Hanif Abdurraqib, They Can't Kill Us Until They Kill Us
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i want you close like skin, but i don't say that. // your name is so perfectly sewn onto my tongue; / no matter how hard i try, the stitches won't come undone.
fatima aamer bilal, from moony moonless sky’s ‘when god pottered hands, i. your dishwasher is empty.’
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Anatomie d'une Chute (2023) dir. Justine Triet
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“I don’t mind being killed, but I don’t want them to touch me.”
— excerpt from Antigone by Jean Anouilh (trans. Lewis Galantiere)
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Sarah Fathima Mohammed, from "nocturnes in the rain"
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