The whole book is about how we should try to find rules other people can’t possibly reject, and then he ends it by saying, “The search for how to find those rules will go on forever.” I proposed a rule that Chidis shouldn’t be allowed to leave because it would make Eleanors sad, and I could do this forever, zip you around the universe showing you cool stuff, and I’d still never find the justification for getting you to stay. Because it’s a selfish rule.
Ki-jung – the facts are she’s the baby in the family, and she does sometimes come off as the most adventurous and progressive, but also very realistic out of the four Kim family members. But in reality, she’s very saddening, sometimes, and very heart-aching, because the amount of tests and exams, and the cuts that she didn’t make.
She seems like someone who’d never complain about it: Her only outlet was the little pouch that she hid on top of the toilet, with the cigarette case and the money. But she is definitely someone who would never talk to other people about her problems, and in that sense that’s why it was heartbreaking, because she felt that her only outlet was that cigarette box and nothing else.
But when Ki-jung starts going to the rich house, and takes on the role of Jessica, it was very cathartic as someone who was playing that role, because she was finally able to utilise every single skill that she had, and finally was able to use the tools that she’s been wanting to, but was never given the platform to do so.
PARK SO-DAM as Kim Ki-jung/Jessica in PARASITE (2019)
“In the film, the economic gap between two people becomes clearest in the moments of greatest intimacy. When the Parks first hire Kim Ki-woo (Choi Woo-shik) as an English tutor for their daughter, he is welcomed into her bedroom. As a maid, Ki-woo’s mother, Chung-sook (Jang Hye-jin), is allowed within earshot of the family’s quarrels and gossip. The rich outsource their most basic needs to the poor, who need the income, and the tight connections created by this exchange tend to be self-reinforcing.
[…] There is a Korean phrase that is commonly used to police people who act above their station: niga mwonde? Though the most faithful English translation is “Who do you think you are?” the sentence literally means “What are you?” South Korea is not the only country in which the rich and poor continue to live in close quarters, even as the disparities between them widen. The danger in such a system, Bong’s film suggests, is that one day people may find it easier to discount the humanity of fellow citizens than to address the unfair divisions in their heavily stratified society.”
Sometimes the future changes quickly and completely, and we’re left with only the choice of what to do next. We can choose to be afraid of it. Just stand there trembling, not moving. Assuming the worst that can happen. Or we step forward into the unknown, and assume it will be brilliant.
So I’m rewatching the entire original sailor moon series, and I am very obsessed with usagi’s weird chicken clock; the true great antagonist of season 1.
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